The Ultimate Rock ’n’ Roll Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(We’re Gonna) Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:13
2Chantilly Lace
recording of:
Chantilly Lace
Texter und Komponist(in):
J.P. Richardson (known as The Big Bopper)
publisher:
Glad Music Co.
The Big Bopper42:24
3Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:40
4Say Mama
Gene Vincent2:11
5Little Bitty Pretty One
cover recording of:
Little Bitty Pretty One (in 1958-03)
Texter und Komponist(in):
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Frankie Lymon52:27
6Sea Cruise
recording of:
Sea Cruise
Verfasser(in):
Huey “Piano” Smith
Frankie Ford2:41
7The Girl Can’t Help It
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
Hintergrundgesang:
Junior Gordon (am 1956-10-16), Art Neville (am 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (am 1956-10-16) und William Tircuit (1950s vocalist) (am 1956-10-16)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 413)
recording of:
The Girl Can’t Help It (am 1956-10-16)
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
Little Richard42:31
8Somethin’ Else
E-Bass und Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1959-06-23)
Klavier:
Jim Stivers (am 1959-06-23)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1959-06-23)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-06-23)
recording of:
Somethin’ Else (am 1959-06-23)
Texter und Komponist(in):
Bob Cochran, Eddie Cochran (US rock and roll musician active in 1950s) und Sharon Sheeley
publisher:
EMI Unart Catalog Inc.
Eddie Cochran2:07
9Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:41
10Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
Champs4.32:13
11Good Golly Miss Molly (live)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1964-04-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1964-04-05)
Interpret(in):
The Nashville Teens (am 1964-04-05)
aufgenommen bei:
Star‐Club in Hamburg, Deutschland (am 1964-04-05)
live cover recording of:
Good Golly Miss Molly (am 1964-04-05)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Jerry Lee Lewis2:17
12That’s Alright Mama
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
Carl Perkins2:32
13I’m Walkin’
recording of:
I’m Walkin’
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino2:08
14Hats Off to Larry
recording of:
Hats Off to Larry
Texter und Komponist(in):
Del Shannon
Del Shannon2:02
15Stagger Lee
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 20)
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price52:22
16Red River Rock
cover recording of:
Red River Rock
Komponist(in):
Tom King (50s & 60s songwriter), Ira Mack und Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. und Mole Hole Music
basiert auf:
Red River Valley
Johnny and the Hurricanes2:11
17Baby Let’s Play House
Charlie Feathers2:05
18Claudette
recording of:
Claudette
Texter und Komponist(in):
Roy Orbison
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:13
19Barbara Ann
Regents2:17
20That’ll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly and The Crickets4.62:17
21Stay
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams & the Zodiacs1:39
22Walk Don’t Run
cover recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
The Ventures2:04
2▼CD
Nr.TitelKünstlerBewertungLänge
1Tutti Frutti
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Produzent(in):
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Kontrabass:
Frank Fields (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 43)
recording of:
Tutti Frutti (am 1955-09-14)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard4.12:25
2Rockin’ Robin
phonographisches Urheberrecht (℗) von:
Class (1950s-1960s US) (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 29)
recording of:
Rockin’ Robin
Texter und Komponist(in):
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son und Recordo Music Pub.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.12:35
3Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.651:59
4Ah Poor Little Baby
Billy “Crash” Craddock2:24
5It’s Late
vocals:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
cover recording of:
It’s Late
Texter und Komponist(in):
Dorsey Burnette
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc. und UA Music International Inc.
recording of:
It’s Late
Texter und Komponist(in):
Dorsey Burnette
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc. und UA Music International Inc.
Rick Nelson4.51:56
6Book of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 12) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 29)
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:20
7Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:37
8All Mama’s Children
cover recording of:
All Mama’s Children
Verfasser(in):
Johnny Cash (country music legend) und Carl Perkins (American pioneer of rockabilly music)
publisher:
Carl Perkins Music Inc. und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Carl Perkins (with NRBQ)2:00
9Bony Moronie
baritone saxophone:
Jewell Grant (US saxophonist) (am 1957-09-11)
Bass:
Ted Brinson (am 1957-09-11)
Gitarre:
Rene Hall (am 1957-09-11)
Klavier:
Larry Williams (1950s rocker) (am 1957-09-11)
Saxophon:
John E. Oliveri (am 1957-09-11)
Schlagzeug:
Earl Palmer (am 1957-09-11)
Tenorsaxophon:
Plas Johnson (am 1957-09-11)
vocals:
Larry Williams (1950s rocker) (am 1957-09-11)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-09-11)
recording of:
Boney Maroney (am 1957-09-11)
Texter und Komponist(in):
Lawrence E. Williams (1950s rocker)
publisher:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. und Venice Music
Larry Williams3:04
10Nut Rocker
recording of:
Nut Rocker
Komponist(in):
Kim Fowley
publisher:
Kim Fowley Music
basiert auf:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers32:00
11Blue Suede Shoes
cover recording of:
Blue Suede Shoes (in 1956)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Eddie Cochran1:50
12At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.42:32
13Oh Boy
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Buddy Holly and The Crickets42:09
14Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
Diamonds2:07
15I’m the Number One Rock & Roll C & W Boogie Blues Man
Mickey Gilley2:33
16Rebel Rouser
Duane Eddy1:57
17Whole Lotta Shakin’ Goin’ On (live)
Techniker(in):
Bradley Hartman und Ron Treat
Koproduzent(in):
Rodney Crowell
leitende(r) Produzent(in):
Lou Robin
Mix:
Rodney Crowell
aufgenommen bei:
Sporthalle Böblingen in Böblingen, Baden-Württemberg, Deutschland (am 1981-04-23)
mixed at:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
Bearbeitung von:
Whole Lotta Shakin’ Goin’ On (live, 1981-04-23, Sportshalle Boeblingen, Stuttgart, West Germany) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
live cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1981-04-23)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4:00
18Shame Shame Shame
Koproduzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (von 1965-03 bis 1967-01) und Don Law (von 1965-03 bis 1967-01)
Bassgitarre:
Bob Moore (U.S. bassist and bandleader) (am 1965-09-01)
Gitarre:
Sleepy LaBeef, Harold Bradley (am 1965-09-01), Thomas Grady Martin (country/rockabilly guitarist) (am 1965-09-01) und James L. Wilkerson (am 1965-09-01)
Klavier:
Bill Pursell (am 1965-09-01)
membranophone:
Kenny Buttrey (am 1965-09-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-01)
Saxophon:
Boots Randolph (am 1965-09-01)
Solo vocals:
Sleepy LaBeef
conductor:
Thomas Grady Martin (country/rockabilly guitarist) (am 1965-09-01)
Sleepy LaBeef2:46
19See You Later Alligator
Bill Haley and His Comets2:22
20Carol
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-06-12)
Klavier:
Paul Gayten (US R&B) (am 1958-06-12)
Kontrabass:
Willie Dixon (am 1958-06-12)
Perkussion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-06-12)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1958-06-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 10)
recording of:
Carol (am 1958-06-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.82:47

Nennungen