The Heart ’n’ Soul of Rock ’n’ Roll

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

| |
1▼Vinile 12" (30 cm): Rock and Roll Music - Blasts From the Past / A Teenager in Love
#TitoloArtistaValutazioneDurata
A1Rock and Roll Music
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Fred Below (dal 1957-05-06 al 1957-05-15)
chitarra elettrica e voce principale:
Chuck Berry (dal 1957-05-06 al 1957-05-15)
contrabbasso :
Willie Dixon (dal 1957-05-06 al 1957-05-15)
pianoforte :
Lafayette Leake (dal 1957-05-06 al 1957-05-15)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1957-05-06 al 1957-05-15)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 19), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 128)
registrazione di:
Rock and Roll Music (dal 1957-05-06 al 1957-05-15)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry4.352:36
A2Whole Lotta Loving
registrazione di:
Whole Lotta Loving
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino1:42
A3Rockin’ Robin
diritti fonografici (℗) detenuti da:
Class (1950s-1960s US) (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 29)
registrazione di:
Rockin’ Robin
paroliere e compositore:
Jimmie Thomas
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son e Recordo Music Pub.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.12:39
A4Little Darlin’
registrazione cover di:
Little Darlin’
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Campbell Connelly & Co. Ltd. e Excellorec Music
The Diamonds2:11
A5Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:34
A6See You Later, Alligator
registrazione di:
See You Later, Alligator
paroliere e compositore:
Robert Guidry (nel 1955-10)
Bill Haley and His Comets2:47
B1A Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:40
B2Stay
batteria [drums] :
Willie Morrow
contrabbasso :
Albert Hill (double bassist)
voce di baritono:
Charles Thomas (The Zodiacs)
voce di tenore:
Wiley Bennett
voce di tenore [falsetto tenor]:
Henry Gaston
voce principale:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (nel 1987)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 1)
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
Maurice Williams and the Zodiacs51:37
B3Just a Dream
registrazione di:
Just a Dream
compositore:
Jimmy Clanton e Cosimo Matassa
editore:
Franmar Music e Three Wise Boys Music LLC
Jimmy Clanton2:36
B4Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings42:44
B5So Fine
registrazione di:
So Fine
paroliere e compositore:
Johnny Otis
editore:
Eldorado Music Co. e Valley Music Ltd (publisher)
The Fiestas2:25
B6Put Your Head on My Shoulder
registrata a:
New York, New York, Stati Uniti
produttore:
Joe Sherman
voce:
Paul Anka (Canadian singer, songwriter and actor) (nel 1958-08)
direttore d'orchestra:
Joe Sherman (nel 1958-08)
arrangiatore:
Joe Sherman
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1962)
è stato produttore per:
Camy Productions, Inc.
registrazione di:
Put Your Head on My Shoulder (nel 1958-08)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Chrysalis Standards Inc. e Epa Publishing
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:37
2▼Vinile 12" (30 cm): At the Hop - Dancin' the Night Away / I'm in Love Again - The Romantic Roller Coaster
#TitoloArtistaValutazioneDurata
C1At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.42:34
C2School Day
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Fred Below (il 1956-12-15)
chitarra :
Chuck Berry (il 1956-12-15) e Hubert Sumlin (Chicago blues guitarist and singer) (il 1956-12-15)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-12-15)
voce:
Chuck Berry
voce principale:
Chuck Berry (il 1956-12-15)
diritti fonografici (℗) detenuti da:
N2K e Geffen Records (nel 2003)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-12-15)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 3)
registrazione di:
School Day (Ring! Ring! Goes the Bell) (il 1956-12-15)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Nightlight Music Pty Ltd.
Chuck Berry4.252:44
C3Queen of the Hop
registrazione di:
Queen of the Hop
autore e compositore:
Woody Harris
editore:
Tweed Music (ASCAP) e Walden Music (publisher)
Bobby Darin2:10
C4The Stroll
registrazione di:
The Stroll
autore:
Nancy Lee (US 1950/60s songwriter & singer) e Clyde Otis (American songwriter and record producer)
editore:
Vogue Music
The Diamonds2:31
C5I’m Walkin’
diritti fonografici (℗) detenuti da:
F. D. & Hunter (nel 1957)
edit di:
I’m Walking di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 17)
registrazione di:
I’m Walkin’ (il 1957-01-03)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
autore:
A. Domino/D. Bartholomew (duo)
editore:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. e Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:06
C6La bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:07
D1Love Is Strange
registrazione di:
Love Is Strange
paroliere:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) e Sylvia Robinson
autore:
Ethel Smith
compositore:
Ethel Smith (American singer, guitarist, songwriter and music producer)
editore:
Cromwell Music Ltd. e Ben Ghazi Music, Inc. (publisher) (nel 1956)
Mickey & Sylvia3:01
D2Book of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 12) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 29)
registrazione di:
Book of Love
autore:
Warren Davis, George Malone e Charles Patrick (lead singer for The Monotones)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Nom Music, Inc.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:22
D3I’m in Love Again
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 6)
registrazione di:
I’m in Love Again (il 1955-10-15)
autore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino52:01
D4Sea of Love
produttore:
Trevor Jones (South African score composer)
tecnico di missaggio:
John Richards (engineer)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 39)
registrazione di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
Phil Phillips4.52:27
D5Love Potion No. 9
registrazione di:
Love Potion No. 9
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
The Clovers1:56
D6I Wonder Why
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 24)
registrazione di:
I Wonder Why
autore:
Melvin Anderson e Ricardo Weeks
editore:
Schwartz Music
Dion & The Belmonts4.52:24
3▼Vinile 12" (30 cm): Earth Angel - The Number One Gals / Roll Over Beethoven - The Top Guys
#TitoloArtistaValutazioneDurata
E1Earth Angel
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 151)
registrazione di:
Earth Angel (Will You Be Mine) (nel 1954)
autore:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams (band leader, record producer and record label owne)
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Penguins52:59
E2Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:22
E3Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:24
E4Oh! Carol
registrazione di:
Oh! Carol
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka2:18
E5Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:24
E6I Got a Woman
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
WGST Studio in Atlanta, Georgia, Stati Uniti (il 1954-11-18)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (numero: 2019) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 235)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:55
F1Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:27
F2Willie and the Hand Jive
registrazione di:
Willie and the Hand Jive
paroliere e compositore:
Johnny Otis
editore:
Eldorado Music Company
Johnny Otis2:38
F3Stagger Lee
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 20)
registrazione di:
Stagger Lee (Lloyd Price version)
autore:
Harold Logan e Lloyd Price (US R&B/soul singer)
editore:
EMI Catalogue Partnership, Irving Music (BMI) e Travis Music Co.
versione di:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price52:25
F4Jim Dandy
registrata a:
New York, New York, Stati Uniti (il 1955-12-21)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
voce di accompagnamento:
The Gliders (UK rock trio) (il 1955-12-21)
voce principale:
LaVern Baker (US rhythm & blues singer) (il 1955-12-21)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 344)
registrazione di:
Jim Dandy (il 1955-12-21)
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Embassy Music Corporation e Unichappell Music, Inc.
LaVern Baker4.52:15
F5Bo Diddley
batteria :
Frank Kirkland
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer)
maracas :
Jerome Green
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer)
registrazione di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley4.52:32
F6Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:42
4▼Vinile 12" (30 cm): 16 Candles - High School Favorites / Shake, Rattle and Roll
#TitoloArtistaValutazioneDurata
G1Happy, Happy Birthday Baby
registrazione di:
Happy, Happy Birthday Baby
autore:
Gilbert Lopez (tenor singer and songwriter) e Margo Sylvia
editore:
Arc Music Corp. (U.S. rock & blues publisher)
The Tune Weavers2:21
G2Sh‐Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:48
G3Hey Little Girl
Dee Clark2:00
G4Personality
registrazione di:
Personality (nel 1959)
paroliere e compositore:
Harold Logan e Lloyd Price (US R&B/soul singer)
Lloyd Price2:38
G516 Candles
registrazione di:
16 Candles
autore:
Luther Dixon e Allyson R. Khent
editore:
January Music Corp., Little A Music, Mijac Music e Unichappell Music, Inc.
The Crests3.52:54
G6Sweet Little Sixteen
batteria :
Jasper Thomas (nel 1957-12)
chitarra e voce principale:
Chuck Berry (nel 1957-12)
contrabbasso :
Willie Dixon (nel 1957-12)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (nel 1957-12)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (nel 1957-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 272)
registrazione di:
Sweet Little Sixteen (nel 1957-12)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry0.13:12
H1Shake, Rattle and Roll
registrazione di:
Shake, Rattle and Roll
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Bill Haley and His Comets2:34
H2Whole Lotta Shakin’ Goin’ On
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1957), Sun Record Company (nel 1957) e Charly Records (dal 2008 a oggi)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-02-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 61)
registrazione cover di:
Whole Lotta Shakin’ Goin’ On (il 1957-02-05)
autore:
Sunny David (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
registrazione di:
Whole Lotta Shakin’ Goin’ On
autore:
Sunny David (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:56
H3Let the Good Times Roll
registrazione di:
Let the Good Times Roll
autore:
Shirley Goodman e Leonard Lee (rhythm & blues and doo wop singer and songwriter)
editore:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. e Unart Music Corp.
Shirley & Lee2:27
H4Short Shorts
The Royal Teens2:39
H5Don’t You Just Know It
registrazione di:
Don’t You Just Know It
autore:
Huey “Piano” Smith e Johnny Vincent
Huey “Piano” Smith & the Clowns2:34
H6Shout, Parts 1 and 2
diritti fonografici (℗) detenuti da:
BMG Music (nel 1959)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 118) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 268)
registrazione di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
parte di:
MJ: The Musical
The Isley Brothers54:28
5▼Vinile 12" (30 cm): Ten Commandments of Love - The Romantic Teens / Western Movies - The Zany Novelties
#TitoloArtistaValutazioneDurata
I1To the Aisle
registrazione di:
To the Aisle
autore:
Billy Smith (1950s Ohio rockabilly artist) e Stuart Wiener
editore:
Wemar Music Corp.
The Five Satins2:48
I2Pledging My Love
orchestra:
Johnny Otis Orchestra
registrazione di:
Pledging My Love
autore:
Don Robey e Ferdinand Washington (blues and rhythm and blues songwriter)
editore:
Songs of Universal, Inc. (BMI), Spirit One Music e Wemar Music Corp.
Johnny Ace42:32
I3We Belong Together
registrazione di:
We Belong Together
autore:
Robert Carr, Johnny Mitchell e Hy Weiss
editore:
Planetary Nom (London) Ltd.
Robert and Johnny2:50
I4Ten Commandments of Love
voce principale:
Harvey Fuqua
registrazione cover di:
Ten Commandments of Love (Commandments of Love) (nel 1958-08)
paroliere e compositore:
Marshall Paul
editore:
Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Tristan Music Ltd. e ロックンロール ミュージック (Rock ’n’ Roll Music)
Harvey & The Moonglows44:07
I5Since I Met You Baby
registrazione di:
Since I Met You Baby
paroliere e compositore:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
editore:
BMG Platinum Songs, Bonuswise Ltd. e Unichappell Music, Inc.
Ivory Joe Hunter2:46
I6To Know Him Is to Love Him
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Phil Spector
membranofono :
Sandy Nelson (nel 1958-07)
strumenti:
Phil Spector (nel 1958-07)
arrangiatore:
Phil Spector
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1958-07)
registrazione di:
To Know Him Is to Love Him (nel 1958-07)
paroliere e compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. e Vogue Music
The Teddy Bears2:27
J1Western Movies
registrazione di:
Western Movies
autore:
Cliff Goldsmith e Fred Smith (60s producer)
editore:
Escort Music Company e Keymen Music (publisher)
The Olympics2:25
J2Yakety Yak
registrazione di:
Yakety Yak
paroliere:
Jerry Leiber
autore:
Jerry Leiber e Mike Stoller
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
parte di:
Twins (1988)
The Coasters1:54
J3Get a Job
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 36)
registrazione di:
Get a Job (nel 1957-10)
autore:
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) e William F. Horton (US R&B/northern soul)
editore:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (nel 1957) e Wildcat Music (US publisher) (nel 1957)
The Silhouettes4.52:50
J4Splish Splash
produttore:
Herb Abramson e Ahmet Ertegun (US songwriter/producer)
parte di:
Billboard Hot 100: 1958-08-04 (numero: 3)
registrazione di:
Splish Splash
autore:
Bobby Darin e Jean Murray
editore:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. e Oirt Music Inc.
Bobby Darin32:16
J5Baby Talk
registrazione cover di:
Baby Talk
paroliere e compositore:
Melvin Schwartz
Jan & Dean2:32
J6Tutti Frutti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard2:25
6▼Vinile 12" (30 cm): There Goes My Baby - Cryin' the Night Away / Teen Beat - The Great Instrumental Hits
#TitoloArtistaValutazioneDurata
K1The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:42
K2There Goes My Baby
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Reggie Kimber (il 1959-03-06)
voce di baritono:
Dock Green (il 1959-03-06)
voce di basso:
Elsbeary Hobbs (il 1959-03-06)
voce di tenore:
Charlie Thomas (The Drifters) (il 1959-03-06)
voce principale:
Ben E. King (il 1959-03-06)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1959-03-06)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrata presso:
Coastal Recording in New York, New York, Stati Uniti (il 1959-03-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 2) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 193)
registrazione di:
There Goes My Baby (il 1959-03-06)
paroliere e compositore:
Benjamin Nelson, Lover Patterson e George Treadwell
editore:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. e Sony/ATV Songs LLC
The Drifters4.52:15
K3Bye Bye Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1957-03-01)
basso :
Floyd D. 'Lightnin'' Chance (il 1957-03-01)
batteria :
Murrey Harman (Session drummer and songwriter) (il 1957-03-01)
chitarra :
Don Everly (il 1957-03-01), Phil Everly (il 1957-03-01) e Hank Garland (il 1957-03-01)
chitarra elettrica :
Chet Atkins (il 1957-03-01)
pianoforte :
Floyd Cramer (il 1957-03-01)
voce:
Don Everly (il 1957-03-01) e Phil Everly (il 1957-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 207)
registrazione di:
Bye Bye Love (il 1957-03-01)
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:23
K4Mr. Blue
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 29)
registrazione di:
Mr. Blue
paroliere e compositore:
Dewayne Blackwell (country music singer-songwriter)
The Fleetwoods42:25
K5Out of Sight, Out of Mind
The Five Keys2:17
K6Lonely Boy
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione di:
Lonely Boy
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Epa Publishing
Paul Anka2:31
L1Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:13
L2Honky Tonk, Part 2
Bill Doggett2:37
L3Raunchy
produttore:
Sam Phillips (founder of Sun Records)
basso :
Sid Lapworth (il 1957-06-05)
batteria [drums] :
J.M. Van Eaton (il 1957-06-05)
chitarra :
Roland Janes (il 1957-06-05) e Sid Manker (il 1957-06-05)
corno [horn overdubs] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1957-06-05)
pianoforte :
Jimmy Wilson (rockabilly piano) (il 1957-06-05)
sassofono tenore :
Bill Justis (il 1957-06-05)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-06-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 38)
registrazione di:
Raunchy (il 1957-06-05)
compositore:
Bill Justis e Sid Manker
sub-editore:
Tutti Intersong Éditions musicales SARL e Warner Chappell Music France
Bill Justis2:25
L4Teen Beat
registrazione di:
Teen Beat
compositore:
Arthur Egnoian e Sandy Nelson
editore:
Lovolar Music
Sandy Nelson2:26
L5The Happy Organ
registrazione di:
The Happy Organ
compositore:
David Clowney, James J. Kriegsmann e Ken Wood (50/60 Rockabilly artist)
editore:
Embassy Music Corporation
Dave “Baby” Cortez2:05
L6Rumble
registrazione di:
Rumble
compositore:
Milton Grant e Link Wray
editore:
Andval Music e Link Wray Music
Link Wray & His Raymen2:26
7▼Vinile 12" (30 cm): You Send Me - Two Hearts Beat as One / What'd I Say - Rhythmic Gems
#TitoloArtistaValutazioneDurata
M1You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson (il 1957-06-01)
batteria :
Earl Palmer (il 1957-06-01)
chitarra :
Clifton White (il 1957-06-01) e René Hall (il 1957-06-01)
voce di accompagnamento:
Charles Parlato, Alicia Adams (singer) (il 1957-06-01), Sue Allen (il 1957-06-01) e Lee Gotch (il 1957-06-01)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (il 1957-06-01)
direttore d'orchestra:
Glenn Osser (il 1957-06-01)
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me (il 1957-06-01)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke42:50
M2I’ll Be Home
produttore:
Randy Wood (producer)
direttore d'orchestra:
Billy Vaughn (nel 1955-12)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-12)
registrazione cover di:
I’ll Be Home (il 1955-12-01)
autore:
Stanley Lewis (well known 60s/70s US producer/songwriter) e Ferdinand Washington (blues and rhythm and blues songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) e Spirit One Music
Pat Boone43:03
M3A Lover’s Question
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Belton Evans (il 1958-08-07)
chitarra :
Carl Lynch (il 1958-08-07) e Sal Salvador (il 1958-08-07)
contrabbasso [bass] :
Milt Hinton (il 1958-08-07)
pianoforte :
Cliff Smalls (il 1958-08-07)
sassofono tenore :
King Curtis (saxophonist) (il 1958-08-07)
voce:
Clyde McPhatter (il 1958-08-07)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor) (il 1958-08-07)
arrangiatore:
Ray Ellis (US producer, arranger and conductor)
registrazione di:
A Lover's Question (il 1958-08-07)
compositore:
Brook Benton e Jimmy Williams (50s/60s US funk/soul songwriter)
Clyde McPhatter32:37
M4In the Still of the Night (I Remember)
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:03
M5I Met Him on a Sunday
registrazione di:
I Met Him on a Sunday (il 1958-02-07)
autore:
Doris Coley, Addie Harris, Beverly Lee (singer for The Shirelles) e Shirley Alston Reeves
editore:
G and H Music Publishing House Inc., Ludlow Music e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:19
M6Sincerely
batteria :
Wesley Landers (Jazz drummer) (nel 1954-10)
chitarra :
Walter Scott (US blues guitarist) (nel 1954-10)
chitarra basso :
Willie Dixon (nel 1954-10)
pianoforte :
Johnny Young (jazz pianist) (nel 1954-10)
sassofono tenore :
Eddie Chamblee (nel 1954-10)
voce di baritono:
Harvey Fuqua (nel 1954-10)
voce di basso:
Prentiss Barnes (nel 1954-10)
voce di tenore:
Pete Graves (US doo-wop vocalist, member of The Moonglows) (nel 1954-10)
voce principale:
Bobby Lester (rhythm & blues and soul vocalist and songwriter) (nel 1954-10)
registrazione di:
Sincerely
autore:
Alan Freed (American disc jockey) (fino al 1954-10) e Harvey Fuqua (fino al 1954-10)
editore:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) e ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows3:16
N1What’d I Say, Parts 1 and 2
registrazione di:
What’d I Say
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles4:56
N2Fever
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-03-01)
basso :
Edwyn Conley (il 1956-03-01)
batteria [drums] :
Edison Gore (il 1956-03-01)
chitarra :
Bill Jennings (1950s US jazz guitarist) (il 1956-03-01)
pianoforte :
Jon Thomas (R&B/rock'n'roll organist and pianist) (il 1956-03-01)
sassofono tenore :
Ray Felder (il 1956-03-01) e Rufus Gore (US R&B saxophonist) (il 1956-03-01)
voce:
Little Willie John (il 1956-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 3) e Blues Hall of Fame: Classic of Blues Recording Single (numero: 2010)
registrazione di:
Fever (il 1956-03-01)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Little Willie John42:42
N3That’ll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly & The Crickets4.62:19
N4Ain’t That a Shame
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino2:30
N5Keep a‐Knockin’
registrazione di:
Keep a Knockin’ (Little Richard’s version)
paroliere e compositore:
Richard Wayne Penniman (nel 1957-01)
editore:
MCA Music Ltd.
versione di:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:14
N6Rock and Roll Is Here to Stay
registrazione di:
Rock and Roll Is Here to Stay
paroliere e compositore:
David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:29

Accreditamenti