Aida: Great Operas at the Met

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Aida: Celeste Aida
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1908)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1908)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
3:25
2Aida: Ritorna vincitor
soprano vocals [Aida]:
Claudia Muzio (operatic soprano) (from 1917 until 1918)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1917 until 1918)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
3:11
3Aida: Ritorna vincitor
soprano vocals [Aida]:
Claudia Muzio (operatic soprano) (from 1917 until 1918)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1917 until 1918)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
2:50
4Aida: Ebben, qual nuovo fremito
mezzo-soprano vocals [Amneris]:
Louise Kirkby-Lunn (in 1911)
soprano vocals [Aida]:
Emmy Destinn (soprano) (in 1911)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1911)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
4:05
5Aida: O patria mia
soprano vocals [Aida]:
Celestina Boninsegna (Italian soprano) (in 1909)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1909)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:04
6Aida: Ciel! mio padre
baritone vocals [Amonasro]:
Pasquale Amato (Italian operatic baritone) (in 1913)
soprano vocals [Aida]:
Johanna Gadski (German soprano singer) (in 1913)
partial recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1913)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:03
7Aida: Ciel! mio padre
baritone vocals [Amonasro]:
Pasquale Amato (Italian operatic baritone) (in 1913)
soprano vocals [Aida]:
Johanna Gadski (German soprano singer)
partial recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1913)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:54
8Aida: Già i sacerdoti adunansi
contralto vocals [Amneris]:
Louise Homer (American operatic contralto) (in 1910)
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1910)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1910)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:37
9Aida: Già i sacerdoti adunansi
contralto vocals [Amneris]:
Louise Homer (American operatic contralto) (in 1910)
tenor vocals [Radamès]:
Enrico Caruso (tenor) (in 1910)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1910)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:31
10Aida: Temple Scene
bass vocals:
Ezio Pinza (operatic bass) (from 1927 until 1928)
tenor vocals [Radamès]:
Giovanni Martinelli (tenor) (from 1927 until 1928)
3:12
11Aida: Temple Scene
bass vocals:
Ezio Pinza (operatic bass) (from 1927 until 1928)
tenor vocals [Radamès]:
Giovanni Martinelli (tenor) (from 1927 until 1928)
5:00
12Aida: Pur ti riveggo ...Ma dimmi
baritone vocals [Amonasro]:
Giuseppe De Luca (Italian operatic baritone) (from 1929 until 1930)
soprano vocals [Aida]:
Elisabeth Rethberg (soprano) (from 1929 until 1930)
tenor vocals [Radamès]:
Giacomo Lauri-Volpi (tenor) (from 1929 until 1930)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1929 until 1930)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:24
13Aida: Pur ti riveggo ...Ma dimmi
baritone vocals [Amonasro]:
Giuseppe De Luca (Italian operatic baritone) (from 1929 until 1930)
soprano vocals [Aida]:
Elisabeth Rethberg (soprano) (from 1929 until 1930)
tenor vocals [Radamès]:
Giacomo Lauri-Volpi (tenor) (from 1929 until 1930)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1929 until 1930)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:44
14Aida: Pur ti riveggo ...Ma dimmi
baritone vocals [Amonasro]:
Giuseppe De Luca (Italian operatic baritone) (from 1929 until 1930)
soprano vocals [Aida]:
Elisabeth Rethberg (soprano) (from 1929 until 1930)
tenor vocals [Radamès]:
Giacomo Lauri-Volpi (tenor) (from 1929 until 1930)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1929 until 1930)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
2:19
15Aida: Tomb Scene
soprano vocals [Aida]:
Rosa Ponselle (soprano) (in 1926)
tenor vocals [Radamès]:
Giovanni Martinelli (tenor) (in 1926)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1926)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:28
16Aida: Tomb Scene
soprano vocals [Aida]:
Rosa Ponselle (soprano) (in 1926)
tenor vocals [Radamès]:
Giovanni Martinelli (tenor) (in 1926)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1926)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
6:43
17Aida: Tomb Scene
soprano vocals [Aida]:
Rosa Ponselle (soprano) (in 1926)
tenor vocals [Radamès]:
Giovanni Martinelli (tenor) (in 1926)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1926)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:41
2▼CD
#TitleRatingLength
1Aida: Celeste Aida
tenor vocals [Radamès]:
Richard Tucker (tenor) (in 1964)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1964)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:36
2Aida: Ritorna vincitor
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1960)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1960)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
3:43
3Aida: Ritorna vincitor
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1960)
partial recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1960)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
3:20
4Aida: Fu la sorte dell'armi
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974)
partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1974)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:39
5Aida: Fu la sorte dell'armi
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974)
partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1974)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
4:52
6Aida: Fu la sorte dell'armi
mezzo-soprano vocals [Amneris]:
Fiorenza Cossotto (mezzo-soprano) (in 1974)
soprano vocals [Aida]:
Montserrat Caballé (soprano) (in 1974)
partial recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1974)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:47
7Aida: Quest'assisa ch'io vesti...Ma tu, Re
baritone vocals [Amonasro]:
Robert Merrill (American operatic baritone) (in 1961)
bass vocals:
Giorgio Tozzi (operatic bass) (in 1961)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
soprano vocals [Aida]:
Leontyne Price (soprano) (in 1961)
tenor vocals [Radamès]:
Jon Vickers (tenor) (in 1961)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
conductor:
Sir Georg Solti (conductor) (in 1961)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:21
8Aida: Ciel! mio padre
baritone vocals [Amonasro]:
Leonard Warren (baritone) (in 1955)
soprano vocals [Aida]:
Zinka Milanov (soprano) (in 1955)
partial recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:56
9Aida: Ciel! mio padre
baritone vocals [Amonasro]:
Leonard Warren (baritone) (in 1955)
soprano vocals [Aida]:
Zinka Milanov (soprano) (in 1955)
partial recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:21
10Aida: Pur ti reveggo...La tra foreste
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1952)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (in 1952)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1952)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (in 1952)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
6:57
11Aida: Già i sacerdoti adunansi
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (in 1959)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1959)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:47
12Aida: Già i sacerdoti adunansi
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (in 1959)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor) (in 1959)
partial recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:36
13Aida: Spirito del nume
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
partial recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:37
14Aida: Spirito del nume
bass vocals [Ramfis]:
Giorgio Tozzi (operatic bass) (in 1961)
mezzo-soprano vocals [Amneris]:
Rita Gorr (Belgian operatic mezzo-soprano) (in 1961)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:31
15Aida: Tomb Scene
soprano vocals [Aida]:
Birgit Nilsson (soprano) (in 1967)
soprano vocals [Amneris]:
Grace Bumbry (mezzo‐soprano) (in 1967)
tenor vocals [Radamès]:
Franco Corelli (tenor) (in 1967)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:06
16Aida: Tomb Scene
soprano vocals [Aida]:
Birgit Nilsson (soprano) (in 1967)
soprano vocals [Amneris]:
Grace Bumbry (mezzo‐soprano) (in 1967)
tenor vocals [Radamès]:
Franco Corelli (tenor) (in 1967)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
2:56
17Aida: Tomb Scene
soprano vocals [Aida]:
Birgit Nilsson (soprano) (in 1967)
soprano vocals [Amneris]:
Grace Bumbry (mezzo‐soprano) (in 1967)
tenor vocals [Radamès]:
Franco Corelli (tenor) (in 1967)
partial recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (in 1967)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:14

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Release

ASIN:US: B01M6AGQZJ [info]