The Great Composers IV

~ Parution par Various Artists (afficher toutes les versions de cette parution, 2 proposées)

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1▼CD : CD 1: Georg Friedrich Händel
noTitreArtisteÉvaluationDurée
1Concerto Grosso in a-moll, Op. 6, Nr. 4: Larghetto affettuoso
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Bratislava Chamber Orchestra, Camerata Bratislava et Handel Festival Chamber Orchestra
conductor :
Pavol Bagin
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1739)
partie de :
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel2:44
2Concerto Grosso in a-moll, Op. 6, Nr. 4: Allegro
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Bratislava Chamber Orchestra, Camerata Bratislava et Handel Festival Chamber Orchestra
conductor :
Pavol Bagin
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1739)
partie de :
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel3:11
3Concerto Grosso in a-moll, Op. 6, Nr. 4: Largo e piano
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Bratislava Chamber Orchestra, Camerata Bratislava et Handel Festival Chamber Orchestra
conductor :
Pavol Bagin
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1739)
partie de :
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel2:07
4Concerto Grosso in a-moll, Op. 6, Nr. 4: Allegro
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Bratislava Chamber Orchestra, Camerata Bratislava et Handel Festival Chamber Orchestra
conductor :
Pavol Bagin
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1739)
partie de :
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel3:09
5Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Camerata Bratislava
conductor :
Pavol Bagin
recording of :
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel3:07
6Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Camerata Bratislava
conductor :
Pavol Bagin
recording of :
Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel3:20
7Concerto Grosso in h-moll, Op. 6, Nr. 12: Aria: Larghetto e piano
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Camerata Bratislava
conductor :
Pavol Bagin
recording of :
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel4:25
8Concerto Grosso in h-moll, Op. 6, Nr. 12: Largo
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Camerata Bratislava
conductor :
Pavol Bagin
recording of :
Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel1:10
9Concerto Grosso in h-moll, Op. 6, Nr. 12: Allegro
violon :
Quido Hölbling (violinist) et Anna Hölblingová (violinist)
violoncelle :
Jozef Podhoranský
orchestre :
Camerata Bratislava
conductor :
Pavol Bagin
recording of :
Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel2:34
10Aus: "Xerxes": Serse: "Ombra mai fu"
voix de mezzo-soprano :
Jennifer Lane (operatic mezzo‐soprano)
orchestre :
Kammerorchester Brewer
conductor :
Rudolph Palmer (conductor)
recording of :
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (du 1737-12-26 au 1738-01-09)
librettiste :
[anonymous] (special purpose artist)
partie de :
Serse, HWV 40: Atto I
Georg Friedrich Händel3:35
11Aus: "Xerxes": Rinaldo: "Laschia ch'io pianga"
voix de mezzo-soprano :
Madeleine Tsingopoulos (mezzo-soprano)
orchestre :
Kammerorchester Brewer
conductor :
Rudolph Palmer (conductor)
recording of :
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1711)
librettiste :
Giacomo Rossi
partie de :
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel4:33
12Harfenkonzert in B-Dur, Op. 4, Nr. 6: Andante - Allegro
harpe :
Marie-Claire Jamet (harpist)
orchestre :
Kammerorchester Paris
conductor :
Paul Kuentz (conductor)
recording of :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1736)
partie de :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel26:08
13Harfenkonzert in B-Dur, Op. 4, Nr. 6: Larghetto
harpe :
Marie-Claire Jamet (harpist)
orchestre :
Kammerorchester Paris
conductor :
Paul Kuentz (conductor)
recording of :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1736)
partie de :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel5:25
14Harfenkonzert in B-Dur, Op. 4, Nr. 6: Allegro Moderato
harpe :
Marie-Claire Jamet (harpist)
orchestre :
Kammerorchester Paris
conductor :
Paul Kuentz (conductor)
recording of :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1736)
partie de :
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel2:51
15Orgelkonzert in d-moll, Op. 7/4, HWV 306: Adagio
orgue :
Harald Feller (German organist)
orchestre :
Capella Istropolitana
conductor :
Paul Kantschieder (conductor)
recording of :
Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
version de :
Organ Concerto Movement in D minor (with organ solo and organ ripieno)
partie de :
Organ Concerto in D minor, op. 7 no. 4, HWV 309
Georg Friedrich Händel6:29
16Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro
orgue :
Harald Feller (German organist)
orchestre :
Capella Istropolitana
conductor :
Paul Kantschieder (conductor)
recording of :
Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro così così
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Organ Concerto in D minor, op. 7 no. 4, HWV 309
Georg Friedrich Händel5:42
17Orgelkonzert in d-moll, Op. 7/4, HWV 306: Organo ad libitum
orgue :
Harald Feller (German organist)
orchestre :
Capella Istropolitana
conductor :
Paul Kantschieder (conductor)
recording of :
Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Organ Concerto in D minor, op. 7 no. 4, HWV 309
Georg Friedrich Händel2:39
18Orgelkonzert in d-moll, Op. 7/4, HWV 306: Allegro
orgue :
Harald Feller (German organist)
orchestre :
Capella Istropolitana
conductor :
Paul Kantschieder (conductor)
recording of :
Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer)
partie de :
Organ Concerto in D minor, op. 7 no. 4, HWV 309
Georg Friedrich Händel3:40
19Aus dem "Messias": Hallelujah
chœurs :
Pforzhelm Motet Choir (German chamber choir)
conductor :
Rolf Schweizer
interprète :
Südwestdeutsche Barocksolisten
recording of :
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
librettiste :
Charles Jennens
partie de :
Messiah, HWV 56: Part II
Georg Friedrich Händel3:35
2▼CD : CD 2: Wolfgang Amadeus Mozart
noTitreArtisteÉvaluationDurée
1Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Salzburg Mozarteum Orchestra et Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Libor Pešek (conductor), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": I. Allegro vivace)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:24
2Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": II. Andante cantabile)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:32
3Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Menuetto
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": III. Menuetto. Allegretto)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:05
4Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro
orchestre :
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) et Salzburg Mozarteum Orchestra
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) et Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of :
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (Symphonie No. 41 en ut majeur, K. 551 "Jupiter": IV. Molto allegro)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1788 au 1788-08-10)
partie de :
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:55
5Klavierkonziert Nr. 22 Es-Dur, K. 482: I. Allegro
piano :
Carmen Piazzini (pianist)
orchestre et interprète :
Leningrad Soloists
conductor :
Michael Gantvarg (Mikhail Gantvarg, violinist and conductor)
recording of :
Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1785-12)
partie de :
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart12:28
6Klavierkonziert Nr. 22 Es-Dur, K. 482: II. Andante
piano :
Carmen Piazzini (pianist)
orchestre et interprète :
Leningrad Soloists
conductor :
Michael Gantvarg (Mikhail Gantvarg, violinist and conductor)
recording of :
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1785-12)
partie de :
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart8:53
7Klavierkonziert Nr. 22 Es-Dur, K. 482: III. Allegro
piano :
Carmen Piazzini (pianist)
orchestre :
Leningrad Soloists
conductor :
Michael Gantvarg (Mikhail Gantvarg, violinist and conductor)
recording of :
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1785-12)
partie de :
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart10:57
3▼CD : CD 3: Ludwig van Beethoven
noTitreArtisteÉvaluationDurée
1Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": I. Allegro con brio
piano :
Peter Toperczer (Slavic pianist)
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
compositeur :
Ludwig van Beethoven (German composer) (le 1809)
partie de :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven20:59
2Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": II. Adagio un poco mosso
piano :
Peter Toperczer (Slavic pianist)
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
compositeur :
Ludwig van Beethoven (German composer) (le 1809)
partie de :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:17
3Klavierkonzert Nr. 5 Es-Dur, Op. 73 "Emperor": III. Rondo. Allegro
piano :
Peter Toperczer (Slavic pianist)
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Libor Pešek (conductor)
recording of :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
compositeur :
Ludwig van Beethoven (German composer) (le 1809)
partie de :
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:46
4Egmont-Ouvertüre, Op. 84
orchestre :
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) et Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor :
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz et Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
première en :
Wien (Vienna), Autriche (le 1810-06-15)
compositeur :
Ludwig van Beethoven (German composer) (du 1809-10 au 1810-06)
partie de :
Egmont, op. 84
Ludwig van Beethoven8:25
5Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio
piano :
Robert Taub (pianist)
recording of :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio
compositeur :
Ludwig van Beethoven (German composer) (le 1798)
partie de :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven9:30
6Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile
piano :
Robert Taub (pianist)
recording of :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
compositeur :
Ludwig van Beethoven (German composer) (le 1798)
partie de :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:28
7Klaviersonate Nr. 8 c-Moll, Op. 13 "Pathétique": III. Rondo. Allegro
piano :
Robert Taub (pianist)
recording of :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
compositeur :
Ludwig van Beethoven (German composer) (le 1798)
partie de :
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:59
4▼CD : CD 4: Gioachino Rossini
noTitreArtisteÉvaluationDurée
1Wilhelm Tell: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) et Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor :
Alfred Scholz
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1989)
recording of :
Guillaume Tell : Ouverture (William Tell: Overture)
compositeur :
Gioachino Rossini (composer)
librettiste :
Hippolyte Louis-Florent Bis (librettist) et Étienne de Jouy
partie de :
Guglielmo Tell (italian version by Calisto Bassi)
partie de :
Guillaume Tell
Gioachino Rossini12:11
2Der Barbier von Sevilla: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie‐Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor :
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) et Alfred Scholz
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1989)
recording of :
Il barbiere di Siviglia: Sinfonia
compositeur :
Gioachino Rossini (composer)
librettiste :
Cesare Sterbini
partie de :
Der Barbier von Sevilla (german lyrics)
partie de :
Il barbiere di Siviglia
partie de :
Le Barbier de Séville (french lyrics)
partie de :
The Barber of Seville (english lyrics)
Gioachino Rossini47:46
3Der Barbier von Sevilla: Largo al factotum
ingénieur du son :
Eric Tomlinson (British recording engineer) (du 1992-06-01 au 1992-06-02) et Daniel Gable (engineer) (du 1992-06-01 au 1992-06-02)
producteur :
Christopher Todd Landor (producer / found of label Musical Concepts)
mixeur :
Eric Tomlinson (British recording engineer)
chœurs :
Pražský filharmonický sbor (Czech Philharmonic Chorus, Prague Philharmonic Choir)
voix :
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
voix de baryton :
Steven Page (opera baritone) (du 1992-06-01 au 1992-06-02)
orchestre :
Tschechisches Symphonieorchester et Czech Symphony Orchestra (L’Orchestre philharmonique de Prague) (du 1992-06-01 au 1992-06-02)
conductor :
Julian Bigg (conductor) (du 1992-06-01 au 1992-06-02)
droits phonographiques (℗) par :
Christopher Todd Landor (producer / found of label Musical Concepts) (le 1992)
enregistré à :
FHS Studios dans Praha (Prague), Tchéquie (du 1992-06-01 au 1992-06-02)
recording of :
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (du 1992-06-01 au 1992-06-02)
compositeur :
Gioachino Rossini (composer)
librettiste :
Cesare Sterbini
partie de :
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:01
4Cinderella: Non piú mesta
voix de mezzo-soprano :
Heather Johnson (mezzo-soprano)
orchestre :
Симфоничен оркестър на Българското национално радио (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra)
conductor :
John Landor (conductor)
recording of :
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
compositeur :
Gioachino Rossini (composer)
librettiste :
Jacopo Ferretti
partie de :
La Cenerentola: Atto II
Gioachino Rossini6:51
5Die diebische Elster: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) et Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1989)
recording of :
La gazza ladra: Ouverture (La Pie voleuse: Ouverture)
compositeur :
Gioachino Rossini (composer) (le 1817)
librettiste :
Giovanni Gherardini
partie de :
La gazza ladra
partie de :
The Thieving Magpie (English version by Sams)
Gioachino Rossini10:41
6Eine Italienerin in Algier: Ouvertüre
orchestre :
London Philharmonic Orchestra (Orchestre philharmonique de Londres, LPO; The Philharmonic Promenade Orchestra) et Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Alfred Scholz
recording of :
L’italiana in Algeri: Sinfonia
compositeur :
Gioachino Rossini (composer)
librettiste :
Angelo Anelli
partie de :
L’italiana in Algeri
Gioachino Rossini7:58
7Variationen für Klarinette und Orchester
clarinette :
David Glazer (clarinetist)
orchestre :
Tiroler Symphonieorchester Innsbruck
conductor :
Robert Wagner (conductor)
Gioachino Rossini14:05
5▼CD : CD 5: Frédéric Chopin
noTitreArtisteÉvaluationDurée
1Ballade Nr. 4 in f-moll Op. 52
piano :
Ivan Moravec (pianist)
recording of :
Ballade no. 4 in F minor, op. 52
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1842)
partie de :
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 5), Works of Fryderyk Chopin by opus number (numéro : op. 52) et Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 146)
partie de :
Ballades (Chopin’s Four Ballades)
Frédéric Chopin11:16
2Grande Polonaise Brillante précédée d'un Andante spianato Op. 22: Andante spianato
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
orchestre :
Polska Filharmonia Kameralna
recording of :
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22: I. Andante spianato
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1834)
partie de :
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22
Frédéric Chopin4:48
3Grande Polonaise Brillante précédée d'un Andante spianato Op. 22: Polonaise: Allegro molto
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
orchestre :
Polska Filharmonia Kameralna
recording of :
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22: II. Grande polonaise brillante. Allegro molto
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (du 1830 au 1831)
partie de :
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22
Frédéric Chopin8:49
4Nocturne in c-moll Op. 48 Nr. 1
piano :
Peter Schmalfuss (pianist)
recording of :
Nocturne no. 13 in C minor, op. 48 no. 1: Lento
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer)
partie de :
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 120)
partie de :
Nocturnes, op. 48
Frédéric Chopin5:11
5Etüde in Ges-Dur Op. 10 Nr. 5: Vivace
piano :
Abbey Simon (pianist)
recording of :
Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1830)
partie de :
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 18) et Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 57)
partie de :
Études, op. 10
Frédéric Chopin1:48
6Etüde in As-Dur Op. 25 Nr. 1 "Æolsharfe"
piano :
Abbey Simon (pianist)
recording of :
Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1836)
partie de :
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 26) et Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 104)
partie de :
Études, op. 25
Frédéric Chopin2:32
7Etüde in Ges-Dur Op. 25 Nr. 9 "Schmetterling"
piano :
Abbey Simon (pianist)
recording of :
Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer)
partie de :
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 34) et Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 78)
partie de :
Études, op. 25
Frédéric Chopin1:07
8Klaviersonate Nr. 2 in b-moll Op. 35: Grave - Doppio movimento
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Sonata for Piano no. 2 in B‐flat minor, op. 35: I. Grave – Doppio movimento
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1839)
partie de :
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin7:15
9Klaviersonate Nr. 2 in b-moll Op. 35: Scherzo
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Sonata for Piano no. 2 in B‐flat minor, op. 35: II. Scherzo
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1839)
partie de :
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin6:20
10Klaviersonate Nr. 2 in b-moll Op. 35: Marche funebre: Lento
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1839)
partie de :
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin9:20
11Klaviersonate Nr. 2 in b-moll Op. 35: Finale: Presto
piano :
Bianca Dommes (pianist, maiden name Bianca Sitzius)
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1993)
recording of :
Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1839)
partie de :
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin1:34
6▼CD : CD 6: Anton Bruckner
noTitreArtisteÉvaluationDurée
1Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Bewegt, nicht zu schnell
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym) et ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (le 1971-12-11)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Milan Horvat (Alfred Scholz pseudonym) (le 1971-12-11)
recording of :
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (le 1971-12-11)
compositeur :
Anton Bruckner (Austrian composer) (du 1873 au 1874)
révisé par :
Anton Bruckner (Austrian composer) (du 1878 au 1880)
partie de :
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner17:27
2Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Andante, quasi allegretto
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym) et ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (le 1971-12-11)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Milan Horvat (Alfred Scholz pseudonym) (le 1971-12-11)
recording of :
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (le 1971-12-11)
compositeur :
Anton Bruckner (Austrian composer) (du 1873 au 1874)
révisé par :
Anton Bruckner (Austrian composer) (du 1878 au 1880)
partie de :
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner14:45
3Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Scherzo
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym) et ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (le 1971-12-11)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Milan Horvat (Alfred Scholz pseudonym) (le 1971-12-11)
recording of :
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (le 1971-12-11)
compositeur :
Anton Bruckner (Austrian composer) (du 1873 au 1874)
révisé par :
Anton Bruckner (Austrian composer) (du 1878 au 1880)
partie de :
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner11:02
4Sinfonie Nr. 4 in Es-Dur "Romantische Sinfonie": Finale
orchestre :
Philharmonia Slavonica (Alfred Scholz pseudonym) et ORF-Symphonieorchester (ORF Symphony Orchestra, Alfred Scholz pseudonym, for the real ORF orchestra use Radio-Symphonieorchester Wien) (le 1971-12-11)
conductor :
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) et Milan Horvat (Alfred Scholz pseudonym) (le 1971-12-11)
recording of :
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (le 1971-12-11)
compositeur :
Anton Bruckner (Austrian composer) (du 1873 au 1874)
révisé par :
Anton Bruckner (Austrian composer) (du 1878 au 1880)
partie de :
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner19:21
7▼CD : CD 7: Johann Strauss II
noTitreArtisteÉvaluationDurée
1Geschichten aus dem Wienerwald, Op. 325
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
Geschichten aus dem Wienerwald, op. 325 (Histoires de la forêt viennoise)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1868)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 325)
Johann Strauss II12:44
2Die Fledermaus: Ouvertüre
orchestre :
London Festival Orchestra (Alfred Scholz pseudonym) et Orchester der Wiener Volksoper (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz) et Alfred Scholz
recording of :
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Die Fledermaus
partie de :
Die Fledermaus (English version, lyrics by Mandel/Sachs)
partie de :
Die Fledermaus (English version, lyrics by Dietz)
partie de :
Die Fledermaus (english; unknown version)
Johann Strauss II8:19
3Unter Donner und Blitz, schnelle Polka, Op. 316
violon :
André Rieu
orchestre :
Orchester der Wiener Volksoper, Strauss-Orchester Wien et The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) et Alfred Scholz
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1984)
recording of :
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1868)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 324)
Johann Strauss II3:17
4Vergnügungszug, Polka schnell, Op. 281
orchestre :
Strauss-Orchester (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Strauss Orchester
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Vergnügungszug, op. 281
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 281)
Johann Strauss II2:55
5Rosen aus dem Süden, Walzer, Op. 388
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
Rosen aus dem Süden, op. 388 (Roses from the South)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1880)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 388)
Johann Strauss II9:45
6Liebeslieder, Op. 114
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
Liebeslieder, op. 114 (Love Songs, Op. 114)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 114)
Johann Strauss II9:48
7Persischer Marsch, Op. 289
orchestre :
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Persischer Marsch, op. 289
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 289)
Johann Strauss II2:24
8Seid umschlungen, Millionen, Walzer, Op. 443
orchestre :
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Alfred Scholz
recording of :
Seid umschlungen, Millionen, op. 443
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 443)
Johann Strauss II10:12
9Wiener Blut, Walzer, Op. 354
orchestre :
Orchester der Wiener Volksoper
recording of :
Wiener Blut, op. 354 (Sang viennois, waltz)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (jusqu’au 1873)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 354)
Johann Strauss II10:16
8▼CD : CD 8: Johannes Brahms
noTitreArtisteÉvaluationDurée
1Sinfonie Nr. 2 in D-Dur, Op. 73: I. Allegro non troppo
orchestre :
Royal Philharmonic Orchestra
conductor :
Libor Pešek (conductor)
recording of :
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo
compositeur :
Johannes Brahms (German composer) (le 1877)
partie de :
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms15:32
2Sinfonie Nr. 2 in D-Dur, Op. 73: II. Adagio non troppo
orchestre :
Royal Philharmonic Orchestra
conductor :
Libor Pešek (conductor)
recording of :
Sinfonie Nr. 2 D-Dur, op. 73: II. Adagio non troppo
compositeur :
Johannes Brahms (German composer) (le 1877)
partie de :
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms10:25
3Sinfonie Nr. 2 in D-Dur, Op. 73: III. Allegretto grazioso (quasi andantino)
orchestre :
Royal Philharmonic Orchestra
conductor :
Libor Pešek (conductor)
recording of :
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino)
compositeur :
Johannes Brahms (German composer) (le 1877)
partie de :
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms5:15
4Sinfonie Nr. 2 in D-Dur, Op. 73: IV. Allegro con spirito
orchestre :
Royal Philharmonic Orchestra
conductor :
Libor Pešek (conductor)
recording of :
Sinfonie Nr. 2 D-Dur, op. 73: IV. Allegro con spirito
compositeur :
Johannes Brahms (German composer) (le 1877)
partie de :
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms9:39
5Violinsonate Nr. 2 in A-Dur, Op. 100: I. Allegro amabile
piano :
Hugh Sung
violon :
Aaron Rosand (violinist)
recording of :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": I. Allegro amabile
compositeur :
Johannes Brahms (German composer) (le 1886)
partie de :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"
Johannes Brahms8:14
6Violinsonate Nr. 2 in A-Dur, Op. 100: II. Andante tranquillo
piano :
Hugh Sung
violon :
Aaron Rosand (violinist)
recording of :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante - Vivace
compositeur :
Johannes Brahms (German composer) (le 1886)
partie de :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"
Johannes Brahms6:37
7Violinsonate Nr. 2 in A-Dur, Op. 100: III. Allegretto grazioso (quasi andante)
piano :
Hugh Sung
violon :
Aaron Rosand (violinist)
recording of :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun": III. Allegretto grazioso (quasi andante)
compositeur :
Johannes Brahms (German composer) (le 1886)
partie de :
Sonata for Violin and Piano no. 2 in A major, op. 100 "Thun"
Johannes Brahms5:13
9▼CD : CD 9: Pjotr Iljitsch Tschaikowski
noTitreArtisteÉvaluationDurée
1Symphonie No. 6 h-Moll, Op. 74 "Pathétique": I. Adagio - Allegro non troppo
orchestre :
Slovenská filharmónia (Orchestre philharmonique slovaque)
conductor :
Bystrík Režucha (conductor)
recording of :
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Symphonie No. 6 en si mineur, Op. 74 "Pathétique": I. Adagio - Allegro non troppo)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1893-02 au 1893-08)
partie de :
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pjotr Iljitsch Tschaikowski17:52
2Symphonie No. 6 h-Moll, Op. 74 "Pathétique": II. Allegro con grazia
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bystrík Režucha (conductor)
recording of :
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (Symphonie No. 6 en si mineur, Op. 74 "Pathétique": II. Allegro con grazia)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1893-02 au 1893-08)
partie de :
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pjotr Iljitsch Tschaikowski8:03
3Symphonie No. 6 h-Moll, Op. 74 "Pathétique": III. Allegro molto vivace
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bystrík Režucha (conductor)
recording of :
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (Symphonie No. 6 en si mineur, Op. 74 "Pathétique": III. Allegro molto vivace)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1893-02 au 1893-08)
partie de :
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pjotr Iljitsch Tschaikowski8:58
4Symphonie No. 6 h-Moll, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
orchestre :
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor :
Bystrík Režucha (conductor)
recording of :
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Symphonie No. 6 en si mineur, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso)
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1893-02 au 1893-08)
partie de :
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pjotr Iljitsch Tschaikowski9:13
5Serenade für Streichorchester in C-Dur Op. 48: I. Pezzo in forma di Sonatina
orchestre :
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
conductor :
Conrad von der Goltz (violinist)
recording of :
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1880)
partie de :
Serenade for Strings in C major, op. 48
Pjotr Iljitsch Tschaikowski10:24
6Serenade für Streichorchester in C-Dur Op. 48: II. Valse: Moderato
orchestre :
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
conductor :
Conrad von der Goltz (violinist)
recording of :
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1880)
partie de :
Serenade for Strings in C major, op. 48
Pjotr Iljitsch Tschaikowski3:55
7Serenade für Streichorchester in C-Dur Op. 48: III. Elegia: Larghetto
orchestre :
Kammerorchester Conrad von der Goltz (an Alfred Scholz pseudonym)
conductor :
Conrad von der Goltz (violinist)
recording of :
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1880)
partie de :
Serenade for Strings in C major, op. 48
en public recording of :
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1880)
partie de :
Serenade for Strings in C major, op. 48
Pjotr Iljitsch Tschaikowski9:16
8Serenade für Streichorchester in C-Dur Op. 48: IV. Finale: Andante - Allegro
orchestre :
Conrad von der Goltz Chamber Orchestra (an Alfred Scholz pseudonym)
conductor :
Conrad von der Goltz (violinist)
recording of :
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1880)
partie de :
Serenade for Strings in C major, op. 48
Pjotr Iljitsch Tschaikowski8:11
10▼CD : CD 10: Edvard Grieg
noTitreArtisteÉvaluationDurée
1"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Prélude
orchestre :
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor :
Istvan Cohen (probably another Alfred Scholz)
recording of :
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
arrangement de :
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
2"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Sarabande
orchestre :
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor :
Istvan Cohen (probably another Alfred Scholz)
recording of :
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of :
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:11
3"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Gavotte
orchestre :
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor :
Istvan Cohen (probably another Alfred Scholz)
recording of :
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:10
4"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Andante religioso
orchestre :
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor :
Istvan Cohen (probably another Alfred Scholz)
recording of :
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg5:37
5"Aus Holbergs Zeit" (Suite im alten Stil), Op. 40: Rigaudon
orchestre :
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor :
Istvan Cohen (probably another Alfred Scholz)
recording of :
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra)
compositeur :
Edvard Grieg (composer) (le 1884)
partie de :
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:08
6Lyrische Suite, Op. 54: Hirtenknabe
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Lyric Suite, op. 54: I. Shepherd Boy. Andantino espressivo
orchestrateur et compositeur :
Edvard Grieg (composer)
orchestration de :
Lyriske stykker, hefte V, op. 54: No. 1: Gjætergut (Lyric Pieces, Book V, op. 54 no. 1: Shepherd's Boy)
partie de :
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg5:03
7Lyrische Suite, Op. 54: Gangar - Norwegischer Marsch
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Lyric Suite, op. 54: II. Norwegian March. Allegretto marcato (orch. Seidl, revised Grieg)
orchestrateur :
Anton Seidl
compositeur :
Edvard Grieg (composer)
révisé par :
Edvard Grieg (composer) (le 1905)
orchestration de :
Lyriske stykker, hefte V, op. 54: No. 2: Gangar (Lyric Pieces, Book V, op. 54 no. 2: Gangar)
partie de :
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg4:10
8Lyrische Suite, Op. 54: Notturno
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Lyric Suite, op. 54: III. Notturno. Andante (orch. Seidl, revised Grieg)
orchestrateur :
Anton Seidl
compositeur :
Edvard Grieg (composer)
révisé par :
Edvard Grieg (composer) (le 1905)
orchestration de :
Lyriske stykker, hefte V, op. 54: No. 4: Notturno (Lyric Pieces, Book V, op. 54 no. 4: Nocturne, original for piano)
partie de :
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg4:11
9Lyrische Suite, Op. 54: Zug der Zwerge
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato (orch. Seidl, revised Grieg)
orchestrateur :
Anton Seidl
compositeur :
Edvard Grieg (composer)
révisé par :
Edvard Grieg (composer) (le 1905)
orchestration de :
Lyriske stykker, hefte V, op. 54: No. 3: Troldtog (Lyric Pieces, Book V, op. 54 no. 3: March of the Dwarfs)
partie de :
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg3:38
10Hochzeitstag auf Troldhaugen, Op. 65
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Lyriske stykker, op. 65 no. 6: Bryllupsdag på Troldhaugen (for orchestra)
compositeur :
Edvard Grieg (composer)
orchestration de :
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
Edvard Grieg5:21
11Sigurd Jorsalfar, Op. 56: In der Königshalle
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: I. Prelude: I kongens hall
compositeur :
Edvard Grieg (composer)
version de :
Sigurd Jorsalfar, op. 22: III. Ved mannjevningen
partie de :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg3:52
12Sigurd Jorsalfar, Op. 56: Borghilds Traum
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: II. Intermezzo: Borhilds Drøm
compositeur :
Edvard Grieg (composer)
version de :
Sigurd Jorsalfar, op. 22: II. Borghilds drøm (Intermezzo)
partie de :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg3:07
13Sigurd Jorsalfar, Op. 56: Huldigungsmarsch
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56: III. Hyldningsmarsj (3 Orchestral Pieces from "Sigurd Jorsalfar": III. Homage March)
compositeur :
Edvard Grieg (composer)
version de :
Sigurd Jorsalfar, op. 22: V. Hyldningsmarsj
partie de :
Tre Orkesterstykker fra Sigurd Jorsalfar, op. 56 (3 Orchestral Pieces from "Sigurd Jorsalfar")
Edvard Grieg8:22
14Elegische Melodien für Klavier Op. 34: Herzwunden
piano :
Stefan Jeschko (pianist)
orchestre :
Štátna filharmónia Košice (Slovak State Philharmonic Orchestra, Košice)
recording of :
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
compositeur :
Edvard Grieg (composer)
partie de :
To elegiske melodier, op. 34 (Two elegiac melodies, op. 34, for piano)
recording of :
To elegiske melodier, op. 34: No. 1. Hjertesår (Two Elegiac Melodies, op. 34: No. 1. Heartwounds, for strings)
orchestrateur et compositeur :
Edvard Grieg (composer)
orchestration de :
To elegiske melodier, op. 34: No. 1. Hjertesår (for piano)
partie de :
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg2:28
15Elegische Melodien für Klavier Op. 34: Letzter Frühling
piano :
Stefan Jeschko (pianist)
recording of :
To elegiske melodier, op. 34: No. 2. Våren (for piano)
compositeur :
Edvard Grieg (composer)
partie de :
To elegiske melodier, op. 34 (Two elegiac melodies, op. 34, for piano)
Edvard Grieg5:21
16An der Wiege "Bådnlåt", Op. 68, Nr. 5
orchestre :
Utah Symphony
conductor :
Maurice Abravanel (conductor)
recording of :
Two Lyric Pieces from op. 68: At the Cradle (for orchestra)
orchestrateur et compositeur :
Edvard Grieg (composer)
orchestration de :
Lyriske stykker, hefte IX, op. 68: No. 5. Bådnlåt (Lyric pieces, op. 68, no. 5: At the cradle (Lullaby))
partie de :
Two Lyric Pieces from op. 68 (Two Lyric Pieces, op. 68, for orchestra)
Edvard Grieg2:42
11▶CD : CD 11: Gustav Mahler
12▶CD : CD 12: George Gershwin

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ASIN :DE: B003OFHHJU [info]