Street Life

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Street LifeCrusaders feat Randy Crawford11:18
2Ain’t Nobody Home
recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
B.B. King3:37
3Nobody’s Child
recording of:
Nobody's Child
lyricist:
Maria McKee and Robbie Robertson
Maria McKee43:58
4I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:12
5Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Billboard Hot 100: 2026-07-18 (number: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:40
6Yes We Can Can
cover recording of:
Yes We Can Can
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Pointer Sisters3:55
7Born to Be Wild
producer:
Gabriel Mekler
phonographic copyright (℗) by:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 129)
recording of:
Born to Be Wild
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
8Hoochie Coochie Man
Muddy Waters2:48
9Mama Told Me (Not to Come)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 11)
cover recording of:
Mama Told Me (Not to Come)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. and Warner/Chappell North America
Three Dog Night4.653:19
10What I Am
Edie Brickell4:54
11Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:14
12Parisienne Walkways
recording of:
Parisienne Walkways
writer:
Phil Lynott and Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc and Maxwood Music Ltd.
is based on:
Blue Bossa
Gary Moore3:20
13Billy Austin
recording of:
Billy Austin
lyricist and composer:
Steve Earle (US folk/rock singer/songwriter)
Steve Earle6:14
14I Go to Pieces
recording of:
I Go to Pieces
lyricist and composer:
Del Shannon
publisher:
Belinda Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BUG Music Group, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mole Hole Music and Unichappell Music, Inc.
Nils Lofgren2:53
15Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
16Crockett’s Theme
Jan Hammer2:25