Now! That’s What I Call a Singer

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Rehab
assistente tecnico di registrazione:
Jesse Gladstone e Mike Makowski
tecnico di registrazione:
Vaughan Merrick e Mark Ronson (British DJ and producer)
supporto a vario titolo:
Isobel Griffiths (incarico: contractor / orchestra)
tecnico:
Dom Morley
produttore:
Mark Ronson (British DJ and producer)
assistente tecnico di missaggio:
Matt Paul
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
arpa :
Helen Tunstall
batteria :
Homer Steinweiss
battimani :
Vaughan Merrick e Mark Ronson (British DJ and producer)
chitarra :
Thomas Brenneck e Binky Griptite
chitarra basso :
Nick Movshon
percussione :
Frank Ricotti (percussionist)
pianoforte e pianoforte elettrico, battimani e pianoforte :
Victor Axelrod
sassofono baritono :
Dave Bishop (saxophonist) e Ian Hendrickson-Smith
sassofono contralto :
Chris Davies e Andy Mackintosh (British-born saxophonist)
sassofono tenore :
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman e Jamie Talbot (English jazz alto saxophonist)
tromba :
Dave Guy e Steve Sidwell (English composer & wind instrumentalist)
trombone :
Richard Edwards (trombonist)
viola :
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) e Katie Wilkinson (violist)
violino :
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) e Warren Zielinski (violinist)
violoncello :
John Heley (cellist), Joely Koos (cellist) e Anthony Pleeth (cellist)
direttore d'orchestra:
Chris Elliott (composer and arranger)
arrangiatore archi :
Chris Elliott (composer and arranger)
arrangiatore strumenti a fiato :
Gabriel Roth e Mark Ronson (British DJ and producer)
arrangiatore:
Gabriel Roth (Gabriel Alexander Roth)
registrata presso:
Chung King Studios in New York, New York, Stati Uniti, Daptone’s House of Soul in Bushwick, New York, New York, Stati Uniti e Metropolis (London) in London (Greater London), England, Regno Unito
parte di:
Amazon – Best Songs of 2007: Editor Picks (numero: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 73) e Indie 88: Top 500 Indie Rock Songs (numero: 419)
registrazione di:
Rehab
paroliere e compositore:
Amy Winehouse
editore:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.13:33
2I’m Not the Only One
produttore:
Steve Fitzmaurice (Irish mixer, songwriter and producer) e Jimmy Napes
basso elettrico :
Jodi Milliner
chitarra :
Ben Thomas (UK guitar player)
pianoforte :
Reuben James
direttore d'orchestra:
Simon Hale
arrangiatore archi :
Simon Hale
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
I’m Not the Only One
autore:
James Napier e Sam Smith (English singer‐songwriter)
Sam Smith3.13:25
3Rocket Man
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
David Hentschel
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 149) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 242)
registrazione di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John3.84:40
4Suspicious Minds
registrazione cover di:
Suspicious Minds
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4:20
5My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:51
6I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
7All of Me (radio edit)
assistente tecnico:
Phil Joly, Dave Rowland (engineer) e Kenta Yonesaka
tecnico:
Jason Agel e Dave Tozer
assistente produttore:
Phil Joly
produttore:
Phil Joly, John Legend e Dave Tozer
tecnico di missaggio:
Dave Tozer
pianoforte :
John Legend
tastiera :
Dave Tozer e Mark Williams (Producer and songwriter, member of Ojivolta)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 2013) e Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (nel 2013)
video musicali:
All of Me di John Legend
registrazione di:
All of Me
autore:
Toby Gad (German songwriter, producer, pianist) e John Legend
dedicata a:
Chrissy Teigen
John Legend32:58
8Without You
programmazione:
Walter Afanasieff, Gary Cirimelli e Ren Klyce
tecnico:
Jim Caruana, Dana Jon Chappelle e Kent Matcke
tecnico aggiunto:
Manny LaCarrubba
produttore:
Walter Afanasieff e Mariah Carey
tecnico di missaggio:
Mick Guzauski
chitarra acustica, sintetizzatore basso, tastiera e sintetizzatore :
Walter Afanasieff
voce di accompagnamento:
Mariah Carey, Melonie Daniels, Kelly Price e Shanrae Price
arrangiatore:
Walter Afanasieff e Mariah Carey
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
registrata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione cover di:
Without You
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey4.33:34
9Next to Me (radio mix)
programmazione e produttore:
Craze & Hoax, James Murray (British electronic music composer & producer) e Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
assistente tecnico di missaggio:
Ben Baptie
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
basso elettrico :
Anup Paul (British singer-songwriter, musician, producer and engineer)
pianoforte :
Neil Cowley
strumenti:
Craze & Hoax, James Murray (British electronic music composer & producer) e Mustafa Omer (UK producer, formerly MC Strider of Blazin' Squad)
cori:
Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons (UK backing singer), Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones (US singer), Roxy Harris (Roxy Harris) e Jack Vasiliou
voce di accompagnamento:
Abeeku "Beyku" Ribeiro (MC Abeeku Ribeiro)
voce principale:
Emeli Sandé
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 88)
registrazione di:
Next to Me
autore:
A. K. Paul (British singer-songwriter, musician, producer and engineer), Hugo Chegwin, Harry Craze e Emeli Sandé
autore aggiunto:
Kendrick Lamar
editore:
Stellar Songs Limited (BMI-affiliated)
Emeli Sandé2.853:14
10Love Me Like You Do
registrazione di:
Love Me Like You Do
autore:
Ilya Salmanzadeh (Swedish/Iranian songwriter, producer, and singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami e Tove Lo
editore:
BMG Ruby Songs, MXM Music AB, Universal Pictures Music, Warner/Chappell Music Scandinavia AB e Wolf Cousins
Ellie Goulding43:57
11The A Team
tecnico di registrazione, programmazione, produttore e tecnico di missaggio:
Jake Gosling (UK producer/songwriter)
co-produttore:
Ed Sheeran (UK singer‐songwriter)
archi e pianoforte :
Jake Gosling (UK producer/songwriter)
chitarra acustica e chitarra elettrica :
Ed Sheeran (UK singer‐songwriter)
voce e esecutore:
Ed Sheeran (UK singer‐songwriter)
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2024)
registrata presso e mixata presso:
Sticky Studios in Windlesham, Surrey, England, Regno Unito
prodotta presso:
Sticky Studios in Windlesham, Surrey, England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 75)
registrazione di:
The A Team
paroliere e compositore:
Ed Sheeran (UK singer‐songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Sheeran Lock Ltd, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV e Sony/ATV Music Publishing LLC (1995–2020)
Ed Sheeran3.454:19
12Blame It on Me
programmazione e produttore:
Cam Blackwood
tecnico:
Cam Blackwood e Liam Thorne
assistente produttore:
Liam Thorne
assistente tecnico di missaggio:
Sean Julliard
tecnico di missaggio:
Cenzo Townshend (engineer)
batteria e percussione aggiunto:
Matthew Racher (drummer)
chitarra :
Cam Blackwood e George Ezra
sintetizzatore basso [bass synth] e tastiera [keyboard] :
Cam Blackwood
tastiera [keyboards] :
George Ezra
violoncello :
D/C
voce:
George Ezra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2014)
è stato produttore per:
Big Life Management
registrata presso:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito
mixata presso:
Decoy Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Blame It on Me
autore:
George Ezra Barnett e Joel Pott
editore:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
George Ezra3.53:15
13She’s the One
registrazione cover di:
She’s the One
paroliere e compositore:
Karl Wallinger
editore:
Universal/Polygram Music Publishing
Robbie Williams4:17
14Here With Me
tecnico di registrazione e tecnico di missaggio:
Ash Howes (British mixer, writer and musician)
programmazione:
James Sanger
programmazione aggiuntiva:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
produttore:
Dido (English singer‐songwriter) e Rick Nowels
chitarra acustica e tastiera :
Rick Nowels
chitarra elettrica e percussione :
John Themis
tastiera :
Paul Statham
tastiera aggiunto:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce principale:
Dido (English singer‐songwriter)
arrangiatore archi :
Wil Malone
orchestratore:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1999)
registrazione di:
Here With Me
autore:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Paul Statham
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido3.84:16
15No More I Love You’s
tecnico:
Marius de Vries e Heff Moraes
produttore:
Stephen Lipson
tecnico di missaggio:
Heff Moraes
registrata presso e mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
No More “I Love You’s”
autore:
David Freeman e Joseph Hughes
editore:
Universal–Songs of PolyGram International, Inc. e Universal/Anxious Music Ltd
Annie Lennox4.54:50
16Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:26
17Maggie May
edit di:
Maggie May (without “Henry” prelude) di Rod Stewart
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:40
18It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.51:59
19The Shoop Shoop Song (It’s in His Kiss)
produttore:
Peter Asher
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1990)
video musicali:
The Shoop Shoop Song (It’s in His Kiss) di Cher
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Cher3.352:48
20I Wanna Dance With Somebody
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:51
21Happy (From “Despicable Me 2”)
assistente tecnico di registrazione:
Matthew Desrameaux
tecnico di registrazione:
Mike Larson (recording engineer)
produttore:
Pharrell Williams
tecnico di missaggio:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
voce di accompagnamento:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray e Terrence Rolle
arrangiatore:
Andrew Coleman (recording/mix engineer, Neptunes-associated) e Mike Larson (recording engineer)
registrata presso:
Circle House Studios in North Miami, Florida, Stati Uniti
mixata presso:
Music Box Studios (Atlanta) in Atlanta, Georgia, Stati Uniti
video musicali:
Happy di Pharrell Williams e Happy (from Despicable Me 2) (ballroom version) di Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 1), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 20) e Billboard: Greatest of All Time Hot 100 Songs (numero: 88)
registrazione di:
Happy
paroliere e compositore:
Pharrell Williams
editore:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. e Universal Pictures Music
parte di:
The 86th Academy Award for Best Original Song (numero: 2)
Pharrell Williams4.33:54
2Supporto digitale
#TitoloArtistaValutazioneDurata
1Home
tecnico di registrazione e tecnico di missaggio:
Humberto Gatica
programmazione:
Neil Devor e Jochem van der Saag
tecnico aggiunto:
Neil Devor e Alejandro Rodríguez (engineer based in Los Angeles)
tecnico audio:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) e Joe Wohlmuth
produttore:
David Foster (Canadian music producer, arranger and composer) e Humberto Gatica
assistente tecnico di missaggio:
Courtney Blooding e Christian Robles
batteria :
Vinnie Colaiuta (drummer)
chitarra :
Dean Parks (American session guitarist)
chitarra basso :
Brian Bromberg
chitarra solista :
Brian Green (producer)
percussione :
Rafael Padilla
pianoforte :
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento:
Debbie Timuss
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e William Ross (composer, orchestrator, arranger, conductor)
diritti fonografici (℗) detenuti da:
Reprise Records (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso e mixata presso:
Chartmaker Studios in Malibu, California, Stati Uniti
registrazione di:
Home
autore:
Michael Bublé, Alan Chang e Amy Foster‐Gillies
Michael Bublé2.53:46
2Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie & Diana Ross3.54:25
3Think Twice (radio edit)
registrazione di:
Think Twice
autore:
Andy Hill (English producer & songwriter) e Peter Sinfield
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. e Universal Music Publishers MGB Australia Pty Ltd
Céline Dion14:03
4A Moment Like This
tecnico di registrazione:
Robin Sellars (British recording engineer) (batteria [drums])
tecnico:
Daniel Pursey (UK engineer), Geoff Foster (sound engineer) (archi), Chris Laws (engineer, keyboardist & songwriter) e Ren Swan
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
tecnico di missaggio:
Ren Swan
basso :
Steve Pearce (UK bassist)
batteria [drums] :
Neal Wilkinson
chitarra [guitars] :
Fridrik “Frissy” Karsson
pianoforte :
Dave Arch (pianist, conductor, arranger and composer)
tastiera [keyboards] :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
cori:
The Tuff Session Singers
voce di accompagnamento:
Carmen Reece
arrangiatore archi [string] :
Dave Arch (pianist, conductor, arranger and composer)
arrangiatore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (nel 2006, nel 2007)
registrata presso:
Angel Studios in Islington, London (Greater London), England, Regno Unito (archi), Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito e Sphere Studios in London (Greater London), England, Regno Unito (cori, batteria [drums])
mixata presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
A Moment Like This (music video) di Leona Lewis
registrazione cover di:
A Moment Like This
autore:
Jörgen Elofsson (Swedish songwriter and producer) e John Reid (UK DJ/producer & vocalist John Robinson Reid)
editore:
BMG Music Publishing Scandinavia AB e Sony/ATV Music Publishing (UK) Ltd.
Leona Lewis2.54:17
5Just the Way You Are
tecnico:
Jim Boyer (producer/engineer) e Phil Ramone
produttore:
Phil Ramone
basso :
Doug Stegmeyer (bass player, aka Slug Douglas)
batteria :
Liberty DeVitto (US drummer)
chitarra [High String Guitar] e chitarra a 12 corde :
Steve Khan
chitarra acustica :
Steve Burgh, Steve Khan e Hugh McCracken
chitarra elettrica :
Hiram Bullock e Steve Khan
clarinetto , flauto , organo , sassofono soprano e sassofono tenore :
Richie Cannata
percussione :
Ralph MacDonald
pianoforte , sintetizzatore , tastiera e voce principale:
Billy Joel (American singer‐songwriter and pianist)
sassofono contralto :
Phil Woods (US jazz woodwind player)
orchestratore:
Patrick Williams (composer, arranger)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
edit di:
Just the Way You Are di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
Just the Way You Are
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (dal 1977 a oggi), CBS Songs Ltd. (nel 1977) e Impulsive Music (nel 1977)
sub-editore:
Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Billy Joel4.353:30
6Careless Whisper
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1984)
registrazione di:
Careless Whisper
autore:
George Michael e Andrew Ridgeley
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) e Wham! Music Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael5:03
7Smooth Operator
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1994)
registrazione di:
Smooth Operator
paroliere e compositore:
Sade Adu e Raymond St. John
editore:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:16
8Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:50
9Genie in a Bottle
tecnico di registrazione:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Mario Luccy
programmazione:
Guy Roche
tecnico:
Paul Arnold (engineer) e Ryan James Freeland
produttore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Guy Roche
tecnico di missaggio:
Dave Way
tecnico di missaggio aggiunto:
Michael Huff
batteria [drums] e tastiera [keyboards] :
David Frank (American keyboardist, producer, writer; The System)
batteria [drums] aggiunto e tastiera [keyboards] aggiunto:
Steve Kipner
chitarra :
John Goux e Bruce Watson (member of Big Country)
tamburello :
Matt Laug
voce di accompagnamento:
Christina Aguilera e Shelly Peiken
arrangiatore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner, Pam Sheyne e Guy Roche
arrangiatore voci:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Pam Sheyne
arrangiatore voci aggiunto:
Christina Aguilera
video musicali:
Genie in a Bottle di Christina Aguilera
parte di:
The Downloader’s Music Source Book (numero: 264) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 228)
registrazione di:
Genie in a Bottle
autore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Pam Sheyne
editore:
AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Griff Griff Music, Mother’s Finest Songs (ASCAP-affiliated), Muso Music, Stephen A. Kipner Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Christina Aguilera3.953:37
10SexyBack
tecnico di registrazione:
Jimmy Douglass (engineer)
produttore:
Nate (Danja) Hills (US producer Nate Hills), Timbaland e Justin Timberlake
tecnico di missaggio:
Jimmy Douglass (engineer) e Timbaland
basso :
Darryl “Day” Pearson
batteria e tastiera :
Danja (US producer Nate Hills) e Timbaland
chitarra :
Bill Pettaway (R&B songwriter, musician, producer)
voce:
Timbaland e Justin Timberlake
esecutore:
Timbaland
diritti fonografici (℗) detenuti da:
Zomba Recording LLC (nel 2006)
registrata presso e mixata presso:
Thomas Crown Studio in Virginia Beach, Virginia, Stati Uniti
registrazione di:
SexyBack
paroliere e compositore:
Floyd Hills (US producer Nate Hills), Justin Timberlake e Timothy Mosley
editore:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) e Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.54:01
11Price Tag (clean)
tecnico di registrazione e tecnico:
Chris "TEK" O'Ryan, Sam Holland (sound engineer) e Emily Wright
programmazione e produttore:
Dr. Luke
assistente tecnico:
Tatiana Gottwald
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
basso elettrico :
Butch Coleman
batteria e tastiera :
Dr. Luke
voce:
Jessie J (English singer-songwriter)
registrazione parziale di:
Price Tag
autore:
Bobby Ray Simmons, Jr. (US rapper Bobby Ray Simmons, Jr.), Łukasz Gottwald, Jessica Cornish (English singer-songwriter) e Claude Kelly
editore:
Ham Squad Music, Kasz Money Publishing (ASCAP affiliated), Prescription Songs, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Publishing (Germany) GmbH e Universal/MCA Music Publishing GmbH
Jessie J23:08
12Dance With Me Tonight
programmazione:
Darren Lewis e Iyiola Babalola (drum n bass producer Iyiola Babalola)
programmazione aggiuntiva:
Steve Fitzmaurice (Irish mixer, songwriter and producer) e Darren Heelis (music engineer, producer, programming, additional production)
produttore:
Future Cut e Steve Robson (English songwriter, record producer & multi-instrumentalist)
assistente tecnico di missaggio:
Darren Heelis (music engineer, producer, programming, additional production)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
altri strumenti [all other instruments] :
Steve Robson (English songwriter, record producer & multi-instrumentalist)
chitarra e tastiera :
Darren Lewis
percussione e sintetizzatore [synths] :
Iyiola Babalola (drum n bass producer Iyiola Babalola)
voce di accompagnamento [backing vocals]:
Claude Kelly
mixata per:
365 Artists at the Pierce Rooms
video musicali:
Dance With Me Tonight di Olly Murs
registrazione di:
Dance With Me Tonight
autore:
Claude Kelly, Oliver Murs e Stephen Robson (English songwriter, record producer & multi-instrumentalist)
editore:
Concord Simp Ltd., Imagem CV, Salli Isaak Music Publishing Ltd. (publisher; do NOT use as release label), Studio Beast Music (publishing company linked to Claude Kelly) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Olly Murs2.53:23
13Roar
programmazione e produttore:
Cirkut, Dr. Luke e Max Martin (Swedish record producer)
assistente tecnico:
Rachael Findlen (engineer), Justin Fox e Elliott Lanam (engineer)
tecnico:
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer) e Michael Ilbert
assistente produttore aggiunto:
Irene Richter
tecnico di missaggio:
Serban Ghenea
strumenti:
Cirkut, Dr. Luke e Max Martin (Swedish record producer)
voce:
Katy Perry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2013)
registrata presso:
Luke’s in the Boo in Malibu, California, Stati Uniti, MXM Studios in Stockholm, Stockholms län (Stockholm county), Svezia, Playback Recording Studio in Santa Barbara, California, Stati Uniti e Secret Garden Studios in Montecito, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 10), RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 10), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 20), Billboard Year-End Hot 100 singles of 2014 (numero: 46) e BILLIONS CLUB
registrazione di:
Roar
autore:
Łukasz Gottwald, Henry Walter, Martin Karl Sandberg (Swedish record producer), Bonnie McKee e Katy Perry
editore:
KMR Music Royalties II SCSp, Kobalt Music Copyrights SARL, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Bonnie McKee Music (nel 2013), Kasz Money Publishing (ASCAP affiliated) (nel 2013), MXM (nel 2013), Oneirology Publishing (nel 2013), Prescription Songs (nel 2013), Songs of Pulse Recording (BMI) (nel 2013), When I’m Rich You’ll Be My Bitch (nel 2013), Where da Kasz At (nel 2013) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Katy Perry3.553:43
14Try
programmazione:
Greg Kurstin (nel 2012)
tecnico, produttore e tecnico di missaggio:
Greg Kurstin
tecnico aggiunto:
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
basso e tastiera :
Greg Kurstin (nel 2012)
chitarra :
Kevin Dukes (nel 2012) e Greg Kurstin (nel 2012)
registrata presso:
Earthstar Creation Center in Venice, Los Angeles, California, Stati Uniti (nel 2012) e Echo Studio in Los Feliz, Los Angeles, California, Stati Uniti (nel 2012)
mixata presso:
Echo Studio in Los Feliz, Los Angeles, California, Stati Uniti
video musicali:
Try (music video) di P!nk (American singer/songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 53)
registrazione di:
Try (nel 2012)
autore:
Benjamin West (Detroit producer & songwriter) e Michael Busbee
P!nk4.054:06
15Left Outside Alone (radio edit)
produttore:
Dallas Austin e Glen Ballard
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 2004)
video musicali:
Left Outside Alone di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
Left Outside Alone (nel 2004)
autore:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin e Glen Ballard
editore:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) e Universal‐MCA Music Publishing (US)
Anastacia3.63:52
16I Will Never Let You Down
diritti fonografici (℗) detenuti da:
Roc Nation, LLC (for copyrights use only; for release labels, use "Roc Nation") (dal 2014 a oggi)
registrazione di:
I Will Never Let You Down
paroliere e compositore:
Calvin Harris (Scottish DJ and producer)
editore:
EMI Music Publishing (do not use as a release label!)
Rita Ora33:23
17Elastic Heart
registrazione di:
Elastic Heart
autore:
Sia Furler (Sia, Australian singer‐songwriter), Andrew Swanson e Thomas Wesley Pentz (aka Diplo)
Sia4:13
18No One
edit di:
No One di Alicia Keys
video musicali:
No One (music video) di Alicia Keys
registrazione di:
No One
autore:
Kerry Brothers, George M. Harry e Alicia Keys
Alicia Keys44:05
19Only Love Can Hurt Like This
tecnico di registrazione:
Mario Luccy
produttore:
AC Burrell
produttore aggiunto:
AC Burrell e Kyle Townsend
assistente tecnico di missaggio:
Delbert Bowers (American engineer) e Chris Galland
tecnico di missaggio:
Manny Marroquin
basso :
Bryan “B-Dub” White (bassist and producer)
voce principale:
Paloma Faith
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2014)
registrata presso:
Realsongs in Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Only Love Can Hurt Like This
paroliere e compositore:
Diane Warren (US songwriter)
Paloma Faith3.353:53
20Let It Go
assistente tecnico di registrazione:
Sean Badum e James Oleksyk
tecnico di registrazione:
Lowell Reynolds
tecnico:
Mark Bengtson
produttore:
Jacquire King
tecnico di missaggio:
Mark Bengtson e Michael Brauer (engineer)
basso :
Eli Beaird
batteria e tastiera :
Ian Fitchuk
chitarra , voce di accompagnamento e voce principale:
James Bay (English singer‐songwriter)
percussione :
Eric Darken
esecutore:
James Bay (English singer‐songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 44)
registrazione di:
Let It Go
autore:
James Bay (English singer‐songwriter) e Paul Barry (songwriter/musician)
editore:
Metrophonic Music Ltd e Songs of Kobalt Music Publishing
James Bay3.454:23
3Supporto digitale
#TitoloArtistaValutazioneDurata
1Fly Me to the Moon
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1964-06-09)
tecnico:
Lowell Frank (engineer)
produttore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
ance :
Marshall Royal, Eric Dixon (woodwind) (il 1964-06-09), Frank Foster (saxophonist) (il 1964-06-09), Charlie Fowlkes (baritone saxophonist) (il 1964-06-09) e Frank Wess (il 1964-06-09)
basso :
Buddy Catlett
batteria :
Sonny Payne (il 1964-06-09)
chitarra :
Freddie Green (il 1964-06-09)
percussione :
Emil Richards
pianoforte :
Count Basie (pianist) (il 1964-06-09)
tromba :
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (il 1964-06-09), Wallace Davenport (il 1964-06-09), Harry “Sweets” Edison (il 1964-06-09) e Al Porcino (il 1964-06-09)
trombone :
Henderson Chambers, Henry Coker (jazz trombonist) (il 1964-06-09), Bill Hughes (jazz trombonist) (il 1964-06-09), Grover Mitchell (trombone) (il 1964-06-09) e Ken Shroyer (trombonist) (il 1964-06-09)
vibrafono :
Emil Richards (il 1964-06-09)
viola :
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) e Paul Robyn
violino :
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson e Gerald Vinci (American violinist and strings conductor)
violoncello :
Ann Goodman e Edgar Lustgarten (, il 1964-06-09)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1964-06-09)
orchestra:
Count Basie and His Orchestra (il 1964-06-09)
direttore d'orchestra:
Quincy Jones (, il 1964-06-09)
arrangiatore:
Quincy Jones
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 75)
registrazione di:
Fly Me to the Moon (il 1964-06-09)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
registrazione di:
Fly Me to the Moon (Quincy Jones arr.) (il 1964-06-09)
paroliere e compositore:
Bart Howard
arrangiatore:
Quincy Jones
editore:
Almanac Music Inc. e Hampshire House Publishing Corp.
arrangiamento di:
Fly Me to the Moon
Frank Sinatra42:27
2Stand by Me (single version)
Ben E. King2:53
3(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:37
4That Ole Devil Called Love
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
video musicali:
That Ole Devil Called Love di Alison Moyet
registrazione cover di:
That Ole Devil Called Love
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:02
5How Do I Live
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes4.54:22
6The Power of Love
produttore:
Wolfgang Detmann (aka Candy de Rouge) e Gunther Mende
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1984) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1984)
registrazione di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Jennifer Rush2.54:25
7Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
8Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:07
9Let It Go
tecnico di registrazione e tecnico di missaggio:
David Boucher
produttore:
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari e Robert Lopez (songwriter of musicals)
editor:
Earl Ghaffari
voce:
Idina Menzel
direttore d'orchestra:
Stephen Oremus
diritti fonografici (℗) detenuti da:
Walt Disney Records (nel 2013)
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 21) e Billboard Decade End Chart: Streaming Songs (2010s) (numero: 31)
registrazione di:
Let It Go (Frozen)
orchestratore:
David Metzger
autore:
Kristen Anderson‐Lopez (American songwriter) e Robert Lopez (songwriter of musicals)
editore:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
parte di:
The 86th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 2013 winner)
parte di:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:41
10I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:30
11Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:37
12(You Make Me Feel Like) A Natural WomanCarole King4.353:46
13Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:10
149 to 5
produttore:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
batteria :
Richard Schlosser (drummer) (nel 1980)
chitarra :
Jeff Baxter (nel 1980) e Martin K. Walsh (nel 1980)
chitarra basso :
Abraham Laboriel (nel 1980)
percussione :
Leonard Castro (nel 1980)
pianoforte :
Larry Knechtel (nel 1980)
sassofono :
Tom Saviano (nel 1980)
sassofono baritono :
Kim S. Hutchcroft (nel 1980)
tromba :
Jerry Hey (nel 1980)
trombone :
William Reichenbach (jazz trombonist) (nel 1980)
voce:
Dolly Parton (nel 1980)
voce di accompagnamento:
Anita Ball (nel 1980), Denise Maynelli (nel 1980) e Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (nel 1980)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 191)
registrazione di:
9 to 5 (nel 1980)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton3.552:44
15Valerie
assistente tecnico:
Nobby
produttore:
Steve Winwood
registrata presso:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Regno Unito
registrazione di:
Valerie
autore:
Will Jennings e Steve Winwood
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell North America
Steve Winwood44:05
16You’re the First, the Last, My Everything
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974)
registrazione di:
You’re the First, the Last, My Everything
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White43:22
171973
registrazione di:
1973
autore:
Mark Batson (American producer, songwriter, composer, arranger, and musician) e James Blunt
James Blunt4:38
18Leave Right Now
supporto a vario titolo:
Isobel Griffiths
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
famiglia delle chitarre :
John Themis e Eg White
membranofono :
Steve Barney (Drummer)
tastiera :
Anne Dudley (English score composer) e Greg Wells
voce di accompagnamento:
Tracy Ackerman
registrazione di:
Leave Right Now
orchestratore:
Anne Dudley (English score composer)
paroliere e compositore:
Eg White
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Will Young3.253:32
19Slow
registrazione di:
Slow
paroliere e compositore:
Sarah Joyce
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3:34
20You’ve Lost That Lovin’ Feelin’
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:44
21That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
22What a Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e Project 3 Records Inc. (nel 1988)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.952:20

Accreditamenti

Pubblicazione

scaricare a pagamento:https://itunes.apple.com/gb/album/id1045440896 [info]
ASIN:UK: B015O4349K [info]

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 56)