Putting On the Ritz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Top Hat and Tails
Nr.TitelKünstlerBewertungLänge
1Top Hat, White Tie and Tails
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-27)
vocals:
Fred Astaire (am 1935-06-27)
Orchester:
Johnny Green and His Orchestra (am 1935-06-27)
recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (am 1935-06-27)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Fred Astaire2:41
242nd Street
Ruby Keeler & Dick Powell5:51
3Let Yourself Go
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra with Chorus (am 1936-01-30)
recording of:
Let Yourself Go (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
Fred Astaire2:37
4I Got Rhythm
recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Red Nichols2:51
5A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-28)
vocals:
Fred Astaire (am 1936-07-28)
Orchester:
Johnny Green and His Orchestra (am 1936-07-28)
recording of:
A Fine Romance (from “Swing Time”) (am 1936-07-28)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Fred Astaire2:53
6Lulu’s Back in Town
Dick Powell2:53
7Nice Work If You Can Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-19)
vocals:
Fred Astaire (am 1937-10-19)
Orchester:
Ray Noble and His Orchestra (am 1937-10-19)
recording of:
Nice Work If You Can Get It (am 1937-10-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Fred Astaire2:45
8My Heart Belongs to Daddy
vocals:
Mary Martin (US film and musical actor/singer) (am 1940-01-25)
conductor:
Ray Sinatra (am 1940-01-25)
recording of:
My Heart Belongs to Daddy (am 1940-01-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Mary Martin2:35
9Night and Day
recorded in:
New York, New York, Vereinigte Staaten (am 1933-06-22)
vocals:
Fred Astaire (am 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1933-06-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire3:20
10Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong2:43
11Slap That Bass
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-21)
vocals:
Fred Astaire (am 1937-03-21)
Orchester:
Johnny Green and His Orchestra (am 1937-03-21)
recording of:
Slap That Bass (from “Shall We Dance”) (am 1937-03-21)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire2:57
12Someday I’ll Find You
Gertrude Lawrence3:06
13A Foggy Day in London Town
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-17)
vocals:
Fred Astaire (am 1937-10-17)
Orchester:
Ray Noble and His Orchestra (am 1937-10-17)
recording of:
A Foggy Day (in London Town) (am 1937-10-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Fred Astaire2:51
14For Me and My Gal
Sologesang:
Judy Garland (am 1942-07-26) und Gene Kelly (US dancer/actor) (am 1942-07-26)
Orchester:
David Rose and His Orchestra (am 1942-07-26)
cover recording of:
For Me and My Gal (am 1942-07-26)
Texter:
E. Ray Goetz (in 1917) und Edgar Leslie (in 1917)
Komponist(in):
George W. Meyer (Tin Pan Alley songwriter) (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Mills Music Inc. (ASCAP-affiliated) und Redwood Music Ltd. (Carlin)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
For Me and My Gal (1942 movie)
recording of:
For Me and My Gal (am 1942-07-26)
Texter:
E. Ray Goetz (in 1917) und Edgar Leslie (in 1917)
Komponist(in):
George W. Meyer (Tin Pan Alley songwriter) (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Mills Music Inc. (ASCAP-affiliated) und Redwood Music Ltd. (Carlin)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
For Me and My Gal (1942 movie)
Gene Kelly & Judy Garland52:29
15I’ve Got You on My Mind
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
recording of:
I’ve Got You on My Mind (Gay Divorce musical) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
Teil von:
Gay Divorce
Fred Astaire2:47
16Stormy Weather
recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Ethel Waters3:11
17I Can’t Be Bothered Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-19)
vocals:
Fred Astaire (am 1937-10-19)
Orchester:
Ray Noble and His Orchestra with Chorus (am 1937-10-19)
recording of:
I Can’t Be Bothered Now (am 1937-10-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Fred Astaire2:27
18Easter Parade
Chorgesang:
MGM Studio Chorus
vocals:
Fred Astaire und Judy Garland
Orchester:
MGM Studio Orchestra
conductor:
John Green (composer and conductor, often credited as John Green)
arranger:
Roger Edens und Conrad Salinger
Orchestrator(in):
Conrad Salinger
phonographisches Urheberrecht (℗) von:
Loew’s Incorporated (in 1948) und Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1979)
recording of:
Easter Parade (from “Easter Parade”) (am 1948-01-26)
Texter und Komponist(in):
Irving Berlin (in 1933)
Teil von:
Easter Parade (full musical)
Judy Garland & Fred Astaire2:43
19They Can’t Take That Away From Me
vocals:
Fred Astaire
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire3:57
20Zing! Went the Strings of My Heart
Sologesang:
Judy Garland
vocals:
Judy Garland (am 1939-07-29)
Orchester:
Orchestra Under Direction of Victor Young
recording of:
Zing! Went the Strings of My Heart (am 1939-07-29)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Judy Garland53:00
2▼CD: Shall We Dance?
Nr.TitelKünstlerBewertungLänge
1Shall We Dance
recording of:
Shall We Dance (am 1937-03-21)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire2:32
2Lullaby of Broadway
Winifred Shaw3:59
3Puttin’ On the Ritz
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1930-03-26)
vocals und Interpret(in):
Fred Astaire (am 1930-03-26)
Orchester:
Columbia Studio Orchestra (am 1930-03-26) und Van Phillips and His Orchestra (am 1930-03-26)
recording of:
Puttin’ On the Ritz (am 1930-03-26)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Fred Astaire2:36
4The Continental
Lew Stone3:02
5Let’s Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Fred Astaire2:30
6Anything Goes
recording of:
Anything Goes (am 1934-11-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Cole Porter3:03
7Pick Yourself Up
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
Pick Yourself Up (from “Swing Time”) (am 1936-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
Fred Astaire2:57
8I Get a Kick Out of You
Paul Whiteman3:20
9They All Laughed
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-18)
vocals:
Fred Astaire (am 1937-03-18)
Orchester:
Johnny Green and His Orchestra (am 1937-03-18)
recording of:
They All Laughed (from “Shall We Dance”) (am 1937-03-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire2:46
10Let’s Do It
Hutch3:31
11Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1937-03-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire33:15
12I’ve Got My Love to Keep Me Warm
Dick Powell3:00
13Cheek to Cheek
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-26)
vocals:
Fred Astaire (am 1935-06-26)
Orchester:
Leo Reisman and His Orchestra (am 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1935-06-26)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Fred Astaire3:17
14Get Happy
recorded in:
Culver City, California (Kalifornien), Vereinigte Staaten (am 1950-03-15)
Chorgesang:
MGM Studio Chorus (am 1950-03-15)
vocals:
Judy Garland (am 1950-03-15)
Orchester:
MGM Studio Orchestra (am 1950-03-15)
conductor:
Johnny Green (composer and conductor, often credited as John Green) (am 1950-03-15)
arranger:
Saul Chaplin und Skip Martin
Orchestrator(in):
Skip Martin
recording of:
Get Happy (am 1950-03-15)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
Judy Garland2:50
15Change Partners
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-03-24)
vocals:
Fred Astaire (am 1938-03-24)
Orchester:
Ray Noble and His Orchestra (am 1938-03-24)
recording of:
Change Partners (from “Carefree”) (am 1938-03-24)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Fred Astaire3:09
16Over the Rainbow
vocals:
Judy Garland (am 1938-10-07)
Orchester:
MGM Orchestra (am 1938-10-07)
conductor:
Georgie Stoll (am 1938-10-07) und Herbert Stothart (composer) (am 1938-10-07)
arranger:
Herbert Stothart (composer)
Orchestrator(in):
Murray Cutter
recording of:
Over the Rainbow (The Wizard of Oz) (am 1938-10-07)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:49
17The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
The Way You Look Tonight (from “Swing Time”) (am 1936-07-26)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Fred Astaire33:09
18Our Love Affair
recording of:
Our Love Affair
Texter:
Arthur Freed (in 1939)
Komponist(in):
Roger Edens (in 1939)
publisher:
EMI Feist Catalog Inc.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1940 nominee)
Judy Garland2:53
19I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
Fred Astaire2:48
20Falling in Love Again
vocals:
Marlene Dietrich (actress and singer) (am 1939-12-11)
Orchester:
Victor Young and His Orchestra (am 1939-12-11)
aufgenommen bei:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1939-12-11)
recording of:
Falling in Love Again (Can’t Help It) (am 1939-12-11)
Texter und Komponist(in):
Friedrich Hollaender
Übersetzer:
Reginald Connelly und Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) und Samuel M. Lerner Publications (in 1930)
übersetzte Version von:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
Marlene Dietrich2:54