The Heart ’n’ Soul of Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼12"-Vinyl: Rock and Roll Music - Blasts From the Past / A Teenager in Love
Nr.TitelKünstlerBewertungLänge
A1Rock and Roll Music
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-05-06 bis 1957-05-15)
Klavier:
Lafayette Leake (von 1957-05-06 bis 1957-05-15)
Kontrabass:
Willie Dixon (von 1957-05-06 bis 1957-05-15)
Schlagzeug:
Fred Below (von 1957-05-06 bis 1957-05-15)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1957-05-06 bis 1957-05-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 128)
recording of:
Rock and Roll Music (von 1957-05-06 bis 1957-05-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:36
A2Whole Lotta Loving
recording of:
Whole Lotta Loving
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino1:42
A3Rockin’ Robin
phonographisches Urheberrecht (℗) von:
Class (1950s-1960s US) (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 29)
recording of:
Rockin’ Robin
Texter und Komponist(in):
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son und Recordo Music Pub.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.12:39
A4Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:11
A5Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:34
A6See You Later, Alligator
recording of:
See You Later, Alligator
Texter und Komponist(in):
Robert Guidry (in 1955-10)
Bill Haley and His Comets2:47
B1A Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:40
B2Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:37
B3Just a Dream
recording of:
Just a Dream
Komponist(in):
Jimmy Clanton und Cosimo Matassa
publisher:
Franmar Music und Three Wise Boys Music LLC
Jimmy Clanton2:36
B4Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings42:44
B5So Fine
recording of:
So Fine
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Co. und Valley Music Ltd (publisher)
The Fiestas2:25
B6Put Your Head on My Shoulder
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 1958-08)
conductor:
Joe Sherman (in 1958-08)
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
produced for:
Camy Productions, Inc.
recording of:
Put Your Head on My Shoulder (in 1958-08)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Chrysalis Standards Inc. und Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:37
2▼12"-Vinyl: At the Hop - Dancin' the Night Away / I'm in Love Again - The Romantic Roller Coaster
Nr.TitelKünstlerBewertungLänge
C1At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.42:34
C2School Day
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre:
Chuck Berry (am 1956-12-15) und Hubert Sumlin (Chicago blues guitarist and singer) (am 1956-12-15)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-12-15)
Schlagzeug:
Fred Below (am 1956-12-15)
Sologesang:
Chuck Berry (am 1956-12-15)
vocals:
Chuck Berry
phonographisches Urheberrecht (℗) von:
N2K und Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-12-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 3)
recording of:
School Day (Ring! Ring! Goes the Bell) (am 1956-12-15)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Nightlight Music Pty Ltd.
Chuck Berry4.252:44
C3Queen of the Hop
recording of:
Queen of the Hop
Verfasser(in) und Komponist(in):
Woody Harris
publisher:
Tweed Music (ASCAP) und Walden Music (publisher)
Bobby Darin2:10
C4The Stroll
recording of:
The Stroll
Verfasser(in):
Nancy Lee (US 1950/60s songwriter & singer) und Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:31
C5I’m Walkin’
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:06
C6La bamba
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (am 1958-11-17)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Ritchie Valens4.752:07
D1Love Is Strange
recording of:
Love Is Strange
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia3:01
D2Book of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 12) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 29)
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:22
D3I’m in Love Again
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 6)
recording of:
I’m in Love Again (am 1955-10-15)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino52:01
D4Sea of Love
Produzent(in):
Trevor Jones (South African score composer)
Mix:
John Richards (engineer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 39)
recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
Phil Phillips4.52:27
D5Love Potion No. 9
recording of:
Love Potion No. 9
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
The Clovers1:56
D6I Wonder Why
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 24)
recording of:
I Wonder Why
Verfasser(in):
Melvin Anderson und Ricardo Weeks
publisher:
Schwartz Music
Dion & The Belmonts4.52:24
3▼12"-Vinyl: Earth Angel - The Number One Gals / Roll Over Beethoven - The Top Guys
Nr.TitelKünstlerBewertungLänge
E1Earth Angel
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 151)
recording of:
Earth Angel (Will You Be Mine) (in 1954)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
The Penguins52:59
E2Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:22
E3Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:24
E4Oh! Carol
recording of:
Oh! Carol
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka2:18
E5Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens4.82:24
E6I Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:55
F1Roll Over Beethoven
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
Tenorsaxophon:
Leroy C. Davis (am 1956-04-19)
Trompete:
Vincent Pitts (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1956)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 97)
recording of:
Roll Over Beethoven (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry4.152:27
F2Willie and the Hand Jive
recording of:
Willie and the Hand Jive
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Company
Johnny Otis2:38
F3Stagger Lee
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 20)
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price52:25
F4Jim Dandy
recorded in:
New York, New York, Vereinigte Staaten (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker4.52:15
F5Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer)
Maracas / Rumba-Rasseln:
Jerome Green
Schlagzeug:
Frank Kirkland
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer)
recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley4.52:32
F6Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:42
4▼12"-Vinyl: 16 Candles - High School Favorites / Shake, Rattle and Roll
Nr.TitelKünstlerBewertungLänge
G1Happy, Happy Birthday Baby
recording of:
Happy, Happy Birthday Baby
Verfasser(in):
Gilbert Lopez (tenor singer and songwriter) und Margo Sylvia
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
The Tune Weavers2:21
G2Sh‐Boom
cover recording of:
Sh‐Boom
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:48
G3Hey Little Girl
Dee Clark2:00
G4Personality
recording of:
Personality (in 1959)
Texter und Komponist(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
Lloyd Price2:38
G516 Candles
recording of:
16 Candles
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
January Music Corp., Little A Music, Mijac Music und Unichappell Music, Inc.
The Crests3.52:54
G6Sweet Little Sixteen
Gitarre und Sologesang:
Chuck Berry (in 1957-12)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
Kontrabass:
Willie Dixon (in 1957-12)
Schlagzeug:
Jasper Thomas (in 1957-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (in 1957-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry0.13:12
H1Shake, Rattle and Roll
recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Bill Haley and His Comets2:34
H2Whole Lotta Shakin’ Goin’ On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:56
H3Let the Good Times Roll
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee (rhythm & blues and doo wop singer and songwriter)
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee2:27
H4Short Shorts
The Royal Teens2:39
H5Don’t You Just Know It
recording of:
Don’t You Just Know It
Verfasser(in):
Huey “Piano” Smith und Johnny Vincent
Huey “Piano” Smith & the Clowns2:34
H6Shout, Parts 1 and 2
phonographisches Urheberrecht (℗) von:
BMG Music (in 1959)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 118) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 268)
recording of:
Shout
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Teil von:
MJ: The Musical
The Isley Brothers54:28
5▼12"-Vinyl: Ten Commandments of Love - The Romantic Teens / Western Movies - The Zany Novelties
Nr.TitelKünstlerBewertungLänge
I1To the Aisle
recording of:
To the Aisle
Verfasser(in):
Billy Smith (1950s Ohio rockabilly artist) und Stuart Wiener
publisher:
Wemar Music Corp.
The Five Satins2:48
I2Pledging My Love
Orchester:
Johnny Otis Orchestra
recording of:
Pledging My Love
Verfasser(in):
Don Robey und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music und Wemar Music Corp.
Johnny Ace42:32
I3We Belong Together
recording of:
We Belong Together
Verfasser(in):
Robert Carr, Johnny Mitchell und Hy Weiss
publisher:
Planetary Nom (London) Ltd.
Robert and Johnny2:50
I4Ten Commandments of Love
Sologesang:
Harvey Fuqua
cover recording of:
Ten Commandments of Love (Commandments of Love) (in 1958-08)
Texter und Komponist(in):
Marshall Paul
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Tristan Music Ltd. und ロックンロール ミュージック (Rock ’n’ Roll Music)
Harvey & The Moonglows44:07
I5Since I Met You Baby
recording of:
Since I Met You Baby
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
BMG Platinum Songs, Bonuswise Ltd. und Unichappell Music, Inc.
Ivory Joe Hunter2:46
I6To Know Him Is to Love Him
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Phil Spector
Instrumente:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
Texter und Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. und Vogue Music
The Teddy Bears2:27
J1Western Movies
recording of:
Western Movies
Verfasser(in):
Cliff Goldsmith und Fred Smith (60s producer)
publisher:
Escort Music Company und Keymen Music (publisher)
The Olympics2:25
J2Yakety Yak
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters1:54
J3Get a Job
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 36)
recording of:
Get a Job (in 1957-10)
Verfasser(in):
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) und William F. Horton (US R&B/northern soul)
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) und Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:50
J4Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US songwriter/producer)
Teil von:
Billboard Hot 100: 1958-08-04 (Nummer: 3)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:16
J5Baby Talk
cover recording of:
Baby Talk
Texter und Komponist(in):
Melvin Schwartz
Jan & Dean2:32
J6Tutti Frutti
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard2:25
6▼12"-Vinyl: There Goes My Baby - Cryin' the Night Away / Teen Beat - The Great Instrumental Hits
Nr.TitelKünstlerBewertungLänge
K1The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:42
K2There Goes My Baby
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Reggie Kimber (am 1959-03-06)
Baritongesang:
Dock Green (am 1959-03-06)
Bass-Gesang:
Elsbeary Hobbs (am 1959-03-06)
Sologesang:
Ben E. King (am 1959-03-06)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
aufgenommen bei:
Coastal Recording in New York, New York, Vereinigte Staaten (am 1959-03-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 193)
recording of:
There Goes My Baby (am 1959-03-06)
Texter und Komponist(in):
Benjamin Nelson, Lover Patterson und George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. und Sony/ATV Songs LLC
The Drifters4.52:15
K3Bye Bye Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1957-03-01)
Bass:
Floyd D. 'Lightnin'' Chance (am 1957-03-01)
E-Gitarre:
Chet Atkins (am 1957-03-01)
Gitarre:
Don Everly (am 1957-03-01), Phil Everly (am 1957-03-01) und Hank Garland (am 1957-03-01)
Klavier:
Floyd Cramer (am 1957-03-01)
Schlagzeug:
Murrey Harman (Session drummer and songwriter) (am 1957-03-01)
vocals:
Don Everly (am 1957-03-01) und Phil Everly (am 1957-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 207)
recording of:
Bye Bye Love (am 1957-03-01)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:23
K4Mr. Blue
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 29)
recording of:
Mr. Blue
Texter und Komponist(in):
Dewayne Blackwell (country music singer-songwriter)
The Fleetwoods42:25
K5Out of Sight, Out of Mind
The Five Keys2:17
K6Lonely Boy
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Lonely Boy
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Epa Publishing
Paul Anka2:31
L1Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:13
L2Honky Tonk, Part 2
Bill Doggett2:37
L3Raunchy
Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Sid Lapworth (am 1957-06-05)
Gitarre:
Roland Janes (am 1957-06-05) und Sid Manker (am 1957-06-05)
Horn [horn overdubs]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-06-05)
Klavier:
Jimmy Wilson (rockabilly piano) (am 1957-06-05)
Schlagzeug [drums]:
J.M. Van Eaton (am 1957-06-05)
Tenorsaxophon:
Bill Justis (am 1957-06-05)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-06-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 38)
recording of:
Raunchy (am 1957-06-05)
Komponist(in):
Bill Justis und Sid Manker
sub-publisher:
Tutti Intersong Éditions musicales SARL und Warner Chappell Music France
Bill Justis2:25
L4Teen Beat
recording of:
Teen Beat
Komponist(in):
Arthur Egnoian und Sandy Nelson
publisher:
Lovolar Music
Sandy Nelson2:26
L5The Happy Organ
recording of:
The Happy Organ
Komponist(in):
David Clowney, James J. Kriegsmann und Ken Wood (50/60 Rockabilly artist)
publisher:
Embassy Music Corporation
Dave “Baby” Cortez2:05
L6Rumble
recording of:
Rumble
Komponist(in):
Milton Grant und Link Wray
publisher:
Andval Music und Link Wray Music
Link Wray & His Raymen2:26
7▼12"-Vinyl: You Send Me - Two Hearts Beat as One / What'd I Say - Rhythmic Gems
Nr.TitelKünstlerBewertungLänge
M1You Send Me
Produzent(in):
Robert “Bumps” Blackwell
Bass:
Ted Brinson (am 1957-06-01)
Gitarre:
Clifton White (am 1957-06-01) und René Hall (am 1957-06-01)
Schlagzeug:
Earl Palmer (am 1957-06-01)
Hintergrundgesang:
Charles Parlato, Alicia Adams (singer) (am 1957-06-01), Sue Allen (am 1957-06-01) und Lee Gotch (am 1957-06-01)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”) (am 1957-06-01)
Orchester:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (am 1957-06-01)
conductor:
Glenn Osser (am 1957-06-01)
phonographisches Urheberrecht (℗) von:
Keen (in 1958)
aufgenommen bei:
Specialty Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 115)
recording of:
You Send Me (am 1957-06-01)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Sam Cooke42:50
M2I’ll Be Home
Produzent(in):
Randy Wood (producer)
conductor:
Billy Vaughn (in 1955-12)
arranger:
Billy Vaughn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-12)
cover recording of:
I’ll Be Home (am 1955-12-01)
Verfasser(in):
Stanley Lewis (well known 60s/70s US producer/songwriter) und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) und Spirit One Music
Pat Boone43:03
M3A Lover’s Question
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Carl Lynch (am 1958-08-07) und Sal Salvador (am 1958-08-07)
Klavier:
Cliff Smalls (am 1958-08-07)
Kontrabass [bass]:
Milt Hinton (am 1958-08-07)
Schlagzeug [drums]:
Belton Evans (am 1958-08-07)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-08-07)
vocals:
Clyde McPhatter (am 1958-08-07)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-08-07)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
A Lover's Question (am 1958-08-07)
Komponist(in):
Brook Benton und Jimmy Williams (50s/60s US funk/soul songwriter)
Clyde McPhatter32:37
M4In the Still of the Night (I Remember)
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:03
M5I Met Him on a Sunday
recording of:
I Met Him on a Sunday (am 1958-02-07)
Verfasser(in):
Doris Coley, Addie Harris, Beverly Lee (singer for The Shirelles) und Shirley Alston Reeves
publisher:
G and H Music Publishing House Inc., Ludlow Music und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:19
M6Sincerely
Bassgitarre:
Willie Dixon (in 1954-10)
Gitarre:
Walter Scott (US blues guitarist) (in 1954-10)
Klavier:
Johnny Young (jazz pianist) (in 1954-10)
Schlagzeug:
Wesley Landers (Jazz drummer) (in 1954-10)
Tenorsaxophon:
Eddie Chamblee (in 1954-10)
Baritongesang:
Harvey Fuqua (in 1954-10)
Bass-Gesang:
Prentiss Barnes (in 1954-10)
Sologesang:
Bobby Lester (rhythm & blues and soul vocalist and songwriter) (in 1954-10)
Tenor-Gesang:
Pete Graves (US doo-wop vocalist, member of The Moonglows) (in 1954-10)
recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows3:16
N1What’d I Say, Parts 1 and 2
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles4:56
N2Fever
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-03-01)
Bass:
Edwyn Conley (am 1956-03-01)
Gitarre:
Bill Jennings (1950s US jazz guitarist) (am 1956-03-01)
Klavier:
Jon Thomas (R&B/rock'n'roll organist and pianist) (am 1956-03-01)
Schlagzeug [drums]:
Edison Gore (am 1956-03-01)
Tenorsaxophon:
Ray Felder (am 1956-03-01) und Rufus Gore (US R&B saxophonist) (am 1956-03-01)
vocals:
Little Willie John (am 1956-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 3) und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2010)
recording of:
Fever (am 1956-03-01)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Little Willie John42:42
N3That’ll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly & The Crickets4.62:19
N4Ain’t That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:30
N5Keep a‐Knockin’
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:14
N6Rock and Roll Is Here to Stay
recording of:
Rock and Roll Is Here to Stay
Texter und Komponist(in):
David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:29

Nennungen