The Very Best

~ Release by Joe Cocker (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
3:53
2Unchain My Heart
additional producer:
Chris Lord‐Alge
producer:
Charlie Midnight
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Phil Grande
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist) and Paul Litteral
keyboard:
Jeff Levine
membranophone:
David Beal
tenor saxophone:
Clarence Clemons
background vocals:
Tawatha Agee, Benny Diggs and Vaneese Thomas
lead vocals:
Joe Cocker
remixer:
Chris Lord‐Alge
horn arranger:
Uptown Horns (US horn section, formed in 1980)
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, volume I)
5:07
3Summer in the City
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
3:55
4You Can Leave Your Hat On
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
3:47
5Now That the Magic Has Gone
engineer, producer and mixer:
Chris Lord‐Alge
executive producer:
Roger Davies (producer)
bass:
Neil Stubenhaus
guitar:
Phil Grande
guitar and keyboard and background vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist)
membranophone:
Mike Baird (drummer)
lead vocals:
Joe Cocker
recording of:
Now That the Magic Has Gone
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
24:41
6The Simple Things
recording of:
The Simple Things
writer:
M Sebastian, Rick Neigher, Phil Roy, S Boone and John Shanks
4:51
7Night Calls
3:28
8Anybody Seen My Girl
3:05
9Human Touch
cover recording of:
Human Touch
publisher:
Bruce Springsteen (in 1992)
lyricist and composer:
Bruce Springsteen (from 1989 until 1991)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
3:47
10Let the Healing Begin
recording of:
Let the Healing Begin
lyricist and composer:
T.J. White
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tony Joe White Music
5:10
11Shelter Me
engineer and producer:
Terry Manning (US recording engineer)
bass guitar:
Vito Sanfilippo
drums (drum set):
Eric Parker (drummer)
guitar:
Cliff Goodwin
keyboard:
Larry Marshall
saxophone:
Mel Collins
lead vocals:
Joe Cocker
cover recording of:
Shelter Me
lyricist and composer:
Nick DiStefano
recording of:
Shelter Me
lyricist and composer:
Nick DiStefano
4:20
12Have a Little Faith in Me
cover recording of:
Have a Little Faith in Me
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Careers–BMG Music Publishing, Inc.
4:41
13With a Little Help From My Friends
recording of:
With a Little Help From My Friends
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP) (from 1967 to present)
5:12
14Heart of the Matter
engineer and producer:
Ron Nevison
recording of:
Heart of the Matter
writer:
Billy Aerts (Nashville songwriter & producer) and Ron Dean Miller (NY-based composer, producer, engineer and guitarist)
4:21
15When the Night Comes
3:59
16You Are So Beautiful
recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
2:41
17Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
3.53:55