Morning Glory: The Tim Buckley Anthology

~ Release by Tim Buckley (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleRatingLength
1Wings
engineer:
Bruce Botnick
producer:
Jac Holzman and Paul Rothchild
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1966-08-15)
guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
guitar [lead guitar]:
Lee Underwood (on 1966-08-15)
membranophone and percussion:
Billy Mundi (on 1966-08-15)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
strings arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
Wings
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
2:34
2She Is
engineer:
Bruce Botnick
producer:
Jac Holzman and Paul Rothchild
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1966-08-15)
guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
guitar [lead guitar]:
Lee Underwood (on 1966-08-15)
membranophone and percussion:
Billy Mundi (on 1966-08-15)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
She Is
writer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
3:08
3Song Slowly Song
engineer:
Bruce Botnick
producer:
Jac Holzman and Paul Rothchild
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1966-08-16)
guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-16)
guitar [lead guitar]:
Lee Underwood (on 1966-08-16)
membranophone and percussion:
Billy Mundi (on 1966-08-16)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-16)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-08-16)
recording of:
Song Slowly Song
lyricist:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
composer:
Larry Beckett
4:17
4It Happens Every Time
engineer:
Bruce Botnick
producer:
Jac Holzman and Paul Rothchild
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1966-08-15)
guitar [lead guitar]:
Lee Underwood (on 1966-08-15)
harpsichord:
Van Dyke Parks (on 1966-08-15)
membranophone and percussion:
Billy Mundi (on 1966-08-15)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-15)
strings arranger:
Jack Nitzsche (American musician and score composer)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
It Happens Every Time
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation) and Tim Buckley Music
1:52
5Aren’t You the Girl
engineer:
Bruce Botnick
producer:
Jac Holzman and Paul Rothchild
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-16)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1966-08-16)
guitar [lead guitar]:
Lee Underwood (on 1966-08-16)
harpsichord:
Van Dyke Parks (on 1966-08-16)
membranophone and percussion:
Billy Mundi (on 1966-08-16)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1966-08-16)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-08-16)
recording of:
Aren’t You the Girl
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
2:05
6Pleasant Street
engineer:
Bruce Botnick
producer:
Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-15)
congas and percussion:
Carter C.C. Collins (on 1967-05-15)
guitar [lead guitar]:
Ray Pohlman (on 1967-05-15)
keyboard:
Don Randi (on 1967-05-15) and Jerry Yester (on 1967-05-15)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-15)
recorded at:
Whitney Recording Studios in Glendale, California, United States (on 1967-05-15)
recording of:
Pleasant Street
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
45:17
7Hallucinations
engineer:
Bruce Botnick
producer:
Jerry Yester
12 string guitar, mbira [kalimba], slide guitar [bottleneck guitar] and vibraphone [vibres]:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-18)
bass:
Jimmy Bond (on 1967-05-18)
guitar:
Brian Hartzler (on 1967-05-18) and Lee Underwood (on 1967-05-18)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-05-18)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-18)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-05-18)
recording of:
Hallucinations
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
4:56
8No Man Can Find the War
engineer:
Bruce Botnick
producer:
Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-08)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1967-05-08)
congas and percussion:
Carter C.C. Collins (on 1967-05-08)
drums (drum set):
Eddie Hoh (on 1967-05-08)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-08)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-05-08)
recording of:
No Man Can Find the War
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
43:00
9Once I Was
engineer:
Bruce Botnick
producer:
Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (on 1967-05-08)
congas and percussion:
Carter C.C. Collins (on 1967-05-08)
drums (drum set) and membranophone:
Eddie Hoh
electric guitar:
Lee Underwood
guitar and vibraphone [vibes]:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-08)
harmonica:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) and Henry Diltz (on 1967-05-08)
piano:
Jerry Yester (on 1967-05-08)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-08)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-05-08)
recording of:
Once I Was
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
BMG Platinum Songs and Tim Buckley Music
3:23
10Morning Glory
engineer:
Bruce Botnick
producer:
Jerry Yester
bass:
Jimmy Bond (in 1967-05)
flute and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar and lead vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05)
membranophone:
John Clauder (in 1967-05)
piano:
Don Randi (in 1967-05)
background vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-05) and Jerry Yester (in 1967-05)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1967-05)
recording of:
Morning Glory
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Third Story Music, Inc.
32:54
11Goodbye and Hello
engineer:
Bruce Botnick
producer:
Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-19)
bass:
Jimmy Bond (on 1967-05-19)
guitar [lead guitar]:
Lee Underwood (on 1967-05-19)
horn [horns] and strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1967-05-19)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-05-19)
recording of:
Goodbye and Hello
lyricist and composer:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
8:41
12Buzzin’ Fly
engineer:
Bruce Botnick
producer:
Zal Yanovsky and Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
acoustic guitar:
John Miller (bassist and music contractor/coordinator)
guitar [lead guitar]:
Lee Underwood
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
Buzzin’ Fly
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
6:04
13Strange Feelin’
engineer:
Bruce Botnick
producer:
Zal Yanovsky and Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass [acoustic bass]:
John Miller (bassist and music contractor/coordinator)
guitar [lead guitar]:
Lee Underwood
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
Strange Feelin’
composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
publisher:
Tim Buckley Music
7:40
14Sing a Song for You
engineer:
Bruce Botnick
producer:
Zal Yanovsky and Jerry Yester
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-06-17)
bass [acoustic bass]:
John Miller (bassist and music contractor/coordinator) (on 1968-06-17)
congas:
Carter C.C. Collins (on 1968-06-17)
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (on 1968-06-17)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-06-17)
recorded at:
TTG Studios in Hollywood, Los Angeles, California, United States (on 1968-06-17)
recording of:
Sing a Song for You
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
2:41
15Phantasmagoria in Two (live)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
bass:
Danny Thompson (English double bass player) (on 1968-10-07)
guitar:
Lee Underwood (on 1968-10-07)
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (on 1968-10-07)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-10-07)
live recording of:
Phantasmagoria in Two
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
4:43
16I’ve Been Out Walking (live)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
bass:
Danny Thompson (English double bass player) (on 1968-10-07)
guitar:
Lee Underwood (on 1968-10-07)
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (on 1968-10-07)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-10-07)
8:21
17Troubadour (live)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
bass:
Danny Thompson (English double bass player) (on 1968-10-07)
guitar:
Lee Underwood (on 1968-10-07)
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (on 1968-10-07)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1968-10-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1968-10-07)
live recording of:
Troubadour
writer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
5:45
2CD
#TitleRatingLength
1Happy Time
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass:
John Miller (bassist and music contractor/coordinator)
guitar:
Lee Underwood
guitar [lead guitar]:
Steve Khan
membranophone:
Jimmy Madison
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
Happy Time
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
3:17
2Chase the Blues Away
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass [acoustic bass]:
John Miller (bassist and music contractor/coordinator)
guitar [lead guitar]:
Lee Underwood
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
Chase The Blues Away
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
35:13
3I Must Have Been Blind
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass:
John Miller (bassist and music contractor/coordinator)
membranophone:
Jimmy Madison
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
I Must Have Been Blind
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
3:46
4The River
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass:
John Miller (bassist and music contractor/coordinator)
membranophone:
Jimmy Madison
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
The River
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
5:49
5So Lonely
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
electric bass guitar [electric bass]:
John Miller (bassist and music contractor/coordinator)
guitar [lead guitar]:
Lee Underwood
membranophone:
Jimmy Madison
vibraphone [vibes]:
David Friedman (US jazz percussionist, mainly vibraphone and marimba)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
So Lonely
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
3:30
6Blue Melody
engineer:
Dick Kunc
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
bass [acoustic bass]:
John Miller (bassist and music contractor/coordinator)
congas:
Carter C.C. Collins
guitar [lead guitar] and piano:
Lee Underwood
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
recording of:
Blue Melody
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
4:56
7I Had a Talk With My Woman (live)
engineer and producer:
Dick Kunc
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1969-09)
bass:
John Balkin (in 1969-09)
congas:
Carter C.C. Collins (in 1969-09)
guitar [lead guitar]:
Lee Underwood (in 1969-09)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1969-09)
recorded at:
The Troubadour in West Hollywood, California, United States (in 1969-09)
live recording of:
I Had a Talk With My Woman
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
7:27
8Moulin Rouge
engineer:
Stan Agol
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-15)
bass:
John Balkin
guitar [lead guitar]:
Lee Underwood (on 1970-09-15)
trumpet:
Buzz Gardner (US trumpeter, brother of Bunk Gardner) (on 1970-09-15)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-15)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1970-09-15)
recording of:
Moulin Rouge (Tim Buckley song) (on 1970-09-15)
lyricist:
Larry Beckett
composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
1:59
9Song to the Siren
engineer:
Stan Agol
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-16)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-16)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1970-09-16)
recording of:
Song to the Siren (on 1970-09-16)
lyricist:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
arranger:
Cul de Sac (Boston-based instrumental rock group)
publisher:
Carlin Music Corporation, Third Story Music, Inc. and Tim Buckley Music
53:29
10Monterey
engineer:
Stan Agol
producer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-14)
bass:
John Balkin (on 1970-09-14)
guitar [lead guitar]:
Lee Underwood (on 1970-09-14)
membranophone and timpani:
Maury Baker (on 1970-09-14)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1970-09-14)
recorded at:
Whitney Recording Studios in Glendale, California, United States (on 1970-09-14)
recording of:
Monterey
lyricist:
Larry Beckett
composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
4:31
11Sweet Surrender
engineer:
Stan Agol and Chris Huston
producer:
Jerry Goldstein (producer, record label owner and publisher)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
bass:
Chuck Rainey (American bassist) (in 1972-05)
cello:
Jesse Ehrlich (in 1972-05)
congas:
King Errisson (conguero) (in 1972-05)
drums (drum set):
Ed Greene (drummer) (in 1972-05)
guitar:
Joe Falsia (Producer, songwriter, guitarist) (in 1972-05)
viola:
Harry Hyams (in 1972-05) and Ralph Schaeffer (in 1972-05)
violin:
Robert Konrad (in 1972-05), William Kurasch (in 1972-05) and Louis Kievman (violist) (in 1972-05)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
strings [string] arranger:
Joe Falsia (Producer, songwriter, guitarist) (in 1972-05)
recorded at:
Far Out Studios in Hollywood, Los Angeles, California, United States (in 1972-05)
remixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Sweet Surrender
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
6:47
12Hong Kong Bar
engineer:
Stan Agol and Chris Huston
producer:
Jerry Goldstein (producer, record label owner and publisher)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1972-05-25)
foot stomps [dancer]:
Alena ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
guitar [lead guitar]:
Joe Falsia (Producer, songwriter, guitarist) (on 1972-05-25)
handclaps:
Jerry Goldstein (producer, record label owner and publisher) (on 1972-05-25)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1972-05-25)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (on 1972-05-25)
remixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Hong Kong Bar
writer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) and Joe Falsia (Producer, songwriter, guitarist)
7:07
13Make It Right
engineer:
Stan Agol and Chris Huston
producer:
Jerry Goldstein (producer, record label owner and publisher)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
bass:
Reinie Press (Bassist and studio musician from the US) (in 1972-05)
cello:
Jesse Ehrlich (in 1972-05)
drums (drum set):
Ed Greene (drummer) (in 1972-05)
guitar [lead guitar]:
Joe Falsia (Producer, songwriter, guitarist) (in 1972-05)
piano:
Kevin Kelly (piano, organ, accordion player) (in 1972-05)
viola:
Harry Hyams (in 1972-05) and Ralph Schaeffer (in 1972-05)
violin:
Robert Konrad (in 1972-05), William Kurasch (in 1972-05) and Louis Kievman (violist) (in 1972-05)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1972-05)
strings [string] arranger:
Joe Falsia (Producer, songwriter, guitarist)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (on 1972-05-25) and Far Out Studios in Hollywood, Los Angeles, California, United States (on 1972-05-26)
remixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Make It Right
writer:
Larry Beckett, Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer), Joe Falsia (Producer, songwriter, guitarist) and Jerry Goldstein (producer, record label owner and publisher)
4:10
14Sally Go ’round the Roses
engineer:
Roger Dollarhide, Larry Hirsch (Producer & Engineer), Kerry McNabb (recording engineer in the 1970s), Roy Cicalo and Greg Venable
producer:
Denny Randell
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1973-05-31)
bass:
Bernie Mysior (on 1973-05-31)
guitar [lead guitar]:
Joe Falsia (Producer, songwriter, guitarist) (on 1973-05-31)
keyboard [keyboards]:
Mark Tiernan (on 1973-05-31)
membranophone:
Buddy Helm (on 1973-05-31)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (on 1973-05-31)
strings [string] arranger:
David Blumberg and Denny Randell
concertmaster:
Sid Sharp
engineered at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (on 1973-05-31)
recording of:
Sally Go ’round the Roses
writer:
Zelma Sanders (Singer, songwriter, group manager, label owner) and Lona Stevens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:47
15Who Could Deny You
engineer:
Stan Agol
producer:
Joe Falsia (Producer, songwriter, guitarist)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1974-07)
bass:
Jim Hughart (in 1974-07)
drums (drum set):
Earl Palmer (in 1974-07)
guitar [lead guitar]:
Joe Falsia (Producer, songwriter, guitarist) (in 1974-07)
Moog [Moog synthesizer], organ and piano:
Mike Melvoin (in 1974-07)
percussion:
Gary Coleman (US percussionist) (in 1974-07)
background vocals:
Venetta Fields (in 1974-07), Clydie King (in 1974-07) and Sherlie Matthews (US vocalist) (in 1974-07)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1974-07)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974-07)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Who Could Deny You
lyricist and composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
4:24
16Song to the Siren (From "The Monkees" TV Show)
12 string guitar:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-11)
spoken vocals [introduction]:
Micky Dolenz (in 1967-11)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (in 1967-11)
recording of:
Song to the Siren
lyricist:
Larry Beckett and Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
composer:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
arranger:
Cul de Sac (Boston-based instrumental rock group)
publisher:
Carlin Music Corporation, Third Story Music, Inc. and Tim Buckley Music
3:16

Credits

Release

art direction:Hugh Brown (US art director and photographer)
Maria Villar (art director, graphic designer)
design/illustration:Maria Villar (art director, graphic designer)
producer:James Austin (US producer, associated with Rhino Records)
Bill Inglot (archival music producer/remastering engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
mastered at:DigiPrep Mastering in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/4293550 [info]
ASIN:US: B000059RJR [info]