Sixties Top 100

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Little Green Bag
registrazione di:
Little Green Bag
autore:
Hans Bouwens e Jan Visser (Dutch Gospel singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection4:03
2Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:18
3Gimme Some Lovin'
produttore:
Chris Blackwell (Island Records) e Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 244)
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group4.152:54
4Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
adattamenti:
バス ストップ (Angels’ Japanese version)
The Hollies4.752:55
5I Can't Let Maggie Go
produttore:
P. Blumsom
batteria :
Peter Kircher (English rock/pop drummer)
chitarra :
Colin Hare
chitarra basso :
Ray Cane
voce principale:
Pete Dello
registrazione di:
I Can’t Let Maggie Go
paroliere e compositore:
Pete Dello
editore:
Ambassador Music Ltd.
Honeybus2:58
6Needles and Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:13
7Daydream Believer
registrazione di:
Daydream Believer (nel 1968)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:51
8Itchycoo Park
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces2:48
9San Franciscan Nights
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
registrazione di:
San Franciscan Nights
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins (British rock drummer), Danny McCulloch e John Weider
Eric Burdon and the Animals3.53:21
10Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
11Substitute
registrazione di:
Substitute
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who3:49
12Eloise
diritti fonografici (℗) detenuti da:
PolyGram GmbH (not for release label use!) (nel 1969)
registrazione di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
Barry Ryan5:46
13You've Lost That Lovin' Feelin'
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:40
14Bend Me, Shape Me
registrazione di:
Bend Me, Shape Me
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
Carlin Music Corporation, Ebony Musikverlag, Helios Music Company e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The American Breed2:10
15Wonderful World, Beautiful People
registrazione di:
Wonderful World, Beautiful People
paroliere e compositore:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:11
16Baby, Now That I've Found You
registrazione di:
Baby Now That I’ve Found You (nel 1967)
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:35
17Reach Out, I'll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops43:00
18It's a Man's, Man's, Man's World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:46
19A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
20The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:35
21Summer Nights
Marianne Faithfull1:48
22Matthew & Son
tecnico di registrazione:
Vic Smith (il 1966-12-01)
produttore:
Mike Hurst (musician and record producer from London, England)
arrangiatore:
Mike Hurst (musician and record producer from London, England) e Alan Tew (British composer and arranger)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1966-12-01)
registrazione di:
Matthew and Son (il 1966-12-01)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens3.32:40
23Just Dropped In (To See What Condition My Condition Is In)
produttore:
Mike Post
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arrangiatore:
Mike Post
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1998)
registrazione di:
Just Dropped In (to See What Condition My Condition Was In)
paroliere, autore e compositore:
Mickey Newbury (American songwriter)
editore:
Acuff-Rose Publications, Inc. (BMI)
registrazione cover di:
Just Dropped In (to See What Condition My Condition Was In)
paroliere, autore e compositore:
Mickey Newbury (American songwriter)
editore:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers & The First Edition3.753:22
24The House That Jack Built
registrazione di:
The House That Jack Built
compositore:
Alan Price
Alan Price Set3:10
25Mr. Pleasant
registrazione di:
Mister Pleasant
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation e Davray Music Ltd.
The Kinks2:56
2▼CD
#TitoloArtistaValutazioneDurata
1Space Oddity
registrazione di:
Space Oddity
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. e Westminster Music Ltd.
David Bowie3:47
2Need Your Love So Bad
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Fleetwood Mac3:47
3Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:55
4Well All Right
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2001)
registrazione cover di:
Well… All Right
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
Blind Faith4.54:26
5Fire
produttore:
Kit Lambert
produttore associato:
Pete Townshend (of The Who)
basso :
Sean Nicholas
batteria :
Dracken Theaker
organo :
Vincent Crane
voce:
Arthur Brown
arrangiatore:
Vincent Crane
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1968)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Fire
autore:
Arthur Brown, Vincent Crane, Mike Finesilver e Peter Ker (producer and songwriter)
editore:
Gowmonk, Inc. e Onward Music Ltd.
The Crazy World of Arthur Brown3.852:54
6Summertime Blues
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1967)
produttore:
Abe Kesh
basso e voce principale:
Dickie Peterson (nel 1967)
batteria :
Paul Whaley (nel 1967)
chitarra :
Leigh Stephens (nel 1967)
diritti fonografici (℗) detenuti da:
Mercury Inc. (copyrights use only) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 63)
registrazione cover di:
Summertime Blues (nel 1967)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:47
7Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:36
8Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:03
9Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:35
10Wooly Bully
registrazione di:
Wooly Bully
paroliere e compositore:
Domingo Samudio
editore:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) e Melodie der Welt (publisher)
Sam the Sham & the Pharaohs2:23
11A Boy Named Sue
registrazione di:
A Boy Named Sue
paroliere e compositore:
Shel Silverstein
Johnny Cash3:42
12Young Girl
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione di:
Young Girl
paroliere e compositore:
Jerry Fuller
editore:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:03
13Ha! Ha! Said the Clown
registrazione di:
Ha! Ha! Said the Clown
autore:
Tony Hazzard (songwriter)
Manfred Mann2:25
14Windy
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association2:54
15San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
16Days of Pearly Spencer
registrazione di:
The Days of Pearly Spencer
paroliere e compositore:
David McWilliams
David McWilliams2:34
17All I Really Want to Do
produttore:
Terry Melcher
basso :
Chris Hillman (il 1965-03-08)
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-03-08)
chitarra :
David Crosby (il 1965-03-08)
chitarra a 12 corde :
Jim McGuinn (il 1965-03-08)
voce:
David Crosby (il 1965-03-08), Chris Hillman (il 1965-03-08) e Jim McGuinn (il 1965-03-08)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
registrazione cover di:
All I Really Want to Do (il 1965-03-08)
paroliere e compositore:
Bob Dylan (nel 1964)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music e Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Byrds32:03
18Sunny
produttore:
Jerry Ross (Philadelphia soul composer/producer)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (nel 1966)
registrazione di:
Sunny (nel 1966)
paroliere e compositore:
Bobby Hebb
editore:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb42:42
19Time of Season
registrazione di:
Time of the Season
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies3:28
20Past, Present and Future
registrazione di:
Past, Present and Future
autore:
Artie Butler, Jerry Leiber e George “Shadow” Morton
editore:
Jerome Leiber Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tender Tunes Inc.
The Shangri‐Las2:42
21If I Only Had Time
registrazione di:
If I Only Had Time
paroliere:
Pierre Delanoë
compositore:
Jack Fishman e Michel Fugain
versione tradotta di:
Je n’aurai pas le temps
John Rowles2:46
22Beggin'
registrazione cover di:
Beggin’ (nel 1968)
autore:
Peggy Farina e Bob Gaudio
editore:
EMI Longitude Music, Saturday Music, Inc. e Seasons Four Music Corp.
Timebox2:50
23Flowers in the Rain
registrazione di:
Flowers in the Rain
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd.
The Move2:26
24The Ballad of Bonnie & Clyde
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione di:
The Ballad of Bonnie and Clyde
paroliere:
Peter Callander
compositore:
Mitch Murray
editore:
Intune Ltd. (publisher)
Georgie Fame3:09
25Where Do You Go to My Lovely
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:41
3▼CD
#TitoloArtistaValutazioneDurata
1White Room
tecnico di registrazione:
Adrian Barber (producer/engineer) (dal 1967-07 al 1968-06) e Tom Dowd (dal 1967-07 al 1968-06)
tecnico:
Adrian Barber (producer/engineer) e Tom Dowd
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-07 al 1968-06)
batteria e percussione e timpani :
Ginger Baker (dal 1967-07 al 1968-06)
chitarra :
Eric Clapton (dal 1967-07 al 1968-06)
viola :
Felix Pappalardi (dal 1967-07 al 1968-06)
voce:
Jack Bruce (dal 1967-07 al 1968-06)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1967-07 al 1967-08) e Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-09 al 1967-10, dal 1968-02 al 1968-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 368)
registrazione di:
White Room (dal 1967-07 al 1968-06)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) e Jack Bruce
editore:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music, Inc.
sub-editore:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Cream4.24:57
2Paper Sun
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1967-04 al 1967-11)
registrazione di:
Paper Sun
autore:
Jim Capaldi e Steve Winwood
editore:
Polygram Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Traffic4:16
3This Wheel's on Fire
registrazione di:
This Wheel’s on Fire
paroliere:
Bob Dylan (nel 1967)
compositore:
Rick Danko (nel 1967)
editore:
Dwarf Music (dal 1967 a oggi)
Julie Driscoll3:33
4Deep Water
Grapefruit2:13
5Lea
registrazione di:
Lea
paroliere e compositore:
Arnold Mühren
The Cats3:36
6Summer in the City
pianoforte elettrico aggiunto:
Artie Schroeck
voce principale:
John Sebastian
direttore d'orchestra:
Michael Kamen (American score composer)
diritti fonografici (℗) detenuti da:
Buddah Records (revived/renamed in 1998 as Buddha Records) (nel 1966), Kama Sutra (nel 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1966) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 393)
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful4.82:40
7Mendocino
registrazione di:
Mendocino (nel 1968)
paroliere e compositore:
Doug Sahm
The Sir Douglas Quintet2:40
8The Mighty Quinn
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1967)
registrazione cover di:
Quinn the Eskimo (The Mighty Quinn) (nel 1967)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding e Dwarf Music (nel 1968)
Manfred Mann4.52:49
9Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:26
10God Only Knows
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys2:51
11The Sun Ain't Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3.53:01
12Delta Lady
chitarra basso :
Alan Spenner
voce principale:
Joe Cocker
registrazione di:
Delta Lady (nel 1969)
paroliere e compositore:
Leon Russell
editore:
Embassy Music Corporation, Reservoir 416 e Skyhill Pub. Co., Inc.
adattamenti:
Fille de la nuit
Joe Cocker12:50
13Homburg
registrazione di:
Homburg
paroliere:
Keith Reid
compositore:
Gary Brooker
Procol Harum3:56
14How Can We Hang on to a Dream
tecnico:
Val Valentin (incarico: director of engineering)
produttore:
Erik Jacobsen
è stato produttore per:
Sweet Reliable Productions
registrazione di:
How Can We Hang On to a Dream? (nel 1966)
paroliere e compositore:
Tim Hardin
editore:
Robbins Music Co. Ltd.
Tim Hardin32:04
15Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:09
16Hush
Billy Joe Royal2:30
17You've Got Your Troubles
registrazione di:
You’ve Got Your Troubles
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Concord Sounds, Greenaway Operations and Activities Limited e Mills Music
The Fortunes3:22
18Make Me an Island
registrazione di:
Make Me an Island
autore:
Albert Hammond e Mike Hazlewood
Joe Dolan2:55
19This Strange Effect
registrazione di:
This Strange Effect
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd.
Dave Berry2:29
20Rain and Tears
esecutore:
Aphrodite’s Child (Greek psychedelic rock band) (nel 1968)
registrazione di:
Rain and Tears (nel 1968)
paroliere:
Boris Bergman (French lyricist)
compositore:
Johann Pachelbel (composer)
arrangiatore:
E. Papathanassiou (Greek composer of electronic, new age and classical)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Intersong (publisher)
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
si basa su:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Aphrodite’s Child43:14
21On the Road Again
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1968)
registrata presso:
Suffolk Meadows in Long Island, New York, Stati Uniti (il 1979-09-08)
registrazione dal vivo di:
On the Road Again (il 1979-09-08)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat3.353:24
22Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967) e United Artists (nel 1966)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.552:38
23Mony Mony
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:48
24Reflections of My Life
registrazione di:
Reflections of My Life
autore:
Junior Campbell e Thomas McAleese
Marmalade4:14
25Cara Mia
registrazione di:
Cara mia (nel 1965)
autore:
Lee Lange e Tulio Trapani
Jay & the Americans2:33
4▼CD
#TitoloArtistaValutazioneDurata
1The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.154:30
2With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:03
3(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
4Hole in My Shoe
registrazione di:
Hole in My Shoe
autore:
Dave Mason (co‐founder of Traffic)
Traffic2:53
5I'm a Man
registrazione di:
I’m a Man
autore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) e Steve Winwood
compositore:
Keith Emerson
editore:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group2:52
6In the Year 2525
produttore:
Zager & Evans
registrazione di:
In the Year 2525 (Exordium and Terminus) (nel 1968)
paroliere e compositore:
Rick Evans (US singer, songwriter and guitarist)
editore:
ATV Music, Chelsea Music Publishing, Zelad Music e Zerlad Music Enterprises Ltd.
Zager & Evans43:18
7Why
registrazione di:
Why?
paroliere e compositore:
Arnold Mühren
The Cats3:55
8No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:55
9The Pied Piper
registrazione di:
The Pied Piper
autore:
Steve Duboff e Artie Kornfeld
Crispian St. Peters42:34
10Bend It
registrazione di:
Bend It (nel 1966)
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich32:33
11Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:40
12Atlantis
produttore:
Mickie Most (English record producer)
basso :
Bobby Ray (60s/70s US folk artist/bassist) (nel 1968-11)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1968-11)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
chitarra elettrica :
Ricki (nel 1968-11)
tastiera :
Gabriel Mekler (nel 1968-11)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
voce di accompagnamento:
Donovan's fans ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1968-11)
arrangiatore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1968)
registrata presso:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, Stati Uniti (nel 1968-11)
registrazione di:
Atlantis (Donovan song) (nel 1968-11)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) e Peer Southern Music (publisher, affiliated to BMI in the US) (nel 1968)
Donovan3.755:06
13Crimson and Clover
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:21
14Only One Woman
registrazione di:
Only One Woman
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
The Marbles2:42
15Thanks
J. Vincent Edwards3:04
16With a Girl Like You
registrazione di:
With a Girl Like You
autore:
Reg Presley
The Troggs4.42:07
17Games People Play
voce:
Joe South (nel 1968)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969)
registrazione di:
Games People Play (nel 1968)
paroliere e compositore:
Joe South
editore:
Bike Music
sub-editore:
Sweden Music (publisher, founded in 1960) (nel 1988)
Joe South33:30
18You Keep Me Hangin' On
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
voce principale:
Diana Ross (dal 1966-06-30 al 1966-08-01)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-30 al 1966-08-01)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 234) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 340)
registrazione di:
You Keep Me Hangin’ On (dal 1966-06-30 al 1966-08-01)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Supremes52:42
19Callow La Vita
registrazione di:
Callow la vita
paroliere e compositore:
Raymond Froggatt
traduttore:
Tineke de Nooij
versione tradotta di:
Que Callow la Vita (Red Balloon)
Raymond Froggatt2:37
20I Can Hear the Grass Grow
registrazione di:
I Can Hear the Grass Grow
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Onward Music Ltd.
The Move2:59
21A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon32:41
22Here It Comes Again
registrazione di:
Here It Comes Again
autore:
Barry Mason (English songwriter) e Les Reed
The Fortunes23:04
23Baby Won't You Leave Me Alone
registrazione di:
Leave Me Alone
autore:
Raymond Cowie e Thomas Mensforth
The Web2:32
24From the Underworld
esecutore:
Peter Frampton
registrazione di:
From the Underworld
paroliere e compositore:
Alan Blaikley
The Herd43:17
25Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:56

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2006)
Discogs:https://www.discogs.com/release/919764 [info]