The Greatest Classical Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼Medium
Nr.TitelKünstlerBewertungLänge
1The Planets: Jupiter
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:57
2La forza del destino: Overture
Orchester:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La forza del destino: Sinfonia
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
La forza del destino
Giuseppe Verdi7:56
3Romeo & Juliet: Dance of the Knights
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев1:59
4Suite No. 3 in D, BWV 1068: Air
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
The Bath Festival Chamber Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1961)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach44:22
5Lakmé Act 1: Flower Duet
Chorgesang:
Chœurs du Théâtre National de l’Opéra‐Comique
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (in 1970)
Soprangesang:
Mady Mesplé (soprano) (in 1970)
Orchester:
National Opera Orchestra und Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1970)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes4:19
6Chanson de matin, Op. 15 No. 2
Orchester:
Royal Philharmonic Orchestra
conductor:
Lawrance Collingwood
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
Orchestrator(in) und Komponist(in):
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1901-09-14)
Arrangement von:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:36
7Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
Orchester:
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
conductor:
Klaus Tennstedt (conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák3:13
8Cavalleria Rusticana: Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:42
9Canon in D
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:58
10The Marriage of Figaro: Overture
Produzent(in):
Walter Legge (British classical producer) (Aufgabe: artistic director)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1959-09 bis 1959-11)
conductor:
Carlo Maria Giulini (conductor) (von 1959-09 bis 1959-11)
Tonmeister(in):
Douglas Larter (von 1959-09 bis 1959-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1959-09 bis 1959-11)
recording of:
Le nozze di Figaro: Sinfonia (von 1959-09 bis 1959-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:15
11Für Elise
Klavier:
Dame Moura Lympany (British pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:19
12Peer Gynt: Morning
Produzent(in):
Lawrance Collingwood
Chorgesang:
Beecham Choral Society
Soprangesang:
Ilse Hollweg (soprano)
Orchester:
Royal Philharmonic Orchestra (von 1956-11-05 bis 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (von 1956-11-05 bis 1957-04-01, in 1957)
chorus master:
Denis Vaughan
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1956-11) und Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1956-11-05 bis 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (von 1956-11-05 bis 1957-04-01)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg54:13
13Gymnopedie No. 3
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
Teil von:
Gymnopédies (orchestrated by Debussy)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Teil von:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:50
14Morning Papers Waltz (Excerpt)
Orchester:
Wiener Johann Strauss Orchester
conductor:
Willi Boskovsky (violinist and conductor)
teilweise recording of:
Morgenblätter, op. 279
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 279)
Johann Strauss II4:16
15The Nutcracker, Act II: Dance of the Reed Flutes
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
John Lanchbery (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:39
16The Flight of the Bumble-Bee
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (von 1986-10 bis 1986-11)
conductor:
Sir Neville Marriner (conductor) (von 1986-10 bis 1986-11)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1986-10 bis 1986-11)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (von 1986-10 bis 1986-11)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков21:23
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Nr.TitelKünstlerBewertungLänge
1The Four Seasons: Allegro "Spring"
Geige / Violine:
Kenneth Sillito (violinist)
Orchester:
The Virtuosi of England
conductor:
Arthur Davidson (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:18
2Enigma Variations: Nimrod
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-04 bis 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-04 bis 1970-08-06)
Tonmeister(in):
Michael Gray (UK classical recording engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) und Warner Classics (in 2002)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-04 bis 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1970-08-04 bis 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:55
3The Sorcerer's Apprentice
Orchester:
Oslo‐Filharmonien (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
teilweise recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
Paul Dukas6:38
4Suite bergamasque: Clair de Lune
Techniker(in):
Mark Vigars (engineer)
Produzent(in):
David Groves (classical music producer at EMI)
Klavier:
Cécile Ousset (French pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:58
5Songs of the Auvergne: Bailero
Soprangesang:
Victoria de los Ángeles (Spanish soprano)
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Jean‐Pierre Jacquillat (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Première Série
Joseph Canteloube34:47
6Carnival of the Animals: Aquarium
Klavier:
Philip Fowke (pianist) und Peter Katin
Orchester:
Royal Scottish National Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (Der Karneval der Tiere: VII. Das Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
7Pavane
Chorgesang:
Hallé Choir
vocals:
Hallé Choir
Orchester:
Hallé Orchestra
conductor:
Maurice Handford (hornist/conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:07
8Vespere solonnes de confessore: Laudate Dominum
Orgel:
Stephen Layton (English conductor)
Chorgesang:
Choir of King’s College, Cambridge
Soprangesang:
Lynne Dawson (soprano)
vocals:
The Hilliard Ensemble (British male vocal quartet)
Orchester:
Cambridge Classical Players
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:51
9Porgy & Bess: Summertime
Techniker(in):
Mark Vigars (engineer)
assistierende(r) Produzent(in):
Tony Harrison (producer and sound engineer for classical music)
Produzent(in):
David R. Murray
Klavier:
Wayne Marshall (British pianist, organist and conductor) (in 1988-02)
Chorgesang:
The Glyndebourne Chorus (in 1988-02)
Soprangesang und Soprangesang [Bess]:
Harolyn Blackwell (soprano)
Orchester:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1988, in 1988-02)
conductor:
Simon Rattle (conductor) (in 1988, in 1988-02)
chorus master:
Craig Rutenberg (pianist, vocal accompanist, coach and teacher) (in 1988-02)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-02)
Bearbeitung von:
Porgy and Bess: Act I, Scene I. "Summertime" (Clara, Chorus) von Harolyn Blackwell (soprano), Glyndebourne Chorus, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Simon Rattle (conductor)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act I, Scene I
George Gershwin3:11
10The Tales of Hoffmann: Barcarolle
Produzent(in):
Gerd Berg (producer) und Dietmar Wolf (Classical Music Producer)
Orchester:
Radio‐Sinfonieorchester Stuttgart (Radio-Sinfonieorchester Stuttgart des SWR) (von 1987-03-09 bis 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (von 1987-03-09 bis 1987-03-12)
Tonmeister(in):
Franck Richter (engineer)
aufgenommen bei:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Deutschland (von 1987-03-09 bis 1987-03-12)
instrumental recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements) (von 1987-03-09 bis 1987-03-12)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:05
11Madama Butterfly: Humming Chorus
Chorgesang:
Chorus of the Royal Opera House, Covent Garden (in 1972)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1972)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:08
12Il travatore: II. Anvil Chorus
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lamberto Gardelli (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:07
13O sole mio
Tenor-Gesang:
Franco Corelli (tenor)
conductor:
Franco Ferraris (conductor)
recording of:
’O sole mio
Texter:
Giovanni Capurro (in 1898)
Komponist(in):
Eduardo Di Capua (in 1898) und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) und Gennarelli Casa Editrice
Eduardo di Capua3:19
14Symphony No. 9 in D minor, Op. 125 "Choral": Allegro assai vivace. Alla marcia "Ode to Joy"
Produzent(in):
Andrew Keener (engineer/editor/producer)
Bass-Gesang:
Bryn Terfel (bass‐baritone opera singer) (von 1991-01-03 bis 1991-01-05)
Chorgesang:
Royal Liverpool Philharmonic Choir (von 1991-01-03 bis 1991-01-05)
Hochgesang:
Della Jones (mezzo-soprano) (von 1991-01-03 bis 1991-01-05)
Soprangesang:
Joan Rodgers (soprano) (von 1991-01-03 bis 1991-01-05)
Tenor-Gesang:
Peter Bronder (British tenor) (von 1991-01-03 bis 1991-01-05)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1991-01-03 bis 1991-01-05)
conductor:
Charles Mackerras (Australian conductor) (von 1991-01-03 bis 1991-01-05)
chorus master:
Ian Tracey (organist and choir master) (von 1991-01-03 bis 1991-01-05)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1991-01-03 bis 1991-01-05)
teilweise recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (von 1991-01-03 bis 1991-01-05)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:50
15Peer Gynt: In the Hall of the Mountain King
Produzent(in):
Lawrance Collingwood
Chorgesang:
Beecham Choral Society
Orchester:
Royal Philharmonic Orchestra (von 1956-11-05 bis 1957-04-01)
conductor:
Sir Thomas Beecham (conductor) (von 1956-11-05 bis 1957-04-01)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1956-11-05 bis 1957-04-01)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (von 1956-11-05 bis 1957-04-01)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg2:12
16Carmina Burana: O Fortuna
Produzent(in):
John Fraser (UK producer)
Editing:
Matthew Cocker (editor)
Chorgesang:
London Philharmonic Chorus (in 1989-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-11)
conductor:
Franz Welser‐Möst (conductor) (in 1989-11)
chorus master:
Richard Cooke (chorus master/conductor) (in 1989-11)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
aufgenommen bei:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1989-11)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1989-11)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:31