British Composers: Britten, Berkeley & Rubbra

~ Release by Britten, Rubbra, Berkeley (see all versions of this release, 2 available)

Annotation

Copyright: © 2011 EMI Records Ltd.
℗ This compilation 2011 EMI Records Ltd.

Annotation last modified on 2024-09-06 10:09 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Peter Grimes, op. 33, Act 1, Scene 1: "Whatever You Say, Let Her Among You" (Ellen)
producer:
Lawrance Collingwood
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen) (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 1
Benjamin Britten3:02
2Peter Grimes, op. 33, Act 1, Scene 2: "Now the Great Bear and Pleiades" (Peter, Chorus, Nieces, Boles, Balstrode, Auntie)
producer:
Lawrance Collingwood
tenor vocals [Peter]:
Sir Peter Pears (tenor) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act I Scene II: "Now the Great Bear and Pleiades" (Peter) (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act I: Scene 2
Benjamin Britten3:22
3Peter Grimes, op. 33, Act 2: Interlude I. Sunday Morning
producer:
Lawrance Collingwood
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act II: Interlude III (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act II
Benjamin Britten2:20
4Peter Grimes, op. 33, Act 2, Scene 1: "Glitter of Waves and Glitter of Sunlight" (Ellen, Chorus, Rector)
producer:
Lawrance Collingwood
choir vocals:
BBC Theatre Chorus (from 1948-07-12 until 1948-07-17)
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
chorus master:
Alan Melville (British conductor and chorus master) (from 1948-07-12 until 1948-07-17) and John Clements (choral composer) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act II: Scene 1
Benjamin Britten3:49
5Peter Grimes, op. 33, Act 2, Scene 1: "Wherefore, I Pray and Beseech You" (Rector, Chorus, Ellen)
producer:
Lawrance Collingwood
choir vocals:
BBC Theatre Chorus (from 1948-07-12 until 1948-07-17)
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
tenor vocals:
Tom Culbert (tenor) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
chorus master:
Alan Melville (British conductor and chorus master) (from 1948-07-12 until 1948-07-17) and John Clements (choral composer) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
partial recording of:
Peter Grimes: Act II: Scene 1 (from 1948-07-12 until 1948-07-17)
part of:
Peter Grimes: Act II
Benjamin Britten3:31
6Peter Grimes, op. 33, Act 2, Scene 1: "O All Ye Works of the Lord" (Chorus, Ellen, Peter)
producer:
Lawrance Collingwood
choir vocals:
BBC Theatre Chorus (from 1948-07-12 until 1948-07-17)
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
tenor vocals [Peter]:
Sir Peter Pears (tenor) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
chorus master:
Alan Melville (British conductor and chorus master) (from 1948-07-12 until 1948-07-17) and John Clements (choral composer) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
partial recording of:
Peter Grimes: Act II: Scene 1 (from 1948-07-12 until 1948-07-17)
part of:
Peter Grimes: Act II
Benjamin Britten5:51
7Peter Grimes, op. 33, Act 2, Scene 2: "In Dreams I've Built Myself" (Peter)
producer:
Lawrance Collingwood
tenor vocals [Peter]:
Sir Peter Pears (tenor) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
partial recording of:
Peter Grimes: Act I: Scene 2 (from 1948-07-12 until 1948-07-17)
part of:
Peter Grimes: Act I
Benjamin Britten2:54
8Peter Grimes, op. 33, Act 3, Scene 1: "Embroidery in Childhood" (Ellen, Balstrode)
producer:
Lawrance Collingwood
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen) (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 1
Benjamin Britten4:15
9Peter Grimes, op. 33, Act 3: Interlude II. Fog
producer:
Lawrance Collingwood
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act III: Interlude VI Fog (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
part of:
Peter Grimes: Act III
Benjamin Britten2:29
10Peter Grimes, op. 33, Act 3, Scene 2: "Grimes! Grimes! Steady, There You Are" (Chorus, Peter, Ellen)
producer:
Lawrance Collingwood
choir vocals:
BBC Theatre Chorus (from 1948-07-12 until 1948-07-17)
soprano vocals [Ellen]:
Joan Cross (soprano) (from 1948-07-12 until 1948-07-17)
tenor vocals [Peter]:
Sir Peter Pears (tenor) (from 1948-07-12 until 1948-07-17)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1948-07-12 until 1948-07-17)
conductor:
Sir Reginald Goodall (conductor) (from 1948-07-12 until 1948-07-17)
chorus master:
Alan Melville (British conductor and chorus master) (from 1948-07-12 until 1948-07-17) and John Clements (choral composer) (from 1948-07-12 until 1948-07-17)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1948-07-12 until 1948-07-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1948-07-12 until 1948-07-17)
recording of:
Peter Grimes: Act III Scene II: "Grimes! Grimes!" (Chorus, Peter) (from 1948-07-12 until 1948-07-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1942 until 1945)
librettist:
Charles Montagu Slater (from 1942 until 1945)
part of:
Peter Grimes: Act III: Scene 2
Benjamin Britten6:08
117 Sonnets of Michelangelo, op. 22: No. 1, Sì come nella penna e nell'inchiostro
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (in 1941, on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten2:04
127 Sonnets of Michelangelo, op. 22: No. 2, A che più debb'io mai l'intensa voglia
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:20
137 Sonnets of Michelangelo, op. 22: No. 3, Veggio co' be' vostri occhi un dolce lume
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten3:11
147 Sonnets of Michelangelo, op. 22: No. 4, Tu sa' ch'io so, signior mie, che tu sai
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:47
157 Sonnets of Michelangelo, op. 22: No. 5, Rendete a gli occhi miei, o fonte o fiume
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:51
167 Sonnets of Michelangelo, op. 22: No. 6, S'un casto amor, s'una pietà superna
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten1:16
177 Sonnets of Michelangelo, op. 22: No. 7, Spirto ben nato, in cui si specchia e vede
producer:
Walter Legge (British classical producer)
piano:
Benjamin Britten (English composer, conductor, and pianist) (on 1942-11-20)
tenor vocals:
Peter Pears (tenor) (on 1942-11-20)
balance engineer:
Arthur S. Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1942-11-20)
recording of:
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede (on 1942-11-20)
lyricist:
Michelangelo Buonarroti (Italian Renaissance artist)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1940)
part of:
Seven Sonnets of Michelangelo, op. 22
Benjamin Britten4:48
18The Holy Sonnets of John Donne, op. 35: No. 1, O My Blacke Soule
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh my blacke Soule! (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:20
19The Holy Sonnets of John Donne, op. 35: No. 2, Batter My Heart
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Batter my heart (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:14
20The Holy Sonnets of John Donne, op. 35: No. 3, O Might Those Sighes and Teares
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh might those sighes and teares (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:04
21The Holy Sonnets of John Donne, op. 35: No. 4, Oh to Vex Me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Oh, to vex me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:05
22The Holy Sonnets of John Donne, op. 35: No. 5, What If This Present
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: What if this present (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten2:57
23The Holy Sonnets of John Donne, Op. 35: No. 6, Since She Whom I Loved
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Since she whom I loved (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten3:49
24The Holy Sonnets of John Donne, op. 35: No. 7, At the Round Earth's Imagined Corners
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: At the round earth's imagin'd corners (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten2:48
25The Holy Sonnets of John Donne, op. 35: No. 8, Thou Hast Made Me
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Thou hast made me (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten1:25
26The Holy Sonnets of John Donne, op. 35: No. 9, Death Be Not Proud
producer:
Lawrance Collingwood
piano:
Benjamin Britten (English composer, conductor, and pianist) (from 1947-08-29 until 1947-12-12)
tenor vocals:
Peter Pears (tenor) (from 1947-08-29 until 1947-12-12)
balance engineer:
Charles Anderson (engineer)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-08-29 until 1947-12-12)
recording of:
The Holy Sonnets of John Donne, op. 35: Death be not proud (from 1947-08-29 until 1947-12-12)
lyricist:
John Donne (English poet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945-08)
part of:
The Holy Sonnets of John Donne, op. 35
Benjamin Britten4:10
2▼Digital Media
#TitleArtistRatingLength
1The Rape of Lucretia, op. 37, Act 1, Scene 1: "Rome Is Now Ruled by the Etruscan Upstart" (Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten2:23
2The Rape of Lucretia, op. 37, Act 1, Scene 1: "It Is an Axiom Among Kings" (Female Chorus, Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
soprano vocals [female chorus]:
Joan Cross (soprano)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten2:26
3The Rape of Lucretia, op. 37, Act 1, Scene 1: "Here the Thirsty Evening" (Male Chorus, Collatinus, Junius, Tarquinius)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Junius]:
Denis Dowling (baritone) (from 1947-10-16 until 1947-12-19)
baritone vocals [Tarquinius]:
Frederick Sharp (from 1947-10-16 until 1947-12-19)
bass vocals [Collatinus]:
Norman Lumsden (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:25
4The Rape of Lucretia, op. 37, Act 1, Scene 1: "Lucretia! Lucretia!" (Junius, Male Chorus, Collatinus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Junius]:
Denis Dowling (baritone) (from 1947-10-16 until 1947-12-19)
bass vocals [Collatinus]:
Norman Lumsden (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:54
5The Rape of Lucretia, op. 37, Act 1, Scene 1: "With You Two Arm in Arm Again" (Collatinus, Tarquinius, Junius)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Junius]:
Denis Dowling (baritone) (from 1947-10-16 until 1947-12-19)
baritone vocals [Tarquinius]:
Frederick Sharp (from 1947-10-16 until 1947-12-19)
bass vocals [Collatinus]:
Norman Lumsden (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:33
6The Rape of Lucretia, op. 37, Act 1, Scene 1: Interlude. "Tarquinius Does Not Wait" (Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten2:51
7The Rape of Lucretia, op. 37, Act 1, Scene 2: "Their Spinning Wheel Unwinds" (Female Chorus, Lucretia, Bianca, Lucia)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten5:27
8The Rape of Lucretia, op. 37, Act 1, Scene 2: "It Is Better to Desire" (Bianca, Lucretia, Lucia, Female Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:48
9The Rape of Lucretia, op. 37, Act 1, Scene 2: "The Oatmeal Slippers of Sleep" (Female Chorus, Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten1:44
10The Rape of Lucretia, op. 37, Act 1, Scene 2: "None of the Women Move" (Female Chorus, Tarquinius, Bianca, Lucia, Lucretia)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Tarquinius]:
Frederick Sharp (from 1947-10-16 until 1947-12-19)
bass vocals [male chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten5:33
11The Rape of Lucretia, op. 37, Act 2, Scene 1: "She Sleeps as a Rose Upon the Night" (Female Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-09)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:01
12The Rape of Lucretia, op. 37, Act 2, Scene 1: "Lucretia! What Do You Want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Tarquinius]:
Frederick Sharp (from 1947-10-16 until 1947-12-19)
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:09
13The Rape of Lucretia, op. 37, Act 2, Scene 1: "Go, Tarquinius!" (Female Chorus, Male Chorus, Tarquinius, Lucretia)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Tarquinius]:
Frederick Sharp (from 1947-10-16 until 1947-12-19)
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten2:17
14The Rape of Lucretia, op. 37, Act 2, Scene 1: Interlude. "Here in This Scene You See" (Female Chorus, Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:52
15The Rape of Lucretia, op. 37, Act 2, Scene 2: "Oh! What a Lovely Day!" (Lucia, Bianca)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:29
16The Rape of Lucretia, op. 37, Act 2, Scene 2: "How Hideous! Take Them Away!" (Lucretia, Bianca, Lucia)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten1:24
17The Rape of Lucretia, op. 37, Act 2, Scene 2: "Flowers Bring to Every Year" (Lucretia, Bianca)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:20
18The Rape of Lucretia, op. 37, Act 2, Scene 2: "Too Late, Junius" (Collatinus, Lucretia)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
bass vocals [Collatinus]:
Norman Lumsden (from 1947-07-16 until 1947-10-19)
contralto vocals [Lucretia]:
Nancy Evans (mezzo-soprano) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten3:59
19The Rape of Lucretia, op. 37, Act 2, Scene 2: "This Dead Hand Lets Fall" (Collatinus, Junius, Lucia, Bianca, Female Chorus, Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
baritone vocals [Junius]:
Denis Dowling (baritone) (from 1947-10-16 until 1947-12-19)
bass vocals [Collatinus]:
Norman Lumsden (from 1947-07-16 until 1947-10-19)
mezzo-soprano vocals [Bianca]:
Flora Nielsen (from 1947-07-16 until 1947-10-19)
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
soprano vocals [Lucia]:
Margaret Ritchie (soprano) (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:22
20The Rape of Lucretia, op. 37, Act 2, Scene 2: "Is All This Suffering and Pian" (Female Chorus, Male Chorus)
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
soprano vocals [female chorus]:
Joan Cross (soprano) (from 1947-07-16 until 1947-10-19)
tenor vocals [male chorus]:
Sir Peter Pears (tenor) (from 1947-07-16 until 1947-10-19)
orchestra:
English Opera Group Chamber Orchestra (from 1947-07-16 until 1947-10-19)
conductor:
Sir Reginald Goodall (conductor) (from 1947-07-16 until 1947-10-19)
balance engineer:
Douglas Larter (from 1947-07-16 until 1947-10-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1947-07-16 until 1947-10-19)
Benjamin Britten4:43
3▼Digital Media
#TitleArtistRatingLength
1Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
orchestra:
Hallé Orchestra (on 1950-12-18)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1950-12-18)
balance engineer:
Arthur Clarke (engineer) (on 1950-12-18) and Robert Gooch (British classical sound engineer, active from late 1950's) (on 1950-12-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1950-12-18)
recording of:
Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart (on 1950-12-18)
composer:
Edmund Rubbra (British composer)
part of:
Improvisations on Virginal Pieces by Giles Farnaby, op. 50
Edmund Rubbra4:13
2Violin Concerto, op. 15: I. Moderato con moto - Agitato (1939 Version)
producer:
Lawrance Collingwood
violin:
Theo Olof (violinist) (on 1948-04-29)
orchestra:
Hallé Orchestra (on 1948-04-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-04-29)
balance engineer:
Arthur Clarke (engineer) (on 1948-04-29)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-04-29)
recording of:
Violin Concerto, op. 15: I. Moderato con moto (on 1948-04-29)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
Benjamin Britten9:15
3Violin Concerto, op. 15: II. Vivace - Cadenza (1939 Version)
producer:
Lawrance Collingwood
violin:
Theo Olof (violinist) (on 1948-04-29)
orchestra:
Hallé Orchestra (on 1948-04-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-04-29)
balance engineer:
Arthur Clarke (engineer) (on 1948-04-29)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-04-29)
recording of:
Violin Concerto, op. 15: II. Vivace - Cadenza (on 1948-04-29)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
Benjamin Britten9:16
4Violin Concerto, op. 15: III. Passacaglia. Andante lento (1939 Version)
producer:
Lawrance Collingwood
violin:
Theo Olof (violinist) (on 1948-04-29)
orchestra:
Hallé Orchestra (on 1948-04-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1948-04-29)
balance engineer:
Arthur Clarke (engineer) (on 1948-04-29)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1948-04-29)
recording of:
Violin Concerto, op. 15: III. Passacaglia - Andante lento (on 1948-04-29)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1938 until 1939)
part of:
Violin Concerto, op. 15
Benjamin Britten12:48
5Threnody for a Soldier Killed in Action (Arr. Anthony Collins):
producer:
Walter Legge (British classical producer)
orchestra:
Hallé Orchestra (on 1945-03-20)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1945-03-20)
arranger:
Anthony Collins (British composer and conductor)
balance engineer:
Arthur Clarke (engineer) (on 1945-03-20)
recorded at:
Houldsworth Hall in Manchester, Greater Manchester, England, United Kingdom (on 1945-03-20)
recording of:
Threnody for a soldier killed in action (on 1945-03-20)
composer:
Michael Heming (British composer)
Michael Heming6:30
6Symphony no. 5 in B-flat op. 63 (1997 Digital Remaster): I. Adagio - Allegro energico
producer:
David Bicknell (producer and engineer), Lawrance Collingwood, Bruce Flagg (British Council) and Edmund Rubbra (British composer)
orchestra:
Hallé Orchestra (from 1950-12-14 until 1950-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1950-12-14 until 1950-12-15)
balance engineer:
Arthur Clarke (engineer) (from 1950-12-14 until 1950-12-15) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1950-12-14 until 1950-12-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-12-14 until 1950-12-15)
recording of:
Symphony no. 5, op. 63: I. Adagio (from 1950-12-14 until 1950-12-15)
composer:
Edmund Rubbra (British composer)
part of:
Symphony no. 5, op. 63
Edmund Rubbra9:24
7Symphony no. 5 in B-flat op. 63 (1997 Digital Remaster): II. Allegro moderato
producer:
David Bicknell (producer and engineer), Lawrance Collingwood, Bruce Flagg (British Council) and Edmund Rubbra (British composer)
orchestra:
Hallé Orchestra (from 1950-12-14 until 1950-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1950-12-14 until 1950-12-15)
balance engineer:
Arthur Clarke (engineer) (from 1950-12-14 until 1950-12-15) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1950-12-14 until 1950-12-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-12-14 until 1950-12-15)
recording of:
Symphony no. 5, op. 63: II. Allegro moderato (from 1950-12-14 until 1950-12-15)
composer:
Edmund Rubbra (British composer)
part of:
Symphony no. 5, op. 63
Edmund Rubbra5:30
8Symphony no. 5 in B-flat op. 63 (1997 Digital Remaster): III. Grave
producer:
David Bicknell (producer and engineer), Lawrance Collingwood, Bruce Flagg (British Council) and Edmund Rubbra (British composer)
orchestra:
Hallé Orchestra (from 1950-12-14 until 1950-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1950-12-14 until 1950-12-15)
balance engineer:
Arthur Clarke (engineer) (from 1950-12-14 until 1950-12-15) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1950-12-14 until 1950-12-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-12-14 until 1950-12-15)
recording of:
Symphony no. 5, op. 63: III. Grave (from 1950-12-14 until 1950-12-15)
composer:
Edmund Rubbra (British composer)
part of:
Symphony no. 5, op. 63
Edmund Rubbra10:00
9Symphony no. 5 in B-flat op. 63 (1997 Digital Remaster): IV. Allegro vivo - Adagio
producer:
David Bicknell (producer and engineer), Lawrance Collingwood, Bruce Flagg (British Council) and Edmund Rubbra (British composer)
orchestra:
Hallé Orchestra (from 1950-12-14 until 1950-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1950-12-14 until 1950-12-15)
balance engineer:
Arthur Clarke (engineer) (from 1950-12-14 until 1950-12-15) and Robert Gooch (British classical sound engineer, active from late 1950's) (from 1950-12-14 until 1950-12-15)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-12-14 until 1950-12-15)
recording of:
Symphony no. 5, op. 63: IV. Allegro vivo (from 1950-12-14 until 1950-12-15)
composer:
Edmund Rubbra (British composer)
part of:
Symphony no. 5, op. 63
Edmund Rubbra4:08
4▼Digital Media
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1Piano Concerto in G op. 55 (2001 Digital Remaster): I. Corymbus (Adagio: calmo e quasi improvvisatore - Allegretto)
producer:
Raymond Leppard (conductor and harpsichordist)
piano:
Denis Matthews (pianist) (on 1956-08-30)
orchestra:
BBC Symphony Orchestra (on 1956-08-30)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-08-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-30)
recording of:
Piano Concerto in G major, op. 85: I. Corymbus. Adagio, calmo e quasi improvisatore (on 1956-08-30)
composer:
Edmund Rubbra (British composer)
part of:
Piano Concerto in G major, op. 85
Edmund Rubbra9:40
2Piano Concerto in G op. 55 (2001 Digital Remaster): II. Dialogue (Lento e solenne)
producer:
Raymond Leppard (conductor and harpsichordist)
piano:
Denis Matthews (pianist) (on 1956-08-30)
orchestra:
BBC Symphony Orchestra (on 1956-08-30)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-08-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-30)
recording of:
Piano Concerto in G major, op. 85: II. Dialogue. Lento e solenne (on 1956-08-30)
composer:
Edmund Rubbra (British composer)
part of:
Piano Concerto in G major, op. 85
Edmund Rubbra9:06
3Piano Concerto in G op. 55 (2001 Digital Remaster): III. Danza alla rondo (Allegretto gioioso)
producer:
Raymond Leppard (conductor and harpsichordist)
piano:
Denis Matthews (pianist) (on 1956-08-30)
orchestra:
BBC Symphony Orchestra (on 1956-08-30)
conductor:
Sir Malcolm Sargent (conductor) (on 1956-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-08-30)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-08-30)
recording of:
Piano Concerto in G major, op. 85: III. Danza alla rondo. Allegretto gioioso (on 1956-08-30)
composer:
Edmund Rubbra (British composer)
part of:
Piano Concerto in G major, op. 85
Edmund Rubbra8:40
4Prelude and Fugue, op. 29: Prelude
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Royal Philharmonic Orchestra (on 1964-07-09)
conductor:
Norman Del Mar (conductor) (on 1964-07-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-07-09)
recording of:
Prelude and Fugue for 18-Part String Orchestra, op. 29: Prelude. Grave (on 1964-07-09)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Prelude and Fugue for 18-Part String Orchestra, op. 29
Benjamin Britten3:10
5Prelude and Fugue, op. 29: Fugue
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Royal Philharmonic Orchestra (on 1964-07-09)
conductor:
Norman Del Mar (conductor) (on 1964-07-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-07-09)
recording of:
Prelude and Fugue for 18-Part String Orchestra, op. 29: Fugue. Allegro energico - Coda (on 1964-07-09)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Prelude and Fugue for 18-Part String Orchestra, op. 29
Benjamin Britten6:01
6Piano Concerto, op. 13: I. Toccata (1945 Version)
producer:
Lawrance Collingwood
piano:
Jacques Abram (American classical pianist) (on 1956-01-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-01-25)
conductor:
Herbert Menges (conductor) (on 1956-01-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-01-25)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-01-25)
recording of:
Concerto for Piano, op. 13: I. Toccata (on 1956-01-25)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (revised version)
part of:
Concerto for Piano, op. 13 (original version)
Benjamin Britten12:05
7Piano Concerto, op. 13: II. Waltz (1945 Version)
producer:
Lawrance Collingwood
piano:
Jacques Abram (American classical pianist) (on 1956-01-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-01-25)
conductor:
Herbert Menges (conductor) (on 1956-01-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-01-25)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-01-25)
recording of:
Concerto for Piano, op. 13: II. Waltz (on 1956-01-25)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (revised version)
part of:
Concerto for Piano, op. 13 (original version)
Benjamin Britten4:46
8Piano Concerto, op. 13: III. Impromptu (1945 Version)
producer:
Lawrance Collingwood
piano:
Jacques Abram (American classical pianist) (on 1956-01-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-01-25)
conductor:
Herbert Menges (conductor) (on 1956-01-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-01-25)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-01-25)
recording of:
Concerto for Piano, op. 13: III. Impromptu (on 1956-01-25)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Concerto for Piano, op. 13 (revised version)
Benjamin Britten6:46
9Piano Concerto, op. 13: IV. March (1945 Version)
producer:
Lawrance Collingwood
piano:
Jacques Abram (American classical pianist) (on 1956-01-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1956-01-25)
conductor:
Herbert Menges (conductor) (on 1956-01-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1956-01-25)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1956-01-25)
recording of:
Concerto for Piano, op. 13: IV. March (on 1956-01-25)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1938)
part of:
Concerto for Piano, op. 13 (revised version)
part of:
Concerto for Piano, op. 13 (original version)
Benjamin Britten7:49
5▼Digital Media
#TitleArtistRatingLength
1Horn Trio, op. 44: I. Allegro
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: I. Allegro (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44
Sir Lennox Berkeley5:26
2Horn Trio, op. 44: II. Lento
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: II. Lento (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44
Sir Lennox Berkeley6:49
3Horn Trio, op. 44: III. (a) Tema. Moderato
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Tema: Moderato (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:59
4Horn Trio, op. 44: III. (b) Variation I. Allegro vivace
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 1: Allegro vivace (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley1:07
5Horn Trio, op. 44: III. (c) Variation II. Allegretto
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 2: Allegretto (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:57
6Horn Trio, op. 44: III. (d) Variation III. Lento
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 3: Lento (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley2:30
7Horn Trio, op. 44: III. (e) Variation IV. Vivace
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 4: Vivace (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:46
8Horn Trio, op. 44: III. (f) Variation V. Andante
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 5: Andante (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley1:44
9Horn Trio, op. 44: III. (g) Variation VI. Moderato
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 6: Moderato (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:55
10Horn Trio, op. 44: III. (h) Variation VII. Adagio
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 7: Adagio (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley2:18
11Horn Trio, op. 44: III. (i) Variation VIII. Moderato
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 8: Moderato (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:56
12Horn Trio, op. 44: III. (j) Variation IX. Allegro vivo
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 9: Allegro vivo (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley1:08
13Horn Trio, op. 44: III. (k) Variation X. Moderato
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Alan Melville (British producer) and Geraint Jones (conductor, organist / harpsichordist)
French horn:
Dennis Brain (horn player) (from 1954-06-15 until 1954-06-16)
piano:
Colin Horsley (pianist) (from 1954-06-15 until 1954-06-16)
violin:
Manoug Parikian (violinist) (from 1954-06-15 until 1954-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1954-06-15 until 1954-06-16)
recording of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni. Var. 10: Moderato (from 1954-06-15 until 1954-06-16)
composer:
Sir Lennox Berkeley (British composer)
part of:
Trio for Violin, Horn and Piano, op. 44: III. Tema con variazioni
Sir Lennox Berkeley0:50
14Six Preludes op. 23: 1. Allegro
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 1 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (in 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:43
15Six Preludes op. 23: 2. Andante
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 2 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (in 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:30
16Six Preludes op. 23: 3. Allegro moderato
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 3 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (until 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:19
17Six Preludes op. 23: 4. Allegretto
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 4 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (in 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:22
18Six Preludes op. 23: 5. Allegro
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 5 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (in 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:36
19Six Preludes op. 23: 6. Andante
producer:
Peter Albu (producer)
piano:
Colin Horsley (pianist) (on 1949-07-13)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1949-07-13)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-07-13)
recording of:
Six Preludes, op. 23: No. 6 (on 1949-07-13)
composer:
Sir Lennox Berkeley (British composer) (in 1945)
part of:
Six Preludes, op. 23
Sir Lennox Berkeley1:40
20Four Poems of St Teresa of Avila op. 27: 1. If, Lord, thy love for me is strong
producer:
Walter Jellinek (British classical producer)
contralto vocals:
Pamela Bowden (contralto) (from 1958-03-17 until 1958-03-18)
orchestra:
Collegium Musicum Londinii (from 1958-03-17 until 1958-03-18)
conductor:
John Minchinton (conductor) (from 1958-03-17 until 1958-03-18)
balance engineer:
Douglas Larter (from 1958-03-17 until 1958-03-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-03-17 until 1958-03-18)
recording of:
Four Poems of St. Teresa of Avila, op. 27: No. 1 "If, Lord, thy love for me is strong" (from 1958-03-17 until 1958-03-18)
lyricist:
Santa Teresa de Jesús (Saint Teresa of Ávila)
composer:
Sir Lennox Berkeley (British composer) (in 1947)
translator:
Arthur Symons (British writer)
part of:
Four Poems of St. Teresa of Avila, op. 27
Sir Lennox Berkeley4:12
21Four Poems of St Teresa of Avila op. 27: 2. Shepherd, shepherd, hark that calling!
producer:
Walter Jellinek (British classical producer)
contralto vocals:
Pamela Bowden (contralto) (from 1958-03-17 until 1958-03-18)
orchestra:
Collegium Musicum Londinii (from 1958-03-17 until 1958-03-18)
conductor:
John Minchinton (conductor) (from 1958-03-17 until 1958-03-18)
balance engineer:
Douglas Larter (from 1958-03-17 until 1958-03-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-03-17 until 1958-03-18)
recording of:
Four Poems of St. Teresa of Avila, op. 27: No. 2 "Shepherd, shepherd, hark that calling!" (from 1958-03-17 until 1958-03-18)
lyricist:
Santa Teresa de Jesús (Saint Teresa of Ávila)
composer:
Sir Lennox Berkeley (British composer) (in 1947)
translator:
Arthur Symons (British writer)
part of:
Four Poems of St. Teresa of Avila, op. 27
Sir Lennox Berkeley2:18
22Four Poems of St Teresa of Avila op. 27: 3. Let mine eyes see thee
producer:
Walter Jellinek (British classical producer)
contralto vocals:
Pamela Bowden (contralto) (from 1958-03-17 until 1958-03-18)
orchestra:
Collegium Musicum Londinii (from 1958-03-17 until 1958-03-18)
conductor:
John Minchinton (conductor) (from 1958-03-17 until 1958-03-18)
balance engineer:
Douglas Larter (from 1958-03-17 until 1958-03-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-03-17 until 1958-03-18)
recording of:
Four Poems of St. Teresa of Avila, op. 27: No. 3 "Let mine eyes see thee" (from 1958-03-17 until 1958-03-18)
lyricist:
Santa Teresa de Jesús (Saint Teresa of Ávila)
composer:
Sir Lennox Berkeley (British composer) (in 1947)
translator:
Arthur Symons (British writer)
part of:
Four Poems of St. Teresa of Avila, op. 27
Sir Lennox Berkeley3:30
23Four Poems of St Teresa of Avila op. 27: 4. Today a shepherd and our kin
producer:
Walter Jellinek (British classical producer)
contralto vocals:
Pamela Bowden (contralto) (from 1958-03-17 until 1958-03-18)
orchestra:
Collegium Musicum Londinii (from 1958-03-17 until 1958-03-18)
conductor:
John Minchinton (conductor) (from 1958-03-17 until 1958-03-18)
balance engineer:
Douglas Larter (from 1958-03-17 until 1958-03-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-03-17 until 1958-03-18)
recording of:
Four Poems of St Teresa of Avila op. 27: No. 4 "Today a shepherd and our kin" (from 1958-03-17 until 1958-03-18)
lyricist:
Santa Teresa de Jesús (Saint Teresa of Ávila)
composer:
Sir Lennox Berkeley (British composer) (in 1947)
translator:
Arthur Symons (British writer)
part of:
Four Poems of St. Teresa of Avila, op. 27
Sir Lennox Berkeley3:02
24Three Greek Songs op. 38: 1. Epitaph of Timas (Sappho)
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (on 1959-01-15)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
3 Greek Songs op. 38: No. 1. Epitaph of Timas (Sappho) (on 1959-01-15)
composer:
Sir Lennox Berkeley (British composer) (in 1951)
part of:
3 Greek Songs op. 38
Sir Lennox Berkeley1:49
25Three Greek Songs op. 38: 2. Spring Song (Antipater)
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (on 1959-01-15)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
3 Greek Songs op. 38: No. 2. Spring Song (Antipater) (on 1959-01-15)
composer:
Sir Lennox Berkeley (British composer) (in 1951)
part of:
3 Greek Songs op. 38
Sir Lennox Berkeley1:26
26Three Greek Songs op. 38: 3. To Aster (Plato)
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (on 1959-01-15)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
3 Greek Songs op. 38: No. 3. To Aster (Plato) (on 1959-01-15)
composer:
Sir Lennox Berkeley (British composer) (in 1951)
part of:
3 Greek Songs op. 38
Sir Lennox Berkeley1:43
275 Poems, op. 53: no. 1, Lauds. "Among the Leaves the Small Birds Sing"
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (from 1959-01-15 to ????)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
Five Poems of W.H. Auden, op. 53: Lauds (Among the Leaves) (on 1959-01-15)
lyricist:
W. H. Auden
composer:
Sir Lennox Berkeley (British composer) (in 1958)
part of:
Five Poems of W.H. Auden, op. 53
Sir Lennox Berkeley2:17
28Five Poems by W. H. Auden op. 58 (2003 - Remaster): 2. O lurcher-loving collier, black as night
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (from 1959-01-15 to ????)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
Five Poems of W.H. Auden, op. 53: O Lurcher-Loving Collier (on 1959-01-15)
lyricist:
W. H. Auden
composer:
Sir Lennox Berkeley (British composer) (in 1958)
part of:
Five Poems of W.H. Auden, op. 53
Sir Lennox Berkeley2:19
29Five Poems by W. H. Auden op. 58 (2003 - Remaster): 3. What's in your mind, my dove, my coney
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (from 1959-01-15 to ????)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
Five Poems of W.H. Auden, op. 53: What's in Your Mind, My Dove (on 1959-01-15)
lyricist:
W. H. Auden
composer:
Sir Lennox Berkeley (British composer) (in 1958)
part of:
Five Poems of W.H. Auden, op. 53
Sir Lennox Berkeley1:33
30Five Poems by W. H. Auden op. 58 (2003 - Remaster): 4. Eyes look into the well
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (from 1959-01-15 to ????)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
Five Poems of W.H. Auden, op. 53: Eyes Look Into the Well (on 1959-01-15)
lyricist:
W. H. Auden
composer:
Sir Lennox Berkeley (British composer) (in 1958)
part of:
Five Poems of W.H. Auden, op. 53
Sir Lennox Berkeley2:39
31Five Poems by W. H. Auden op. 58: 5. Carry her over the water - 2003 - Remaster
producer:
Walter Jellinek (British classical producer)
piano:
Ernest Lush (pianist) (from 1959-01-15 to ????)
baritone vocals:
Thomas Hemsley (baritone) (on 1959-01-15)
balance engineer:
Neville Boyling (engineer) (on 1959-01-15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-01-15)
recording of:
Five Poems of W.H. Auden, op. 53: Carry Her Over the Water (on 1959-01-15)
lyricist:
W. H. Auden
composer:
Sir Lennox Berkeley (British composer) (in 1958)
part of:
Five Poems of W.H. Auden, op. 53
Sir Lennox Berkeley1:29
32Polka (No. 1 of [Three] Pieces op. 5 for two pianos)
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
piano:
Phyllis Sellick (from 1967-06-27 until 1967-07-07) and Cyril Smith (pianist) (from 1967-06-27 until 1967-07-07)
arranger:
Norman Lane
balance engineer:
Stuart Eltham (engineer) (from 1957-06-27 until 1957-07-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-06-27 until 1967-07-07)
recording of:
Polka, op. 5 no. 1 (catch-all for arrangements) (from 1967-06-27 until 1967-07-07)
composer:
Sir Lennox Berkeley (British composer)
arrangement of:
Polka, op. 5 no. 1 (for two pianos)
Sir Lennox Berkeley1:42
33I sing of a maiden - 1991 Remastered Version
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
organ:
Andrew Davis (conductor, keyboardist, composer, arranger) (from 1965-08-03 until 1965-08-05)
choir vocals:
Choir of King’s College, Cambridge (from 1965-08-03 until 1965-08-05)
balance engineer:
Neville Boyling (engineer) (from 1965-08-03 until 1965-08-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1965-08-03 until 1965-08-05)
recording of:
I Sing of a Maiden (carol) (from 1965-08-03 until 1965-08-05)
lyricist:
[anonymous] (special purpose artist)
composer:
Sir Lennox Berkeley (British composer)
Sir Lennox Berkeley2:43
34The Lord is my shepherd op. 91 no. 1 - 2003 Remastered Version
producer:
Simon Woods (producer)
organ:
Christopher Hughes (English organist) (from 1991-12-16 until 1991-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1991-12-16 until 1991-12-19)
treble vocals:
Thomas Rose (boy treble) (from 1991-12-16 until 1991-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1991-12-16 until 1991-12-19)
balance engineer:
David Flower (engineer) (from 1991-12-16 until 1991-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1991-12-16 until 1991-12-19)
recording of:
The Lord Is My Shepherd, op. 91 no. 1 (from 1991-12-16 until 1991-12-19)
lyricist:
[anonymous] (special purpose artist)
composer:
Sir Lennox Berkeley (British composer) (in 1975)
Sir Lennox Berkeley4:43