Varèse Sarabande: A 25th Anniversary Celebration

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1The Man From Snowy River: End Title
Bruce Rowland3:57
2The Winds of War: Main Title
producer:
Chris Kuchler and Tom Null
orchestra:
The Nurnberg Symphony Orchestra (Nuremberg Symphony Orchestra, the real orchestra)
conductor:
Zsolt Deáky (Hungarian conductor)
phonographic copyright (℗) by:
CDR Communications AG (in 1983)
recording of:
The Winds of War: Love Theme From the Winds of War
composer:
Robert Cobert (Television Music Composer)
publisher:
Chappell Music Ltd.
Robert Cobert2:26
3Blue Velvet: Mysteries of Love
conductor:
Angelo Badalamenti (American score composer)
instrumental recording of:
Mysteries of Love
lyricist:
David Lynch (filmmaker)
composer:
Angelo Badalamenti (American score composer)
publisher:
De Laurentiis Music (in 1989), Productions et Éditions Cinématographiques Françaises (in 1989) and Universal Music Publishing (use ONLY if no country‐specific information is available) (in 1989)
Angelo Badalamenti2:13
4Witness: Building the Barn
co-producer:
Michel Mention
producer:
Maurice Jarre (composer and conductor)
mixer:
Humberto Gatica
recording of:
Building the Barn (from Witness)
composer:
Maurice Jarre (composer and conductor)
Maurice Jarre5:00
5Raising Arizona: Way Out There
engineer:
Sebastian Niessen (engineer)
producer:
Carter Burwell (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recording of:
Way Out There
composer:
Carter Burwell (American score composer)
Carter Burwell1:56
6Pee Wee's Big Adventure: Breakfast Machine
engineer:
Dave Knight (engineer) and Mike Ross (engineer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John Coleman
remixer:
Bobby Fernandez (engineer)
phonographic copyright (℗) by:
Warner Bros., Inc. (not for release label use!)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
remixed at:
The Sound Factory in West Hollywood, California, United States
recording of:
Breakfast Machine
composer:
Danny Elfman (American singer and score composer)
Danny Elfman32:38
7Halloween: Theme
recording of:
Halloween Theme / Main Title
composer:
John Carpenter (filmmaker & composer)
John Carpenter2:57
8A Nightmare on Elm Street: Main Title
Charles Bernstein3:34
9The Fly: Finale
producer:
Howard Shore (Canadian score composer)
mixer:
Keith Grant (classical recording engineer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1986-06-23 until 1986-06-27)
conductor:
Howard Shore (Canadian score composer) (from 1986-06-23 until 1986-06-27)
orchestrator:
Homer Denison (orchestrator, composer)
phonographic copyright (℗) by:
Brooksfilms Limited
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
The Finale (from 1986-06-23 until 1986-06-27)
composer:
Howard Shore (Canadian score composer)
recording of:
Finale (The Fly)
Howard Shore2:52
10Robocop: Rock Shop
Basil Poledouris3:44
11The Empire Strikes Back: The Imperial March
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:22
12The Right Stuff: Yeager's Triumph
recording engineer:
Eric Tomlinson (British recording engineer)
producer:
Bill Conti
orchestra:
London Symphony Orchestra
conductor:
Bill Conti
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1985-11-25)
recording of:
The Right Stuff: Yeager’s Triumph
composer:
Bill Conti
Bill Conti5:13
13The Final Conflict: Main Title
Jerry Goldsmith3:26
14The Abyss: Bud on the Ledge
engineer:
Charley Pollard and Dennis S. Sands (American sound engineer)
assistant producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) (task: assistant to producer)
producer:
Alan Silvestri (US score composer)
conductor:
Alan Silvestri (US score composer)
orchestrator:
James B. Campbell (orchestrator)
recording of:
Bud on the Ledge (The Abyss)
composer:
Alan Silvestri (US score composer)
part of:
The Abyss
Alan Silvestri3:15
15Brainstorm: Michael's Gift to Karen
James Horner6:51
16Peggy Sue Got Married: Peggy Sue's Homecoming
producer:
John Barry (English score composer) and Paul Gurian
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Peggy Sue's Homecoming (from Peggy Sue Got Married)
composer:
John Barry (English score composer)
John Barry3:27
17My Left Foot: Mother
Elmer Bernstein3:39
18The Dead: The Story of Michael Furey
Alex North3:02
19Stanley & Iris: Stanley and Iris
recording engineer:
Dan Wallin
producer:
John Williams (American score composer and conductor)
editor:
Neil Devine and Ken Wannberg
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Pictures, Inc. (film company, restrict use to film/album artwork copyrights only)
edited at:
Amigo Studios in North Hollywood, Los Angeles, California, United States
recording of:
Title Theme (Stanley & Iris)
composer:
John Williams (American score composer and conductor)
John Williams3:28
20The Milagro Beanfield War: Theme
Dave Grusin4:00
21Driving Miss Daisy: End Titles
recorded at:
Media Ventures in Santa Monica, California, United States
recording of:
End Titles
composer:
Hans Zimmer (German score composer)
Hans Zimmer4:52
2CD
#TitleArtistRatingLength
1Steel Magnolias: Suite
Georges Delerue8:08
2Unforgiven: Claudia's Theme
Lennie Niehaus and Clint Eastwood5:44
3Raggedy Man: Main Title
Jerry Goldsmith3:37
4The Grifters: The City
Elmer Bernstein3:37
5Green Card: Silence
Hans Zimmer4:05
6City Slickers: Main Title
Marc Shaiman2:43
7Father of the Bride: Main Title
Alan Silvestri2:30
8While You Were Sleeping: A Happy Ending
Randy Edelman2:22
9Babe: This Is a Tale...
Nigel Westlake1:50
10The Adventures of the Great Mouse Detective: Main Title
Henry Mancini1:41
11The Adventures of Robin Hood: Main Title / Coronation Procession
Erich Wolfgang Korngold4:45
12The Young Indiana Jones Chronicles: Peking 1910 / An American Thanksgiving / A Chinese Adventure
Laurence Rosenthal5:59
13The Secret Garden: Colin Opens His Eyes
Zbigniew Preisner2:01
14A Little Princess: The Good-Bye
Patrick Doyle4:21
15Rudy: Main Title
conductor:
Jerry Goldsmith (American score composer)
recording of:
Rudy: Main Title
orchestrator:
Alexander Courage and Arthur Morton
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith3:37
16Iron Will: Main Title
Joel McNeely2:59
17Memphis Belle: The Final Mission
George Fenton3:56
18Eye of the Needle: Finale and Epilogue
Miklós Rózsa3:21
19Total Recall: The Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
Jerry Goldsmith3:34
20Back to the Future, Part III: End Credits
assistant engineer:
Dann Thompson (sound engineer)
engineer:
Dennis Sands (American sound engineer)
assistant producer:
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks)
executive producer:
Robert Townson (soundtrack producer)
producer:
Alan Silvestri (US score composer)
orchestra:
The Outatime Orchestra
conductor:
Alan Silvestri (US score composer)
orchestrator:
James Campbell (orchestrator)
recorded at:
The Burbank Studios in Burbank, California, United States
recording of:
End Credits (Back to the Future, Part III)
orchestrator:
James Campbell (orchestrator)
composer:
Alan Silvestri (US score composer)
part of:
Back to the Future, Part III (original score of the 1990 film of the same name)
Alan Silvestri4:02
3CD
#TitleArtistRatingLength
1To Die for: Main Titles
Danny Elfman4:12
2The Player: The Player
engineer:
John Vigran
producer:
Bill Bernstein, Thomas Newman (American score composer) and John Vigran
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
John Vigran
phonographic copyright (℗) by:
New Line Cinema Corporation
recording of:
The Player (The Player)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
Thomas Newman3:07
3Black Robe: Suite
Georges Delerue4:51
4Medicine Man: The Trees
Jerry Goldsmith6:03
52001: Space Station Docking
recording of:
Space Station Docking (2001: A Space Odyssey, Alex North score)
orchestrator:
Henry Brant (Canadian-American composer)
composer:
Alex North (US composer)
Alex North2:23
6Star Wars: Shadows of the Empire: Xizor's Theme
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Graham Kirkby (engineer)
producer:
Robert Townson (soundtrack producer)
conductor:
Joel McNeely (American score composer)
chorus master:
Christopher Bell (conductor / chorusmaster)
performer:
Royal Scottish National Orchestra and Royal Scottish National Orchestra Chorus
orchestrator:
John Bell (arranger, conductor, orchestrator), Joel McNeely (American score composer) and David Slonaker
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (from 1996-02-24 until 1996-02-25)
recording of:
Xizor’s Theme
lyricist:
Ben Burtt
composer:
Joel McNeely (American score composer)
part of:
Star Wars: Shadows of the Empire
Joel McNeely4:38
7The Crow: Birth of a Legend
Graeme Revell6:19
8Blade: Intruder
Mark Isham4:53
9The Omen: Ave Satani
engineer:
John Richards (engineer)
producer:
Jerry Goldsmith (American score composer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer) and Lionel Newman
recording of:
Ave Satani (The Omen)
orchestrator:
Arthur Morton
lyricist and composer:
Jerry Goldsmith (American score composer)
part of:
The 49th Academy Award for Best Original Song (number: 2)
Jerry Goldsmith52:34
10Vertigo: Prelude and Rooftop
conductor:
Muir Mathieson
phonographic copyright (℗) by:
Varese Sarabande Records (not for release label use!) (in 1996)
recording of:
Prelude (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
recording of:
Rooftop (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
Bernard Herrmann4:42
11Scream: Sydney's Lament
Marco Beltrami1:39
12The Sixth Sense: De Profundis
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
James Newton Howard (American score composer)
editor:
Thomas Drescher (US film music editor)
conductor:
Pete Anthony (American conductor and orchestrator.)
orchestrator:
Jeff Atmajian, Brad Dechter, Robert Elhai and James Newton Howard (American score composer)
phonographic copyright (℗) by:
Spyglass Entertainment Group
recording of:
De Profundis (The Sixth Sense)
composer:
James Newton Howard (American score composer)
James Newton Howard2:23
13Xena: Warrior Princess: Main Title
recording of:
Xena: Warrior Princess: Main Title
composer:
Joseph LoDuca (American score composer)
Joseph LoDuca1:17
14Air Force One: The Parachutes
Jerry Goldsmith5:24
15Starship Troopers: Klendathu Drop
recorded in:
Culver City, California, United States
recording engineer:
Tim Boyle (recording and mixing engineer)
editor:
Curtis Roush
conductor:
Basil Poledouris (American score composer)
orchestrator:
Steve Bramson (soundtrack composer), Greig McRitchie and Steven Scott Smalley
recorded at:
Sony Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Klendathu Drop (Starship Troopers)
composer:
Basil Poledouris (American score composer)
publisher:
Anthem Celestial Three Television Music
sub-publisher:
Sony Music Publishing France
part of:
Starship Troopers (1997 film score)
Basil Poledouris4:31
16The Matrix: Main Title
recording engineer:
John Rodd (engineer)
assistant engineer:
John Fuchs
producer:
Don Davis (American score composer)
mixer:
Armin Steiner
editor:
Jordan Corngold, Lori Eschler-Frystak and Brenda Heins
orchestra:
Hollywood Studio Symphony
conductor:
Don Davis (American score composer)
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases)
recording of:
Main Title (The Matrix)
part of:
The Matrix
recording of:
Main Title (The Matrix)
part of:
The Matrix
recording of:
Trinity Infinity (The Matrix)
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
recording of:
Trinity Infinity (The Matrix)
orchestrator and composer:
Don Davis (American score composer)
part of:
The Matrix
Don Davis23:55
17The Iron Giant: The Eye of the Storm
recording of:
The Eye of the Storm (The Iron Giant)
Michael Kamen2:29
18You've Got Mail: Empty Store
George Fenton2:52
19A Little Romance: Main Title
Georges Delerue3:15
20Pleasantville: Real Rain
assistant recording engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
recording engineer and mixer:
Dennis Sands (American sound engineer)
producer:
Bruno Coon and Randy Newman (American singer‐songwriter and score composer)
editor:
Bruno Coon
orchestrator:
Don Davis (American score composer) and Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
New Line Cinema
edit of:
Real Rain (extended version) by Randy Newman (American singer‐songwriter and score composer)
recording of:
Real Rain
composer:
Randy Newman (American singer‐songwriter and score composer)
Randy Newman4:31
4CD
#TitleArtistRatingLength
1Sunset Boulevard: Prelude
Franz Waxman3:52
2L.A. Confidential: Bloody Christmas
producer:
Jerry Goldsmith (American score composer)
mixer and field recordings:
Bruce Botnick
editor:
Ken Hall (music editor)
orchestra:
Hollywood Studio Symphony
conductor:
Jerry Goldsmith (American score composer)
phonographic copyright (℗) by:
Monarchy Enterprises B.V. (in 1997) and Regency Entertainment (USA) Inc. (in 1997)
recorded at:
Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
Bloody Christmas (L.A. Confidential)
composer:
Jerry Goldsmith (American score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Bloody Christmas (From “L.A. Confidential”)
composer:
Jerry Goldsmith (American score composer)
Jerry Goldsmith2:54
3Rounders: Rounders
Christopher Young3:49
4The Score: Main Title
recording engineer and mixer:
John Kurlander (engineer)
producer:
Howard Shore (Canadian score composer)
editor:
Nancy Allen (music editor) and Suzana Perić
conductor:
Howard Shore (Canadian score composer) (from 2001-02-01 until 2001-02-04)
orchestrator:
Howard Shore (Canadian score composer)
phonographic copyright (℗) by:
MP Film Management TS Productions GmbH & Co. KG and Paramount Pictures
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 2001-02-01 until 2001-02-04)
recording of:
Main Title (The Score) (from 2001-02-01 until 2001-02-04)
composer:
Howard Shore (Canadian score composer)
Howard Shore3:51
5The Replacements: The Replacements Remix
John Debney5:49
6Gone in 60 Seconds: The Last Car
Trevor Rabin4:49
7The Bourne Identity: Drum and Bass Remix
John Powell2:16
8Rush Hour 2: Main Title
producer:
Lalo Schifrin (pianist & composer)
editor:
Darrell Hall
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
New Line Productions Inc. (in 2001)
recording of:
Main Title
orchestrator and composer:
Lalo Schifrin (pianist & composer)
Lalo Schifrin2:21
9xXx: Prague Arrival
Randy Edelman1:55
10Die Hard: Gruber's Arrival
Michael Kamen3:49
11The Last of the Mohicans: Main Title
recording engineer:
Jonathan Allen (engineer) (on 2000-05-04)
assistant engineer:
Richard Hale (recording engineer)
producer:
Robert Townson (soundtrack producer)
orchestra:
Royal Scottish National Orchestra (on 2000-05-04)
conductor:
Joel McNeely (American score composer) (on 2000-05-04)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (on 2000-05-04)
recording of:
Main Title (The Last of the Mohicans) (on 2000-05-04)
composer:
Randy Edelman (American score composer) and Trevor Jones (South African score composer)
part of:
The Last of the Mohicans (1992 film soundtrack)
Trevor Jones1:52
12Moby Dick: Moby Dick Theme
Christopher Gordon2:06
13The Mists of Avalon: Morgaine's Journey
Lee Holdridge6:28
14Cleopatra: Main Title
Alex North2:54
15Life as a House: If I Could Kiss You
Mark Isham3:40
16Emma: Emma
Rachel Portman2:58
17In the Bedroom: End Title
Thomas Newman4:23
18Cast Away: End Credits
Alan Silvestri3:45
19One True Thing: One True Thing
Cliff Eidelman2:19
20Unfaithful: Unfaithful
recording engineer:
John Rodd (engineer)
engineer:
Rafał Paczkowski (engineer) and Bill Talbott
producer:
Jan A.P. Kaczmarek (composer)
mixer:
Rafał Paczkowski (engineer)
editor:
Christopher Kennedy
orchestra:
Hollywood Studio Symphony
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at and mixed at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Unfaithful
orchestrator:
Bruce Babcock, Jan A.P. Kaczmarek (composer) and Dylan Maulucci
composer:
Jan A.P. Kaczmarek (composer)
Jan A.P. Kaczmarek2:37
21Far From Heaven: Autumn in Connecticut
engineer:
Dan Wallin
producer:
Elmer Bernstein (American score composer)
orchestra:
Hollywood Studio Symphony
conductor:
Elmer Bernstein (American score composer)
phonographic copyright (℗) by:
Focus Features (Parent label is Focus Features LLC)
recording of:
Far From Heaven: Autumn in Connecticut
orchestrator:
Emilie A. Bernstein (orchestrator)
composer:
Elmer Bernstein (American score composer)
Elmer Bernstein3:11
22Ice Age: Opening Travel Music
recording engineer:
Bruce Botnick, John Kurlander (engineer) and John Rodd (engineer)
sound engineer:
Marty Frasu
engineer:
Bill Talbott
producer:
David Newman (American score composer)
mixer:
Bruce Botnick and John Kurlander (engineer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, California, United States
recording of:
Opening Travel Music
orchestrator:
Rebecca R. Liddle and David Newman (American score composer)
composer:
David Newman (American score composer)
David Newman1:18
23Shrek: Transformation / The End
recording engineer:
Nick Wollage
producer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
mixer:
Alan Meyerson
editor:
Brian Richards (engineer)
conductor:
Gavin Greenaway
orchestrator:
Bruce L. Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Dreamworks L.L.C.
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
Media Ventures in Santa Monica, California, United States
recording of:
Shrek: Transformation / The End
composer:
Harry Gregson‐Williams (English score composer) and John Powell (English score composer)
Harry Gregson‐Williams & John Powell2.753:27

Credits

Release

ASIN:US: B00008WI90 [info]