The Yellow Guide: Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1
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1Missa papae marcelli, Kyrie
producer:
Dr Gerd Ploebsch
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1985-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Missa Papae Marcelli: I. Kyrie (in 1985-02)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina4:05
2L’Orfeo: Act I. “In questo lieto e fortunato giorno”
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (soprano) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-12) and His Majesties Sagbutts & Cornetts (British early music group) (in 1985-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. In questo lieto e fortunato giorno (Pastore) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Muse, onor di Parnaso (Ninfa) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:36
3“The Four Seasons”, op. 8: Concerto no. 4 in F minor, RV 297, “Winter”: I. Allegro non molto
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
violin:
Gil Shaham (violinist) (in 1993-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1993-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1993-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1993-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:24
4Messiah: “Hallelujah Chorus”
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02
5Suite no. 3 in D major, BWV 1068: II. Air
producer and balance engineer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1985-05)
conductor:
Reinhard Goebel (violinist and conductor) (in 1985-05)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1985-05)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach54:40
6String Quartet no. 62 in C major “Emperor”, op. 76 no. 3: II. Poco adagio. Cantabile
producer and balance engineer:
Wolfgang Mitlehner
cello:
Martin Lovett (cellist) (in 1982-11)
string quartet:
Amadeus Quartet (in 1982-11)
viola:
Peter Schidlof (violist) (in 1982-11)
violin [violin I]:
Norbert Brainin (violinist) (in 1982-11)
violin [violin II]:
Siegmund Nissel (violinist) (in 1982-11)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1982-11)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1982-11)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:56
7Requiem, K. 626: Lacrimosa
producer:
Michel Glotz
organ:
Rudolf Scholz (organist) (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (conductor) (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (conductor and chorus master) (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:22
8Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer and balance engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hans Weber (producer/engineer)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Los Angeles Philharmonic (in 1981-11)
conductor:
Carlo Maria Giulini (conductor) (in 1981-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (from 1982 to present)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1981-11)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1981-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
9Caprice no. 24 in A minor
producer:
Wolfgang Stengel
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1981-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1981-12)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1981-12)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1981-12)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini6:24
10William Tell Overture (excerpt)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:15
11Piano Quintet in A major, D. 667 “The Trout”: IV. Andantino - Allegretto
recording engineer:
Klaus Scheibe (editor/engineer)
producer:
Günther Breest (producer for classical music)
cello:
Martin Lovett (cellist) (from 1975-08 until 1975-09)
double bass:
Rainer Zepperitz (German double bass player) (from 1975-08 until 1975-09)
piano:
Emil Gilels (pianist) (from 1975-08 until 1975-09)
string trio:
Amadeus Quartet (from 1975-08 until 1975-09)
viola:
Peter Schidlof (violist) (from 1975-08 until 1975-09)
violin:
Norbert Brainin (violinist) (from 1975-08 until 1975-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
Turun konserttitalo (Turku Concert Hall) in Turku, Varsinais-Suomi (Finland Proper), Finland (from 1975-08 until 1975-09)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1975-08 until 1975-09)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert8:01
12Symphonie Fantastique, op. 14: II. Un bal
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
editor:
Jürgen Bulgrin (sound engineer) and Reinhard Lagemann
orchestra:
The Cleveland Orchestra (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-03)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1996-03)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:07
13A Midsummer Night’s Dream, op. 61: IX. Wedding March
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:12
14Étude, op. 25 no. 6 in G-sharp minor
piano:
Ivo Pogorelich (pianist) (in 1981-02)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1981-02)
recording of:
Étude in G‐sharp minor, op. 25 no. 6 “Thirds”: Allegro (in 1981-02)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 31) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 78)
part of:
Études, op. 25
Frédéric Chopin2:18
15Kinderszenen, op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
2▼CD: 2
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1Hungarian Rhapsody no. 6 in D-flat major
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07) and Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1960-07-04 until 1960-07-08: piano)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:25
2Die Walkure: "Ride of the Valkyries" (Act III)
mezzo-soprano vocals [Rossweisse]:
Anne Wilkens (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Schwertleite]:
Ruthild Engert (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Siegrune]:
Diane Kesling (operatic mezzo-soprano) (in 1988)
mezzo-soprano vocals [Waltraute]:
Reinhild Runkel (in 1988)
soprano vocals [Gerhilde]:
Marita Napier (in 1988)
soprano vocals [Grimgerde]:
Meredith Parsons (in 1988)
soprano vocals [Helmwige]:
Linda Kelm (in 1988)
soprano vocals [Ortlinde]:
Marilyn Mims (operatic soprano) (in 1988)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist) (in 1988)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:47
3Nabucco: "Va Pensiero, Sull'Ali Dorate" (Chorus of the Hebrew Slaves) (Act III)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:57
4The Bartered Bride - Overture
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Klaus Behrens (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-06)
conductor:
James Levine (US conductor and pianist) (in 1986-06)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-06)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1986-06)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:37
5Te Deum: 1st Movement "Te Deum"
producer:
Wolfgang Lohse
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1965-07)
bass vocals:
Peter Lagger (operatic bass singer) (in 1965-07)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1965-07)
contralto vocals:
Sieglinde Wagner (contralto) (in 1965-07)
soprano vocals:
Maria Stader (soprano) (in 1965-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1965-07)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-07)
conductor:
Eugen Jochum (conductor) (in 1965-07)
chorus master:
Walter Hagen-Groll (chorus master) (in 1965-07)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1965-07)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-07)
recording of:
Te Deum in C major: I. Te Deum. Allegro moderato (in 1965-07)
composer:
Anton Bruckner (Austrian composer) (until 1884-03-07)
part of:
Te Deum in C major
Anton Bruckner6:01
6The Blue Danube, op. 314
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (conductor) (from 1980-06-13 until 1980-12-04)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-13 until 1980-12-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-13 until 1980-12-04)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1980-06-13 until 1980-12-04)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II511:48
7Symphony no. 3 in F major op. 90: 3rd Movement (Poco allegretto)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1989-09)
conductor:
Claudio Abbado (conductor) (in 1989-09)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-09)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (in 1989-09)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:31
8Carnival of the Animals - The Swan
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:54
9Carmen - Habanera
recording engineer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo-soprano) (in 1977-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1978) and Teresa Berganza (mezzo-soprano) (in 1978)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08, in 1978)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:26
10Pictures at an Exhibition: "The Grand Gate of Kiev"
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский5:47
11Symphony no. 5 in E minor op. 64: 3rd Movement (Valse)
assistant engineer:
Reinhard Lagemann (in 1995-04)
producer:
Christian Gansch (conductor)
editor:
Martin Derner
orchestra:
Russian National Orchestra (in 1995-04)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1995-04)
balance engineer:
Rainer Maillard (in 1995-04)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1995-04)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1995-04)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:52
12Symphony no. 9 in E minor op. 95 "From the New World": 2nd Movement (Largo)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:09
13Peer Gynt op. 23: "In the Hall of the Mountain King"
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1992-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1992-08)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1992-08)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:00
3▼CD: 3
#TitleArtistRatingLength
1Madama Butterfly: "Un Bel di Vedremo" (Act II)
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:01
2Symphony no. 5: 4th Movement (Adagietto)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:01
3Préludes Book II: "Feux D'Artifice"
producer and editor:
Helmut Burk
piano:
Krystian Zimerman (pianist) (in 1991-08)
balance engineer:
Helmut Burk (in 1991-08)
recorded at:
Kassel, Stadthalle, Festsaal in Kassel, Hessen (Hesse), Germany (in 1991-08)
live recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (French composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:28
4Also Sprach Zarathustra op. 30: Introduction
engineer:
Günter Hermanns (producer/engineer) (in 1983-09)
producer:
Werner Mayer (classical producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-29 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-29 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-29 until 1983-09-30)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-29 until 1983-09-30)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1983-09-29 until 1983-09-30)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:42
5Valse Triste op. 44/1
executive producer:
Günther Breest (producer for classical music)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:00
6Gymnopédie no. 1
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1995-04)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Rurik Satie3:04
7Rhapsody on a Theme of Paganini op. 43: Variation no. 18
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch (conductor)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов53:22
8Pavane Pour Une Infante Défunte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-06)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1985-06)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:37
9Concerto for Orchestra: 2nd Movement
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:24
10The Firebird: "Infernal Dance"
producer:
Lennart Dehn
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1992-09)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1992-09)
balance engineer:
Wolfgang Mitlehner (in 1992-09)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1992-09)
edit of:
L'Oiseau de feu: III. Danse infernale du roi Kachtcheï by Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
partial recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1992-09)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский3:55
11Lulu Suite: "Lied Der Lulu"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
soprano vocals:
Margaret Price (soprano) (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (conductor) (in 1970-12)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (in 1970-12)
composer:
Alban Berg (Austrian composer) (in 1934)
dedicated to:
Anton v. Webern zum 50. Geburtstag (composer)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:56
12Romeo and Juliet op. 64: "Dance of the Knights"
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:22
13Cuban Overture
producer:
Christopher Alder (editor/engineer/producer)
piano:
James Levine (US conductor and pianist) (in 1990-07)
orchestra:
Chicago Symphony Orchestra (in 1990-07)
conductor:
James Levine (US conductor and pianist) (in 1990-07)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (in 1990-07) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-07)
recording of:
Cuban Overture (in 1990-07)
composer:
George Gershwin (composer) (from 1932-07 until 1932-08)
publisher:
New World Music Corp.
included in:
An American in Paris (2015 Broadway musical)
George Gershwin9:49
14Violin Concerto: 1st Movement
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (violinist) (in 1992-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-02)
conductor:
Christoph von Dohnányi (German conductor) (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-02)
recording of:
Violin Concerto no. 1: I. ♩ = 104 — ♩ = 120 (in 1992-02)
composer:
Philip Glass (US composer & pianist) (in 1987)
part of:
Violin Concerto no. 1
Philip Glass6:36