Golden Rock Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(As of 2020-04-04).

  • Northern America: 🇺🇸 United States (us)
Anmerkung zuletzt geändert am 2020-04-04 06:37 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Here I Go Again ’87
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:35
2Sultans of Swing
Techniker(in):
Rhett Davies
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Bassgitarre:
John Illsley (in 1978-02)
Gitarre:
David Knopfler (in 1978-02) und Mark Knopfler (in 1978-02)
Schlagzeug:
Pick Withers (in 1978-02)
Sologesang:
Mark Knopfler (in 1978-02)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1978), Phonogram Ltd. (London) (company name, NOT a label!) (in 1978, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 33) und Cachitos Nochevieja 2022 (Nummer: 156)
recording of:
Sultans of Swing (in 1978-02)
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music und Straitjacket Songs
Dire Straits4.25:49
3Feels Like the First Time
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3:13
4Elected
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
Musikvideos:
Elected von Alice Cooper (the band, active 1964–1974/5)
Teil von:
CBC Music: The Ultimate Election Day Playlist
recording of:
Elected (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Sony Songs Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC und Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Revision von:
Reflected
Alice Cooper3.64:05
5Friday I’m in Love
assistierende(r) Techniker(in):
Chris Bandy
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Steve Whitfield
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und The Cure
assistierende(r) Mix:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple und Mark Warner (UK guitarist for Quantum Jump)
Mix:
Mark Saunders (UK record producer)
Bassgitarre:
Simon Gallup
Bassgitarre [6-string bass]:
Perry Bamonte
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Perry Bamonte und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Friday I’m in Love von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 73)
recording of:
Friday I’m in Love
Texter:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) und Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. und Fiction Songs Ltd.
The Cure4.63:34
6La Grange
Techniker(in):
Robin Gibb, Terry Manning (US recording engineer) und Robin Brian
Produzent(in):
Bill Ham (manager of ZZ Top)
Mix und Editing:
Terry Manning (US recording engineer)
Bassgitarre:
Dusty Hill
E-Gitarre, Gitarre und Sologesang:
Billy Gibbons
Schlagzeug:
Rube Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten, Brian studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
recording of:
La Grange
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
basiert auf:
Boogie Chillen’
ZZ Top4.553:50
7A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:12
8Can’t Get Enough
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Gitarre [second guitar] und Sologesang:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Can’t Get Enough (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.654:14
9You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
10Black Night (single version)
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:27
11I Don’t Want to Talk About It
Produzent(in):
Bernard Edwards (American bassist and record producer) und Rod Stewart
cover recording of:
I Don’t Want to Talk About It (in 1989)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Rod Stewart4:52
12Cruisin’ Down the Highway
Techniker(in):
Howard Albert, Ron Albert und Steve Klein (Engineer)
Produzent(in):
Tom Dowd und James Gang (US rock group)
zusätzliche(r) Mix:
Kenneth Hamann (engineer)
Bassgitarre:
Dale Peters
Gitarre:
Tommy Bolin (guitarist, and songwriter)
Keyboard und Schlagzeug:
Jim Fox (American percussionist)
Perkussion:
Jim Fox (American percussionist) und Dale Peters
Hintergrundgesang:
Jim Fox (American percussionist), Roy Kenner und Dale Peters
Sologesang:
Roy Kenner
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
mixed at:
Cleveland Recording (1970-1977) in Cleveland, Ohio, Vereinigte Staaten und Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Cruisin’ Down the Highway
Verfasser(in):
Tommy Bolin (guitarist, and songwriter) und Dale Peters
James Gang3:17
13Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
14Waiting for an Alibi
Techniker(in):
Kit Woolven
Produzent(in):
Thin Lizzy (Irish hard rock band) und Tony Visconti
Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Gary Moore (Thin Lizzy, blues guitar)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1973)
recording of:
Waiting for an Alibi
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Thin Lizzy3:29
15Listen to the Music
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
Bearbeitung von:
Listen to the Music von The Doobie Brothers
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
16Riders on the Storm
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes Piano:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
Remaster:
Riders on the Storm von The Doors
recording of:
Riders on the Storm (in 1970)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors4.57:15
17Fool for the City (single version)
recording of:
Fool for the City
Texter und Komponist(in):
Dave Peverett
publisher:
WC Music Corp.
sub-publisher:
Warner Chappell Music France
Foghat3:29
18I Remember You
recording engineer, Produzent(in) und Mix:
Michael Wagener
zusätzliche(r) Techniker(in):
Dave Kent (engineer)
Bassgitarre:
Rachel Bolan
Gitarre:
Scotti Hill und Dave “The Snake” Sabo
Schlagzeug:
Rob Affuso
Hintergrundgesang:
Rachel Bolan, Scotti Hill und Dave “The Snake” Sabo
Sologesang:
Sebastian Bach (Canadian metal singer)
aufgenommen bei:
Royal Recorders in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1988)
recording of:
I Remember You
Verfasser(in):
Rachel Bolan und Dave “The Snake” Sabo
Skid Row3.95:14
19Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
20I Believe in a Thing Called Love
Assistent recording engineer:
Will Bartle
Techniker(in), Produzent(in) und Mix:
Pedro Ferreira
assistierende(r) Mix:
Nick Taylor (UK recording engineer)
Bass:
Frankie Poullain
Gitarre:
Dan Hawkins (member of The Darkness and Stone Gods) und Justin Hawkins
Schlagzeug:
Ed Graham
Sologesang:
Justin Hawkins
aufgenommen bei:
Chapel Studios in Lincolnshire, England, Vereinigtes Königreich
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 94)
recording of:
I Believe in a Thing Called Love
Verfasser(in):
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham und Justin Hawkins
The Darkness4.13:38
21Stuck in the Middle
Grand Funk Railroad3:10
22Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
23Cindy Incidentally
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Klavier:
Ian McLagan
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cindy Incidentally
publisher:
Rod Stewart BMI - United States of America
Verfasser(in):
Ian McLagan, Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Faces42:35
24Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
25Blitzkrieg Bop
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer)
Partner-Produzent(in):
Thomas Erdelyi (Tommy Ramone)
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 92) und Indie 88: Top 500 Indie Rock Songs (Nummer: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones4.552:13
26Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:44
27Rainbow in the Dark
assistierende(r) Techniker(in):
Ray Leonard (engineer)
Techniker(in):
Angelo Arcuri
Produzent(in):
Ronnie James Dio
E-Bass:
Jimmy Bain (in 1983)
Gitarre:
Vivian Campbell (in 1983)
Keyboard:
Jimmy Bain (in 1983) und Ronnie James Dio (in 1983)
Schlagzeug:
Vinny Appice (in 1983)
Sologesang:
Ronnie James Dio (in 1983)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983, in 2005, in 2021), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 25)
recording of:
Rainbow in the Dark (in 1983)
Texter:
Ronnie James Dio
Komponist(in):
Vinny Appice, Jimmy Bain, Vivian Campbell und Ronnie James Dio
publisher:
Carlin Music Corporation, Lite Dusting Music Ltd., Niji Music, Vinny Appice Music und Warner/Chappell Music Ltd. (1996–2019)
Dio4.654:14
28We’re Not Gonna Take It (single version)
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
We're Not Gonna Take it (music video [extended version]) von Twisted Sister und We're Not Gonna Take It (music video) von Twisted Sister
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:37
29Feelin’ Stronger Every Day
Assistent recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
Produzent(in):
James William Guercio
assistierende(r) Mix:
Richard Blakin (in 1973-02)
Mix:
Phil Ramone (in 1973-02)
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) und Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
Verfasser(in):
Peter Cetera (in 1973) und James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. und Big Elk Music (in 1973)
Chicago4:15
30Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:28
31It’s Uncanny
recording of:
It’s Uncanny
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates3:44
32Kick Out the Jams
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 65)
recording of:
Kick Out the Jams
Verfasser(in):
Michael Davis (MC5 bassist), Wayne Kramer (former MC5 guitarist), Fred “Sonic” Smith, Dennis Thompson (drummer for MC5, New Race and The New Order) und Rob Tyner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
MC52:51
33I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
34Highway Song
Blackfoot47:30
35Aqualung
Techniker(in):
John Burns (engineer/producer for Genesis)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (von 1970-12 bis 1971-02)
E-Gitarre und soprano recorder:
Martin Barre (von 1970-12 bis 1971-02)
mellotron, Orgel und Klavier:
John Evan (von 1970-12 bis 1971-02)
Schlagzeug und Perkussion:
Clive Bunker (von 1970-12 bis 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (von 1970-12 bis 1971-02)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 90)
recording of:
Aqualung (Jethro Tull) (am 1971-02-12)
Texter:
Ian Anderson (of Jethro Tull) und Jennie Franks
Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.256:36
36Love in Action
recording of:
Love in Action
Texter und Komponist(in):
Todd Rundgren
Verfasser(in):
Roger Powell (US musician, programmer, and columnist, band "Utopia"), Kasim Sulton und John “Willie” Wilcox
publisher:
Earmark Music Inc., Fiction Music Inc., Unearthly Music, Inc., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia3:30
37Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
38For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:37
39No Fun
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
recording of:
No Fun
Texter:
Iggy Pop
Komponist(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und James Newell June Osterberg
The Stooges3.855:16
40Milk and Alcohol
recording of:
Milk and Alcohol
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood2:51
41Lawyers, Guns and Money
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass und Bassgitarre:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Gitarre und guitar family:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Rick Marotta (US drummer/percussionist)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978)
recording of:
Lawyers, Guns and Money
Texter und Komponist(in):
Zevon
publisher:
Zevon Music Inc. (BMI)
Warren Zevon4.53:30
42Marquee Moon (edit)
recording of:
Marquee Moon
Texter und Komponist(in):
Tom Verlaine
publisher:
Double Exposure Music Ltd.
Television54:31
43Must of Got Lost
recording of:
Must of Got Lost
Verfasser(in):
The J. Geils Band
The J. Geils Band52:58