The Best Film… Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
120th Century Fox Fanfare
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
cover recording of:
20th Century Fox Fanfare
Komponist(in):
Alfred Newman (in 1933)
Alfred Newman0:22
2Main Theme
Interpret(in):
Monty Norman Orchestra
recording of:
James Bond Theme
Komponist(in):
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) und EMI United Partnership
Teil von:
James Bond themes
basiert auf:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
Monty Norman41:48
3The Shoop Shoop Song (It’s His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.352:52
4You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:05
5Golden Eye
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:30
6Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.24:07
7My Heart Will Go On (instrumental)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1998)
instrumental cover recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner5:03
8The Heart Asks Pleasure First
Techniker(in):
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
zusätzliche(r) Techniker(in):
Jamie Luker
Produzent(in) und künstlerische Leitung:
Michael Nyman (composer)
Klavier:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographisches Urheberrecht (℗) von:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels (Region Brüssel-Hauptstadt), Belgien
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
Teil von:
The Piano (1993 film score)
Michael Nyman3:12
9Speak Softly Love
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker) (, in 2000-08)
conductor:
Paul Bateman (conductor)
aufgenommen bei:
Smecky Music Studios in Praha (Prague), Tschechien (in 2000-08) und Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich (in 2000-09: Chorgesang)
instrumental cover recording of:
Speak Softly Love (The Godfather, Love Theme) (in 2000-08)
Texter:
Larry Kusik (Lyricist)
Komponist(in):
Nino Rota (Italian composer)
publisher:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Version von:
Love Theme from The Godfather
Nino Rota2:46
10The Pink Panther Theme
recording engineer:
Jim Malloy
Produzent(in):
Joe Reisman
Tenorsaxophon:
Plas Johnson (am 1963-09-16)
Orchester:
The Henry Mancini Orchestra (am 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (am 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-09-16)
recording of:
The Pink Panther Theme (am 1963-09-16)
Orchestrator(in) und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Classic 100: Piano (2025) (Nummer: 61)
Henry Mancini4.12:38
11As Time Goes By
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
James Fitzpatrick
instrumental cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Herman Hupfeld3:07
12Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:49
13You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:14
14Love Is All Around
Koproduzent(in):
Graeme Duffin (Scottish musician)
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:52
15Star Wars Main Theme
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
cover recording of:
Main Title (Star Wars)
Komponist(in):
John Williams (American score composer and conductor) (beendet)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars Holiday Special (television soundtrack)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars, Episode II: Attack of the Clones (2002 film score)
Teil von:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
Teil von:
Star Wars, Episode IV: A New Hope (film soundtrack)
Teil von:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
Teil von:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Teil von:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
Teil von:
Star Wars, Episode VII: The Force Awakens (2015 film score)
Teil von:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
Teil von:
Star Wars: Shadows of the Empire
John Williams4:38
16Superman Main Theme
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Nic Raine
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1997) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2008)
cover recording of:
Main Theme (Superman: The Movie) (in 1997)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Superman: The Movie (1978 film soundtrack)
John Williams4:11
17The Fellowship
Produzent(in):
James Fitzpatrick
Chorgesang:
Crouch End Festival Chorus
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker) (in 2002)
conductor:
Nic Raine (in 2002)
chorus master:
David Temple
cover recording of:
Main Theme (The Lord of the Rings)
Komponist(in):
Howard Shore (Canadian score composer)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
teilweise recording of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore5:54
18Love Story (instrumental)
Francis Lai4:48
19Over The Rainbow
Produzent(in):
Norman Newell
Sologesang:
Judy Garland (am 1960-08-04)
conductor:
Norrie Paramor (am 1960-08-04)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1960-08-04)
recording of:
Over the Rainbow (The Wizard of Oz) (am 1960-08-04)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland3:38
2▼CD
Nr.TitelKünstlerBewertungLänge
1Kalasnjikov
Goran Bregović4:47
2Belleville Rendez‐Vous
Belleville Mennonite School Choir3:10
3Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:13
4Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:52
5Who Wants to Live Forever
Queen4:57
6San Francisco
Scott McKenzie3:00
7Footlose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:48
8The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News43:55
9Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:06
10Shy Guy
Diana King4:06
11Maniac
Michael Sembello4:18
12Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:31
13We Don’t Need Another Hero
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:17
14It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:07
15When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:15
16Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:18
17Deeper Underground
Produzent(in):
Jay Kay (English singer, Jamiroquai)
recording of:
Deeper Underground
Komponist(in):
Jay Kay (English singer, Jamiroquai) und Tobi Smith
publisher:
EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Jamiroquai3:34
18It’s Raining Men
Geri Halliwell3:46
3▼CD
Nr.TitelKünstlerBewertungLänge
1Also sprach Zarathustra
Richard Strauss1:48
2Adagio for Strings
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:23
3Main Theme
Ennio Morricone2:54
4Bang Bang (My Baby Shot Me Down)
cover recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
Texter und Komponist(in):
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nancy Sinatra2:44
5Love Song for a Vampire
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
vocals und Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
conductor:
Anton Coppola (American conductor and composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (vom 1992 bis heute) und Universal Music–MGB Songs (vom 1992 bis heute)
recording of:
Love Song for a Vampire
Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
Universal Music Publishing International MGB Ltd.
Teil von:
Bram Stoker’s Dracula
Annie Lennox24:20
6Can I Keep Him?
Anja Garbarek3:40
7Now We Are Free
Orchester:
Musica Paradiso
phonographisches Urheberrecht (℗) von:
Cherry Lane und Universal/MCA Music Ltd. (not for release label use!)
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
Lisa Gerrard4:16
8Moon River
Henry Mancini2:44
9The Ride
Richard Wagner5:24
10The Ride
Madredeus7:19
11Hedwig’s Theme
John Williams4:52
12Parade of the Charioteers
Miklós Rózsa3:38
13Impossible Opening
Jan A.P. Kaczmarek3:28
14Schindler’s List (orchestral version)
Orchester:
The City of Prague Philharmonic Orchestra (Prager Philharmoniker)
conductor:
Paul Bateman (conductor)
phonographisches Urheberrecht (℗) von:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1998)
cover recording of:
Main Theme (Schindler’s List)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
recording of:
Main Theme (Schindler’s List)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams4:02
15The Raiders March
John Williams2:08
16Unchained Melody
Alex North3:42
17The Batman Theme
Danny Elfman3:08
18Main Theme
Elmer Bernstein4:51
19Tara’s Theme
Max Steiner4:20
4▼CD
Nr.TitelKünstlerBewertungLänge
1Śpij kochanie śpij
Sound-Engineering:
Predrag Milanović
Koproduzent(in):
Grzegorz Brzozowicz
Produzent(in):
Goran Bregović, Predrag Milanović und Ognjan Radivojević
vocals:
Kayah
recording of:
Śpij kochanie, śpij
Texter:
Andrew Marvell (17th century metaphysical poet)
Komponist(in):
Goran Bregović
Übersetzer:
Kayah
publisher:
Polygram Editions
übersetzte Version von:
Erkekler
Kayah & Goran Bregović34:34
2Nie pokonasz miłości
vocals:
Robert Gawliński
conductor:
Borys Somerschaf
Interpret(in):
Męski Zespół Wokalny Kairos
recording of:
Nie pokonasz miłości
Komponist(in) und arranger:
Grzegorz Ciechowski
Robert Gawliński3:42
3Dlaczego nie
Kasia Kowalska4:28
4To nie był film
Myslovitz3:35
5Moja odpowiedź
o.n.a.4:22
6Dumka na dwa serca
Programmierung und Produzent(in):
Rafał Paczkowski (engineer)
accordion:
Klaudiusz Baran (Polish accordionist)
guitar family und Mandoline:
Jacek Królik
Perkussion:
Wojciech Kowalewski
Tenorsaxophon:
Mariusz Mielczarek
Orchester:
Sinfonia Varsovia
conductor:
Tadeusz Karolak (conductor)
arranger:
Rafał Paczkowski (engineer)
recording of:
Dumka na dwa serca
Texter:
Jacek Cygan
Komponist(in):
Krzesimir Dębski
Edyta Górniak & Mietek Szcześniak4:18
7Wiosna przyjdzie i tak
Kayah3:16
8Egoiści
Agressiva 69 & Edyta Bartosiewicz5:41
9Jeśli wiesz co chcę powiedzieć
Kasia Nosowska3:05
10Soplicowo
Grzegorz Turnau & Stanisław Soyka4:49
11Tylko mnie kochaj
Goya2:52
12Stara Baśń
Beata Kozidrak & Katarzyna Pietras3:20
13Na koniec świata
Justyna Steczkowska4:26
14Kiler
recording of:
Kiler
Verfasser(in):
Elektryczne Gitary
Elektryczne Gitary4:02
15Nie kłam, ze kochasz mnie
Ewelina Flinta & Łukasz Zagrobelny3:09
16Zakochani
Natalia Kukulska3:49
17Dove, Vai
Małgorzata Walewska, Fiolka & Michał Bajor3:04

Nennungen

Veröffentlichungsgruppe

Wikidata:Q7716712 [Info]