Camille Saint-Saëns Edition 2

~ Release by Camille Saint‐Saëns (see all versions of this release, 3 available)

Tracklist

| |
22▼CD: Vocal and Choral Music: Messe à quatre voix / Opera: Operas Arias from Samson et Delila & Henry VIII
#TitleRatingLength
1Messa à quatre voix, op. 4: I. Kyrie
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
soprano vocals:
Isabel Balmori-Padesca (soprano) (in 1988-04)
tenor vocals:
Laurent Dami (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Kyrie (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
14:57
2Messa à quatre voix, op. 4: II. Gloria
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Gloria (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
8:02
3Messa à quatre voix, op. 4: III. Credo
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
bass vocals:
Stephan Imboden (bass) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
soprano vocals:
Isabel Balmori-Padesca (soprano) (in 1988-04)
tenor vocals:
Laurent Dami (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Credo (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
5:06
4Messa à quatre voix, op. 4: IV. Sanctus
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
baritone vocals:
Alain Clement (treble, then baritone) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Sanctus (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
4:36
5Messa à quatre voix, op. 4: V. O salutaris
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: O Salutaris (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
2:47
6Messa à quatre voix, op. 4: VI. Agnus Dei
producer:
Michel Garcin (French producer)
organ:
Marie‐Claire Alain (organist) (in 1988-04) and André Luy (organist) (in 1988-04)
alto vocals:
Annelise Théodoloz (alto) (in 1988-04)
choir vocals:
Ensemble Vocal de Lausanne (in 1988-04)
conductor:
Michel Corboz (conductor and composer) (in 1988-04)
chorus master:
Laurent Gay (conductor) (in 1988-04)
assistant balance engineer:
Jacques Doll
balance engineer:
Yolanta Skura
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (in 1988-04)
recording of:
Messe, op. 4: Agnus Dei (in 1988-04)
composer:
Camille Saint‐Saëns (composer) (in 1856)
part of:
Messe, op. 4
5:02
7Samson et Dalila, opera in three acts, op. 47: Act 1. « Printemps qui commence »
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
5:18
8Samson et Dalila, opera in three acts, op. 47: Act 2. « Samson, recherchant ma présence… Amour ! viens aider ma faiblesse ! »
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:13
9Samson et Dalila, opera in three acts, op. 47: Act 2. « Mon coœur s'ouvre à ta voix »
producer:
Michel Garcin (French producer) and Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Dalila]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) and Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
assistant balance engineer:
Jacques Doll
balance engineer:
Francis Dillnutt (engineer) and Yolanta Skura
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-03-28 until 1961-04-05, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:23
10Henry VIII, opera in 4 acts, R 291: Act IV. Air de Catherine d'Aragon: « Ô cruel souvenir ! »
producer:
Olivier Rosset (classical producer and engineer)
soprano vocals [Catherine d'Aragon]:
Véronique Gens (soprano) (on 2011-06-30, on 2011-07-05)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (on 2011-06-30, on 2011-07-05)
conductor:
Christophe Rousset (French harpsichordist & conductor) (on 2011-06-30, on 2011-07-05)
balance engineer:
Hugues Deschaux
recorded at:
IRCAM in Paris, Île-de-France, France (on 2011-06-30, on 2011-07-05)
recording of:
Henry VIII : « Ô cruel souvenir ! … Je ne te reverrai jamais » (Catherine d'Aragon) (from 2011-06-30 until 2011-07-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Henry VIII, Acte IV, Deuxième tableau, Scène I: “Fêtons le jour où naquit notre Roi”
8:33
23▼CD: Opera: Samson et Dalila (beginning)
#TitleRatingLength
1Samson et Dalila, opera in 3 acts, op. 47: Act I. Introduction
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. Introduction (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:09
2Samson et Dalila, opera in 3 acts, op. 47: Act I. « Dieu ! Dieu d'Israël ! écoute la prière de tes enfants » (Les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Dieu ! Dieu d’Israël ! » (Les Hébreux) (from 1962-09-25 until 1962-10-10)
writer and composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:41
3Samson et Dalila, opera in 3 acts, op. 47: Act I. « Quoi ! veux-tu donc qui'à jamais on efface » (Les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Quoi ! Veux‐tu donc qu’à jamais on efface » (Les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:05
4Samson et Dalila, opera in 3 acts, op. 47: Act I. « Arrêtez, ô mes frères ! » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Arrêtez, ô mes frères » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:42
5Samson et Dalila, opera in 3 acts, op. 47: Act I. « Implorons à genoux le Seigneur qui nous aime ! » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 1. « Implorons à genoux » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:05
6Samson et Dalila, opera in 3 acts, op. 47: Act I. « Qui donc élève ici la voix ? » (Abimélech)
producer:
René Challan (French composer)
baritone vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Qui donc élève ici la voix ? » (Abimélech, Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:59
7Samson et Dalila, opera in 3 acts, op. 47: Act I. « C'est toi que sa bouche invective » (Samson, les Hébreux, Abimélech)
producer:
René Challan (French composer)
baritone vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
bass vocals [Abimélech]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « C’est toi que sa bouche invective » (Samson, les Hébreux, Abimélech) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:17
8Samson et Dalila, opera in 3 acts, op. 47: Act I. « Israël ! romps ta chaine ! » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 2. « Israel ! Romps ta chaîne ! » (Samson, les Hébreux) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:58
9Samson et Dalila, opera in 3 acts, op. 47: Act I. « Que vois-je ! Abimélech ! frappé par des esclaves ! » (Le Grand Prêtre, Premier Philistin, Deuxième Philistin)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
bass vocals [Deuxième Philistin]:
Jean-Pierre Hurteau (operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Premier Philistin]:
Jacques Potier (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 3. « Que vois‐je ? Abimélech » (Le grand prêtre, premier Philistin, deuxième Philistin) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:15
10Samson et Dalila, opera in 3 acts, op. 47: Act I. « Seigneur ! la troupe furieuse … Maudite à jamais soit la race » (Un messager, les deux Philistin, le Grand Prêtre)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Un messager]:
Rémi Corazza (French tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 4. « Seigneur ! La troupe furieuse » … « Maudite à jamais soit ta race » (Messager, deux Philistins, le grand prêtre) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:49
11Samson et Dalila, opera in 3 acts, op. 47: Act I. Lever du jour
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 5. Lever du jour (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
1:24
12Samson et Dalila, opera in 3 acts, op. 47: Act I. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu)
producer:
René Challan (French composer)
bass vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28)
bass vocals [Un vielillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-10-01 until 1962-10-10)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 5. « Hymne de joie, hymne de délivrance » (Les vieillards hébreux, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
4:08
13Samson et Dalila, opera in 3 acts, op. 47: Act I. « Voici le printemps nous portant des fleurs » (Les Philistins)
producer:
René Challan (French composer)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Voici le printemps » (Les Philistins) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:17
14Samson et Dalila, opera in 3 acts, op. 47: Act I. « Je viens célébrer la victoire … Ô mon bien-aimé, suis mes pas vers Sorek » (Dalila, Samson, un vieillard hébreu)
producer:
René Challan (French composer)
baritone vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Je viens célébrer la victoire » (Dalila, Samson, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:30
15Samson et Dalila, opera in 3 acts, op. 47: Act I. « Danse des prêtresses de Dagon »
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. Danse des prêtresses de Dagon (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:13
16Samson et Dalila, opera in 3 acts, op. 47: Act I. « Printemps qui commence, portant l'espérance » (Dalila)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
3:28
17Samson et Dalila, opera in 3 acts, op. 47: Act I. « L'esprit du mal a conduit cette femme » (Un vieillard hébreu, Dalila)
producer:
René Challan (French composer)
bass vocals [Un vieillard hébreu]:
Anton Diakov (Bulgarian operatic bass) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte I, scène 6. « L’esprit du mal a conduit cette femme » (Un vieillard hébreu) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
2:30
24▼CD: Opera: Samson et Dalila (end)
#TitleRatingLength
1Samson et Dalila, opera in 3 acts, op. 47: Act II. Prélude
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II. Prélude (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:05
2Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, recherchant ma présence … Amour ! viens aider ma faiblesse ! » (Dalila)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:58
3Samson et Dalila, opera in 3 acts, op. 47: Act II. « J'ai gravi la montagne » (La Grand Prêtre, Dalila)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « J’ai gravi la montagne » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:16
4Samson et Dalila, opera in 3 acts, op. 47: Act II. « À tes genoux sa force un jour l'abandonna » (La Grand Prêtre, Dalila)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « À tes genoux sa force un jour l’abondonna » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:54
5Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mais sur son coœur déjà n'aurais-tu pas en vain » (La Grand Prêtre, Dalila)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Mais sur son cœur déjà n’aurais‐tu pas en vain » (Le grand prêtre) (from 1962-09-25 until 1962-10-10)
part of:
Samson et Dalila : Acte II
3:02
6Samson et Dalila, opera in 3 acts, op. 47: Act II. « Il faut, pour assouvir ma haine » (Dalila, le Grand Prêtre)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Il faut, pour assouvir ma haine » (Dalila, le grand prêtre) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:10
7Samson et Dalila, opera in 3 acts, op. 47: Act II. « Samson, me disais-tu, dans ces lieux doit se rendre ? … Se pourrait-il que sur son coœur » (Le Grand Prêtre, Dalila)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 2. « Samson, me disais‐tu, dans ces lieux doit se rendre ? » … « Se pourrait‐il que sur son cœur » (Le grand prêtre, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:15
8Samson et Dalila, opera in 3 acts, op. 47: Act II. « En ces lieux, malgré moi, m'ont ramené mes pas » (Samson)
producer:
René Challan (French composer)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « En ces lieux » (Samson, Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:09
9Samson et Dalila, opera in 3 acts, op. 47: Act II. « C'est toi ! c'est toi, mon bien-aimé ! » (Dalila, Samson)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « C’est toi, c’est toi, mon bien‐aimé ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:45
10Samson et Dalila, opera in 3 acts, op. 47: Act II. « D'Israël renaîtr l'espérance » (Samson, Dalila)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « D’Israël renaît l’espérance » (Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
2:56
11Samson et Dalila, opera in 3 acts, op. 47: Act II. « Un dieu plus puissant que le tien » (Dalila, Samson)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Un dieu plus puissant que le tien » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
3:07
12Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mon coœur s'ouvre à ta voix » (Dalila, Samson)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
5:16
13Samson et Dalila, opera in 3 acts, op. 47: Act II. « Mais ! … non ! que dis-je ? hélas, la triste Dalila ! » (Dalila, Samson)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « Mais ! Non ! Que dis-je ? Hélas ! La triste Dalila » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
4:46
14Samson et Dalila, opera in 3 acts, op. 47: Act II. « À moi ! Philistins ! - Trahison ! » (Dalila, Samson)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte II, scène 3. « À moi ! Philistins ! À moi ! » … « Trahison ! » (Dalila, Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
1:39
15Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. Introduction
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. Introduction (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:43
16Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Vois ma misère, hélas ! vois ma détresse ! » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:25
17Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Hélas ! Israël dans les fers » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Hélas ! Israël dans les fers » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:52
18Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. « Frères ! votre chant douloureux » (Samson, les Hébreux)
producer:
René Challan (French composer)
choir vocals [Les Hébreux]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. « Frères ! Votre chant douloureux » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:54
19Samson et Dalila, opera in 3 acts, op. 47: Act III Premier tableau. Interlude
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 1. Interlude (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:24
20Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « L'aube qui blanchit déjà les coteaux » (Les Philistins)
producer:
René Challan (French composer)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 2. Chœur des Philistins « L’aube qui blanchit déjà les coteaux » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:33
21Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. Bacchanale
producer:
René Challan (French composer)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 2. Bacchanale (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
6:58
22Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Salut ! Salut au juge d'Israël » (Le Grand Prêtre, les Philistins)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Salut ! Salut au juge d’Israël » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:17
23Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « L'âme triste jusqu'à la mort » (Samson, Dalila)
producer:
René Challan (French composer)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « L’âme triste jusqu’à la mort » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
3:32
24Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Allons, Samson, divertis-nous » (Le Grand Prêtre, Samson, les Philistins)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Allons, Samson, divertis-nous » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:10
25Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Viens, Dalila, rendre grâce à nos dieux … Gloire à Dagon vainqueur ! » (Le Grane Prêtre, Dalila, les Philistins)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Gloire à Dagon » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
2:40
26Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Dagon se révèle ! » (Le Grand Prêtre, Dalila, les Philistins)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:17
27Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Pour que le sort soit favorable » (Le Grand Prêtre, Samson)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Pour que le sort soit favorable » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:24
28Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Dagon se révèle ! » (Chorus, Dalila, le Grand Prêtre)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Dagon se révèle ! » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:50
29Samson et Dalila, opera in 3 acts, op. 47: Act III Deuxième tableau. « Souviens-toi de ton serviteur » (Samson, Dalila, le Grand Prêtre, les Philistins)
producer:
René Challan (French composer)
baritone vocals [Le Grand Prêtre de Dagon]:
Ernest Blanc (baritone) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
choir vocals [Les Philistins]:
Chœurs René Duclos (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
mezzo-soprano vocals [Dalila]:
Rita Gorr (Belgian operatic mezzo-soprano) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
tenor vocals [Samson]:
Jon Vickers (tenor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
orchestra:
Orchestre du Théâtre National de l’Opéra de Paris (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
conductor:
Georges Prêtre (French conductor) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
chorus master:
René Duclos (French composer) (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1962-09-25 until 1962-09-28, from 1962-10-01 until 1962-10-10)
recording of:
Samson et Dalila : Acte III, scène 3. « Souviens‐toi de ton serviteur » (from 1962-09-25 until 1962-10-10)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
1:31
25▼CD: Transcriptions & Arrangements 1
#TitleArtistRatingLength
1Partita for Solo Violin no. 1 in B minor, BWV 1002: VII. Tempo di bourrée
producer and balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
piano:
Stephen Hough (pianist) (in 1991-03)
recorded at:
BBC Studio 7 (Manchester) in Manchester, Greater Manchester, England, United Kingdom (in 1991-03)
recording of:
Bourrée from Partita no. 1 for Solo Violin, BWV 1002 (for piano, Saint-Säens) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea
part of:
Oeuvres de J.-S. Bach, Douze transcriptions pour le piano
Johann Sebastian Bach2:57
2Le Carnaval des animaux: Le Cygne
producer and balance engineer:
Cécile Lenoir (French audio/balance eng.)
piano:
Alexandre Tharaud (pianist) (from 2013-01-03 until 2013-01-06, from 2013-04-01 until 2013-04-03)
recorded at:
Salle Colonne (ex-Studio Blanqui, Philips) in Paris, Île-de-France, France (from 2013-01-03 until 2013-01-06, from 2013-04-01 until 2013-04-03)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for solo piano, Godowsky) (from 2013-01-03 until 2013-04-03)
composer:
Camille Saint‐Saëns (composer)
piano arranger:
Leopold Godowsky (pianist and composer) (in 1927)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns2:49
3Partita for Solo Violin no. 1 in B minor, BWV 1002: VII. Tempo di bourrée
producer:
Michel Garcin (French producer)
harp:
Lily Laskine (harpist) (in 1963)
balance engineer:
Daniel Madelaine (engineer)
recording of:
Bourrée from Partita no. 1 for Solo Violin, BWV 1002 (for harp, Saint-Säens) (in 1963)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Camille Saint‐Saëns (composer)
arrangement of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea
Johann Sebastian Bach2:54
4Danse macabre, Symphonic Poem, op. 40
producer and balance engineer:
Hugues Deschaux
organ:
Olivier Latry (organist) (from 2016-09-20 until 2016-09-23)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (from 2016-09-20 until 2016-09-23)
recording of:
Danse macabre, op. 40 (arr. for organ / Edwin Lemare) (from 2016-09-20 until 2016-09-23)
instruments arranger:
Edwin Lemare (British organist and composer) (in 1919)
arrangement of:
Danse macabre, op. 40 (symphonic poem for orchestra)
Camille Saint‐Saëns7:39
5Introduction et Rondo capriccioso in A minor, op. 28: Andante malinconico -
producer:
David Groves (classical music producer at EMI)
instruments:
Viviane Hagner (violinist) (in 1997-11)
piano:
Nicole Hagner (in 1997-11)
balance engineer:
Jonathan Allen (engineer)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (in 1997-11)
recording of:
Introduction et Rondo capriccioso in A minor, op. 28: Andante malinconico - (in 1997-11)
composer:
Camille Saint‐Saëns (composer)
part of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra)
Camille Saint‐Saëns1:44
6Introduction et Rondo capriccioso in A minor, op. 28: Allegro ma non troppo
producer:
David Groves (classical music producer at EMI)
instruments:
Viviane Hagner (violinist) (in 1997-11)
piano:
Nicole Hagner (in 1997-11)
balance engineer:
Jonathan Allen (engineer)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (in 1997-11)
recording of:
Introduction et Rondo capriccioso in A minor, op. 28: Allegro ma non troppo (in 1997-11)
composer:
Camille Saint‐Saëns (composer)
part of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra)
Camille Saint‐Saëns7:30
7Havanaise in E major, op. 83
producer:
David Groves (classical music producer at EMI)
instruments:
Viviane Hagner (violinist) (in 1997-11)
piano:
Nicole Hagner (in 1997-11)
balance engineer:
Jonathan Allen (engineer)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (in 1997-11)
recording of:
Havanaise in E major, op. 83 (for violin and orchestra) (in 1997-11)
composer:
Camille Saint‐Saëns (composer) (in 1887)
part of:
Works of Camille Saint-Saëns by opus number (number: op. 83)
Camille Saint‐Saëns9:47
8Le Carnaval des animaux: Le Cygne
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor) and Stephen Johns (producer)
piano:
Samuel Sanders (pianist) (in 1988-05)
violin:
Itzhak Perlman (violinist and conductor) (in 1988-05)
balance engineer:
John Kurlander (engineer) (in 1988-05)
recorded at:
92nd Street Y in Manhattan, New York, New York, United States (in 1988-05)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (in 1988-05)
composer:
Camille Saint‐Saëns (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns3:08
9Samson et Dalila: « Mon coœur s'ouvre à ta voix »
producer:
Étienne Collard
cello:
Gautier Capuçon (cellist) (on 2002-12-14)
piano:
Frank Braley (pianist) (on 2002-12-14)
balance engineer:
Frédéric Briant
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (on 2002-12-14)
recording of:
Mon cœur s’ouvre à ta voix (for cello and piano, Papin) (on 2002-12-14)
composer:
Camille Saint‐Saëns (composer)
arranger:
Georges Papin
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Camille Saint‐Saëns2:53
10Le Carnaval des animaux: Le Cygne
producer:
Michael Fine (producer)
cello:
Gautier Capuçon (cellist) (from 2016-10-24 until 2016-10-27)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03) (from 2016-10-24 until 2016-10-27)
conductor:
Douglas Boyd (oboist and conductor) (from 2016-10-24 until 2016-10-27)
balance engineer:
Jin Choi
concertmaster:
Deborah Nemtanu (French violinist) (from 2016-10-24 until 2016-10-27)
recorded at:
Philharmonie de Paris in Paris, Île-de-France, France (from 2016-10-24 until 2016-10-27)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (from 2016-10-24 until 2016-10-27)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns3:30
11Samson et Dalila: Danse des prêtresses de Dagon
producer:
Gréco Casadesus
cello:
Paul Tortelier (cellist) (from 1979-11-19 until 1979-11-20)
piano:
Maria de la Pau (pianist) (from 1979-11-19 until 1979-11-20)
balance engineer:
Paul Vavasseur (engineer) (from 1979-11-19 until 1979-11-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1979-11-19 until 1979-11-20)
recording of:
Samson et Dalila : Acte I, scène 6. Danse des prêtresses de Dagon (from 1979-11-19 until 1979-11-20)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns1:54
12Étienne Marcel: Pavane
producer:
Gréco Casadesus
cello:
Paul Tortelier (cellist) (from 1979-11-19 until 1979-11-20)
piano:
Maria de la Pau (pianist) (from 1979-11-19 until 1979-11-20)
balance engineer:
Paul Vavasseur (engineer) (from 1979-11-19 until 1979-11-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1979-11-19 until 1979-11-20)
recording of:
Pavane (Ètienne Marcel) (arr. Delsart for cello and piano) (from 1979-11-19 until 1979-11-20)
composer:
Camille Saint‐Saëns (composer) (from 1877 until 1878)
cello and piano arranger:
Jules Delsart (cellist, 19th century)
is based on:
Étienne Marcel
Camille Saint‐Saëns1:51
13Les Cloches du soir, op. 85
producer:
Gréco Casadesus
cello:
Paul Tortelier (cellist) (from 1979-11-19 until 1979-11-20)
piano:
Maria de la Pau (pianist) (from 1979-11-19 until 1979-11-20)
balance engineer:
Paul Vavasseur (engineer) (from 1979-11-19 until 1979-11-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1979-11-19 until 1979-11-20)
recording of:
Les cloches du soir, op. 85 (arr. Ronchini for cello and piano) (from 1979-11-19 until 1979-11-20)
composer:
Camille Saint‐Saëns (composer) (in 1889)
cello and piano arranger:
Ferdinando Ronchini
arrangement of:
Les Cloches du soir, op. 85 (for piano)
Camille Saint‐Saëns3:41
14Violin Concerto no. 3 in B minor, op. 61: Andantino quasi allegretto
producer:
Gréco Casadesus
cello:
Paul Tortelier (cellist) (from 1979-11-19 until 1979-11-20)
piano:
Maria de la Pau (pianist) (from 1979-11-19 until 1979-11-20)
balance engineer:
Paul Vavasseur (engineer) (from 1979-11-19 until 1979-11-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1979-11-19 until 1979-11-20)
recording of:
Andantino (Violin Concerto no. 3, op. 61) (arr. Vantiev for cello and piano) (from 1979-11-19 until 1979-11-20)
composer:
Camille Saint‐Saëns (composer) (in 1880)
cello and piano arranger:
Vantiev (arranger)
arrangement of:
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
Camille Saint‐Saëns7:08
15Le Carnaval des animaux: Le Cygne
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:52
26▼CD: Transcriptions & Arrangements 2
#TitleRatingLength
1Le Carnaval des animaux: Le Cygne
producer:
Friedemann Engelbrecht
piano:
Alexander Markovich (pianist) (in 1994-04)
trumpet:
Sergei Nakariakov (trumpeter) (in 1994-04)
assistant balance engineer:
Eveline Grüneberg
balance engineer:
Eberhard Sengpiel
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (in 1994-04)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for trumpet and piano, arr. Nakariakov) (in 1994-04)
composer:
Camille Saint‐Saëns (composer)
arranger:
Mikhail Nakariakov
version of:
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer)
2:54
2Introduction et Rondo capriccioso in A minor, op. 28
producer:
Bernhard Mnich
trumpet:
Sergei Nakariakov (trumpeter) (from 1999-11 until 1999-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1999-11 until 1999-12)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1999-11 until 1999-12)
balance engineer:
Michael Brammann (sound engineer)
recorded at:
St. Barnabas Church, Mitcham in Surrey, England, United Kingdom (from 1999-11 until 1999-12)
recording of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (arr Nakariakov for trumpet and orchestra) (from 1999-11 until 1999-12)
composer:
Camille Saint‐Saëns (composer)
arranger:
Mikhail Nakariakov
arrangement of:
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra)
8:56
3Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo
producer:
Bernhard Mnich
flugelhorn:
Sergei Nakariakov (trumpeter) (from 2002-02-14 until 2002-02-20)
orchestra:
Lithuanian Chamber Orchestra (from 2002-02-14 until 2002-02-20)
conductor:
Saulius Sondeckis (conductor) (from 2002-02-14 until 2002-02-20)
arranger:
Mikhail Nakariakov
balance engineer:
Michael Brammann (sound engineer)
recorded at:
Philharmonic Hall (Vilnius, Lithuania) in Vilnius, Vilniaus Apskritis (Vilnius County), Lithuania (from 2002-02-14 until 2002-02-20)
recording of:
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo (from 2002-02-14 until 2002-02-20)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
5:35
4Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto
producer:
Bernhard Mnich
flugelhorn:
Sergei Nakariakov (trumpeter) (from 2002-02-14 until 2002-02-20)
orchestra:
Lithuanian Chamber Orchestra (from 2002-02-14 until 2002-02-20)
conductor:
Saulius Sondeckis (conductor) (from 2002-02-14 until 2002-02-20)
arranger:
Mikhail Nakariakov
balance engineer:
Michael Brammann (sound engineer)
recorded at:
Philharmonic Hall (Vilnius, Lithuania) in Vilnius, Vilniaus Apskritis (Vilnius County), Lithuania (from 2002-02-14 until 2002-02-20)
recording of:
Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto (from 2002-02-14 until 2002-02-20)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
5:24
5Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo
producer:
Bernhard Mnich
flugelhorn:
Sergei Nakariakov (trumpeter) (from 2002-02-14 until 2002-02-20)
orchestra:
Lithuanian Chamber Orchestra (from 2002-02-14 until 2002-02-20)
conductor:
Saulius Sondeckis (conductor) (from 2002-02-14 until 2002-02-20)
arranger:
Mikhail Nakariakov
balance engineer:
Michael Brammann (sound engineer)
recorded at:
Philharmonic Hall (Vilnius, Lithuania) in Vilnius, Vilniaus Apskritis (Vilnius County), Lithuania (from 2002-02-14 until 2002-02-20)
recording of:
Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro (from 2002-02-14 until 2002-02-20)
composer:
Camille Saint‐Saëns (composer) (in 1872)
part of:
Cello Concerto no. 1 in A minor, op. 33
8:59
6Le Carnaval des Animaux, grande fantaisie zoologique, R 125: I. Introduction
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
partial recording of:
Le Carnaval des animaux: I. Introduction et marche royale du lion (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
0:55
7Le Carnaval des Animaux, grande fantaisie zoologique, R 125: II. The Lion - Elder Statesmen (Marche royale du lion)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
partial recording of:
Le Carnaval des animaux: I. Introduction et marche royale du lion (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
2:45
8Le Carnaval des Animaux, grande fantaisie zoologique, R 125: III. Chickens & Roosters - Sensationmongers (Poules et coqs)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: III. Hémiones (Animaux véloces) (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
1:39
9Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IV. Wild Asses - The Jetset (Hémiones ou Animaux véloces)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: III. Hémiones (Animaux véloces) (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
1:09
10Le Carnaval des Animaux, grande fantaisie zoologique, R 125: V. The Tortoise - Aspiring Hot Gossip Girl (Tortues)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: IV. Tortues (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
3:11
11Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VI. Elephants - The Labour Force (L'Éléphant)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: V. L’Éléphant (catch‐all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
2:07
12Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VII. Kangaroos - Idealists (Kangourous)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: VI. Kangourous (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
1:34
13Le Carnaval des Animaux, grande fantaisie zoologique, R 125: VIII. Aquarium - Drug Pellars
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: VII. Aquarium (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
part of:
Le Carnaval des animaux (catch-all for arrangements)
2:20
14Le Carnaval des Animaux, grande fantaisie zoologique, R 125: IX. Animals with Long Ears - Sycophants and Junior Ministers (Personnages à longues oreilles)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: VIII. Personnages à longues oreilles (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins)
part of:
Le Carnaval des animaux (catch-all for arrangements)
1:21
15Le Carnaval des Animaux, grande fantaisie zoologique, R 125: X. The Cuckoo - The Artist (Le Coucou au fond des bois)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: IX. Le Coucou au fond des bois (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet)
part of:
Le Carnaval des animaux (catch-all for arrangements)
3:44
16Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XI. Aviary of Birds - Modern Woman (Volière)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: X. Volière (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute)
part of:
Le Carnaval des animaux (catch-all for arrangements)
2:19
17Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XII. Pianists - Disciplinarians (Pianistes)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: XI. Pianistes (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos)
part of:
Le Carnaval des animaux (catch-all for arrangements)
1:10
18Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIII. Fossils - The Last Tribes (Fossiles)
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: XII. Fossiles (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone)
part of:
Le Carnaval des animaux (catch-all for arrangements)
3:08
19Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XIV. The Swan - The Spurned Husband (Le Cygne)
producer:
David Groves (classical music producer at EMI)
cello:
William Conway (UK cellist) (from 1986-05-18 until 1986-05-21)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
4:36
20Le Carnaval des Animaux, grande fantaisie zoologique, R 125: XV. Finale
producer:
David Groves (classical music producer at EMI)
piano:
Hilary Macnamara (from 1986-05-18 until 1986-05-21) and Howard Shelley (British pianist and conductor) (from 1986-05-18 until 1986-05-21)
baritone vocals:
Simon Carrington (baritone, conductor, and double bass player) (from 1986-05-18 until 1986-05-21) and Anthony Holt (baritone) (from 1986-05-18 until 1986-05-21)
bass vocals:
Colin Mason (bass-baritone) (from 1986-05-18 until 1986-05-21)
countertenor vocals:
Alistair Hume (from 1986-05-18 until 1986-05-21) and Jeremy Jackman (from 1986-05-18 until 1986-05-21)
tenor vocals:
Robert Chilcott (from 1986-05-18 until 1986-05-21)
vocals:
The King’s Singers (from 1986-05-18 until 1986-05-21)
orchestra:
Scottish Chamber Orchestra (from 1986-05-18 until 1986-05-21)
conductor:
Carl Davis (conductor and composer) (from 1986-05-18 until 1986-05-21)
balance engineer:
John Kurlander (engineer)
recorded at:
Queen’s Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (from 1986-05-18 until 1986-05-21)
recording of:
Le Carnaval des animaux: XIV. Finale (catch-all for arrangements) (from 1986-05-18 until 1986-05-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble)
part of:
Le Carnaval des animaux (catch-all for arrangements)
2:23
27▶CD: Historical Recordings: Camille Saint-Saëns plays Camille Saint-Saëns: Piano Rolls / Gramophone Acoustic Recordings 1904 & 1919
28▶CD: Historical Recordings: Tecum principium / Le Rouet d'Omphale / La Princesse jaune Overture / Havanaise / Prélude pour “Le Déluge” / Toccata / Étude en forme de valse / Violin Concerto no. 3
29▶CD: Historical Recordings: Piano Concerto no. 4 / Celle Concerto no. 1 / Introduction and Rondo capriccioso / Havanaise
30▶CD: Historical Recordings: Piano Concertos nos. 1-3
31▶CD: Historical Recordings: Piano Concertos nos. 4 & 5 / Septet
32▶CD: Historical Recordings: Symphony no. 3 “Organ Symphony” / Suite algérienne / Danse macabre / Phaéton
33▶CD: Historical Recordings: 6 Arias / Samson et Dalila (beginning)
34▶CD: Historical Recordings: Samson et Dalila (end)