Messiah

~ Release by Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Messiah: Part I, No 1. Sinfonia
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra & Sir Colin Davis3:46
2Messiah: Part I, No 2. Comfort Ye My People
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Mark Padmore3:00
3Messiah: Part I, No 3. Ev'ry Valley Shall Be Exalted
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Mark Padmore & Sir Colin Davis3:34
4Messiah: Part I, No 4. And the Glory of the Lord
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Tenebrae2:46
5Messiah: Part I, No 5. Thus Saith the Lord
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Alastair Miles, London Symphony Orchestra & Sir Colin Davis1:31
6Messiah: Part I, No 6. But Who May Abide the Day of His Coming?
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sara Mingardo & Sir Colin Davis4:17
7Messiah: Part I, No 7. And He Shall Purify
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Tenebrae & Sir Colin Davis2:21
8Messiah: Part I, No 8. Behold, a Virgin Shall Conceive
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sara Mingardo & Sir Colin Davis0:23
9Messiah: Part I, No 9. O Thou That Tellest Good Tidings to Zion
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Sara Mingardo3:56
10Messiah: Part I, No 9a. O Thou That Tellest Good Tidings to Zion
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Tenebrae & Sir Colin Davis1:44
11Messiah: Part I, No 10. For, Behold, Darkness Shall Cover the Earth
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Alastair Miles, Sir Colin Davis & London Symphony Orchestra2:26
12Messiah: Part I, No 11. The People That Walked In Darkness
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Alastair Miles, London Symphony Orchestra & Sir Colin Davis3:11
13Messiah: Part I, No 12. For Unto Us a Child Is Born
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Tenebrae & Sir Colin Davis4:06
14Messiah: Part I, No 13. Pifa
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra & Sir Colin Davis3:09
15Messiah: Part I, Nos 14a-16. There Were Shepherds Abiding In the Field
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
live recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Susan Gritton & Sir Colin Davis1:54
16Messiah: Part I, No 17. Glory to God
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Tenebrae1:39
17Messiah: Part I, No 18. Rejoice Greatly, O Daughter of Zion
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Susan Gritton4:39
18Messiah: Part I, No 19. Then Shall the Eyes of the Blind
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sara Mingardo & Sir Colin Davis0:27
19Messiah: Part I, No 20. He Shall Feed His Flock Like a Shepherd
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Susan Gritton, Sir Colin Davis & Sara Mingardo4:59
20Messiah: Part I, No 21. His Yoke Is Easy
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
London Symphony Orchestra, Sir Colin Davis & Tenebrae2:11
21Messiah: Part II, No 22. Behold the Lamb of God
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae3:33
22Messiah: Part II, No 23. He Was Despised
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Sara Mingardo9:57
23Messiah: Part II, No 24. Surely He Hath Borne Our Griefs
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Tenebrae & Sir Colin Davis2:20
24Messiah: Part II, No 25. And With His Stripes We Are Healed
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae2:41
25Messiah: Part II, No 26. All We Like Sheep Have Gone Astray
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Tenebrae & Sir Colin Davis4:10
26Messiah: Part II, No 27. All They That See Him Laugh Him to Scorn
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Mark Padmore0:49
27Messiah: Part II, No 28. He Trusted In God
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Tenebrae & Sir Colin Davis2:28
28Messiah: Part II, No 29. Thy Rebuke Hath Broken His Heart
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Mark Padmore2:27
29Messiah: Part II, No 30. Behold, and See If There Be Any Sorrow
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Mark Padmore & Sir Colin Davis1:27
30Messiah: Part II, No 31. He Was Cut Off Out of the Land of the Living
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis0:22
31Messiah: Part II, No 32. But Thou Didst Not Leave His Soul In Hell
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Tenebrae & Sir Colin Davis2:29
32Messiah: Part II, No 33. Lift Up Your Heads, O Ye Gates
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis3:12
33Messiah: Part II, No 34. Unto Which of the Angels Said He At Any Time
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Mark Padmore & Sir Colin Davis0:15
34Messiah: Part II, No 35. Let All the Angels of God Worship Him
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae1:27
35Messiah: Part II, No 36. Thou Art Gone Up On High
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis3:22
36Messiah: Part II, No 37. The Lord Gave the Word
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae1:11
37Messiah: Part II, No 38. How Beautiful Are the Feet
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Susan Gritton2:26
38Messiah: Part II, No 39. Their Sound Is Gone Out
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae1:36
39Messiah: Part II, No 40. Why Do the Nations So Furiously Rage Together?
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis2:41
40Messiah: Part II, No 41. Let Us Break Their Bonds Asunder
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Tenebrae1:44
41Messiah: Part II, No 42. He That Dwelleth In Heaven
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Mark Padmore & Sir Colin Davis0:16
42Messiah: Part II, No 43. Thou Shalt Break Them
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Sir Colin Davis & Mark Padmore2:06
43Messiah: Part II, No 44. Hallelujah
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
London Symphony Orchestra, Tenebrae & Sir Colin Davis3:43
44Messiah: Part III, No 45. I Know That My Redeemer Liveth
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Susan Gritton & Sir Colin Davis6:01
45Messiah: Part III, No 46. Since By Man Came Death
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Tenebrae & Sir Colin Davis2:19
46Messiah: Part III, No 47. Behold, I Tell You a Mystery
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis0:36
47Messiah: Part III, No 48. The Trumpet Shall Sound
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis8:38
48Messiah: Part III, No 49. Then Shall Be Brought to Pass
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Sara Mingardo & Sir Colin Davis0:19
49Messiah: Part III, No 50. O Death, Where Is Thy Sting?
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Sara Mingardo, Mark Padmore & Sir Colin Davis1:10
50Messiah: Part III, No 51. But Thanks Be to God
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Sir Colin Davis & Tenebrae2:05
51Messiah: Part III, No 52. If God Be for Us
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Susan Gritton & Sir Colin Davis4:50
52Messiah: Part III, No 53a. Worthy Is the Lamb That Was Slain
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Sir Colin Davis & Tenebrae3:29
53Messiah: Part III, No 53b. Amen
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
London Symphony Orchestra, Sir Colin Davis & Tenebrae4:12