The Seven Deadly Sins / Little Threepenny Music (2024 remaster)

~ Release by Kurt Weill; Julia Migenes, London Symphony Orchestra, Michael Tilson Thomas (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Die sieben Todsünden (The Seven Deadly Sins): Introduction (Andante sostenuto)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer) (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:24
2Die sieben Todsünden (The Seven Deadly Sins): Sloth (Allegro vivace)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:28
3Die sieben Todsünden (The Seven Deadly Sins): Pride (Allegretto, quasi andantino – Schneller Walzer)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:30
4Die sieben Todsünden (The Seven Deadly Sins): Anger (Molto agitato)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:08
5Die sieben Todsünden (The Seven Deadly Sins): Gluttony (Largo)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:30
6Die sieben Todsünden (The Seven Deadly Sins): Lechery (Moderato)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:15
7Die sieben Todsünden (The Seven Deadly Sins): Avarice (Allegro giusto)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill2:58
8Die sieben Todsünden (The Seven Deadly Sins): Envy (Allegro non troppo – Alla marcia, un poco tenuto)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
baritone vocals:
Alan Opie (baritone) (from 1987-07-03 until 1987-07-04)
bass vocals:
Roderick Kennedy (operatic bass) (from 1987-07-03 until 1987-07-04)
mezzo-soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
tenor vocals:
Stuart Kale (tenor) (from 1987-07-03 until 1987-07-04) and Robert Tear (tenor) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:18
9Die sieben Todsünden (The Seven Deadly Sins): Finaletto (Andante sostenuto)
engineer:
Bud Graham (classical sound engineer) (from 1987-07-03 until 1987-07-04)
producer:
Steven Epstein (classical music producer)
soprano vocals [Anna I & II]:
Julia Migenes (mezzo-soprano) (from 1987-07-03 until 1987-07-04)
orchestra:
London Symphony Orchestra (from 1987-07-03 until 1987-07-04)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1987-07-03 until 1987-07-04)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-07-03 until 1987-07-04)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (from 1987-07-03 until 1987-07-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:28
10Kleine Dreigroschenmusik (Little Threepenny Music): Overture (Maestoso)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:59
11Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:58
12Kleine Dreigroschenmusik (Little Threepenny Music): The Instead-of Song (Moderato)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:54
13Kleine Dreigroschenmusik (Little Threepenny Music): The Ballad of the Easy Life (Foxtrot: Molto leggiero)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill3:09
14Kleine Dreigroschenmusik (Little Threepenny Music): Polly’s Song (Andante con moto)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:45
15Kleine Dreigroschenmusik (Little Threepenny Music): Tango-Ballad
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:45
16Kleine Dreigroschenmusik (Little Threepenny Music): Cannon Song (Charleston Tempo)
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:36
17Kleine Dreigroschenmusik (Little Threepenny Music): Threepenny Finale
engineer:
Bud Graham (classical sound engineer) (on 1988-04-03)
producer:
Steven Epstein (classical music producer)
orchestra:
Members of the London Symphony Orchestra (London Symphony Orchestra) (on 1988-04-03)
conductor:
Michael Tilson Thomas (conductor and pianist) (on 1988-04-03)
phonographic copyright (℗) by:
CBS Records Inc. (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1988-04-03)
recording of:
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (on 1988-04-03)
composer:
Kurt Weill (composer)
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill4:13

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