Cantate "Ich habe genug" / Quatre Chants Sérieux / Trois Lieder

~ Release by Bach, Brahms; Schubert - Hans Hotter (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
1-1Cantate N° 82 "Ich habe genug": 1. Aria: "Ich habe genug"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Bach - Hans Hotter?:??
1-2Cantate N° 82 "Ich habe genug": 2. Récitatif: "Ich habe genug!"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Bach - Hans Hotter?:??
1-3Cantate N° 82 "Ich habe genug": 3. Aria: "Schlummert ein, ihr matten Augen"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Bach - Hans Hotter?:??
1-4Cantate N° 82 "Ich habe genug": 4. Récitatif: "Mein Gott! wann kommt das schöne Nun!"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Bach - Hans Hotter?:??
1-5Cantate N° 82 "Ich habe genug": 5. Aria: "Ich freue mich auf meinen Tod"
sound engineer:
Arthur Clarke (engineer) (from 1950-03-22 until 1950-03-24)
producer:
Walter Legge (British classical producer)
oboe:
Sidney Sutcliffe (oboist) (from 1950-03-22 until 1950-03-24)
organ:
Geraint Jones (conductor, organist / harpsichordist) (from 1950-03-22 until 1950-03-24)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1950-03-22 until 1950-03-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1950-03-22 until 1950-03-24)
conductor:
Anthony Bernard (from 1950-03-22 until 1950-03-24)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1950-03-22 until 1950-03-24)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1950-03-22 until 1950-03-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Bach - Hans Hotter?:??
2-1Meeresstille
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1949-10-01 until 1949-10-02)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1949-10-01 until 1949-10-02)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1949-10-01 until 1949-10-02)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1949-10-01 until 1949-10-02)
recording of:
Meeres Stille, D. 216 (from 1949-10-01 until 1949-10-02)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-06-21)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 216)
Schubert - Hans Hotter1:57
2-2Am Bach im Frühling
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1949-10-01 until 1949-10-02)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1949-10-01 until 1949-10-02)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1949-10-01 until 1949-10-02)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1949-10-01 until 1949-10-02)
recording of:
Am Bach im Frühling, D. 361 (from 1949-10-01 until 1949-10-02)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1816)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 361)
Schubert - Hans Hotter3:30
2-3Im Frühling
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1949-10-01 until 1949-10-02)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1949-10-01 until 1949-10-02)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (from 1949-10-01 until 1949-10-02)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1949-10-01 until 1949-10-02)
recording of:
Im Frühling, D. 882 (from 1949-10-01 until 1949-10-02)
lyricist:
Ernst Schulze (German poet)
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 882)
Schubert - Hans Hotter4:03
2-4Feldeinsamkeit
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-05-21 until 1951-05-22)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1951-05-22)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-05-22)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-05-21 until 1951-05-22)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit (on 1951-05-22)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Brahms - Hans Hotter4:00
2-5Vier ernste Gesänge (Quatre Chants Sérieux) N° 1: Denn es gehet dem Menschen (Ecclésiaste III, versets 19-22)
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Brahms - Hans Hotter4:28
2-6Vier ernste Gesänge (Quatre Chants Sérieux) N° 2: Ich wandte mich und sahe (Ecclésiaste IV, versets 1-3)
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Brahms - Hans Hotter3:54
2-7Vier ernste Gesänge (Quatre Chants Sérieux) N° 3: O Tod, wie bitter bist du (Ecclésiaste XLI, versets 1-2)
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Brahms - Hans Hotter3:53
2-8Vier ernste Gesänge (Quatre Chants Sérieux) N° 4: Wenn ich mit Menschen (1ᵉʳ Epître aux Corinthiens XIII, versets 1-3 et 12-13)
sound engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1951-11-11 until 1951-11-12)
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (on 1951-11-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (on 1951-11-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1951-11-11 until 1951-11-12)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (on 1951-11-12)
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer)
translator:
Martin Luther (German theologian of the Reformation)
part of:
4 ernste Gesänge, op. 121
Brahms - Hans Hotter4:37