Elly Ameling 75 jaar

~ Release by Elly Ameling (see all versions of this release, 1 available)

Tracklist

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1▼CD: Elly Ameling Live Concertopnamen
#	Title	Artist	Rating	Length
1	C'est des contrebandiers le refuge ordinaire - Je dis que rien ne m'épouvante (Carmen) soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac part of: Carmen : Acte III recording of: Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide) composer: Georges Bizet (French composer) librettist: Ludovic Halévy (French librettist) and Henri Meilhac part of: Carmen : Acte III	Georges Bizet		6:18
2	Je voudrais bien savoir - Il 'etait un roi de Thule - Les grands seigneurs … Ah, je ris de me voir si belle (Faust) soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: Faust : Acte III. Scène « Je voudrais bien savoir » … No. 14a « Il était un roi de Thulé » (Marguerite) composer: Charles Gounod (French composer) librettist: Jules Barbier and Michel Carré (librettist) part of: Faust : Acte III	Charles‐François Gounod		11:30
3	Maître Thibault, vos mules sont charmantes soprano vocals: Elly Ameling (soprano) orchestra: Groot Omroeporkest conductor: Albert Wolff (conductor and composer) recording of: Les Dragons de Villars: "Maître Thibault, vos mules sont charmantes" (Rose) composer: Aimé Maillart (French composer) part of: Les Dragons de Villars	Lousi-Aimé Maillart		3:46
4	Quando avran fine omai - Padre, germani, addio! (Idomeneo KV 366) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Michael Gielen (Austrian conductor and composer) recording of: Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act I recording of: Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act I	Wolfgang Amadeus Mozart		7:52
5	Se il padre perdei (Idomeneo KV 366) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Michael Gielen (Austrian conductor and composer) recording of: Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act II	Wolfgang Amadeus Mozart		5:37
6	Solitudini amiche, aure amorose - Zeffiretti lusinghieri - Ei stesso vien… (Idomeneo KV 366) soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act III recording of: Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act III recording of: Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Giambattista Varesco part of: Idomeneo, rè di Creta, K. 366: Act III	Wolfgang Amadeus Mozart		6:49
7	Fra gli amplessi in pochi istanti (Così fan tutte KV 588) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Maurits van den Berg recording of: Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto II	Wolfgang Amadeus Mozart		5:20
8	Come scoglio (Così fan tutte KV 588) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Maurits van den Berg recording of: Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart		4:38
9	Non so più cosa son, cosa faccio (Le nozze di Figaro KV 492) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Jean Fournet (conductor) recording of: Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)	Wolfgang Amadeus Mozart		3:01
10	Giunse alfin il momento - Deh vieni non tardar (Le nozze di Figaro KV 492) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Jean Fournet (conductor) recording of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte arrangement of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements) part of: Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV) recording of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)	Wolfgang Amadeus Mozart		4:47
11	Un moto di gioia KV 579 soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Jean Fournet (conductor) recording of: Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" lyricist and librettist: Lorenzo Da Ponte composer: Wolfgang Amadeus Mozart (classical composer) part of: Köchelverzeichnis (Köchel catalogue, original numbering) (number: 579) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 579)	Wolfgang Amadeus Mozart		1:55
12	Porgi, amor (Le nozze di Figaro KV 492) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Jean Fournet (conductor) recording of: Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart		4:15
13	E Susanna non vien! - Dove sono (Le nozze di Figaro KV 492) soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Jean Fournet (conductor) recording of: Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) recording of: Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart		6:36

2▼CD: Elly Ameling Live Concertopnamen
#	Title	Artist	Rating	Length
1	Der Wein soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Der Wein lyricist: Charles Baudelaire composer: Alban Berg (Austrian composer) (in 1929) dedicated to and was commissioned by: Ružena Herlinger (soprano) translator: Stefan George (German symbolist poet, † 1933) premiered at: [concert] (1930-06-04) publisher: Universal Edition (publisher; do NOT use as release label) (in 1930)	Alban Berg		12:46
2	Rückert-Lieder: Ich atmet' einen linden Duft soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Ed Spanjaard (pianist and conductor) recording of: Rückert Lieder: II. Ich atmet' einen linden Duft lyricist: Friedrich Rückert (German poet) composer: Gustav Mahler (composer) premiered at: [concert] (1905-01-29) part of: Gustav Mahler Werke (number: GMW 40) part of: Rückert-Lieder	Gustav Mahler		2:39
3	Rückert-Lieder: Ich bin der Welt soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Ed Spanjaard (pianist and conductor) recording of: Rückert Lieder: III. Ich bin der Welt abhanden gekommen lyricist: Friedrich Rückert (German poet) composer: Gustav Mahler (composer) premiered at: [concert] (1905-01-29) part of: Gustav Mahler Werke (number: GMW 41) part of: Rückert-Lieder	Gustav Mahler		6:17
4	Allerseelen, op. 10/2 piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Allerseelen, op. 10 no. 8 (for voice and piano) lyricist: Hermann von Gilm zu Rosenegg composer: Richard Strauss (German composer) (in 1885) part of: 8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)	Richard Strauss		3:29
5	Muttertändelei piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Muttertändelei, op. 43 no. 2 (for voice and piano) lyricist: Gottfried August Bürger composer: Richard Strauss (German composer) (in 1899) part of: Gesänge älterer deutscher Dichter, for voice and piano (op. 43; TrV 196)	Richard Strauss		2:15
6	Morgen piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Morgen!, op. 27 no. 4 (for voice and piano) lyricist: John Henry Mackay (Scottish-German egoist anarchist, thinker and writer) composer: Richard Strauss (German composer) (in 1894) publisher: Boosey & Hawkes (publisher; do NOT use as release label) part of: 4 Lieder, op. 27	Richard Strauss		4:36
7	Wiegenlied piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Wiegenlied, op. 41 no. 1 (Lullaby, op. 41 no. 1) lyricist: Richard Dehmel composer: Richard Strauss (German composer) (in 1899) part of: 5 Lieder for voice and piano (op 41; TrV 195)	Richard Strauss		4:18
8	Schlechtes Wetter piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Schlechtes Wetter, op. 69 no. 5 (for voice and piano) lyricist: Heinrich Heine (German poet) composer: Richard Strauss (German composer) (in 1918) part of: 5 Kleine Lieder (op. 69; TrV 237)	Richard Strauss		2:20
9	Traum durch die Dämmerung piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Traum durch die Dämmerung, op. 29 no. 1 lyricist: Otto Julius Bierbaum (Martin Möbius, German writer) composer: Richard Strauss (German composer) part of: 3 Lieder for voice and piano (op. 29; TrV 172)	Richard Strauss		3:25
10	Hat gesagt - Bleibt's nicht dabei piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Hat gesagt, bleibt's nicht dabei, op. 36 no. 3 (for voice and piano) lyricist: [traditional] (special purpose artist) composer: Richard Strauss (German composer) (from 1897 until 1898) part of: 4 Lieder for voice and piano (op. 36; TrV 186)	Richard Strauss		2:04
11	Ach Lieb, ich muss nun scheiden piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Ach Lieb, ich muss nun scheiden (op. 21 no. 3; TrV 160 no. 3) lyricist: Felix Dahn composer: Richard Strauss (German composer) (from 1887 until 1888) part of: Schlichte Weisen (op. 21; TrV 160)	Richard Strauss		2:08
12	Das Rosenband piano: Dalton Baldwin (American pianist) soprano vocals: Elly Ameling (soprano) recording of: Das Rosenband, op. 36 no. 1 (for voice and piano) lyricist: Friedrich Gottlieb Klopstock composer: Richard Strauss (German composer) (from 1897 until 1898)	Richard Strauss		2:52
13	Standchen piano: Dalton Baldwin (American pianist) soprano vocals: Elly Ameling (soprano) recording of: Ständchen, op. 17 no. 2 lyricist: Adolf Friedrich von Schack composer: Richard Strauss (German composer) part of: 6 Lieder (op. 17; TrV 149)	Richard Strauss		2:45
14	Vier Letze Lieder: Frühling soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Wolfgang Sawallisch (conductor) recording of: Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-07-20) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss		3:40
15	Vier Letze Lieder: September soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Wolfgang Sawallisch (conductor) recording of: Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-09-20) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss		4:37
16	Vier Letze Lieder: Beim Schlafengehen soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Wolfgang Sawallisch (conductor) recording of: Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-08-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss		5:00
17	Vier Letze Lieder: Im Abentrot soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Wolfgang Sawallisch (conductor) recording of: Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) lyricist: Joseph von Eichendorff composer: Richard Strauss (German composer) (on 1948-05-06) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss		7:06

3▼CD: Elly Ameling Live Concertopnamen
#	Title	Artist	Rating	Length
1	Trois Chansons de Bilitis: 1. La flute de Pan piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» lyricist: Pierre Louÿs composer: Claude Debussy (French composer) (from 1897-06 until 1898-08) part of: Chansons de Bilitis, L. 90, CD 97 (for voice and piano)	Claude Debussy		2:48
2	Trois Chansons de Bilitis: 2. Le chevelure piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» lyricist: Pierre Louÿs composer: Claude Debussy (French composer) (from 1897-06 until 1898-08) part of: Chansons de Bilitis, L. 90, CD 97 (for voice and piano)	Claude Debussy		3:32
3	Trois Chansons de Bilitis: 3. Le tombeau des Naiades piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» lyricist: Pierre Louÿs composer: Claude Debussy (French composer) (from 1897-06 until 1898-08) part of: Chansons de Bilitis, L. 90, CD 97 (for voice and piano)	Claude Debussy		3:13
4	Trois Poèmes de Stéphane Mallarmé: 1. Soupir soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Ed Spanjaard (pianist and conductor) recording of: Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 1. Soupir lyricist: Stéphane Mallarmé composer: Maurice Ravel (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, M. 64	Claude Debussy		2:45
5	Trois Poèmes de Stéphane Mallarmé: 2. Placet futile soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Ed Spanjaard (pianist and conductor) recording of: Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 2. Placet futile lyricist: Stéphane Mallarmé composer: Maurice Ravel (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, M. 64	Claude Debussy		2:12
6	Trois Poèmes de Stéphane Mallarmé: 3. Eventail soprano vocals: Elly Ameling (soprano) orchestra: Radio Kamerorkest conductor: Ed Spanjaard (pianist and conductor) recording of: Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: III. Éventail "Ô rêveuse pour que je plonge" lyricist: Stéphane Mallarmé (in 1899) composer: Claude Debussy (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, L. 127, CD 135	Claude Debussy		2:29
7	Lamento piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Lamento lyricist: Théophile Gautier composer: Henri Duparc (French composer)	Henri Duparc		3:42
8	Extase piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Extase lyricist: Henri Cazalis (a.k.a. Jean Caselli/Lahor) composer: Henri Duparc (French composer)	Henri Duparc		3:26
9	Soupir piano: Dalton Baldwin (American pianist) soprano vocals: Elly Ameling (soprano) recording of: Soupir lyricist: Sully Prudhomme composer: Henri Duparc (French composer)	Henri Duparc		3:53
10	Chanson triste piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Chanson triste, op. 2 no. 4 (for voice and piano) lyricist: Henri Cazalis (a.k.a. Jean Caselli/Lahor) composer: Henri Duparc (French composer) (in 1868)	Henri Duparc		3:22
11	La Bonne Chanson, op. 61: 1. Une sainte en son auréole piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: I. Une Sainte en son auréole (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: I. Une Sainte en son auréole (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:22
12	La Bonne Chanson, op. 61: 2. Puisque láube grandit piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: II. Puisque l'aube grandit (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: II. Puisque l'aube grandit (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		1:56
13	La Bonne Chanson, op. 61: 3. La lune blacnhe luit dans les bois piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: III. La Lune blanche luit dans les bois (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: III. La Lune blanche luit dans les bois (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:41
14	La Bonne Chanson, op. 61: 4. Jállais par des chemins perfides piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: IV. J'allais par des chemins perfides (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: IV. J'allais par des chemins perfides (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		1:52
15	La Bonne Chanson, op. 61: 5. Jái presque peur, en vérité piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: V. J'ai presque peur, en vérité (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: V. J'ai presque peur, en vérité (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:20
16	La Bonne Chanson, op. 61: 6. Avant que tu ne tén ailles piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: VI. Avant que tu ne t'en ailles (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: VI. Avant que tu ne t'en ailles (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:29
17	La Bonne Chanson, op. 61: 7. Donc, ce sera par un clair jour d''eté piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: VII. Donc, ce sera par un clair jour d'été (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: VII. Donc, ce sera par un clair jour d'été (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:41
18	La Bonne Chanson, op. 61: 8. Nést-ce pas? piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: VIII. N'est-ce pas ? (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: VIII. N'est-ce pas ? (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		2:55
19	La Bonne Chanson, op. 61: 9. L'hiver a cessé piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: La Bonne Chanson, op. 61: IX. L'Hiver a cessé (for voice, piano and string quintet) lyricist: Paul Verlaine (French poet) composer: Gabriel Fauré (French composer) (from 1892 until 1894) arranger: Gabriel Fauré (French composer) (in 1898) arrangement of: La Bonne Chanson, op. 61: IX. L'Hiver a cessé (for voice and piano) part of: La Bonne Chanson, op. 61 (for voice, piano and string quintet)	Gabriel Fauré		3:11
20	Trois Poèmes de Stéphane Mallarmé: 1. Soupir clarinet: George Pieterson (clarinetist) and Willem van der Vuurst flute: Rien de Reede (flutist) and Paul Verhey (Classical flutist) piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 1. Soupir lyricist: Stéphane Mallarmé composer: Maurice Ravel (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, M. 64	Maurice Ravel		4:12
21	Trois Poèmes de Stéphane Mallarmé: 2. Placet Futile clarinet: George Pieterson (clarinetist) and Willem van der Vuurst flute: Rien de Reede (flutist) and Paul Verhey (Classical flutist) piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 2. Placet futile lyricist: Stéphane Mallarmé composer: Maurice Ravel (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, M. 64	Maurice Ravel		3:59
22	Trois Poèmes de Stéphane Mallarmé: 3. Surgi de la croupe et du bond clarinet: George Pieterson (clarinetist) and Willem van der Vuurst flute: Rien de Reede (flutist) and Paul Verhey (Classical flutist) piano: Rudolf Jansen (pianist) string quartet: Sweelinck Kwartet soprano vocals: Elly Ameling (soprano) recording of: Trois poèmes de Stéphane Mallarmé, M. 64 : Nº 3. Surgi de la croupe et du bond lyricist: Stéphane Mallarmé composer: Maurice Ravel (French composer) (in 1913) part of: Trois poèmes de Stéphane Mallarmé, M. 64	Maurice Ravel		2:59

4▼CD: Elly Ameling Live Concertopnamen
#	Title	Artist	Rating	Length
1	Pathodia sacra et profana, 1647 ; In quo corriget asolescentior harpsichord: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: In quo corriget asolescentior composer: Constantijn Huygens (Dutch poet & composer, 1596-1687)	Constantijn Huygens		2:18
2	Pathodia sacra et profana, 1647 ; Memor fui dierum harpsichord: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Memor fui dierum composer: Constantijn Huygens (Dutch poet & composer, 1596-1687)	Constantijn Huygens		2:36
3	Pathodia sacra et profana, 1647 ; Morte dolce harpsichord: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Morte dolce composer: Constantijn Huygens (Dutch poet & composer, 1596-1687)	Constantijn Huygens		2:35
4	Pathodia sacra et profana, 1647 ; Riposta dalla finestra harpsichord: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Riposta dalla finestra composer: Constantijn Huygens (Dutch poet & composer, 1596-1687)	Constantijn Huygens		1:40
5	Pathodia sacra et profana, 1647 ; Graves tesmoins de mes délices harpsichord: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Graves tesmoins de mes délices composer: Constantijn Huygens (Dutch poet & composer, 1596-1687)	Constantijn Huygens		2:30
6	Magna res est amor soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: Magna res est amor lyricist: Thomas à Kempis (German-Dutch canon, ca. 1380-1471) composer: Hendrik Andriessen (Dutch composer and organist) (in 1919)	Hendrik Andriessen		3:49
7	Fiat Domine soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: Fiat Domine composer: Hendrik Andriessen (Dutch composer and organist) (in 1920)	Hendrik Andriessen		3:24
8	Miroir de peine: 1. Agonie au jardin organ: Albert de Klerk (organist/composer) soprano vocals: Elly Ameling (soprano) recording of: Miroir de peine: 1. Agonie au jardin lyricist: Henri Ghéon composer: Hendrik Andriessen (Dutch composer and organist) (in 1923) part of: Miroir de peine	Hendrik Andriessen		3:03
9	Miroir de peine: 2. Flagellation organ: Albert de Klerk (organist/composer) soprano vocals: Elly Ameling (soprano) recording of: Miroir de peine: 2. Flagellation lyricist: Henri Ghéon composer: Hendrik Andriessen (Dutch composer and organist) (in 1923) part of: Miroir de peine	Hendrik Andriessen		2:22
10	Miroir de peine: 3. Couronnement d'épines organ: Albert de Klerk (organist/composer) soprano vocals: Elly Ameling (soprano) recording of: Miroir de peine: 3. Couronnement d'épines lyricist: Henri Ghéon composer: Hendrik Andriessen (Dutch composer and organist) (in 1923) part of: Miroir de peine	Hendrik Andriessen		2:35
11	Miroir de peine: 4. Portement de croix organ: Albert de Klerk (organist/composer) soprano vocals: Elly Ameling (soprano) recording of: Miroir de peine: 4. Portement de croix lyricist: Henri Ghéon composer: Hendrik Andriessen (Dutch composer and organist) (in 1923) part of: Miroir de peine	Hendrik Andriessen		3:23
12	Miroir de peine: 5. Crucifixion organ: Albert de Klerk (organist/composer) soprano vocals: Elly Ameling (soprano) recording of: Miroir de peine: 5. Crucifixion lyricist: Henri Ghéon composer: Hendrik Andriessen (Dutch composer and organist) (in 1923) part of: Miroir de peine	Hendrik Andriessen		2:52
13	Kinderstube: 1. Mit der Njanja piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 1. With Nurse lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		1:59
14	Kinderstube: 2. Im Winkel piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 2. In the Corner lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		1:40
15	Kinderstube: 3. Der Käfer piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 3. The Beetle lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		2:48
16	Kinderstube: 4. Mit der Puppe piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 4. With the Doll lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		2:09
17	Kinderstube: 5. Abendgebet piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 5. Going to Sleep lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		2:05
18	Kinderstube: 6. Kater Prinz piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 6. The Cat Sailor lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		1:58
19	Kinderstube: 7. Steckenpferdreiter piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: The Nursery: No. 7. On the Hobbyhorse lyricist and composer: Модест Петрович Мусоргский (Modest Mussorgsky, composer) part of: The Nursery	Modest Mussorgsky		3:23
20	Pastorale soprano vocals: Elly Ameling (soprano) recording of: Pastorale (for soprano and piano) composer: Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1907) part of: K Catalog (number: K006)	Igor Stravinsky		2:11
21	Sex Carmina Alcaei: 1. Exposito soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: I. Expositio lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		0:57
22	Sex Carmina Alcaei: 2. Canon perpetuus soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: II. Canon perpetuus lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		0:56
23	Sex Carmina Alcaei: 3. Canones deversi soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: III. Canones diversi lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		1:15
24	Sex Carmina Alcaei: 4. Vago e leggero, Canon contrario motu soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: IV. Vago e leggero: Canon contrario motu lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		1:04
25	Sex Carmina Alcaei: 5. Mosso, ma non tanto soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: V. Mosso, ma non tanto lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		1:06
26	Sex Carmina Alcaei: 6. Conclusio soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Erich Leinsdorf (conductor) recording of: Sex carmina Alcaei: VI. Conclusio lyricist: Αλκαίος ο Μυτιληναίος (Alcaeus of Mytilene) composer: Luigi Dallapiccola (Italian composer) (in 1943) part of: Sex carmina Alcaei	Luigi Dallapiccola		2:11
27	La Danza piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” lyricist: Carlo Pepoli (Italian librettist, 19th c.) composer: Gioachino Rossini (composer) part of: Soirées musicales	Gioachino Rossini		3:16
28	La serenata piano: Rudolf Jansen (pianist) soprano vocals: Elly Ameling (soprano) recording of: La serenata (original, for voice and piano) lyricist: Giovanni Alfredo Cesareo (Italian librettist) composer: Francesco Paolo Tosti (Paolo Tosti, composer) dedicated to: Jules Diaz de Soria	Francesco Paolo Tosti		3:46

5▼CD: Elly Ameling Live Concertopnamen
#	Title	Artist	Rating	Length
1	The Holy Song: Part I. Let Him Kiss Me With the Kisses of His Mouth soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part I. Let Him Kiss Me With the Kisses of His Mouth composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		5:21
2	The Holy Song: Part II. To the Horses of Pharao's Chariots soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part II. To the Horses of Pharao's Chariots composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		5:10
3	The Holy Song: Part III. The Voice of My Beloved soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part III. The Voice of My Beloved composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		5:21
4	The Holy Song: Part IV. At Night on My Bed (1st Nightsong) soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part IV. At Night on My Bed (1st Nightsong) composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		6:21
5	The Holy Song: Part V. Who Is This, That Cometh Out the Wilderness soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part V. Who Is This, That Cometh Out the Wilderness composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		2:14
6	The Holy Song: Part VI. Behold! Thou Art Fair, soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part VI. Behold! Thou Art Fair, composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		2:36
7	The Holy Song: Part VII. With Me from Lebanon, O Spouse soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part VII. With Me from Lebanon, O Spouse composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		2:41
8	The Holy Song: Part VIII. I Sleep, But My Heart Waketh soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part VIII. I Sleep, But My Heart Waketh composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		7:06
9	The Holy Song: Part IX. What Is Thy Beloved More Than Another Beloved soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part IX. What Is Thy Beloved More Than Another Beloved composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		4:25
10	The Holy Song: Part X. Thou Art Beautiful, O My Love soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part X. Thou Art Beautiful, O My Love composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		3:12
11	The Holy Song: Part XI. Turn Thee, Turn Thee soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part XI. Turn Thee, Turn Thee composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		1:15
12	The Holy Song: Part XII. How 'Fair and Pleasantart Thou soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part XII. How 'Fair and Pleasantart Thou composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		0:58
13	The Holy Song: Part XIII. I Am My Beloved's soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part XIII. I Am My Beloved's composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		4:06
14	The Holy Song: Part XIV. Who Is She, That Cometh Up from the Wilderness soprano vocals: Elly Ameling (soprano) orchestra: Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) conductor: Bernard Haitink (conductor) recording of: The Holy Song: Part XIV. Who Is She, That Cometh Up from the Wilderness composer: Bertus van Lier part of: The Holy Song	Bertus van Lier		5:51
15	Cantico delle Crature de San Francesco dÁssisi soprano vocals: Elly Ameling (soprano) orchestra: Nederlands Kamerorkest (Netherlands Chamber Orchestra) conductor: Ronald Zollman (Belgian conductor) recording of: Cantico delle creature di San Francesco d'Assisi composer: Robert Heppener	Robert Heppener		9:45

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discography entry:	http://www.musiques-regenerees.fr/Pays-Bas/VanLierBertus/VanOmniumAudiovisueelGW80003.html [info]

Elly Ameling 75 jaar

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