Memorial

~ Release by Duke Ellington and His Orchestra (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleRatingLength
A1Black and Tan Fantasy
recorded in:
Camden, New Jersey, United States (on 1927-10-26)
alto saxophone:
Harry Carney (on 1927-10-26) and Otto Hardwick (on 1927-10-26)
banjo:
Fred Guy (on 1927-10-26)
baritone saxophone:
Harry Carney (on 1927-10-26)
clarinet:
Harry Carney (on 1927-10-26), Otto Hardwick (on 1927-10-26) and Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
double bass:
Wellman Braud (on 1927-10-26)
drums (drum set):
Sonny Greer (on 1927-10-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1927-10-26)
reeds:
Harry Carney (on 1927-10-26) and Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
saxophone:
Otto Hardwick (on 1927-10-26)
tenor saxophone:
Rudy Jackson (clarinetist and saxophonist) (on 1927-10-26)
trombone:
Tricky Sam Nanton (on 1927-10-26)
trumpet:
Louis Metcalf (on 1927-10-26), Bubber Miley (on 1927-10-26) and unidentified ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1927-10-26)
recording of:
Black and Tan Fantasy (on 1927-10-26)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
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A2The New East St. Louis Toodle‐oo
alto saxophone:
Edgar Sampson (on 1926-11-29)
banjo:
Fred Guy (on 1926-11-29)
drums (drum set):
Sonny Greer (on 1926-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1926-11-29)
reeds:
Otto Hardwick (on 1926-11-26) and Prince Robinson (on 1926-11-29)
saxophone:
Otto Hardwick (on 1926-11-29)
trombone:
Joe Nanton (on 1926-11-29)
trumpet:
Louis Metcalf (on 1926-11-29) and Bubber Miley (on 1926-11-29)
tuba [brass bass]:
Mack Shaw (on 1926-11-29)
recording of:
East St. Louis Toodle‐oo (on 1926-11-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
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A3The Creole Love Call
recording of:
Creole Love Call (on 1927-10-26)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
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A4The Mooche
recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
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A5Mood Indigo
banjo:
Fred Guy (on 1930-12-10)
double bass:
Wellman Braud (on 1930-12-10)
drums (drum set):
Sonny Greer (on 1930-12-10)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1930-12-10)
reeds:
Barney Bigard (on 1930-12-10), Harry Carney (on 1930-12-10) and Johnny Hodges (on 1930-12-10)
trombone:
Joe "Tricky Sam" Nanton (on 1930-12-10)
trumpet:
Freddy Jenkins (on 1930-12-10), Arthur Whetsel (on 1930-12-10) and Cootie Williams (on 1930-12-10)
valve trombone:
Juan Tizol (on 1930-12-10)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1930-12-10)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
A6Rockin’ in Rythm
recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
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B1Caravan
alto saxophone:
Otto Hardwick (on 1945-05-11) and Johnny Hodges (on 1945-05-11)
double bass:
Junior Raglin (bass) (on 1945-05-11)
drums (drum set):
Sonny Greer (on 1945-05-11)
guitar:
Fred Guy (on 1945-05-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-05-11)
reeds:
Harry Carney (on 1945-05-11) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1945-05-11)
tenor saxophone:
Al Sears (on 1945-05-11)
trombone:
Lawrence Brown (jazz trombonist) (on 1945-05-11), Claude Jones (on 1945-05-11) and Joe "Tricky Sam" Nanton (on 1945-05-11)
trumpet:
William “Cat” Anderson (on 1945-05-11), Shelton "Scad" Hemphill (on 1945-05-11), Taft Jordan (on 1945-05-11), Ray Nance (on 1945-05-11) and Rex Stewart (on 1945-05-11)
recording of:
Caravan (on 1945-05-11)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
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B2Solitude
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
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B3It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Johnny Hodges (on 1932-02-02)
banjo:
Fred Guy (on 1932-02-02)
double bass [bass]:
Wellman Braud (on 1932-02-02)
drums (drum set):
Sonny Greer (on 1932-02-02)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1932-02-02)
reeds:
Barney Bigard (on 1932-02-02) and Harry Carney (on 1932-02-02)
trombone:
Joe "Tricky Sam" Nanton (on 1932-02-02)
trumpet:
Freddy Jenkins (on 1932-02-02), Arthur Whetsel (on 1932-02-02) and Cootie Williams (on 1932-02-02)
valve trombone:
Juan Tizol (on 1932-02-02)
vocals:
Ivie Anderson (on 1932-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1932-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1932-02-02)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1932-02-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
2?:??
B4I Let a Song Go Out of My Heart
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
I Let a Song Go Out of My Heart (on 1956-01-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
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B5Do Nothing Till You Hear From Me
producer:
Gene Norman
alto saxophone:
Rick Henderson (jazz saxophonist) (on 1953-03-30)
bass:
Wendell Marshall (on 1953-03-30)
drums (drum set):
Butch Ballard (on 1953-03-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-03-30)
reeds:
Harry Carney (on 1953-03-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1953-03-30) and Russell Procope (on 1953-03-30)
tenor saxophone:
Paul Gonsalves (on 1953-03-30)
trombone:
Quentin Jackson (on 1953-03-30) and Britt Woodman (on 1953-03-30)
trumpet:
Cat Anderson (on 1953-03-30), Willie Cook (US jazz trumpeter) (on 1953-03-30), Ray Nance (on 1953-03-30) and Clark Terry (American swing trumpeter) (on 1953-03-30)
phonographic copyright (℗) by:
Vogue France
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1953-03-30)
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
1?:??
B6Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
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2▼12" Vinyl
#TitleRatingLength
C1Perdido
recording of:
Perdido (original instrumental version) (on 1942-01-21)
composer:
Juan Tizol
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C2Prelude to a Kiss
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
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C3C Jam Blues
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
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C4In a Mellow Tone
alto saxophone:
Johnny Hodges (on 1959-12-03)
alto saxophone and clarinet:
Russell Procope (on 1959-12-03)
baritone saxophone:
Harry Carney (on 1959-12-03)
bass:
Jimmy Woode (on 1959-12-03)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1959-12-03)
drums (drum set) and membranophone:
Jimmy Johnson (drummer in Duke Ellington's Orchestra) (on 1959-12-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-12-03)
tenor saxophone:
Paul Gonsalves (on 1959-12-03)
trombone:
Matthew Gee (jazz trombonist) (on 1959-12-03), Booty Wood (on 1959-12-03) and Britt Woodman (on 1959-12-03)
trumpet:
Ray Nance (on 1959-12-03)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-12-03)
instrumental recording of:
In a Mellow Tone (on 1959-12-03)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
?:??
D1Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
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D2Sophisticated Lady
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1933-02-15)
recording of:
Sophisticated Lady (on 1933-02-15)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
D3Things Ain’t What They Used to Be
alto saxophone:
Johnny Hodges (on 1941-07-03)
baritone saxophone:
Harry Carney (on 1941-07-03)
double bass:
Jimmy Blanton (on 1941-07-03)
drums (drum set):
Sonny Greer (on 1941-07-03)
guitar:
Fred Guy (on 1941-07-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-07-03)
reeds:
Barney Bigard (on 1941-07-03)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-07-03)
trumpet:
Ray Nance (on 1941-07-03)
recording of:
Things Ain’t What They Used to Be (on 1941-07-03)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
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D4I Got It Bad and That Ain’t Good
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
D5Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
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