Tenderly: An Informal Session

~ Release by Bill Evans · Don Elliott (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Tenderly
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Tenderly (from 1956 until 1957)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
6:46
2I’ll Take Romance
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
I’ll Take Romance (from 1956 until 1957)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
4:23
3Laura
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Laura (1945 song) (from 1956 until 1957)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
7:17
4Blues #1
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
5:12
5I’ll Know
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
I’ll Know (from “Guys and Dolls”) (from 1956 until 1957)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
4:14
6Like Someone in Love
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Like Someone in Love (from 1956 until 1957)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:43
7Love Letters
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Love Letters (from 1956 until 1957)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
1:02
8Thou Swell
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Thou Swell (from 1956 until 1957)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: file NO releases)
1:47
9Airegin
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
cover recording of:
Airegin (instrumental) (from 1956 until 1957)
composer:
Sonny Rollins (American saxophonist) (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music (US drum & bass)
5:51
10Everything Happens to Me
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Everything Happens to Me (from 1956 until 1957)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
5:29
11Blues #2
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
8:17
12Stella by Starlight
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
instrumental cover recording of:
Stella by Starlight (from 1956 until 1957)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
2:27
13Funkallero
recording engineer:
Don Elliott (from 1956 until 1957)
percussion and vibraphone:
Don Elliott (from 1956 until 1957)
piano:
Bill Evans (pianist) (from 1956 until 1957)
recorded at:
Don Elliott's Studio in Weston, Connecticut, United States (from 1956 until 1957)
recording of:
Funkallero (from 1956 until 1957)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
3:03

Credits

Release

manufactured in:Europe
art direction:Jamie Putnam (art direction and design)
liner notes:Ed Michel (in 2001-03)
producer:Eric Miller (jazz producer/engineer)
editor:David Luke (engineer)
remastering:Joe Tarantino (audio engineer, mastering) (in 2001)
design:Gilles Margerin
copyrighted (©) by and phonographic copyright (℗) by:Fantasy, Inc. (not for release label use!) (in 2001)
remastered at:Fantasy Studios (Berkeley) in Berkeley, California, United States (in 2001)
engineered at:Fantasy Studios (Berkeley) in Berkeley, California, United States
ASIN:US: B00005LMJZ [info]