Oklahoma! 1998 Royal National Theatre Recording

~ Release by Rodgers & Hammerstein (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Overture
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Oklahoma! Overture (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
quotes music from:
The Farmer and the Cowman
quotes music from:
Pore Jud Is Daid
quotes music from:
Many a New Day
quotes music from:
People Will Say We’re in Love
quotes music from:
Oklahoma
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:12
2Oh, What a Beautiful Mornin’
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:22
3The Surrey With the Fringe on Top
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
The Surrey With the Fringe on Top (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, volume I)
5:58
4Kansas City
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Kansas City (Oklahoma!) (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company (in 1943)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
5:28
5I Cain’t Say No
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
I Cain’t Say No (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:54
6Many a New Day
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Many a New Day (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:17
7It’s a Scandal! It’s a Outrage!
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
It’s a Scandal! It’s a Outrage! (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:38
8People Will Say We’re in Love
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
People Will Say We’re in Love (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:58
9Pore Jud Is Daid
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Pore Jud Is Daid (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:58
10Lonely Room
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Lonely Room (Oklahoma!) (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:45
11Out of My Dreams
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Out of My Dreams (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:41
12Ballet
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
10:56
13The Farmer and the Cowman
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
The Farmer and the Cowman (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
7:28
14All er Nothin’
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
All er Nuthin’ (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:26
15People Will Say We’re in Love (reprise)
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
People Will Say We’re in Love (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
1:32
16Oklahoma
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Oklahoma (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:08
17Finale Ultimo
engineer and mixer:
David Hunt (UK engineer)
producer:
David Caddick
additional conductor:
Mark W. Dorrell (conductor) (in 1998-09)
conductor:
John Owen Edwards (in 1998-09)
phonographic copyright (℗) by:
Exallshow Ltd. (sound recording copyrights and music publishing company) (in 1998)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (in 1998-09)
mixed at:
Pierce Studios London (possibly the same as mastering studio Pierce Rooms) in United Kingdom
recording of:
Finale (Oklahoma!) (in 1998-09)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
quotes music from:
Oh, What a Beautiful Mornin’ (Oklahoma!)
quotes music from:
People Will Say We’re in Love
part of:
Oklahoma! (Rodgers & Hammerstein musical)
2:14