100 Hits Legends: Nat King Cole

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
43:13
2Mona Lisa
vocals:
Nat King Cole (in 1950)
Interpret(in):
Les Baxter and His Orchestra (in 1950)
recording of:
Mona Lisa (in 1950)
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
3:13
3Too Young
vocals:
Nat King Cole (in 1951)
Interpret(in):
Les Baxter and His Orchestra (in 1951)
recording of:
Too Young (in 1951)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:12
4Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
2:52
5Orange-Colored Sky
Bass und Kontrabass:
Joe Comfort (am 1950-08-16)
Bongos und Conga:
Jack Costanzo (am 1950-08-16)
Gitarre:
Irving Ashby (am 1950-08-16)
Klavier:
Nat King Cole (am 1950-08-16)
vocals:
Nat King Cole (am 1950-08-16)
Orchester:
Stan Kenton and His Orchestra (am 1950-08-16)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-08-16)
recording of:
Orange Colored Sky (am 1950-08-16)
Verfasser(in):
Milton DeLugg und William Stein
publisher:
Amy Dee Music Corp.
3.52:32
6Lush Life
Bongos und Conga:
Jack Costanzo (am 1949-03-29)
Gitarre:
Irving Ashby (am 1949-03-29)
Klavier:
Nat King Cole (am 1949-03-29)
Kontrabass:
Joe Comfort (am 1949-03-29)
vocals:
Nat King Cole (am 1949-03-29)
Orchester:
Pete Rugolo and His Orchestra (am 1949-03-29)
conductor:
Pete Rugolo (am 1949-03-29)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-29)
recording of:
Lush Life (am 1949-03-29)
Texter und Komponist(in):
Billy Strayhorn (von 1933 bis 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und Tempo Music, Inc. (Duke Ellington’s music publishing company) (vom 1949 bis heute)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
7Pretend
Produzent(in):
Lee Gillette
Gitarre:
Irving Ashby (am 1952-12-30)
Klavier:
Nat King Cole (am 1952-12-30)
Kontrabass:
Joe Comfort (am 1952-12-30)
vocals:
Nat King Cole (am 1952-12-30)
Orchester:
Nelson Riddle and His Orchestra (am 1952-12-30)
conductor:
Ralph Carmichael und Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (am 1952-12-30)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:44
8’Deed I Do
Instrumente:
The Nat King Cole Trio (in 1949)
vocals:
Nat King Cole (in 1949)
recording of:
’Deed I Do (in 1949)
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
2:15
9My Baby Just Cares for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-07)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-11-07)
Gitarre:
Irving Ashby (am 1949-11-07)
Klavier:
Nat King Cole (am 1949-11-07)
Kontrabass:
Joe Comfort (am 1949-11-07)
vocals:
Nat King Cole (am 1949-11-07) und Woody Herman (am 1949-11-07)
Interpret(in):
The Nat King Cole Trio (am 1949-11-07)
cover recording of:
My Baby Just Cares for Me (am 1949-11-07)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
2:46
10For All We Know
Gitarre:
Irving Ashby (am 1949-03-22)
Klavier:
Nat King Cole (am 1949-03-22)
Kontrabass:
Joe Comfort (am 1949-03-22)
vocals:
Nat King Cole (am 1949-03-22)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-22)
cover recording of:
For All We Know (1934 song) (am 1949-03-22)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
3:00
11Angel Eyes
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1953-01-14)
Bass:
Jack Agee (am 1953-01-14) und Ralph Peña (am 1953-01-14)
Bongos und Conga:
Jack Costanzo (am 1953-01-14)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-14)
Klarinette und Saxophon:
Bob Dawes (am 1953-01-14) und Charles Deremo (am 1953-01-14)
Klavier:
Cliff Fishback (am 1953-01-14)
Posaune:
Karl DeKarske (am 1953-01-14), Dick Nash (am 1953-01-14), Robert Reisiger (am 1953-01-14) und Si Zentner (am 1953-01-14)
Schlagzeug:
John Markham (am 1953-01-14)
Tenorsaxophon:
Richard Clay (am 1953-01-14) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-14)
Trompete:
Tony Facciuto (am 1953-01-14), Conrad Gozzo (am 1953-01-14), Jack H. Laubach (trumpeter) (am 1953-01-14), Robert McKinzie (am 1953-01-14) und Andy Peele (40s jazz trumpeter) (am 1953-01-14)
vocals:
Nat King Cole (am 1953-01-14)
Orchester:
Billy May & His Orchestra (am 1953-01-14)
conductor:
Billy May (am 1953-01-14)
arranger:
Billy May
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (am 1953-01-14)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
12Almost Like Being in Love
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1953)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
1:52
13This Can’t Be Love
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
This Can’t Be Love (in 1953)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
2:29
14Love Is Here To Stay
vocals:
Nat King Cole (in 1953-01)
Orchester:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
Love Is Here to Stay (in 1953-01)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:48
15Dinner for One Please James
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Dinner for One Please, James (in 1953)
Texter und Komponist(in):
Michael Carr (songwriter)
2:56
16Don’t Let Your Eyes Go Shopping for Your Heart
Gitarre:
John Collins (US jazz guitarist) (am 1952-07-24)
Klavier:
Nat King Cole (am 1952-07-24)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-07-24)
Posaune:
Keith Butterfield (am 1952-07-24), Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (am 1952-07-24), Walter Shields (am 1952-07-24) und Kenneth Trimble (am 1952-07-24)
Rohrblattinstrumente:
Leo Anthony (am 1952-07-24), Earl Bergman (am 1952-07-24), Jim Schneider (am 1952-07-24), Billy Usselton (am 1952-07-24) und Buddy Wise (am 1952-07-24)
Schlagzeug:
Archie Freeman (am 1952-07-24)
Trompete:
Bruce Bruckert (am 1952-07-24), Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-07-24), Dean Henckle (am 1952-07-24), Jack H. Laubach (trumpeter) (am 1952-07-24) und Martin White (Ray Anthony Orchestra trumpeter) (am 1952-07-24)
vocals:
Nat King Cole (am 1952-07-24)
Orchester:
Ray Anthony Orchestra (am 1952-07-24)
conductor:
Nelson Riddle (am 1952-07-24)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-07-24)
recording of:
Don’t Let Your Eyes Go Shopping (for Your Heart) (am 1952-07-24)
Verfasser(in):
Billy Austin und Sheldon Smith (jazz songwriter)
2:29
17Exactly Like You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-07-26)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-07-26)
Gitarre:
Irving Ashby (am 1949-07-26)
Instrumente:
The Nat King Cole Trio (in 1949)
Klavier:
Nat King Cole (am 1949-07-26)
Kontrabass:
Joe Comfort (am 1949-07-26)
vocals:
Nat King Cole (am 1949-07-26)
recording of:
Exactly Like You (am 1949-07-26)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
2:40
18’Tis Autumn
Gitarre:
Irving Ashby (am 1949-03-29)
Klavier:
Nat King Cole (am 1949-03-29)
Kontrabass:
Joe Comfort (am 1949-03-29)
vocals:
Nat King Cole (am 1949-03-29)
aufgenommen bei:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Vereinigte Staaten (am 1949-03-29)
cover recording of:
’Tis Autumn (am 1949-03-29)
Texter und Komponist(in):
Henry Nemo
3:07
19What’ll I Do?
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
What’ll I Do? (in 1947)
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:03
20Save the Bones for Henry Jones
Gitarre:
Johnny Moore (US blues guitarist, Three Blazers) (am 1947-08-20) und Oscar Moore (am 1947-08-20)
Klavier:
Nat King Cole (am 1947-08-20)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-20)
vocals:
Nat King Cole (am 1947-08-20) und Johnny Mercer (am 1947-08-20)
Orchester:
The Trio (am 1947-08-20)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1947-08-20)
recording of:
Save the Bones for Henry Jones (’Cause Henry Don’t Eat No Meat) (am 1947-08-20)
Verfasser(in):
Danny Barker und Vernon Lee (Music publisher, songwriter and composer)
2:40
2▼CD
Nr.TitelBewertungLänge
1Nature Boy
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Gitarre:
Oscar Moore (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
Rohrblattinstrumente:
Jules Kinsler (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank Devol and His Orchestra (am 1947-08-22)
conductor:
Frank De Vol (am 1947-08-22)
Interpret(in):
The Nat King Cole Trio (am 1947-08-22)
arranger:
Frank De Vol
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1947-08-22)
cover recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:38
2Faith Can Move Mountains
vocals:
Nat King Cole (in 1952)
Interpret(in):
Nelson Riddle and His Orchestra (in 1952)
recording of:
Faith Can Move Mountains (in 1952)
Texter:
Ben Raleigh
Komponist(in):
Guy B. Wood
3:11
3Too Young to Go Steady
vocals:
Nat King Cole (in 1955)
Interpret(in):
Nelson Riddle and His Orchestra (in 1955)
recording of:
Too Young to Go Steady (in 1955)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Harold Adamson Music
2:52
4You’ll Never Know
vocals:
Nat King Cole (in 1954)
Interpret(in):
Nelson Riddle and His Orchestra (in 1954)
recording of:
You’ll Never Know (in 1954)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
22:41
5Love Letters
vocals:
Nat King Cole (in 1956)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1956)
cover recording of:
Love Letters (in 1956)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
2:43
6Jet
vocals:
Nat King Cole (in 1950)
Interpret(in):
Joe Lipman and His Orchestra (in 1950)
recording of:
Jet (in 1950)
Texter:
Bennie Benjamin und George David Weiss
Komponist(in):
Harry Revel (British-born American composer)
2:48
7Tenderly
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Tenderly (in 1953)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
2:56
8Blue Gardenia
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Blue Gardenia (in 1953)
Verfasser(in):
Lester Lee und Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Harms, Inc., Harrison Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:57
9Too Marvellous for Words
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
Too Marvelous for Words (in 1947)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:32
10Makin’ Whoopee
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
Makin’ Whoopee! (in 1947)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2:30
11When I Take My Sugar to Tea
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
When I Take My Sugar to Tea (in 1947)
Komponist(in):
Pierre Norman Connor, Sammy Fain und Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:22
12Don’t Blame Me
Instrumente:
The Nat King Cole Trio (in 1945)
vocals:
Nat King Cole (in 1945)
recording of:
Don’t Blame Me (in 1945)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
3:24
13Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
3:01
14The Frim Fram Sauce
Instrumente:
The Nat King Cole Trio (in 1945)
vocals:
Nat King Cole (in 1945)
recording of:
The Frim‐Fram Sauce (in 1945)
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:17
15Gee Baby Ain’t I Good to You
Gitarre:
Oscar Moore (am 1943-11-30)
Klavier:
Nat King Cole (am 1943-11-30)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-11-30)
vocals:
Nat King Cole (am 1943-11-30)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1943-11-30)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:55
16Paint Yourself a Rainbow
vocals:
Nat King Cole (in 1950)
Interpret(in):
Joe Lipman and His Orchestra (in 1950)
recording of:
Paint Yourself a Rainbow (in 1950)
Verfasser(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Carl Sigman
2:20
17You Stepped Out of a Dream
vocals:
Nat King Cole (in 1952)
Interpret(in):
Pete Rugolo and His Orchestra (in 1952)
recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (in 1952)
Texter:
Gus Kahn
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
Teil von:
Ziegfeld Girl (1941)
2:34
18Funny (Not Much)
alto saxophone:
Gus Bivona (am 1952-01-11) und Alex Gershonoff (saxophone) (am 1952-01-11)
baritone saxophone:
Chuck Gentry (am 1952-01-11)
Gitarre:
John Collins (US jazz guitarist) (am 1952-01-11)
Klavier:
Buddy Cole (am 1952-01-11) und Nat King Cole (am 1952-01-11)
Kontrabass:
Charlie Harris (jazz bassist) (am 1952-01-11)
Posaune:
Walter Benson (am 1952-01-11), Jimmy Priddy (am 1952-01-11) und Si Zentner (am 1952-01-11)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1952-01-11)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1952-01-11) und Don Lodice (am 1952-01-11)
Trompete:
Conrad Gozzo (am 1952-01-11), Uan Rasey (am 1952-01-11), Shorty Rogers (trumpet) (am 1952-01-11) und Joseph Triscari (am 1952-01-11)
vocals:
Nat King Cole (am 1952-01-11)
Orchester:
Pete Rugolo and His Orchestra (am 1952-01-11)
conductor:
Pete Rugolo (am 1952-01-11)
arranger:
Pete Rugolo
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-11)
recording of:
Funny (Not Much) (am 1952-01-11)
Verfasser(in):
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil und Hughie Prince
2:57
19Autumn Leaves
vocals:
Nat King Cole (in 1955-08)
Interpret(in):
Nelson Riddle and His Orchestra (in 1955-08)
cover recording of:
Autumn Leaves (jazz standard, English lyrics) (in 1955-08)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
2:39
20There’s a Train Out for Dreamland
vocals:
Nat King Cole (in 1947)
Interpret(in):
Frank Devol and His Orchestra (in 1947)
recording of:
There’s a Train Out for Dreamland (in 1947)
Verfasser(in):
Frederich H. Heider und Carl Kress
2:35
3▼CD
Nr.TitelBewertungLänge
1When I Fall in Love
vocals:
Nat King Cole (in 1956)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1956)
cover recording of:
When I Fall in Love (in 1956)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:09
2Because You’re Mine
vocals:
Nat King Cole (in 1952)
Interpret(in):
Nelson Riddle and His Orchestra (in 1952)
recording of:
Because You’re Mine (Because You’re Mine) (in 1952)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
Teil von:
The 25th Academy Award for Best Original Song (Nummer: 2)
3:11
3Can’t I?
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Can’t I? (in 1953)
Texter und Komponist(in):
Leroy Lovett Jr
3:13
4Somewhere Along the Way
vocals:
Nat King Cole (in 1952)
Interpret(in):
Nelson Riddle and His Orchestra (in 1952)
recording of:
Somewhere Along the Way (in 1952)
Texter:
Sammy Gallop
Komponist(in):
Kurt Adams
publisher:
United Music Corp.
2:53
5Return to Paradise
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Return to Paradise (in 1953)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
2:57
6Where Were You?
vocals:
Nat King Cole (in 1952)
Interpret(in):
Pete Rugolo and His Orchestra (in 1952)
recording of:
Where Were You? (in 1952)
Texter und Komponist(in):
Leonard Feather
Verfasser(in):
Jane Feather und Leonard Feather
2:17
7It’s Crazy
vocals:
Nat King Cole (in 1951)
Interpret(in):
Pete Rugolo and His Orchestra (in 1951)
recording of:
It’s Crazy (in 1951)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell S.A. und Crestview Music Corp.
2:21
8(I Love You) For Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
42:53
9There I’ve Said It Again
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
There I’ve Said it Again (in 1947)
Verfasser(in):
Redd Evans und David Mann (American songwriter)
publisher:
Campbell Connelly und Music Sales Corporation (American copyright holder in both popular and classical music)
3:11
10Harmony
Instrumente:
The Trio (in 1947)
vocals:
Nat King Cole (in 1947)
Interpret(in):
Johnny Mercer (in 1947)
recording of:
Harmony (in 1947)
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964) und Jimmy Van Heusen
2:56
11I’ll String Along With You
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
I’ll String Along With You (in 1947)
Texter:
Al Dubin (in 1934)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:12
12Dream a Little Dream of Me
recorded in:
New York, New York, Vereinigte Staaten (am 1947-10-28)
Gitarre:
Irving Ashby (am 1947-10-28)
Instrumente und Interpret(in):
The Nat King Cole Trio (am 1947-10-28)
Klavier:
Nat King Cole (am 1947-10-28)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-10-28)
vocals:
Nat King Cole (am 1947-10-28)
cover recording of:
Dream a Little Dream of Me (am 1947-10-28)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:50
13You Don’t Learn That in School
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
You Don’t Learn That in School (in 1947)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
3:06
14Those Things Money Can’t Buy
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
Those Things Money Can’t Buy (in 1947)
Verfasser(in):
Al Goodhart und Ruth Poll
2:49
15If Love Is Good to Me
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
If Love Is Good to Me (in 1953)
Texter:
Redd Evans
Komponist(in):
Fred Spielman (Fritz Spielmann, songwriter)
2:46
16A Handful of Stars
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
A Handful of Stars (in 1953)
Verfasser(in):
Jack Lawrence (US songwriter) und Ted Shapiro
publisher:
CBS Feist Catalog, Inc. und MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
3:25
17Make Her Mine
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Make Her Mine (in 1953)
Verfasser(in):
Chester Conn und Sammy Gallop
2:57
18A Little Street Where Old Friends Meet
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
A Little Street Where Old Friends Meet (in 1953)
Texter:
Gus Kahn
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
3:18
19There Goes My Heart
vocals:
Nat King Cole (in 1953-01)
Orchester:
Nelson Riddle and His Orchestra (in 1953-01)
recording of:
There Goes My Heart (in 1953-01)
Verfasser(in):
Benny Davis (US vaudeville performer and songwriter) und Abner Silver
2:52
20Destination Moon
vocals:
Nat King Cole (in 1950)
Interpret(in):
Nelson Riddle and His Orchestra (in 1950)
recording of:
Destination Moon (in 1950)
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
Komponist(in):
Mark Fisher (early 20th century songwriter)
2:41
4▼CD
Nr.TitelBewertungLänge
1A Blossom Fell
vocals:
Nat King Cole (in 1954)
Interpret(in):
Nelson Riddle and His Orchestra (in 1954)
recording of:
A Blossom Fell (in 1954)
Verfasser(in) und Komponist(in):
Howard Barnes, Harold Cornelius und Dominic John (songwriter, aka Dominic John)
2:32
2Darling, je vous aime beaucoup
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Darling, je vous aime beaucoup (in 1953)
Texter und Komponist(in):
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) und Francis Day S.A.
Medley von:
La Vie en rose (French original)
2:50
3Red Sails in the Sunset
vocals:
Nat King Cole (in 1951)
Interpret(in):
Pete Rugolo and His Orchestra (in 1951)
recording of:
Red Sails in the Sunset (in 1951)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:16
4Mother Nature and Father Time
vocals:
Nat King Cole (in 1952)
Interpret(in):
Nelson Riddle and His Orchestra (in 1952)
recording of:
Mother Nature and Father Time (in 1952)
Verfasser(in):
Benjamin Weisman, Kathleen Twomey und Fred Wise
3:09
5Dreams Can Tell a Lie
vocals:
Nat King Cole (in 1955)
Interpret(in):
Nelson Riddle and His Orchestra (in 1955)
recording of:
Dreams Can Tell a Lie (1956 song) (in 1955)
Verfasser(in):
Howard Barnes, Harold Cornelius und Dominic John (songwriter, aka Dominic John)
2:58
6To the Ends of the Earth
vocals:
Nat King Cole (in 1956)
Interpret(in):
Nelson Riddle and His Orchestra (in 1956)
recording of:
To the Ends of the Earth (in 1956)
Verfasser(in):
Joe Sherman und Noel Sherman
publisher:
Paxwin Music
2:18
7Love Me as Though There Were No Tomorrow
vocals:
Nat King Cole (in 1955)
Interpret(in):
Nelson Riddle and His Orchestra (in 1955)
recording of:
Love Me as Though There Were No Tomorrow (in 1955)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
2:35
8The Very Thought of You
vocals:
Nat King Cole (in 1958)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1958)
recording of:
The Very Thought of You (in 1958)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
3:47
9That’s My Girl
vocals:
Nat King Cole (in 1952)
Interpret(in):
Pete Rugolo and His Orchestra (in 1952)
recording of:
That's My Girl (in 1952)
Verfasser(in):
Ray Ellington und Barbara Tobias
2:21
10After My Laughter Came Tears
Instrumente:
The Nat King Cole Trio (in 1949)
vocals:
Nat King Cole (in 1949)
recording of:
After My Laughter Came Tears (in 1949)
Verfasser(in):
Charles Tobias (Tin Pan Alley songwriter) und Roy Turk
2:45
11Who’s Who?
Instrumente:
The Nat King Cole Trio (in 1950)
vocals:
Nat King Cole (in 1950)
recording of:
Who’s Who (in 1950)
Verfasser(in):
William Dunham und Marvin Fisher
3:00
12Calypso Blues
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-09-09)
Klavier:
Nat King Cole (am 1949-09-09)
vocals:
Nat King Cole (am 1949-09-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-09-09)
recording of:
Calypso Blues (am 1949-09-09)
Texter:
Don George (US songwriter/composer, 1909–1987)
Komponist(in):
Nat King Cole
2:58
13Yes Sir, That’s My Baby
Instrumente:
The Nat King Cole Trio (in 1949)
vocals:
Nat King Cole (in 1949)
recording of:
Yes Sir, That’s My Baby (in 1949)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
Bourne Co. (not for release label use, this is a music publisher), Donaldson Publishing Co., EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem) und J. Albert & Son P/L
2:30
14For You My Love
Instrumente:
The Trio (in 1950)
vocals:
Nat King Cole (in 1950)
Interpret(in):
Nellie Lutcher (in 1950)
recording of:
For You My Love (in 1950)
Texter und Komponist(in):
Paul Gayten (US R&B)
2:25
15Portrait of Jennie
recorded in:
New York, New York, Vereinigte Staaten (am 1949-01-14)
Gitarre:
Irving Ashby (am 1949-01-14)
Klavier:
Nat King Cole (am 1949-01-14)
Kontrabass:
Joe Comfort (am 1949-01-14)
vocals:
Nat King Cole (am 1949-01-14)
conductor:
Carlyle Hall (am 1949-01-14)
Saiteninstrumente arranger:
Carlyle Hall
cover recording of:
Portrait of Jennie (am 1949-01-14)
Texter:
Gordon Burdge
Komponist(in):
J. Russel Robinson
3:07
16Lost April
recorded in:
New York, New York, Vereinigte Staaten (am 1947-12-20)
Gitarre:
Irving Ashby (am 1947-12-20)
Klavier:
Nat King Cole (am 1947-12-20)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-12-20)
vocals:
Nat King Cole (am 1947-12-20)
recording of:
Lost April (am 1947-12-20)
Verfasser(in):
Eddie DeLange, Emil Newman und Herbert W. Spencer (composer and orchestrator)
2:57
17I Don’t Know Why (I Just Do)
vocals:
Nat King Cole (in 1946)
recording of:
I Don’t Know Why (in 1946)
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
3:11
18You’re the Cream in My Coffee
vocals:
Nat King Cole (in 1946)
recording of:
You’re the Cream in My Coffee (in 1946)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
2:28
19You Call It Madness (But I Call It Love)
Gitarre:
Oscar Moore (am 1946-05-01)
Klavier:
Nat King Cole (am 1946-05-01)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-05-01)
vocals:
Nat King Cole (am 1946-05-01)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-05-01)
recording of:
You Call It Madness (But I Call It Love) (am 1946-05-01)
Verfasser(in):
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois und Paul Gregory (Songwriter)
Teil von:
Going Hollywood (1933 film)
3:04
20I Wish I Were Somebody Else
vocals:
Nat King Cole (in 1951)
Interpret(in):
Pete Rugolo and His Orchestra (in 1951)
recording of:
Wish I Were Somebody Else (in 1951)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
2:43
5▼CD
Nr.TitelBewertungLänge
1It’s Only a Paper Moon
Gitarre:
Oscar Moore (am 1943-12-15)
Instrumente:
The Nat King Cole Trio (in 1943)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (in 1943, am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
cover recording of:
It’s Only a Paper Moon (am 1943-12-15)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
2:55
2Sweet Lorraine
Instrumente:
The Nat King Cole Trio (in 1943)
vocals:
Nat King Cole (in 1943)
recording of:
Sweet Lorraine (in 1943)
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
2:54
3Honeysuckle Rose (instrumental)
Instrumente:
The Nat King Cole Trio (in 1940)
instrumental recording of:
Honeysuckle Rose (in 1940)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
2:31
4Straighten Up and Fly Right
Instrumente:
The Nat King Cole Trio (in 1943)
vocals:
Nat King Cole (in 1943)
recording of:
Straighten Up and Fly Right (in 1943)
Verfasser(in):
Nat King Cole und Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30)
2:25
5Hit That Jive Jack
Instrumente:
The Nat King Cole Trio (in 1941)
vocals:
Nat King Cole (in 1941)
recording of:
Hit That Jive Jack (in 1941)
Verfasser(in):
John Alston und Skeets Tolbert
2:57
6This Will Make You Laugh
Instrumente:
The Nat King Cole Trio (in 1941)
vocals:
Nat King Cole (in 1941)
recording of:
This Will Make You Laugh (in 1941)
Texter und Komponist(in):
Irene Higginbotham
3:15
7Little Joe From Chicago
Instrumente:
The Nat King Cole Trio (in 1941)
vocals:
Nat King Cole (in 1941)
recording of:
Little Joe From Chicago (in 1941)
Texter:
Henry James Wells (jazz trombonist)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
2:19
8If You Can’t Smile and Say Yes
Instrumente:
The Nat King Cole Trio (in 1944)
vocals:
Nat King Cole (in 1944)
recording of:
If You Can’t Smile and Say Yes (in 1944)
Verfasser(in):
Louis Jordan (US jazz, blues and r&b musician and songwriter) und Timmie Rogers
3:05
9All for You
Instrumente:
The Nat King Cole Trio (in 1943)
vocals:
Nat King Cole (in 1943)
recording of:
All for You (in 1943)
Texter und Komponist(in):
Robert Scherman
3:23
10I’m an Errand Boy for Rhythm
Instrumente:
The Nat King Cole Trio (in 1945)
vocals:
Nat King Cole (in 1945)
recording of:
I'm an Errand Boy for Rhythm (in 1945)
Texter und Komponist(in):
Nat King Cole
2:19
11Embraceable You
Gitarre:
Oscar Moore (am 1943-12-15)
Klavier:
Nat King Cole (am 1943-12-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15)
vocals:
Nat King Cole (am 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (am 1943-12-15) und Oscar Moore (am 1943-12-15)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-15)
instrumental cover recording of:
Embraceable You (am 1943-12-15)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:22
12I’ve Got the World on a String
Instrumente:
The Nat King Cole Trio (in 1946)
vocals:
Nat King Cole (in 1946)
recording of:
I’ve Got the World on a String (in 1946)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:15
13Ke mo ki mo (The Magic Song)
Instrumente:
The Nat King Cole Trio (in 1947)
vocals:
Nat King Cole (in 1947)
recording of:
Ke Mo Ki Mo (The Magic Song) (in 1947)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Bob Hilliard
2:20
14Summer Is a Comin’ In
vocals:
Nat King Cole (in 1952)
Interpret(in):
Pete Rugolo and His Orchestra (in 1952)
recording of:
Summer Is A Comin’ In (in 1952)
Texter:
Marshall Barer
Komponist(in):
Alec Wilder (American composer)
3:07
15Get to Gettin’
vocals:
Nat King Cole (in 1950)
Interpret(in):
Pete Rugolo and His Orchestra (in 1950)
recording of:
Get to Gettin’ (in 1950)
Verfasser(in):
James L. MacDonald (songwriter) und Wilhelmine Weber
2:20
16Jam-Bo (instrumental)
Klavier:
Nat King Cole (in 1950)
Interpret(in):
Stan Kenton and His Orchestra (in 1950)
recording of:
Jam-Bo (in 1950)
Komponist(in):
Shorty Rogers (trumpet)
2:53
17Time Out for Tears
vocals:
Nat King Cole (in 1950)
Interpret(in):
Pete Rugolo and His Orchestra (in 1950)
recording of:
Time Out for Tears (in 1950)
Verfasser(in):
Irving Berman und Abe Schiff
3:11
18Stardust
vocals:
Nat King Cole (in 1956)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1956)
recording of:
Stardust (the jazz standard) (in 1956)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
cover recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:13
19It’s All in the Game
vocals:
Nat King Cole (in 1956)
Interpret(in):
Gordon Jenkins and His Orchestra (in 1956)
recording of:
It’s All in the Game (in 1956)
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
3:06
20Answer Me
vocals:
Nat King Cole (in 1953)
Interpret(in):
Nelson Riddle and His Orchestra (in 1953)
recording of:
Answer Me, My Love (in 1953)
Texter:
Fred Rauch, Carl Sigman und Gerhard Winkler
Komponist(in):
Fred Rauch und Gerhard Winkler
Übersetzer:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
übersetzte Version von:
Mütterlein
2:54

Nennungen

Veröffentlichung

liner notes:Tony Watts
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2009)
Discogs:https://www.discogs.com/release/11488991 [Info]
ASIN:UK: B002LZUKVQ [Info]

Veröffentlichungsgruppe

Teil von:100 Hits Legends (Nummer: 3) (Reihenfolge: 3)