Great Mass in C minor, K. 427

~ Release by Wolfgang Amadeus Mozart, Paul McCreesh, Camilla Tilling, Sarah Conolly, Gabrieli Consort & Players (see all versions of this release, 1 available)

Annotation

Recording: Walthamstow Town Hall, 10/2004

Annotation last modified on 2007-12-10 15:46 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: I. “Kyrie”
soprano vocals [soprano I]:
Camilla Tilling (soprano) (in 2004-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart6:57
2Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIa. Gloria: “Gloria in excelsis”
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIa. Gloria: “Gloria in excelsis” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart2:04
3Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIb. Gloria: “Laudamus te”
soprano vocals [soprano II]:
Sarah Connolly (mezzo-soprano) (in 2004-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart4:41
4Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIc. Gloria: “Gratias agimus tibi”
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIc. Gloria: “Gratias agimus tibi” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart1:02
5Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IId. Gloria: “Domine Deus”
soprano vocals [soprano I]:
Sarah Connolly (mezzo-soprano) (in 2004-10) and Camilla Tilling (soprano) (in 2004-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IId. Gloria: “Domine Deus” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart2:46
6Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIe. Gloria: “Qui tollis”
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIe. Gloria: “Qui tollis” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Oxford University Press
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart4:02
7Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIf. Gloria: “Quoniam tu solus”
soprano vocals [soprano I]:
Sarah Connolly (mezzo-soprano) and Camilla Tilling (soprano)
tenor vocals:
Timothy Robinson (tenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIf. Gloria: “Quoniam tu solus” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart3:50
8Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIg. Gloria: “Jesu Christe”
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIg. Gloria: “Jesu Christe” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart0:33
9Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIh. Gloria: “Cum Sancto Spiritu”
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIh. Gloria: “Cum Sancto Spiritu” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart3:40
10Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIIa. Credo: “Credo in unum Deum”
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIa. Credo: “Credo in unum Deum” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart3:17
11Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IIIb. Credo: “Et incarnatus est”
soprano vocals [soprano I]:
Camilla Tilling (soprano) (in 2004-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart7:48
12Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: IVa. Sanctus: “Sanctus”
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IV. Sanctus (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart3:21
13Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) “Great”: V. Benedictus
bass vocals:
Neal Davies (operatic bass)
soprano vocals [soprano I]:
Sarah Connolly (mezzo-soprano) and Camilla Tilling (soprano)
tenor vocals:
Timothy Robinson (tenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): V. Benedictus (in 2004-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart5:10
14Scena di Berenice, dramatic scena, Hob XXIVa:10: “Berenice, che fai?”
soprano vocals:
Sarah Connolly (mezzo-soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
recording of:
Scena di Berenice, Hob. XXIVa:10
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXIVa:10)
Joseph Haydn12:27
15“Ah! perfido”, op. 65
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Camilla Tilling (soprano) (in 2004-10)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2004-10)
conductor:
Paul McCreesh (conductor) (in 2004-10)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 2004-10)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (in 2004-10)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven12:29

Credits

Release

orchestra:Gabrieli Consort & Players (UK early music ensemble)
conductor:Paul McCreesh (conductor)
bass vocals:Neal Davies (operatic bass)
soprano vocals:Sarah Connolly (mezzo-soprano)
Camilla Tilling (soprano)
tenor vocals:Timothy Robinson (tenor)
ASIN:DE: B000BUK3B0 [info]

Release group

included in:111 Years of Deutsche Grammophon: The Collectors’ Edition 2 by Various Artists (add compilations to this artist)