Musical Book of Hours (This is the original - there is also a 2003 re-release)

~ Release by Pomerium (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Bon jour, bon mois, bon an
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Bon jour, bon mois, bon an (rondeau for 3 voices) (in 1997-05)
lyricist:
[anonymous] (special purpose artist)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:28
2In principio erat verbum
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
In principio erat Verbum (in 1997-05)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez9:08
3Intemerata Dei mater
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Intemerata Dei mater (a 5) (in 1997-05)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Chigi codex (number: 36)
Johannes Ockeghem6:27
4Ave maris stella
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Ave maris stella (in 1997-05)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:57
5Magnificat sexti toni
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Magnificat sexti toni (in 1997-05)
composer:
Antoine Busnois (Franco-Flemish Renaissance composer)
Antoine Busnois9:42
6Inviolata, integra, et casta
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Inviolata, integra et casta es (in 1997-05)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:35
7Virgo prudentissima
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Virgo prudentissima (in 1997-05)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1534)
composer:
Hilaire Penet
Hilaire Penet3:55
8Venit ad Petrum … caput
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recording of:
Venit ad Petrum (Mode 8) (in 1997-05)
composer:
[anonymous] (special purpose artist)
Gregorian2:38
9Salve regina / [caput]
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recording of:
Salve Regina (in 1997-05)
composer:
Richard Hygons
is based on:
Venit ad Petrum (Mode 8)
Richard Hygons12:40
10Veni sancte spiritus / Veni creator
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
Veni Sancte Spiritus / Veni creator Spiritus (in 1997-05)
composer:
John Dunstable (English Renaissance composer)
John Dunstable5:49
11En Katerine solennia
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
En Katerine solennia / Virginalis concio / Sponsus amat sponsam (in 1997-05)
composer:
Byttering
Biteryng3:31
12De profundis clamavi
recording engineer and balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
audio engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1997-05)
executive producer:
Dr. Peter Czornyj
producer:
Sid McLauchlan (engineer/producer)
editor:
Oliver Rogalla
choir vocals:
Pomerium (US early music choral group) (in 1997-05)
conductor:
Alexander Blachly (chorus master) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Church of the Ascension in New York, New York, United States (in 1997-05)
recording of:
De profundis clamavi à 5 (in 1997-05)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:57