Mass in B minor

~ Release by J.S. Bach; Ensemble Pygmalion, Raphaël Pichon (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 1, Kyrie eleison I
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach10:00
2Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 2, Christe eleison
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
mezzo-soprano vocals:
Beth Taylor (Scottish Mezzo-Soprano) (in 2024-04)
soprano vocals:
Julie Roset (soprano) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:32
3Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 3, Kyrie eleison II
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:25
4Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 4, Gloria in excelsis
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:34
5Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 5, Et in terra pax
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:16
6Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 6, Laudamus te
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
mezzo-soprano vocals:
Beth Taylor (Scottish Mezzo-Soprano) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:12
7Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 7, Gratias agimus tibi
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:21
8Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 8, Domine Deus
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
soprano vocals:
Julie Roset (soprano) (in 2024-04)
tenor vocals:
Emiliano Gonzalez‐Toro (Swiss tenor) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
9Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 9, Qui tollis peccata mundi
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:46
10Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 10, Qui sedes ad dextram Patris
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
alto vocals:
Lucile Richardot (contralto / mezzo) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:57
11Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 11, Quoniam tu solus sanctus
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
bass vocals:
Christian Immler (baritone) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:05
12Mass in B minor, BWV 232: I. Missa. Kyrie, Gloria: No. 12, Cum Sancto Spiritu
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
2▼Digital Media
#TitleArtistRatingLength
1Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 13, Credo in unum Deum
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:40
2Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 14, Patrem omnipotentem
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
3Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 15, Et in unum Dominum
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
alto vocals:
Lucile Richardot (contralto / mezzo) (in 2024-04)
soprano vocals:
Julie Roset (soprano) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:14
4Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 16, Et incarnatus est
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:44
5Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 17, Crucifixus
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:31
6Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 18, Et resurrexit
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:42
7Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 19, Et in Spiritum Sanctum Dominum
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
bass vocals:
Christian Immler (baritone) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
8Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 20, Confiteor
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:37
9Mass in B minor, BWV 232: II. Symbolum Nicenum. Credo: No. 21, Et expecto
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:58
10Mass in B minor, BWV 232: III. Sanctus: No. 22, Sanctus. Pleni sunt cœli
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:11
11Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: No. 23, Osanna in excelsis
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
12Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: No. 24, Benedictus
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
tenor vocals:
Emiliano Gonzalez‐Toro (Swiss tenor) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
13Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: No. 25, Osanna in excelsis
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:36
14Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: No. 26, Agnus Dei
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
alto vocals:
Lucile Richardot (contralto / mezzo) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:31
15Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: No. 27, Dona nobis pacem
recording engineer:
Aline Blondiau (engineer / producer) (in 2024-04) and Hugues Deschaux (in 2024-04)
producer:
Aline Blondiau (engineer / producer) (task: direction artistique)
mixer:
Hugues Deschaux
choir vocals:
Ensemble Pygmalion (French baroque ensemble) (in 2024-04)
orchestra:
Pygmalion (French baroque ensemble) (in 2024-04)
conductor:
Raphaël Pichon (French conductor and counter-tenor) (in 2024-04)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2024-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2024-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:48