Eight Classic Albums: Vol.2

~ Release by John Coltrane (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Cats / Africa/Brass
#TitleRatingLength
1Minor Mishap
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
guitar:
Kenny Burrell (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
tenor saxophone:
John Coltrane (on 1957-04-18)
trumpet:
Idrees Sulieman (on 1957-04-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-18)
recording of:
Minor Mishap (on 1957-04-18)
composer:
Tommy Flanagan
7:23
2How Long Has This Been Going On
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
instrumental cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-04-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
5:56
3Eclypso
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
guitar:
Kenny Burrell (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
tenor saxophone:
John Coltrane (on 1957-04-18)
trumpet:
Idrees Sulieman (on 1957-04-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-18)
recording of:
Eclypso (on 1957-04-18)
composer:
Tommy Flanagan
7:55
4Solacium
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
guitar:
Kenny Burrell (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
tenor saxophone:
John Coltrane (on 1957-04-18)
trumpet:
Idrees Sulieman (on 1957-04-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-18)
recording of:
Solacium (on 1957-04-18)
composer:
Tommy Flanagan
9:08
5Tommy’s Time
recording engineer:
Rudy van Gelder (on 1957-04-18)
producer:
Bob Weinstock
double bass:
Doug Watkins (on 1957-04-18)
drums (drum set):
Louis Hayes (on 1957-04-18)
guitar:
Kenny Burrell (on 1957-04-18)
piano:
Tommy Flanagan (on 1957-04-18)
tenor saxophone:
John Coltrane (on 1957-04-18)
trumpet:
Idrees Sulieman (on 1957-04-18)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-18)
recording of:
Tommy's Tune (on 1957-04-18)
composer:
Tommy Flanagan
11:57
6Africa
recording engineer:
Rudy van Gelder (on 1961-06-07)
producer:
Creed Taylor
alto saxophone, bass clarinet and flute:
Eric Dolphy (on 1961-06-07)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-06-07)
double bass:
Art Davis (US jazz double bassist) (on 1961-06-07) and Reggie Workman (on 1961-06-07)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-06-07)
euphonium:
Carl Bowman (on 1961-06-07)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-06-07), Donald Corrado (on 1961-06-07), Robert Swisshelm (on 1961-06-07) and Julius Watkins (on 1961-06-07)
piano:
McCoy Tyner (jazz pianist) (on 1961-06-07)
tenor saxophone:
John Coltrane (on 1961-06-07)
trombone:
Britt Woodman (on 1961-06-07)
trumpet:
Booker Little (on 1961-06-07)
tuba:
Bill Barber (Jazz tuba player) (on 1961-06-07)
conductor:
Eric Dolphy (on 1961-06-07)
instruments arranger and orchestrator:
Eric Dolphy
arranger:
John Coltrane and McCoy Tyner (jazz pianist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-07)
recording of:
Africa (on 1961-06-07)
composer:
John Coltrane
publisher:
Jowcol Music
16:19
7Greensleeves
recording engineer:
Rudy van Gelder (on 1961-05-23)
producer:
Creed Taylor
alto saxophone, alto saxophone, bass clarinet and flute, bass clarinet and flute:
Eric Dolphy (on 1961-05-23)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-05-23)
double bass:
Reggie Workman (on 1961-05-23)
double bass [bass]:
Jimmy Garrison (on 1961-05-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-23)
euphonium:
Charles Greenlee (on 1961-05-23) and Julian Priester (on 1961-05-23)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-05-23), Donald Corrado (on 1961-05-23), Jim Buffington (US jazz, studio and classical hornist) (on 1961-05-23), Robert Swisshelm (on 1961-05-23) and Julius Watkins (on 1961-05-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-23)
piccolo, piccolo and woodwind and reeds:
Garvin Bushell (on 1961-05-23)
soprano saxophone:
John Coltrane (on 1961-05-23)
trumpet:
Freddie Hubbard (on 1961-05-23) and Booker Little (on 1961-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1961-05-23)
conductor:
Eric Dolphy (on 1961-05-23)
instruments arranger:
McCoy Tyner (jazz pianist)
arranger:
McCoy Tyner (jazz pianist) (on 1961-05-23)
orchestrator:
Eric Dolphy
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-05-23)
recording of:
Greensleeves (arrangement for John Coltrane by McCoy Tyner) (on 1961-05-23)
composer:
[traditional] (special purpose artist)
arranger:
McCoy Tyner (jazz pianist) (in 1961)
9:56
8Blues Minor
recording engineer:
Rudy van Gelder (on 1961-06-07)
producer:
Creed Taylor
alto saxophone, alto saxophone, bass clarinet and flute, bass clarinet and flute:
Eric Dolphy (on 1961-06-07)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-06-07)
double bass:
Art Davis (US jazz double bassist) (on 1961-06-07) and Reggie Workman (on 1961-06-07)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-06-07)
euphonium:
Carl Bowman (on 1961-06-07)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-06-07), Donald Corrado (on 1961-06-07), Robert Swisshelm (on 1961-06-07) and Julius Watkins (on 1961-06-07)
piano:
McCoy Tyner (jazz pianist) (on 1961-06-07)
tenor saxophone:
John Coltrane (on 1961-06-07)
trombone:
Britt Woodman (on 1961-06-07)
trumpet:
Booker Little (on 1961-06-07)
tuba:
Bill Barber (Jazz tuba player) (on 1961-06-07)
conductor:
Eric Dolphy (on 1961-06-07)
instruments arranger and orchestrator:
Eric Dolphy
arranger:
John Coltrane and McCoy Tyner (jazz pianist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-07)
recording of:
Blues Minor (on 1961-06-07)
composer:
John Coltrane
publisher:
Jowcol Music
7:18
2▼CD: Bags & Trane / Giant Steps
#TitleRatingLength
1Bass & Trane
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
Bags & Trane (on 1959-01-15)
composer:
Milt Jackson
7:25
2Three Little Words
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
bass and double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Three Little Words (on 1959-01-15)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
7:29
3The Night We Called It A Day
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
The Night We Called It a Day (on 1959-01-15)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
4:20
4Be-Bop
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
instrumental cover recording of:
Be-Bop (on 1959-01-15)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
8:00
5The Late Late Blues
recording engineer:
Tom Dowd (on 1959-01-15)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-01-15)
drums (drum set):
Connie Kay (on 1959-01-15)
piano:
Hank Jones (piano) (on 1959-01-15)
tenor saxophone:
John Coltrane (on 1959-01-15)
vibraphone:
Milt Jackson (on 1959-01-15)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-01-15)
recording of:
The Late Late Blues (on 1959-01-15)
composer:
Milt Jackson
9:35
6Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, volume I)
3.34:43
7Cousin Mary
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:46
8Countdown
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Countdown (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
32:22
9Spiral
recording engineer:
Tom Dowd (on 1959-05-04) and Phil Iehle (on 1959-05-04)
producer:
Nesuhi Ertegun (on 1959-05-04)
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-04)
drums (drum set):
Art Taylor (on 1959-05-04)
piano:
Tommy Flanagan (on 1959-05-04)
tenor saxophone:
John Coltrane (on 1959-05-04)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-04)
recording of:
Spiral (on 1959-05-04)
composer:
John Coltrane
publisher:
Jowcol Music
45:57
10Syeeda’s Song Flute
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Syeeda's Song Flute (on 1959-05-05)
composer:
John Coltrane
47:01
11Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:21
12Mr P.C.
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Mr. P.C. (on 1959-05-05)
composer:
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
46:58
3▼CD: Coltrane Jazz / My Favorite Things
#TitleRatingLength
1Little Old Lady
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
Little Old Lady (on 1959-11-24)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4:26
2Village Blues
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
producer:
Nesuhi Ertegun
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
tenor saxophone:
John Coltrane (on 1960-10-21)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
recording of:
Village Blues (on 1960-10-21)
composer:
John Coltrane
publisher:
Jowcol Music
5:23
3My Shining Hour
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
instrumental cover recording of:
My Shining Hour (The Sky’s the Limit) (on 1959-12-02)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (ended), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Harwin Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
part of:
The Sky’s the Limit (1943 film)
4:52
4Fifth House
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Fifth House (on 1959-12-02)
composer:
John Coltrane
publisher:
Jowcol Music
4:39
5Harmonique
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Harmonique (on 1959-12-02)
composer:
John Coltrane
4:13
6Like Sonny
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Like Sonny (on 1959-12-02)
composer:
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
5:53
7I’ll Wait And Pray
recording engineer:
Tom Dowd (on 1959-11-24) and Phil Iehle (on 1959-11-24)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-11-24)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-24)
piano:
Wynton Kelly (on 1959-11-24)
tenor saxophone:
John Coltrane (on 1959-11-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-11-24)
instrumental cover recording of:
I’ll Wait and Pray (on 1959-11-24)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
3:33
8Some Other Blues
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Some Other Blues (on 1959-12-02)
composer:
John Coltrane
5:34
9My Favorite Things
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3.713:42
10Everytime We Say Goodbye
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
soprano saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1960-10-26)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
35:41
11Summertime
recording engineer:
Tom Dowd (on 1960-10-24) and Phil Iehle (on 1960-10-24)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-24)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-24)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-24)
tenor saxophone:
John Coltrane (on 1960-10-24)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1960-10-24)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
311:31
12But Not For Me
recording engineer:
Tom Dowd (on 1960-10-26) and Phil Iehle (on 1960-10-26)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-26)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-26)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-26)
tenor saxophone:
John Coltrane (on 1960-10-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-26)
instrumental cover recording of:
But Not for Me (on 1960-10-26)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
9:35
4▼CD: Mating Call / Cattin' with Coltrane and Quinichette
#TitleRatingLength
1Mating Call
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Mating Call (on 1956-11-30)
composer:
Tadd Dameron
5:33
2Gnid
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Gnid (on 1956-11-30)
composer:
Tadd Dameron
5:06
3Soultrane
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Soultrane (on 1956-11-30)
composer:
Tadd Dameron
5:21
4On A Misty Night
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
On a Misty Night (on 1956-11-30)
composer:
Tadd Dameron
publisher:
Carbaby Music Company
6:19
5Romas
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Romas (on 1956-11-30)
composer:
Tadd Dameron
6:50
6Super Jet
recording engineer:
Rudy van Gelder (on 1956-11-30)
double bass:
John Simmons (bassist) (on 1956-11-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-11-30)
piano:
Tadd Dameron (on 1956-11-30)
tenor saxophone:
John Coltrane (on 1956-11-30)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-11-30)
recording of:
Super Jet (on 1956-11-30)
composer:
Tadd Dameron
5:52
7Cattin’
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
recording of:
The Cattin' Toddler (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
47:20
8Sunday
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
instrumental cover recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1957-05-17)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
6:58
9Exactly Like You
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
instrumental recording of:
Exactly Like You (on 1957-05-17)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
6:46
10Anatomy
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
recording of:
Anatomy (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
8:50
11Vodka
recording engineer:
Rudy van Gelder (on 1957-05-17)
double bass:
Julian Euell (on 1957-05-17)
drums (drum set):
Ed Thigpen (on 1957-05-17)
piano:
Mal Waldron (American jazz pianist) (on 1957-05-17)
tenor saxophone:
John Coltrane (on 1957-05-17) and Paul Quinichette (on 1957-05-17)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-05-17)
recording of:
Vodka (on 1957-05-17)
composer:
Mal Waldron (American jazz pianist)
9:04