The Lark Ascending / Fantasia on a Theme by Thomas Tallis

~ Release by Vaughan Williams; Hugh Bean, Sir Adrian Boult, Sir John Barbirolli (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves (London Symphony Orchestra)
recording engineer and balance engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-12 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-12 until 1970-08-13)
arranger:
Ralph Greaves (in 1934)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-12 until 1970-08-13)
recording of:
Fantasia on “Greensleeves” (from 1970-08-12 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:38
2The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean)
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:48
3English Folk Song Suite: I. March (Seventeen Come Sunday) (London Symphony Orchestra)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:54
4English Folk Song Suite: II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
5English Folk Song Suite: III. March (Folk Songs From Somerset) (London Symphony Orchestra)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:08
6The Wasps: I. Overture (London Philharmonic Orchestra)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-09-23 until 1968-09-25)
conductor:
Sir Adrian Boult (conductor) (from 1968-09-23 until 1968-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Aristophanic Suite “The Wasps”: I. Overture (from 1968-09-23 until 1968-09-25)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
Ralph Vaughan Williams10:15
7Norfolk Rhapsody No. 1 (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
recording of:
Norfolk Rhapsody no. 1
composer:
Ralph Vaughan Williams (English composer) (from 1905 until 1906)
Ralph Vaughan Williams10:21
8Five Variants of 'Dives and Lazarus' (City of Birmingham Symphony Orchestra feat. conductor: Norman Del Mar)
recording of:
Five Variants of "Dives and Lazarus"
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
Ralph Vaughan Williams11:40
9Fantasia on a Theme by Thomas Tallis (Sinfonia of London feat. conductor: Sir John Barbirolli)
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (on 1962-06-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-06-17)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-06-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-06-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:15

Credits

Release

ASIN:UK: B000A7ARW4 [info]