Nummerlijst

1digitale media
#TitelArtiestWaarderingDuur
1Symphonie No. 4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich
opnametechnicus:
Volker Martin (engineer) (in 1977-05)
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
was dirigent:
Claudio Abbado (conductor) (in 1977-05)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1977-05)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (in 1977-05)
is een opname van:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1977-05)
componist:
Gustav Mahler (composer) (van 1899 tot 1901)
deel van:
Symphony no. 4 in G major
Gustav Mahler16:12
2Symphonie No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
opnametechnicus:
Volker Martin (engineer) (in 1977-05)
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
was dirigent:
Claudio Abbado (conductor) (in 1977-05)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1977-05)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (in 1977-05)
is een opname van:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1977-05)
componist:
Gustav Mahler (composer) (van 1899 tot 1901)
deel van:
Symphony no. 4 in G major
Gustav Mahler9:18
3Symphonie No. 4 in G major: III. Ruhevoll (Poco adagio)
opnametechnicus:
Volker Martin (engineer) (in 1977-05)
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
was dirigent:
Claudio Abbado (conductor) (in 1977-05)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1977-05)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (in 1977-05)
is een opname van:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1977-05)
componist:
Gustav Mahler (composer) (van 1899 tot 1901)
deel van:
Symphony no. 4 in G major
Gustav Mahler23:32
4Symphonie No. 4 in G major: IV. Sehr behaglich
opnametechnicus:
Volker Martin (engineer) (in 1977-05)
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
sopraanvocalen:
Frederica von Stade (mezzo-soprano) (in 1977-05)
orkest:
Wiener Philharmoniker (Vienna Philharmonic) (in 1977-05)
was dirigent:
Claudio Abbado (conductor) (in 1977-05)
balanstechnicus:
Günter Hermanns (producer/engineer) (in 1977-05)
opgenomen bij:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Oostenrijk (in 1977-05)
is een opname van:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1977-05)
componist:
Gustav Mahler (composer) (van 1899 tot 1901)
deel van:
Symphony no. 4 in G major
revisie van:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:16
5Symphonie No. 2 in C minor, "Resurrection": I. Allegro maestoso
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1976-02)
orkest:
Chicago Symphony Orchestra (in 1976-02)
was dirigent:
Claudio Abbado (conductor) (in 1976-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer) (in 1976-02)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1976-02)
compilatie van:
Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend van Chicago Symphony Orchestra, Claudio Abbado (conductor) en Symphony no. 2 “Resurrection”: 1. Sehr langsam beginnend van Chicago Symphony Orchestra, Claudio Abbado (conductor)
is een opname van:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1976-02)
componist:
Gustav Mahler (composer) (van 1888 tot 1894)
had de première bij:
[concert] (1895-03-04)
had de première bij:
Philharmonie in Kreuzberg, Berlin, Duitsland (op 1895-03-04)
versie van:
Totenfeier (Funeral Rites)
deel van:
Symphony no. 2 “Resurrection”
Gustav Mahler20:48
6Symphonie No. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orkest:
Chicago Symphony Orchestra (in 1976-02)
was dirigent:
Claudio Abbado (conductor) (in 1976-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer) (in 1976-02)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1976-02)
is een opname van:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1976-02)
componist:
Gustav Mahler (composer) (van 1888 tot 1894)
had de première bij:
[concert] (1895-03-04)
had de première bij:
Philharmonie in Kreuzberg, Berlin, Duitsland (op 1895-03-04)
deel van:
Symphony no. 2 “Resurrection”
Gustav Mahler10:03
7Symphonie No. 2 in C minor, "Resurrection": III. Scherzo: In ruhig fliessender Bewegung
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orkest:
Chicago Symphony Orchestra (in 1976-02)
was dirigent:
Claudio Abbado (conductor) (in 1976-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer) (in 1976-02)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1976-02)
is een opname van:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1976-02)
componist:
Gustav Mahler (composer) (van 1888 tot 1894)
had de première bij:
[concert] (1895-03-04)
had de première bij:
Philharmonie in Kreuzberg, Berlin, Duitsland (op 1895-03-04)
is gebaseerd op:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
deel van:
Symphony no. 2 “Resurrection”
Gustav Mahler10:35
8Symphonie No. 2 in C minor, "Resurrection": IV. "Urlicht". Sehr feierlich, aber schlicht
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
solomezzo-sopraanvocalen:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-02)
orkest:
Chicago Symphony Orchestra (in 1976-02)
was dirigent:
Claudio Abbado (conductor) (in 1976-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer) (in 1976-02)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1976-02)
is een opname van:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1976-02)
componist:
Gustav Mahler (composer) (van 1888 tot 1894)
librettist:
[anonymous] ([anoniem], special purpose artist)
arrangement van:
Des Knaben Wunderhorn: Urlicht
deel van:
Symphony no. 2 “Resurrection”
Gustav Mahler5:08
9Symphonie No. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos.
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) (in 1976-02)
solomezzo-sopraanvocalen:
Marilyn Horne (American operatic mezzo-soprano) (in 1976-02)
solosopraanvocalen:
Carol Neblett (soprano) (in 1976-02)
orkest:
Chicago Symphony Orchestra (in 1976-02)
was dirigent:
Claudio Abbado (conductor) (in 1976-02)
balanstechnicus:
Heinz Wildhagen (engineer, producer) (in 1976-02)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1976-02)
compilatie van:
Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzo. Wild herausfahrend van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Langsam van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Im Anfang sehr zurückgehalten van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Wieder sehr breit van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Maestoso. Sehr zurückhaltend van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Langsam, immer noch mehr zurückhaltend van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt van Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso »Auferstehen, ja auferstehen wirst du« (soprano solo, chorus) van Margaret Hillis (chorus master), Chicago Symphony Chorus, Carol Neblett (soprano), Chicago Symphony Orchestra, Claudio Abbado (conductor), Symphony no. 2 “Resurrection”: 5. Etwas bewegter »O glaube, mein Herz, o glaube« (alto & soprano solo) van Marilyn Horne (American operatic mezzo-soprano), Carol Neblett (soprano), Chicago Symphony Orchestra, Claudio Abbado (conductor) en Symphony no. 2 “Resurrection”: 5. Wieder etwas zurückhaltend »Was entstanden ist, das muss vergehen« (chorus, alto & soprano solo) van Margaret Hillis (chorus master), Chicago Symphony Chorus, Marilyn Horne (American operatic mezzo-soprano), Carol Neblett (soprano), Chicago Symphony Orchestra, Claudio Abbado (conductor)
is een opname van:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1976-02)
componist:
Gustav Mahler (composer) (van 1888 tot 1894)
librettist:
Friedrich Gottlieb Klopstock en Gustav Mahler (composer) (van 1888 tot 1894)
deel van:
Symphony no. 2 “Resurrection”
Gustav Mahler34:25