| # | Title | Artist | Rating | Length |
|---|
| 1 | True | Spandau Ballet | 3.65 | 5:28 |
| 2 | Sleeping Satellite | Tasmin Archer | 4 | 4:19 |
| 3 | The Ballad of Jenny Ledge | Toy Matinee | | 5:48 |
| 4 | Hunting High and Low | a‐ha | 3.45 | 3:44 |
| 5 | Waiting for a Girl Like You- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt , Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Mick Jones and Bob Mayo
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones , Robert John “Mutt” Lange , Ian Lloyd , Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Waiting for a Girl Like You
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Universal Music Publishing Pty Ltd. , フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
| Foreigner | 3.35 | 4:50 |
| 6 | Come as You Are | Laura Allan | | 4:23 |
| 7 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 8 | Bad Day | Daniel Powter | 3.1 | 3:55 |
| 9 | Baby What a Big Surprise- assistant recording engineer and recording engineer:
- Armin Steiner (strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (in 1977)
- additional background vocals:
- Tim Cetera (in 1977) and Carl Wilson (in 1977)
- orchestrator:
- Peter Cetera, Dominic Frontiere and James William Guercio
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (in 2002, in 2007)
- recorded at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States
- recording of:
- Baby, What a Big Surprise (in 1977)
- orchestrator:
- Dominic Frontiere
- lyricist and composer:
- Peter Cetera (in 1977)
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
| Chicago | 3 | 3:06 |
| 10 | Please Don’t Go | KC & the Sunshine Band | 4 | 3:50 |
| 11 | Walking in Memphis | Marc Cohn | 3.9 | 4:16 |
| 12 | When the Night Comes | Joe Cocker | 4 | 4:49 |
| 13 | I Love You Always Forever | Donna Lewis | 3.9 | 4:00 |
| 14 | Easy | Faith No More | 4.5 | 3:08 |
| 15 | The Best Is Yet to Come | Marilyn Martin | | 3:47 |
| 16 | Man in the Moon | Titiyo | | 4:02 |
| 17 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:54 |
| 18 | You Learn | Alanis Morissette | 3.7 | 3:59 |
| 19 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:15 |
| 20 | Pure Shores | All Saints | 3.65 | 4:29 |
| 21 | Follow Me | Uncle Kracker | 4 | 3:35 |
| 22 | I.G.Y. | Donald Fagen | | 6:03 |
| 23 | I’d Love You to Want Me | Lobo | 3 | 4:04 |
| 24 | You Might Need Somebody | Randy Crawford | 4 | 4:15 |
| 25 | Lover of Mine | Alannah Myles | 4 | 4:37 |
| 26 | Don’t Let Go (Love) | En Vogue | 4 | 4:52 |
| 27 | A Horse With No Name | America | 4.25 | 4:09 |
| 28 | Love Shine a Light | Katrina & the Waves | 2 | 2:54 |
| 29 | The Rose | Bette Midler | 4.2 | 3:35 |
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