I'm Gonna Sit Right Down: The Early Years, Part 2 (1935-1936) (BMG club edition)

~ Release by Fats Waller and His Rhythm (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1I’m Gonna Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone, clarinet and reeds:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
performer:
Fats Waller and His Rhythm (on 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1935-05-08)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
3:32
2Hate to Talk About Myself
recorded in:
New York, New York, United States (on 1935-05-08)
alto saxophone and clarinet:
Rudy Powell (on 1935-05-08)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-05-08)
drums (drum set):
Harry Dial (on 1935-05-08)
guitar:
Al Casey (US jazz/soul guitarist) (on 1935-05-08)
piano:
Fats Waller (on 1935-05-08)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-05-08)
vocals:
Fats Waller (on 1935-05-08)
recording of:
Hate to Talk About Myself (on 1935-05-08)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting (composer)
2:41
3Dinah
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Dinah (on 1935-06-24)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
3:08
4Take It Easy
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Take It Easy (on 1935-06-24)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
3:12
5You’re the Picture
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
You're the Picture (I'm the Frame) (on 1935-06-24)
writer:
Jack Golden and Bob Rothberg (tin-pan alley songwriter)
3:38
6My Very Good Friend the Milkman
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
My Very Good Friend the Milkman (on 1935-06-24)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
publisher:
Chappell & Co., Inc. (USA)
43:32
7Blue Because of You
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Blue Because of You (on 1935-06-24)
lyricist:
Charles Carpenter
composer:
Louis Dunlap and Quinn Wilson (jazz bassist, tubist)
2:56
8There’s Going to Be the Devil to Pay
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
2:28
9Twelfth Street Rag
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
performer:
Fats Waller and His Rhythm (on 1935-06-24)
recording of:
12th Street Rag (on 1935-06-24)
publisher:
Euday L. Bowman (on 1914-01-30)
lyricist:
James S. Sumner
composer:
Euday L. Bowman
arrangement of:
Twelfth Street Rag
recording of:
Twelfth Street Rag (on 1935-06-24)
lyricist:
Andy Razaf
composer:
Euday L. Bowman
2:49
10There’ll Be Some Changes Made
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
There’ll Be Some Changes Made (on 1935-06-24)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:08
11Somebody Stole My Gal
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
cover recording of:
Somebody Stole My Gal (on 1935-06-24)
lyricist and composer:
Leo Wood (American songwriter & lyricist; 1882—1929) (in 1918)
publisher:
Francis, Day & Hunter
sub-publisher:
Carl Gehrmans Musikförlag
3:29
12Sweet Sue – Just You (take 1)
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Sweet Sue, Just You (on 1935-06-24)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:54
13Sweet Sue – Just You (take 2)
recorded in:
Camden, New Jersey, United States (on 1935-06-24)
alto saxophone and clarinet:
Rudy Powell (on 1935-06-24)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-06-24)
drums (drum set):
Arnold Boling (on 1935-06-24)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-06-24)
piano:
Fats Waller (on 1935-05-08, on 1935-06-24)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-06-24)
vocals:
Fats Waller (on 1935-06-24)
recording of:
Sweet Sue, Just You (on 1935-05-08)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
recording of:
Sweet Sue, Just You (on 1935-06-24)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:56
14Truckin’
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Truckin’ (on 1935-08-02)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
3:20
15Sugar Blues
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Sugar Blues (on 1935-08-02)
lyricist:
Lucy Fletcher (in 1919)
composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919)
publisher:
Chappell Paris
2:50
16As Long as the World Goes Round and Round
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
As Long as the World Goes Round and Round (And I Go Around with You) (on 1935-08-02)
writer:
Harry M. Woods (American 1920/30s songwriter)
3:05
17Georgia Rockin’ Chair
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Boling (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
recording of:
Georgia Rockin’ Chair (on 1935-08-02)
writer:
Fred Fisher
2:44
18Brother Seek and Ye Shall Find
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Bolden (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
2:50
19The Girl I Left Behind Me
recorded in:
New York, New York, United States (on 1935-08-02)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-02)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-02)
drums (drum set):
Arnold Bolden (on 1935-08-02)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-02)
piano:
Fats Waller (on 1935-08-02)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-02)
vocals:
Fats Waller (on 1935-08-02)
3:14
20You’re So Darn Charming
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
You're So Darn Charming (on 1935-08-20)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Harold Spina (composer/conductor)
2:44
21Woe! Is Me
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Woe Is Me (on 1935-08-20)
lyricist:
James Cavanaugh and Dick Sanford (songwriter, musician and bandleader)
composer:
Robert Emmerich (writer "Our Love")
2:57
22Rhythm and Romance
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Rhythm and Romance (on 1935-08-20)
lyricist:
Nat Schwartz (Early 20th century composer?)
writer:
George Whiting (American composer)
composer:
J.C. Johnson
3:12
2▼CD
#TitleRatingLength
1Loafin’ Time
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Herman Autrey (Jazz trumpet player) (on 1935-08-20) and Fats Waller (on 1935-08-20)
2:30
2A Sweet Beginning Like This
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
celesta and piano:
Fats Waller (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Herman Autrey (Jazz trumpet player) (on 1935-08-20) and Fats Waller (on 1935-08-20)
2:51
3Got a Bran’ New Suit
recorded in:
New York, New York, United States (on 1935-08-20)
clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Got a Bran’ New Suit (on 1935-08-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
2:36
4I’m on a See‐Saw
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
I’m on a See-Saw (on 1935-08-20)
lyricist:
Desmond Carter
composer:
Vivian Ellis (composer)
3:02
5Thief in the Night
recorded in:
New York, New York, United States (on 1935-08-20)
alto saxophone and clarinet:
Rudy Powell (on 1935-08-20)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-08-20)
drums (drum set):
Arnold Boling (on 1935-08-20)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-08-20)
piano:
Fats Waller (on 1935-08-20)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-08-20)
vocals:
Fats Waller (on 1935-08-20)
recording of:
Thief in the Night (on 1935-08-20)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
2:52
6When Somebody Thinks You’re Wonderful
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
Fats Waller (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
Fats Waller (on 1935-11-29)
performer:
Fats Waller and His Rhythm (on 1935-11-29)
recording of:
When Somebody Thinks You’re Wonderful (on 1935-11-29)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Callicoon Music (in 1935, in 1991)
3:39
7I’ve Got My Fingers Crossed
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
Fats Waller (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
Fats Waller (on 1935-11-29)
performer:
Fats Waller and His Rhythm (on 1935-11-29)
recording of:
I’ve Got My Fingers Crossed (on 1935-11-29)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
2:39
8Spreadin’ Rhythm Around
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
Fats Waller (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
Fats Waller (on 1935-11-29)
recording of:
Spreadin’ Rhythm Around (on 1935-11-29)
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
2:43
9A Little Bit Independent
recorded in:
New York, New York, United States (on 1935-11-29)
celesta:
Fats Waller (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
“Fats” Waller (Fats Waller) (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
“Fats” Waller (Fats Waller) (on 1935-11-29)
cover recording of:
A Little Bit Independent (on 1935-11-29)
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
2:56
10You Stayed Away Too Long
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
Fats Waller (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
Fats Waller (on 1935-11-29)
3:13
11Sweet Thing
recorded in:
New York, New York, United States (on 1935-11-29)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1935-11-29)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-11-29)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-11-29)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-11-29)
piano:
“Fats” Waller (Fats Waller) (on 1935-11-29)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-11-29)
vocals:
“Fats” Waller (Fats Waller) (on 1935-11-29)
recording of:
Sweet Thing (on 1935-11-29)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Abel Baer (songwriter)
3:23
12Fat and Greasy (take 1)
recorded in:
New York, New York, United States (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04)
tenor saxophone:
Bob Carroll (jazz sax) (on 1935-12-04) and Gene Sedric (on 1935-12-04)
trombone:
Benny Morton (on 1935-12-04) and Fred Robinson (American trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04) and Eddie Anderson (early jazz trumpeter) (on 1935-12-04)
vibraphone:
Yank Porter (jazz drummer) (on 1935-12-04) and Fats Waller (on 1935-12-04)
vocals:
Fats Waller (on 1935-12-04)
recording of:
Fat and Greasy (on 1935-12-04)
writer:
Porter Grainger and Charlie Johnson (jazz bandleader and pianist)
3:11
13Fat and Greasy (take 2)
recorded in:
New York, New York, United States (on 1935-12-04)
alto saxophone:
George James (US jazz saxophonist) (on 1935-12-04)
baritone saxophone:
Fred Skerritt (on 1935-12-04)
celesta:
Fats Waller (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04) and Rudy Powell (on 1935-12-04)
tenor saxophone:
Gene Sedric (on 1935-12-04)
trombone:
Fred Robinson (American trombonist) (on 1935-12-04) and George Wilson (jazz trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04), Eddie Anderson (early jazz trumpeter) (on 1935-12-04) and Carl Smith (trumpeter) (on 1935-12-04)
vibraphone:
Yank Porter (jazz drummer) (on 1935-12-04) and Fats Waller (on 1935-12-04)
vocals:
Fats Waller (on 1935-12-04)
recording of:
Fat and Greasy (on 1935-12-04)
writer:
Porter Grainger and Charlie Johnson (jazz bandleader and pianist)
3:09
14Functionizin’ (instrumental)
recorded in:
New York, New York, United States (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04)
tenor saxophone:
Bob Carroll (jazz sax) (on 1935-12-04) and Gene Sedric (on 1935-12-04)
trombone:
Benny Morton (on 1935-12-04) and Fred Robinson (American trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04) and Eddie Anderson (early jazz trumpeter) (on 1935-12-04)
3:07
15I Got Rhythm
recorded in:
New York, New York, United States (on 1935-12-04)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1935-12-04)
drums (drum set):
Yank Porter (jazz drummer) (on 1935-12-04)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1935-12-04)
piano:
Hank Duncan (on 1935-12-04) and Fats Waller (on 1935-12-04)
reeds:
George James (US jazz saxophonist) (on 1935-12-04), Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04), Rudy Powell (on 1935-12-04), Gene Sedric (on 1935-12-04) and Fred Skerritt (on 1935-12-04)
soprano saxophone:
Emmett Matthews (US jazz saxophonist and singer) (on 1935-12-04)
tenor saxophone:
Bob Carroll (jazz sax) (on 1935-12-04) and Gene Sedric (on 1935-12-04)
trombone:
Benny Morton (on 1935-12-04) and Fred Robinson (American trombonist) (on 1935-12-04)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1935-12-04) and Eddie Anderson (early jazz trumpeter) (on 1935-12-04)
vocals:
Fats Waller (on 1935-12-04)
recording of:
I Got Rhythm (on 1935-12-04)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:10
16The Panic Is On
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:17
17Sugar Rose
recorded in:
New York, New York, United States (on 1936-02-01)
celesta and piano:
Fats Waller (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:11
18Oooh! Look‐a There, Ain’t She Pretty?
recorded in:
New York, New York, United States (on 1936-02-01)
celesta and piano:
Fats Waller (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
recording of:
Oooh! Look-a There, Ain't She Pretty? (on 1936-02-01)
writer:
Carmen Lombardo and Clarence Todd (US jazz vocalist and kazoo player, 1920s)
2:34
19Moon Rose
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
2:55
20West Wind
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:35
21That Never‐To‐Be‐Forgotten Night
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:14
22Sing an Old Fashioned Song
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:23
23Garbo Green
recorded in:
New York, New York, United States (on 1936-02-01)
clarinet, reeds and tenor saxophone:
Gene Sedric (on 1936-02-01)
double bass:
Charles Turner (US jazz bassist, active 1930s) (on 1936-02-01)
drums (drum set):
Yank Porter (jazz drummer) (on 1936-02-01)
guitar:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (on 1936-02-01)
piano:
Fats Waller (on 1936-02-01)
trumpet:
Herman Autrey (Jazz trumpet player) (on 1936-02-01)
vocals:
Fats Waller (on 1936-02-01)
3:00