The Art of Fugue, BWV 1080

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleRatingLength
1The Art of Fugue, BWV 1080: Contrapunctus 1 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:04
2The Art of Fugue, BWV 1080: Contrapunctus 2 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:51
3The Art of Fugue, BWV 1080: Contrapunctus 3 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:57
4The Art of Fugue, BWV 1080: Contrapunctus 4 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
4:49
5The Art of Fugue, BWV 1080: Contrapunctus 5 a 5
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:55
6The Art of Fugue, BWV 1080: Contrapunctus 6 a 4, in Stilo Francese
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:58
7The Art of Fugue, BWV 1080: Contrapunctus 7 a 4, per Augmentationem et Diminutionem
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
4:31
8The Art of Fugue, BWV 1080: Contrapunctus 8 a 3
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
6:01
9The Art of Fugue, BWV 1080: Contrapunctus 9 a 4, ala Duodecima
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:24
10The Art of Fugue, BWV 1080: Contrapunctus 10 a 4, ala Decima
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
4:58
11The Art of Fugue, BWV 1080: Contrapunctus 11 a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
6:46
2CD
#TitleRatingLength
1The Art of Fugue, BWV 1080: Contrapunctus inversus 12 a 4, in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:20
2The Art of Fugue, BWV 1080: Contrapunctus inversus 12 a 4 in forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:24
3The Art of Fugue, BWV 1080: Contrapunctus inversus 13 a 3, in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:13
4The Art of Fugue, BWV 1080: Contrapunctus inversus 13 a 3, in forma inverso
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:17
5The Art of Fugue, BWV 1080: Canon alla Ottava
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
4:17
6The Art of Fugue, BWV 1080: Canon ala Decima in Contrapunto alla Terza
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
4:46
7The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
4:05
8The Art of Fugue, BWV 1080: Canon per Augmentationem in contrario motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
3:50
9The Art of Fugue, BWV 1080: Fuga a 3 Soggetti
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
8:13
10The Art of Fugue, BWV 1080: Fuga a 2 Claviere
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
2:08
11The Art of Fugue, BWV 1080: Alio modo Fuga a 2 Claviere
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
2:17
12The Art of Fugue, BWV 1080a/1: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:11
13The Art of Fugue, BWV 1080a/3: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:49
14The Art of Fugue, BWV 1080a/2: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
2:44
15The Art of Fugue, BWV 1080a/6a: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:52
16The Art of Fugue, BWV 1080a/12: Canon per Augmentationem in contrario motu (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
5:24

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 147–148) (order: 122)