American Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Gershwin
#TitleArtistRatingLength
1Rhapsody in Blue
piano:
Peter Donohoe (British classical pianist)
orchestra:
London Sinfonietta
conductor:
Simon Rattle (conductor)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:06
2An American in Paris
piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
Aalborg Symfoniorkester (Aalborg Symphony Orchestra)
conductor:
Wayne Marshall (British pianist, organist and conductor)
recording of:
An American in Paris
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin19:17
3I Got Rhythm
orchestra:
Aalborg Symfoniorkester (Aalborg Symphony Orchestra)
conductor:
Wayne Marshall (British pianist, organist and conductor)
recording of:
Variations on "I Got Rhythm" for Piano and Orchestra
composer:
George Gershwin (composer) (from 1933 until 1934)
dedicated to:
Ira Gershwin
publisher:
Chappell Music Ltd.
is based on:
I Got Rhythm
George Gershwin?:??
4Piano Concerto in F: I. Allegro
producer:
Lennart Dehn
piano:
Hélène Grimaud (French pianist) (from 1997-05-24 until 1997-05-25)
orchestra:
Baltimore Symphony Orchestra (from 1997-05-24 until 1997-05-25)
conductor:
David Zinman (conductor) (from 1997-05-24 until 1997-05-25)
recording of:
Concerto for Piano and Orchestra in F major: I. Allegro (from 1997-05-24 until 1997-05-25)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
included in:
An American in Paris (2015 Broadway musical)
part of:
Concerto for Piano and Orchestra in F major
George Gershwin13:51
5Piano Concerto in F: II. Andante con moto
producer:
Lennart Dehn
piano:
Hélène Grimaud (French pianist) (from 1997-05-24 until 1997-05-25)
orchestra:
Baltimore Symphony Orchestra (from 1997-05-24 until 1997-05-25)
conductor:
David Zinman (conductor) (from 1997-05-24 until 1997-05-25)
recording of:
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto (from 1997-05-24 until 1997-05-25)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin11:52
6Piano Concerto in F: III. Allegro agitato
producer:
Lennart Dehn
piano:
Hélène Grimaud (French pianist) (from 1997-05-24 until 1997-05-25)
orchestra:
Baltimore Symphony Orchestra (from 1997-05-24 until 1997-05-25)
conductor:
David Zinman (conductor) (from 1997-05-24 until 1997-05-25)
recording of:
Concerto for Piano and Orchestra in F major: III. Allegro agitato (from 1997-05-24 until 1997-05-25)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin6:55
2▼CD: Bernstein
#TitleArtistRatingLength
1Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble
clarinet:
Sabine Meyer (clarinetist)
piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Paavo Järvi (conductor)
recording of:
Prelude, Fugue and Riffs
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1949)
Leonard Bernstein8:15
2Facsimile, Choreographic Essay for Orchestra
piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Paavo Järvi (conductor)
recording of:
Facsimile: Choreographic Essay for Orchestra
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1946)
Leonard Bernstein20:09
3Symphonic Dances From “West Side Story”: I. Prologue
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:19
4Symphonic Dances From “West Side Story”: II. Somewhere
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:33
5Symphonic Dances From “West Side Story”: III. Scherzo
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:24
6Symphonic Dances From “West Side Story”: IV. Mambo
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:26
7Symphonic Dances From “West Side Story”: V. Cha‐Cha
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein0:49
8Symphonic Dances From “West Side Story”: VI. Meeting Scene – Cool – Fugue
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:55
9Symphonic Dances From “West Side Story”: VII. Rumble
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:03
10Symphonic Dances From “West Side Story”: VIII. Finale
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (from 1997-06-08 until 1997-06-10)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein3:36
11Divertimento for Orchestra: I. Sennets and Tuckets
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: I. Sennets and Tuckets (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein1:24
12Divertimento for Orchestra: II. Waltz
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: II. Waltz (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein2:24
13Divertimento for Orchestra: III. Mazurka
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: III. Mazurka (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein1:45
14Divertimento for Orchestra: IV. Samba
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: IV. Samba (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein0:56
15Divertimento for Orchestra: V. Turkey Trot
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: V. Turkey Trot (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein1:59
16Divertimento for Orchestra: VI. Sphinxes
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: VI. Sphinxes (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein0:57
17Divertimento for Orchestra: VII. Blues
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: VII. Blues (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein1:44
18Divertimento for Orchestra: VIII. In Memoriam – March: “The BSO Forever”
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1997-06-08 until 1997-06-10)
conductor:
Paavo Järvi (conductor) (from 1997-06-08 until 1997-06-10)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1998)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-06-08 until 1997-06-10)
recording of:
Divertimento for Orchestra: VIII. March: The BSO Forever (from 1997-06-08 until 1997-06-10)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1980)
part of:
Divertimento for Orchestra
Leonard Bernstein4:31
19Wonderful Town: Overture
orchestra:
Birmingham Contemporary Music Group
conductor:
Simon Rattle (conductor)
recording of:
Wonderful Town: Act I. Overture
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Wonderful Town
Leonard Bernstein5:16
20Candide: Overture
sound engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Christopher Bishop (conductor/producer) (on 1971-11-30)
orchestra:
London Symphony Orchestra (on 1971-11-30)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30)
recording of:
Candide: Overture (on 1971-11-30)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:14
3▼CD: Barber – Korngold – Copland
#TitleArtistRatingLength
1Adagio for Strings
orchestra:
City of London Sinfonia (chamber orchestra) (from 1988-02 until 1988-03)
conductor:
Richard Hickox (conductor) (from 1988-02 until 1988-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1988-02 until 1988-03)
recording of:
Adagio for Strings (from 1988-02 until 1988-03)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:04
2Knoxville: Summer of 1915
soprano vocals:
Jill Gomez (soprano) (from 1988-02 until 1988-03)
orchestra:
City of London Sinfonia (chamber orchestra) (from 1988-02 until 1988-03)
conductor:
Richard Hickox (conductor) (from 1988-02 until 1988-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1988-02 until 1988-03)
recording of:
Knoxville: Summer of 1915, op. 24 (for voice and orchestra) (from 1988-02 until 1988-03)
lyricist:
James Agee (writer)
composer:
Samuel Barber (American composer) (until 1947)
premiered at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1948-04-09)
part of:
Works of Samuel Barber by opus number (number: op. 24)
Samuel Barber16:09
3Violin Concerto in D major op. 35: I. Moderato nobile
producer and editor:
Michael Fine (producer)
violin:
Renaud Capuçon (violinist) (from 2009-07-07 until 2009-07-09)
orchestra:
Rotterdam Philharmonic Orchestra (from 2009-07-07 until 2009-07-09)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (from 2009-07-07 until 2009-07-09)
balance engineer:
Wolf‐Dieter Karwatky
recorded at:
Muziekcentrum van de Omroep (Hilversum) in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2009-07-07 until 2009-07-09)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Moderato nobile (from 2009-07-07 until 2009-07-09)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1945)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Erich Wolfgang Korngold9:36
4Violin Concerto in D major op. 35: II. Romance: Andante
producer and editor:
Michael Fine (producer)
violin:
Renaud Capuçon (violinist) (from 2009-07-07 until 2009-07-09)
orchestra:
Rotterdam Philharmonic Orchestra (from 2009-07-07 until 2009-07-09)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (from 2009-07-07 until 2009-07-09)
balance engineer:
Wolf‐Dieter Karwatky
recorded at:
Muziekcentrum van de Omroep (Hilversum) in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2009-07-07 until 2009-07-09)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Romance. Andante (from 2009-07-07 until 2009-07-09)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1945)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Erich Wolfgang Korngold9:10
5Violin Concerto in D major op. 35: III. Finale: Allegro assai vivace
producer and editor:
Michael Fine (producer)
violin:
Renaud Capuçon (violinist) (from 2009-07-07 until 2009-07-09)
orchestra:
Rotterdam Philharmonic Orchestra (from 2009-07-07 until 2009-07-09)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (from 2009-07-07 until 2009-07-09)
balance engineer:
Wolf‐Dieter Karwatky
recorded at:
Muziekcentrum van de Omroep (Hilversum) in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2009-07-07 until 2009-07-09)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro assai vivace (from 2009-07-07 until 2009-07-09)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1945)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Erich Wolfgang Korngold7:22
6Appalachian Spring
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Appalachian Spring Suite (for full orchestra, 1945)
premiered in:
New York, New York, United States (on 1945-10-04)
composer:
Aaron Copland (composer) (in 1945)
premiered by:
New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
is based on:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland26:03
7Fanfare for the Common Man
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-10-08 until 1987-10-20)
conductor:
Carl Davis (conductor and composer) (from 1987-10-08 until 1987-10-20)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1987-10-08 until 1987-10-20)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (from 1987-10-08 until 1987-10-20)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:09
4▼CD: Minimalists: Adams – Glass – Reich
#TitleArtistRatingLength
1The Chairman Dances
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-07-04 until 1993-07-09, on 1993-09-20)
conductor:
Simon Rattle (conductor) (from 1993-07-04 until 1993-07-09, on 1993-09-20)
balance engineer:
Mike Hatch (engineer/editor) (on 1993-09-20)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (on 1993-09-20)
recording of:
The Chairman Dances: Foxtrot for Orchestra (from 1993-07-04 until 1993-07-09)
composer:
John Adams (American minimalist composer) (in 1985)
recording of:
The Chairman Dances: Foxtrot for Orchestra (on 1993-09-20)
composer:
John Adams (American minimalist composer) (in 1985)
John Adams12:43
2Two Fanfares: Tromba lontana
producer:
David R. Murray
trumpet:
Jonathan Holland (from 1993-07-04 until 1993-07-09) and Wesley Warren (from 1993-07-04 until 1993-07-09)
orchestra:
City of Birmingham Symphony Orchestra (from 1993-07-04 until 1993-07-09)
conductor:
Simon Rattle (conductor) (from 1993-07-04 until 1993-07-09)
balance engineer:
Mike Hatch (engineer/editor) (from 1993-07-04 until 1993-07-09)
recording of:
Tromba lontana (from 1993-07-04 until 1993-07-09)
composer:
John Adams (American minimalist composer) (in 1985)
John Adams4:05
3Two Fanfares: Short Ride in a Fast Machine
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-07-04 until 1993-07-09)
conductor:
Simon Rattle (conductor) (from 1993-07-04 until 1993-07-09)
balance engineer:
Mike Hatch (engineer/editor) (from 1993-07-04 until 1993-07-09)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-07-04 until 1993-07-09)
recording of:
Short Ride in a Fast Machine (from 1993-07-04 until 1993-07-09)
composer:
John Adams (American minimalist composer) (in 1986)
John Adams4:18
4Shaker Loops: Shaking and Trembling
orchestra:
London Chamber Orchestra (in 1990-03)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1990-03)
recording of:
Shaker Loops: I. Shaking and trembling (in 1990-03)
composer:
John Adams (American minimalist composer)
revised by:
John Adams (American minimalist composer) (in 1983)
part of:
Shaker Loops (revised "string orchestra" version)
John Adams7:58
5Shaker Loops: Hymning Slews
orchestra:
London Chamber Orchestra (in 1990-03)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1990-03)
recording of:
Shaker Loops: II. Hymning slews (in 1990-03)
composer:
John Adams (American minimalist composer)
revised by:
John Adams (American minimalist composer) (in 1983)
part of:
Shaker Loops (revised "string orchestra" version)
John Adams5:21
6Shaker Loops: Loops and Verses
orchestra:
London Chamber Orchestra (in 1990-03)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1990-03)
recording of:
Shaker Loops: III. Loops and verses (in 1990-03)
composer:
John Adams (American minimalist composer)
revised by:
John Adams (American minimalist composer) (in 1983)
part of:
Shaker Loops (revised "string orchestra" version)
John Adams8:11
7Shaker Loops: A Final Shaking
orchestra:
London Chamber Orchestra (in 1990-03)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1990-03)
recording of:
Shaker Loops: IV. A final shaking (in 1990-03)
composer:
John Adams (American minimalist composer)
revised by:
John Adams (American minimalist composer) (in 1983)
part of:
Shaker Loops (revised "string orchestra" version)
John Adams3:25
8Façades
soprano saxophone:
Simon Haram (saxophonist) and John Harle
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
phonographic copyright (℗) by:
Erato (in 1990), Warner Classics (in 1990) and Warner Music UK Ltd. (not for release label use!) (in 1990)
recording of:
Glassworks: V. Façades
composer:
Philip Glass (US composer & pianist) (until 1981, in 1981)
part of:
Glasspieces
part of:
Glassworks
Philip Glass7:49
9Eight Lines
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
Eight Lines
composer:
Steve Reich (American composer) (in 1983)
revision of:
Octet
Steve Reich17:58
10Company
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
Company (for string orchestra)
composer:
Philip Glass (US composer & pianist) (in 1983)
Philip Glass?:??
5▼CD: Gershwin – Porter – Kern
#TitleArtistRatingLength
1A Damsel in Distress: Suite From the Film
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
A Damsel in Distress: Suite From the Film
composer:
George Gershwin (composer)
is based on:
A Damsel in Distress (1937 film score)
John McGlinn5:54
2Girl Crazy: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Overture to “Girl Crazy”
composer:
George Gershwin (composer)
part of:
Girl Crazy (1930 Musical)
George Gershwin5:21
3Tip‐Toes: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Tip-Toes: Overture
composer:
George Gershwin (composer)
part of:
Tip-Toes
George Gershwin4:46
4Oh, Kay!: Overture
orchestra:
New Princess Theater Orchestra
conductor:
John McGlinn (American conductor)
recording of:
Overture (Oh, Kay!)
composer:
George Gershwin (composer)
part of:
Oh, Kay! (1926 musical)
George Gershwin6:46
5Anything Goes: Overture
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Hans Spialek
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
medley including a instrumental recording of:
All Through the Night (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
medley including a instrumental recording of:
Anything Goes (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
medley including a instrumental recording of:
Blow, Gabriel Blow (Anything Goes) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
medley including a instrumental recording of:
You’re the Top (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter4:59
6Can‐Can: Overture
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1990-12)
conductor:
John McGlinn (American conductor) (in 1990-12)
orchestrator:
Philip Lang
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-12)
medley including a instrumental recording of:
Allez-vous-en (Can-Can [Pistache]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can
medley including a instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1990-12)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
medley including a instrumental recording of:
If You Loved Me Truly (from Can-Can) (in 1990-12)
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can
medley including a instrumental recording of:
Montmartre (in 1990-12)
composer:
Cole Porter (composer)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
medley including a instrumental recording of:
Can-Can (Can-Can [Pistache, Women])
lyricist and composer:
Cole Porter (composer)
part of:
Can‐Can (1960 musical film)
Cole Porter4:19
7Kiss Me, Kate: Overture
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
London Sinfonietta (in 1989-06)
conductor:
John McGlinn (American conductor) (in 1989-06)
orchestrator:
Robert Russell Bennett (American composer and arranger)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-06)
remix of:
Overture (Kiss Me Kate, 1989 London studio cast) by London Sinfonietta, John McGlinn (American conductor) (in 1990)
medley including a instrumental recording of:
Bianca (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
So in Love (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Too Darn Hot (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
medley including a instrumental recording of:
Wunderbar (from Kiss Me, Kate) (in 1989-06)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Kiss Me, Kate (musical)
Cole Porter6:15
8Night and Day
orchestra:
London Sinfonietta
conductor:
John McGlinn (American conductor)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter5:26
9Leave It to Jane: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Leave It to Jane: Overture
composer:
Jerome Kern
Jerome Kern5:13
10Sitting Pretty: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Sitting Pretty: Overture
composer:
Jerome Kern
Jerome Kern6:34
11Music From the Film Swing Time: I. Main Title / Pick Yourself Up
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Pick Yourself Up (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern3:53
12Music From the Film Swing Time: II. The Way You Look Tonight
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Jerome Kern2:24
13Music From the Film Swing Time: III. Waltz in Swing Time
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Waltz in Swingtime (Swing Time)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern2:35
14Music From the Film Swing Time: IV. Never Gonna Dance
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Never Gonna Dance (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern3:19
15Music From the Film Swing Time: V. Bojangles of Harlem
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Bojangles of Harlem (from “Swing Time”)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
Jerome Kern6:11
16Show Boat: Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
John McGlinn (American conductor)
recording of:
Overture (Show Boat)
composer:
Jerome Kern
part of:
Show Boat
Jerome Kern5:34
6▼CD: Joplin – Gershwin – Ellington
#TitleArtistRatingLength
1The Entertainer
producer:
John McLaughlin (guitarist)
piano:
Katia & Marielle Labèque, Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
The Entertainer (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin3:15
2Rialto Ripples
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Rialto Ripples (in 1982-09)
composer:
George Gershwin (composer)
publisher:
Jerome H. Remick & Co. (in 1917)
George Gershwin1:44
3Magnetic Rag
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Magnetic Rag (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1914)
Scott Joplin4:19
4Carolina Shout
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Carolina Shout (in 1982-09)
composer:
James P. Johnson
James P. Johnson3:28
5Maple Leaf Rag
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Maple Leaf Rag (piano rag) (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Scott Joplin2:41
6Elite Syncopations
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Elite Syncopations (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1902)
Scott Joplin2:41
7Strenuous Life
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
The Strenuous Life (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1902)
Scott Joplin3:15
8Bethena
producer:
John McLaughlin (guitarist)
piano:
Katia Labèque (pianist) (in 1982-09) and Marielle Labèque (pianist) (in 1982-09)
piano duo:
Katia Labèque (pianist) and Marielle Labèque (pianist)
arranger:
François Jeanneau
assistant balance engineer:
Laurent Peyron
balance engineer:
Jean-Louis Rizet
recording of:
Bethena (in 1982-09)
composer:
Scott Joplin (composer and pianist) (in 1905)
Scott Joplin6:48
9Embraceable You
producer:
David R. Murray
piano:
Katia Labèque (pianist) (in 1987-07) and Marielle Labèque (pianist) (in 1987-07)
piano duo:
Katia Labèque (pianist), Marielle Labèque (pianist) and Katia & Marielle Labèque (in 1987-07)
balance engineer:
John Kurlander (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-07)
partial recording of:
Embraceable You (in 1987-07)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
instrumental recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin5:49
10Porgy and Bess: Summertime
choir vocals:
Glyndebourne Festival Chorus
soprano vocals [Clara]:
Harolyn Blackwell (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Simon Rattle (conductor)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:10
11Porgy and Bess: It Ain’t Necessarily So… Shame on All You Sinners
engineer:
Mark Vigars (engineer)
assistant producer:
Tony Harrison (producer and sound engineer for classical music)
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (mezzo-soprano) (in 1988-02)
mezzo-soprano vocals [Maria]:
Marietta Simpson (mezzo-soprano)
soprano vocals:
Cynthia Clarey (soprano) (in 1988-02)
tenor vocals:
Damon Evans (tenor) (in 1988-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-02)
conductor:
Simon Rattle (conductor) (in 1988-02)
chorus master:
Craig Rutenberg (pianist, vocal accompanist, coach and teacher) (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene II
recording of:
Porgy and Bess: Act II, Scene II. “Shame on all you sinners” – “Bess!…Crown!…”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II, Scene II
George Gershwin6:02
12Strike Up the Band
piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
Aalborg Symfoniorkester (Aalborg Symphony Orchestra)
conductor:
Wayne Marshall (British pianist, organist and conductor)
recording of:
Strike Up the Band! (unknown orchestration of the song)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
George Gershwin7:04
13Take the “A” Train
producer:
Stephen Johns (producer)
orchestra:
City of Birmingham Symphony Orchestra (in 1999-11)
conductor:
Simon Rattle (conductor) (in 1999-11)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (in 1999-11)
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Take the “A” Train (original instrumental version) (in 1999-11)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington9:06
14Sophisticated Lady
producer:
Stephen Johns (producer)
orchestra:
City of Birmingham Symphony Orchestra (in 1999-11)
conductor:
Simon Rattle (conductor) (in 1999-11)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (in 1999-11)
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
instrumental recording of:
Sophisticated Lady (in 1999-11)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington5:13
15That Doo‐Wah Thing: It Don’t Mean a Thing
producer:
Stephen Johns (producer)
orchestra:
City of Birmingham Symphony Orchestra (in 1999-11)
conductor:
Simon Rattle (conductor) (in 1999-11)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (in 1999-11)
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington9:04
16Come Sunday
producer:
Stephen Johns (producer)
orchestra:
City of Birmingham Symphony Orchestra (in 1999-11)
conductor:
Simon Rattle (conductor) (in 1999-11)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (in 1999-11)
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite) (in 1999-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige: I. Black (part of the 1943 original "Black, Brown, and Beige" suite)
Duke Ellington5:32