Pops on the March

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 3 available)

Tracklist

1▼Vinyl
#TitleRatingLength
1Under the Double Eagle
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Unter dem Doppeladler, op. 159 (Under the Double Eagle) (in 1980-06)
composer:
J. F. Wagner (in 1893)
3:18
2Pomp and Circumstance
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (in 1980-06)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
5:00
3Coronation March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Coronation March in D major, TH 50, ČW 47 (in 1980-06)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1883-03)
premiered at:
[concert] (1883-06-04)
publisher:
P. Jurgenson (in 1883)
part of:
The Tchaikovsky Handbook (number: TH 50) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 47)
4:39
4Orb and Sceptre
engineer:
Stanley Goodall (engineer), Jack Law (engineer) (in 1980-06) and Michael Mailes (engineer) (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Orb and Sceptre (in 1980-06)
composer:
William Walton (British composer and conductor)
publisher:
Oxford University Press
6:52
5Strike Up the Band
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
2:48
6St. Louis Blues March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:02
7Midway March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Midway March (in 1980-06)
composer:
John Williams (American score composer and conductor) (in 1976)
part of:
Midway (1976 film score)
4:13
876 Trombones
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
Seventy-Six Trombones (The Music Man) (in 1980-06)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
3:01
9South Rampart Street Parade
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
South Rampart Street Parade (original 1937 instrumental version) (in 1980-06)
composer:
Ray Bauduc (in 1937) and Bob Haggart (in 1937)
5:14
10Conquest
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Conquest (march for USC, originally written for Captain from Castile) (in 1980-06)
composer:
Alfred Newman
part of:
Captain from Castile
3:39