Moment to Moment

~ Release by Roy Hargrove (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1You Go to My Head
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Larry Willis
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
You Go to My Head (from 1999-12-01 until 1999-12-03)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
6:06
2Always and Forever
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
conductor:
Ray Brown (big band trumpet player Raymond Harry Brown, 68-) (from 1999-12-01 until 1999-12-03) and Gil Goldstein (from 1999-12-01 until 1999-12-03)
strings arranger:
Gil Goldstein
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
Always and Forever (from 1999-12-01 until 1999-12-03)
composer:
Pat Metheny
5:48
3Natural Wonders
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
recording of:
Natural Wonders (from 1999-12-01 until 1999-12-03)
composer:
Roy Hargrove
5:26
4Moment to Moment
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Larry Willis
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
Moment to Moment (from 1999-12-01 until 1999-12-03)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
All Nations Music, Johnny Mercer Music Publishing, Inc. and Northridge Music, Inc.
6:17
5I'm a Fool to Want You
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Roy Hargrove
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
instrumental cover recording of:
I’m a Fool to Want You (from 1999-12-01 until 1999-12-03)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
5:51
6How Insensitive
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
conductor:
Ray Brown (big band trumpet player Raymond Harry Brown, 68-) (from 1999-12-01 until 1999-12-03) and Gil Goldstein (from 1999-12-01 until 1999-12-03)
strings arranger:
Gil Goldstein
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
How Insensitive (from 1999-12-01 until 1999-12-03)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
5:35
7I'm Glad There Is You
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Larry Willis
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
I’m Glad There Is You (from 1999-12-01 until 1999-12-03)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
5:57
8A Time for Love
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
conductor:
Ray Brown (big band trumpet player Raymond Harry Brown, 68-) (from 1999-12-01 until 1999-12-03) and Gil Goldstein (from 1999-12-01 until 1999-12-03)
strings arranger:
Gil Goldstein
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
6:11
9The Very Thought of You
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Roy Hargrove
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
The Very Thought of You (from 1999-12-01 until 1999-12-03)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
5:57
10Peri
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
5:58
11I Fall In Love Too Easily
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Larry Willis
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
cover recording of:
I Fall in Love Too Easily (from 1999-12-01 until 1999-12-03)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:08
12Another Time
recording engineer:
Phil Edwards (recording engineer) (from 1999-10-04 until 1999-10-10)
assistant engineer:
Christopher Bourke
co-producer:
Roy Hargrove
producer:
Larry Clothier
mixer:
Al Schmitt (from 1999-12-01 until 1999-12-03)
alto saxophone:
Sherman Irby (from 1999-12-01 until 1999-12-03)
bass:
Gerald Cannon (from 1999-12-01 until 1999-12-03), Tom Derthick (bassist and conductor) (from 1999-12-01 until 1999-12-03) and Stan Poplin (from 1999-12-01 until 1999-12-03)
brass:
Roy Hargrove (from 1999-12-01 until 1999-12-03)
cello:
Karen Andrie (from 1999-12-01 until 1999-12-03), Aria DiSalvio (from 1999-12-01 until 1999-12-03), Daniel Levitov (from 1999-12-01 until 1999-12-03) and St. Bass (from 1999-12-01 until 1999-12-03)
drums (drum set):
Willie Jones III (from 1999-12-01 until 1999-12-03)
piano:
Larry Willis (from 1999-12-01 until 1999-12-03)
viola:
Eleanor Angel (from 1999-12-01 until 1999-12-03), Sarah Hart (Californian viola player) (from 1999-12-01 until 1999-12-03) and Ken Harrison (viola) (from 1999-12-01 until 1999-12-03)
violin:
Jenny Bifano (from 1999-12-01 until 1999-12-03), Ben Blechman (from 1999-12-01 until 1999-12-03), Cynthia Baehr (from 1999-12-01 until 1999-12-03), Sally Dalke (from 1999-12-01 until 1999-12-03), Carol Kutsch (from 1999-12-01 until 1999-12-03), Pat Burnam (from 1999-12-01 until 1999-12-03) and Alice Talbot (from 1999-12-01 until 1999-12-03)
orchestra:
The Monterey Jazz Festival Orchestra (from 1999-12-01 until 1999-12-03)
strings arranger:
Larry Willis
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Red Barn Recorders (High Desert, CA) in California, United States (from 1999-12-01 until 1999-12-03)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-12-01 until 1999-12-03)
5:24

Credits

Release

ASIN:US: B00004SC6T [info]