Respect for Ahmet Ertegün: ...The Soul Man

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:24
2Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:36
3What'd I Say (Part 1)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Edgar Willis (bass) (il 1959-02-18)
batteria :
Milt Turner (il 1959-02-18)
pianoforte elettrico :
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
sassofono baritono :
Hank Crawford (il 1959-02-18)
sassofono contralto e sassofono tenore :
David “Fathead” Newman (American jazz saxophonist) (il 1959-02-18)
tromba :
Marcus Belgrave (il 1959-02-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
voce di accompagnamento:
The Raelettes (il 1959-02-18)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1959-02-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 1)
registrazione parziale di:
What’d I Say (il 1959-02-18)
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:10
4Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:05
5Splish Splash
produttore:
Herb Abramson e Ahmet Ertegun (US songwriter/producer)
parte di:
Billboard Hot 100: 1958-08-04 (numero: 3)
registrazione di:
Splish Splash
autore:
Bobby Darin e Jean Murray
editore:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. e Oirt Music Inc.
Bobby Darin32:10
6Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:19
7Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:46
8Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:24
9Funky Street
produttore:
Tom Dowd
registrazione di:
Funky Street
autore:
Arthur Conley e Earl Simms
Arthur Conley2:22
10Hold On, I'm Coming
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:31
11Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas3.852:59
12Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
13(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
14Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:32
15Don't Play That Song (The Lied)
registrata a:
New York, New York, Stati Uniti (il 1962-03-03)
produttore:
Leiber and Stoller (songwriting team)
archi [eight strings] e voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1962-03-03)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1962-03-03)
chitarra :
Al Caiola (il 1962-03-03), Charles Macey (il 1962-03-03) e Art Ryerson (il 1962-03-03)
contrabbasso [bass] :
Jack Lesberg (il 1962-03-03)
pianoforte :
Robert Mosely (US rhythm & blues singer/songwriter) (il 1962-03-03)
trombone :
Eddie Bert (il 1962-03-03)
voce:
Ben E. King (il 1962-03-03)
direttore d'orchestra:
Jimmy Haskell (il 1962-03-03)
arrangiatore:
Jimmy Haskell
registrazione di:
Don’t Play That Song (You Lied) (il 1962-03-03)
autore:
Ahmet Ertegun (US songwriter/producer) e Betty Nelson
editore:
Carlin Music Corporation e Unichappell Music, Inc.
Ben E. King52:48
16Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:55
17Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:07
18When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:49