Weihnachts-Oratorium

~ Release by Johann Sebastian Bach; Trompetenensemble Ludwig Güttler, Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Weihnachts-Oratorium: Erster Teil. Nr. 1 Chor: "Jauchzet, frohlocket"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:39
2Weihnachts-Oratorium: Erster Teil. Nr. 2 Evangelist: "Es begab sich aber zu der Zeit"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:25
3Weihnachts-Oratorium: Erster Teil. Nr. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
4Weihnachts-Oratorium: Erster Teil. Nr. 4 Aria (Alt): "Bereite dich, Zion"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
5Weihnachts-Oratorium: Erster Teil. Nr. 5 Choral: "Wie soll ich dich empfangen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
6Weihnachts-Oratorium: Erster Teil. Nr. 6 Evangelist: "Und sie gebar ihren ersten Sohn" - Nr. 7 Choral: "Er ist auf Erden kommen arm"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:39
7Weihnachts-Oratorium: Erster Teil. Nr. 8 Aria (Bass):" Grosser Herr, o starker König"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:44
8Weihnachts-Oratorium: Erster Teil. Nr. 9 Choral: "Ach mein herzliebes Jesulein"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:17
9Weihnachts-Oratorium: Zweiter Teil. Nr. 10 Sinfonia
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:27
10Weihnachts-Oratorium: Zweiter Teil. Nr. 11 Evangelist: "Und es waren Hirten in derselben Gegend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:54
11Weihnachts-Oratorium: Zweiter Teil. Nr. 12 Choral: "Brich an, o schönes Morgenlicht"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
12Weihnachts-Oratorium: Zweiter Teil. Nr. 13 Evangelist, Engel: "Und der Engel sprach zu ihnen"
soprano vocals [Angel]:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
13Weihnachts-Oratorium: Zweiter Teil. Nr. 14 Rezitativ (Bass): "Was gott dem Abraham verheissen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
14Weihnachts-Oratorium: Zweiter Teil. Nr. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37
15Weihnachts-Oratorium: Zweiter Teil. Nr. 16 Rezitativ (Engel): "Und das habt zum Zeichen"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
16Weihnachts-Oratorium: Zweiter Teil. Nr. 17 Choral: "Schaut him, dort liegt im finstern Stall"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
17Weihnachts-Oratorium: Zweiter Teil. Nr. 18 Rezitativ (Bass): "So geht denn hin, ihr Hirten, geht"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
18Weihnachts-Oratorium: Zweiter Teil. Nr. 19 Aria (Alt): "Schlafe, mein Liebster, geniesse der Ruh"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:03
19Weihnachts-Oratorium: Zweiter Teil. Nr. 20 Evangelist: "Und alsbald war da bei dem Engel"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:18
20Weihnachts-Oratorium: Zweiter Teil. Nr. 21 Chor: "Ehre sei Gott in der Höhe"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:48
21Weihnachts-Oratorium: Zweiter Teil. Nr. 22 Rezitativ (Bass): "So recht, ihr Engel, jauchzt und singet"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
22Weihnachts-Oratorium: Zweiter Teil. Nr. 23 Choral: "Wir singen dir in deinem Heer"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 1986-11 until 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
2▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium: Dritter Teil: Nr. 24 Chor: "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:51
2Weihnachts-Oratorium: Dritter Teil: Nr. 25 Evangelist - Nr. 26 Chor - Nr. 27 Rezitativ (Baß)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-01 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:42
3Weihnachts-Oratorium: Dritter Teil: Nr. 28 Choral: "Dies hat er alles uns getan"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
4Weihnachts-Oratorium: Dritter Teil: Nr. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:19
5Weihnachts-Oratorium: Dritter Teil: Nr. 30 Evangelist: "Und sie kamen eilend"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:26
6Weihnachts-Oratorium: Dritter Teil: Nr. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:42
7Weihnachts-Oratorium: Dritter Teil: Nr. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
8Weihnachts-Oratorium: Dritter Teil: Nr. 33 Choral: "Ich will dich mit Fleiß bewahren"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:59
9Weihnachts-Oratorium: Dritter Teil: Nr. 34 Evangelist: "Und die Hirten kehrten wieder um"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
10Weihnachts-Oratorium: Dritter Teil: Nr. 35 Choral: "Seid froh dieweil"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
11Weihnachts-Oratorium: Dritter Teil: Nr. 24 Chor (da capo): "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:49
12Weihnachts-Oratorium: Vierter Teil: Nr. 36 Chor: "Fallt mit Danken, fallt mit Loben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:29
13Weihnachts-Oratorium: Vierter Teil: Nr. 37 Evangelist: "Und da acht Tage um waren"
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
14Weihnachts-Oratorium: Vierter Teil: Nr. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:52
15Weihnachts-Oratorium: Vierter Teil: Nr. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01) and Andrea Ihle (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:39
16Weihnachts-Oratorium: Vierter Teil: Nr. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:40
17Weihnachts-Oratorium: Vierter Teil: Nr. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
18Weihnachts-Oratorium: Vierter Teil: Nr. 42 Choral: "Jesus richte mein Beginnen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:01
3▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium: Fünfter Teil: Nr. 43 Chor: "Ehre sei dir, Gott, gesungen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:58
2Weihnachts-Oratorium: Fünfter Teil: Nr. 44 Evangelist - Nr. 45 Chor
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:29
3Weihnachts-Oratorium: Fünfter Teil: Nr. 46 Choral: "Dein Glanz all Finsternis verzehrt"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
4Weihnachts-Oratorium: Fünfter Teil: Nr. 47 Aria (Bass): "Erleucht auch meine finstre Sinnen"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:47
5Weihnachts-Oratorium: Fünfter Teil: Nr. 48 Evangelist - Nr. 49 Rezitativ (Alt)
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
6Weihnachts-Oratorium: Fünfter Teil: Nr. 50 Evangelist: "Und ließ versammeln alle Hohepriester"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:21
7Weihnachts-Oratorium: Fünfter Teil: Nr. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:51
8Weihnachts-Oratorium: Fünfter Teil: Nr. 52 Rezitativ (Alt): "Mein Liebster herrschet schon"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
9Weihnachts-Oratorium: Fünfter Teil: Nr. 53 Choral: "Zwar ist solche Herzensstube"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
10Weihnachts-Oratorium: Sechster Teil: Nr. 54 Chor: "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:57
11Weihnachts-Oratorium: Sechster Teil: Nr. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig"
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
12Weihnachts-Oratorium: Sechster Teil: Nr. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
13Weihnachts-Oratorium: Sechster Teil: Nr. 57 Aria (Sopran): "Nur ein Wink von seinen Händen"
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:33
14Weihnachts-Oratorium: Sechster Teil: Nr. 58 Evangelist: "Als sie nun den König gehöret hatten"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
15Weihnachts-Oratorium: Sechster Teil: Nr. 59 Chorale: "Ich steh an deiner Krippen hier"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
16Weihnachts-Oratorium: Sechster Teil: Nr. 60 Evangelist: "Und Gott befahl ihnen im Traum"
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
17Weihnachts-Oratorium: Sechster Teil: Nr. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier"
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:55
18Weihnachts-Oratorium: Sechster Teil: Nr. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:36
19Weihnachts-Oratorium: Sechster Teil: Nr. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?"
alto vocals:
Marjana Lipovšek (mezzo soprano) (from 1986-11 until 1987-01)
bass vocals:
Robert Holl (bass‐baritone) (from 1986-11 until 1987-01)
soprano vocals:
Helen Donath (soprano) (from 1986-11 until 1987-01)
tenor vocals:
Eberhard Büchner (tenor) (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
20Weihnachts-Oratorium: Sechster Teil: Nr. 64 Choral: "Nun seid ihr wohl gerochen"
choir vocals:
MDR Rundfunkchor Leipzig (from 1986-11 until 1987-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1986-11 until 1987-01)
conductor:
Peter Schreier (German tenor and conductor) (from 1986-11 until 1987-01)
balance engineer:
Eberhard Richter (engineer) (from 1986-11 until 1987-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1986-11 until 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1986-11 until 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:11

Credits