The Great American Songbook

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1My Funny Valentine
basso :
Jimmy Bond
batteria :
Peter Littman, Lawrence Marable e Bob Neel (il 1954-02-15)
celesta :
Russ Freeman (pianist)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrazione di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker?:??
2Summertime
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday?:??
3Just One of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Doris Day?:??
4(If You Can’t Sing It) You’ll Haveto Swing It
registrata a:
New York, New York, Stati Uniti (il 1936-10-29)
ance :
Pete Clark (Jazz altoist born around 1910) (il 1936-10-29)
batteria :
Chick Webb (il 1936-10-29)
chitarra :
John Trueheart (il 1936-10-29)
contrabbasso :
Beverly Peer (il 1936-10-29)
legni :
Wayman Carver (il 1936-10-29)
pianoforte :
Tommy Fulford (il 1936-10-29)
sassofono contralto :
Edgar Sampson (il 1936-10-29)
sassofono tenore :
Teddy McRae (il 1936-10-29)
tromba :
Mario Bauzá (il 1936-10-29), Taft Jordan (il 1936-10-29) e Bobby Stark (il 1936-10-29)
trombone :
Nat Story (il 1936-10-29) e Sandy Williams (American jazz trombonist) (il 1936-10-29)
voce:
Ella Fitzgerald (American jazz singer) (il 1936-10-29)
parte di:
Decca (by matrix number) (numero: 61361-A)
registrazione cover di:
If You Can’t Sing It (You’ll Have to Swing It) (il 1936-10-29)
paroliere e compositore:
Sam Coslow
registrazione cover di:
You'll Have to Swing It (Mr Paganini) (il 1936-10-29)
autore:
Sam Coslow
Ella Fitzgerald?:??
5Get Happy
registrazione di:
Get Happy
paroliere:
Ted Koehler (nel 1929)
compositore:
Harold Arlen (nel 1929)
editore:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
Summer Stock
parte di:
The Nine‐Fifteen Revue (1930)
Frank Sinatra?:??
6Blue Skies
registrazione di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman?:??
7Cheek to Cheek
voce:
Fred Astaire (nel 1935)
orchestra:
The RKO Radio Studio Orchestra (nel 1935)
direttore d'orchestra:
Max Steiner (nel 1935)
registrazione di:
Cheek to Cheek (from “Top Hat”) (nel 1935)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Fred Astaire?:??
8I Got Rhythm
voce:
Gene Kelly (US dancer/actor)
orchestra:
MGM Studio Orchestra
direttore d'orchestra:
Johnny Green (composer and conductor, often credited as John Green)
diritti fonografici (℗) detenuti da:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (nel 1951)
registrazione di:
I Got Rhythm
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
Chappell Music Ltd., Warner/Chappell Music Holland BV e New World Music Co. (nel 1930)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Gene Kelly?:??
9Taking a Chance on Love
registrazione cover di:
Taking a Chance on Love
paroliere:
Ted Fetter e John Latouche
compositore:
Vernon Duke
editore:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. e Taking a Chance on Love Music Company
parte di:
Cabin in the Sky
Helen Forrest?:??
10Over the Rainbow
voce:
Judy Garland (il 1938-10-07)
orchestra:
MGM Orchestra (il 1938-10-07)
direttore d'orchestra:
Georgie Stoll (il 1938-10-07) e Herbert Stothart (composer) (il 1938-10-07)
arrangiatore:
Herbert Stothart (composer)
orchestratore:
Murray Cutter
registrazione di:
Over the Rainbow (The Wizard of Oz) (il 1938-10-07)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.5?:??
11I Wished on the Moon
Mel Tormé?:??
12Route ’66
The Nat King Cole Trio?:??
13When You’re Smiling
Patti Page?:??
14Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
registrazione di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Ray Charles?:??
15They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Sarah Vaughan?:??
16Soon
registrazione cover di:
Soon
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co Ltd. e New World Music Corp. (nel 1929)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Strike up the Band (1927 Gershwin musical)
Ella Fitzgerald?:??
17Love Is Here to Stay
Blossom Dearie?:??
18Baby, It’s Cold Outside
registrazione cover di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Dean Martin?:??
19Ol’ Man River
Paul Robeson?:??
20I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.25?:??
21Dream a Little Dream of Me
Vaughn Monroe?:??
22I Get a Kick Out of You
Ethel Merman?:??
23Bye Bye Blackbird
voce:
Joséphine Baker (nel 1927-01)
orchestra:
Jacob's Jazz (nel 1927-01)
registrazione cover di:
Bye Bye Blackbird (nel 1927-01)
paroliere:
Mort Dixon (nel 1926)
compositore:
Ray Henderson (nel 1926)
editore:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) e Warner Bros., Inc. (not for release label use!)
registrazione di:
Bye Bye Blackbird
paroliere:
Mort Dixon (nel 1926)
compositore:
Ray Henderson (nel 1926)
editore:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) e Warner Bros., Inc. (not for release label use!)
Joséphine Baker?:??
24You’ll Never Walk Alone
Claramae Turner?:??
25How Deep Is the Ocean
Eddie Fisher?:??
2▼CD
#TitoloArtistaValutazioneDurata
1April in Paris
ance :
Marshall Royal (il 1956-06-25)
batteria :
Sonny Payne (il 1956-06-25)
chitarra :
Freddie Green (il 1956-06-25)
contrabbasso :
Eddie Jones (US jazz double bassist) (il 1956-06-25)
legni :
Frank Wess (il 1956-06-25)
pianoforte :
Ralph Burns (il 1956-06-25)
sassofono contralto :
Bill Graham (US jazz saxophonist) (il 1956-06-25)
sassofono tenore :
Frank Foster (saxophonist) (il 1956-06-25)
tromba :
Wendell Culley (jazz trumpeter) (il 1956-06-25), Reunald Jones (il 1956-06-25), Thad Jones (American jazz trumpeter) (il 1956-06-25) e Joe Newman (US jazz trumpeter) (il 1956-06-25)
trombone :
Henry Coker (jazz trombonist) (il 1956-06-25), Bill Hughes (jazz trombonist) (il 1956-06-25) e Benny Powell (jazz trombonist) (il 1956-06-25)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-06-25)
registrata presso:
Fine Sound (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1956-06-25)
registrazione di:
April in Paris (il 1956-06-25)
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald?:??
2That Old Black Magic
Billy Daniels?:??
3I’ve Grown Accustomed to Her Face
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Count Basie (pianist) (nel 1959-01) e Ralph Sharon (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (baritone saxophonist) (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (jazz trumpeter) (nel 1959-01), Thad Jones (American jazz trumpeter) (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (jazz trombonist) (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (jazz trombonist) (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
arrangiatore:
Ralph Sharon
registrazione cover di:
I’ve Grown Accustomed to Her Face (My Fair Lady) (nel 1959-01)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Tony Bennett, with Count Basie4?:??
4Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra?:??
5Too Marvelous for Words
registrazione di:
Too Marvelous for Words
paroliere:
Johnny Mercer (nel 1937)
compositore:
Richard A. Whiting (composer) (nel 1937)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Harms, Inc. (il 1937-01-25)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson?:??
6Lush Life
registrazione cover di:
Lush Life
paroliere e compositore:
Billy Strayhorn (dal 1933 al 1938)
editore:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e Tempo Music, Inc. (Duke Ellington’s music publishing company) (dal 1949 a oggi)
parte di:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan?:??
7September in the Rain
produttore:
Bobby Troup
direttore d'orchestra:
Pete King (composer/arranger)
arrangiatore:
Pete King (composer/arranger)
registrazione di:
September in the Rain (nel 1956)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
Julie London4?:??
8Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
Louis Armstrong?:??
9I’m Gonna Wash That Man Right Outamy Hair
voce:
Mary Martin (US film and musical actor/singer)
direttore d'orchestra:
Salvatore Dell’Isola (nel 1949-04)
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione cover di:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific) (nel 1949)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Mary Martin?:??
10My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.9?:??
11The Birth of the Blues
registrazione di:
Birth of the Blues
paroliere:
Lew Brown e Buddy DeSylva
compositore:
Ray Henderson
Sammy Davis Jr.?:??
12Let’s Fall in Love
Tony Middleton?:??
13Sentimental Journey
registrazione di:
Sentimental Journey
paroliere:
Bud Green (nel 1944)
compositore:
Les Brown (American big band & jazz musician) (nel 1944) e Ben Homer (nel 1944)
editore:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. e Morley Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day?:??
14Have You Met Miss Jones?
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-08-30)
basso :
Joe Mondragon (il 1956-08-30)
batteria :
Alvin Stoller (il 1956-08-30)
chitarra :
Barney Kessel (il 1956-08-30)
corno francese :
Vince DeRosa (il 1956-08-30)
corno inglese [English horn] e oboe :
Bob Cooper (US jazz saxophonist) (il 1956-08-30)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-30)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-30)
viola e violino :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-08-30)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-08-30) e Edgar Lustgarten (il 1956-08-30)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-30)
direttore d'orchestra:
Buddy Bregman (il 1956-08-30)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-30)
registrazione di:
Have You Met Miss Jones? (I’d Rather Be Right) (il 1956-08-30)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
registrazione cover di:
Have You Met Miss Jones? (I’d Rather Be Right)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Ella Fitzgerald?:??
15Oh, Lady Be Good
Fred Astaire?:??
16Some Enchanted Evening
registrazione di:
Some Enchanted Evening (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company e Williamson Music, Inc.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Jo Stafford?:??
17Begin the Beguine
Mario Lanza?:??
18(I Love You) For Sentimental Reasons
chitarra :
Oscar Moore (il 1946-08-22)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1946-08-22)
pianoforte :
Nat King Cole (il 1946-08-22)
voce:
Nat King Cole (il 1946-08-22)
esecutore:
The Nat King Cole Trio (il 1946-08-22)
registrata presso:
WMCA Studios in New York, New York, Stati Uniti (il 1946-08-22)
registrazione cover di:
(I Love You) for Sentimental Reasons (il 1946-08-22)
paroliere:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
compositore:
William “Pat” Best
editore:
MCA Duchess Music Corporation e Peter Maurice Music Co. Ltd.
Nat King Cole4?:??
19Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Shirley Bassey?:??
20Three Coins in the Fountain
registrazione cover di:
Three Coins in the Fountain
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1954 winner)
The Four Aces?:??
21That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.35?:??
22Young at Heart
registrazione di:
Young at Heart (Frank Sinatra song)
paroliere:
Carolyn Leigh
compositore:
Johnny Richards
editore:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day, with Frank Sinatra?:??
23Happy Talk
Juanita Hall?:??
24Guilty
registrazione cover di:
Guilty (il 1946-09-19)
paroliere:
Gus Kahn
compositore:
Harry Akst e Richard A. Whiting (composer)
Mel Tormé?:??
25Lover
registrazione cover di:
Lover
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Peggy Lee?:??
3▼CD
#TitoloArtistaValutazioneDurata
1A Foggy Day
registrazione cover di:
A Foggy Day (in London Town)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Billie Holiday?:??
2Love Me or Leave Me
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Doris Day?:??
3Fly Me to the Moon
Eydie Gormé?:??
4Angel Eyes
registrazione di:
Angel Eyes (1946 jazz standard)
paroliere:
Earl Brent (nel 1946)
compositore:
Matt Dennis (American singer, pianist, band leader) (nel 1946)
editore:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) e Onyx Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Jack Jones?:??
5I’ve Got the World on a String
produttore:
Voyle Gilmore
basso :
Amado Rodrigues (il 1957-01-31)
batteria :
Bobby Morris (il 1957-01-31)
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1957-01-31)
pianoforte :
Willie McCumber Jr. (il 1957-01-31)
sassofono tenore :
Sam Butera (il 1957-01-31)
tromba :
Louis Prima (il 1957-01-31)
trombone :
Jimmy 'Little Red' Blount (il 1957-01-31)
voce:
Louis Prima (il 1957-01-31)
orchestra:
The Witnesses (il 1957-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-31)
registrazione cover di:
I’ve Got the World on a String (il 1957-01-31)
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Louis Prima?:??
6Autumn in New York
registrazione cover di:
Autumn in New York (1934)
paroliere e compositore:
Vernon Duke
editore:
Chappell & Co. e Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald, with Louis Armstrong?:??
7April Love
registrazione di:
April Love
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Leo Feist, Inc.
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Pat Boone?:??
8Tenderly
Rosemary Clooney?:??
9Let’s Face the Music and Dance
registrazione cover di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Tony Bennett?:??
10One for My Baby (And One More for the Road)
Frank Sinatra?:??
11This Can’t Be Love
registrazione cover di:
This Can’t Be Love
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
Dinah Washington?:??
12Almost Like Being in Love
Gene Kelly?:??
13But Not for Me
registrazione cover di:
But Not for Me
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Helen Forrest?:??
14Zing! Went the Strings of My Heart
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1958-05-19)
registrazione di:
Zing! Went the Strings of My Heart (il 1958-05-19)
paroliere e compositore:
James F. Hanley
editore:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Judy Garland?:??
15It’s Only a Paper Moon
The Nat King Cole Trio?:??
16Someone to Watch Over Me
registrazione strumentale cover di:
Someone to Watch Over Me (Oh, Kay!)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Ray Conniff?:??
17Embraceable You
registrata a:
New York, New York, Stati Uniti (il 1954-12-18)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-18)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-18)
voce:
Sarah Vaughan (il 1954-12-18)
direttore d'orchestra:
Ernie Wilkins (il 1954-12-18)
arrangiatore:
Ernie Wilkins
registrazione cover di:
Embraceable You (il 1954-12-18)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan?:??
18How High the Moon
registrazione di:
How High the Moon
paroliere:
Nancy Hamilton (nel 1940)
compositore:
Morgan Lewis (nel 1940)
editore:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Mathis?:??
19Stormy Weather
registrazione cover di:
Stormy Weather
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
Lena Horne?:??
20Bye Bye Baby
registrazione di:
Bye Bye Baby (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jule Styne
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe?:??
21That Old Feeling
Patti Page?:??
22Black Coffee
registrazione cover di:
Black Coffee (1948 song)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
Ray Charles?:??
23As Time Goes By
Dooley Wilson?:??
24I Could Write a Book
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-08-30)
basso :
Joe Mondragon (il 1956-08-30)
batteria :
Alvin Stoller (il 1956-08-30)
chitarra :
Barney Kessel (il 1956-08-30)
corno inglese [English horn] e oboe :
Bob Cooper (US jazz saxophonist) (il 1956-08-30)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-30)
flicorno soprano :
Vince DeRosa (il 1956-08-30)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-30)
viola e violino :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-08-30)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-08-30) e Edgar Lustgarten (il 1956-08-30)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-30)
direttore d'orchestra:
Buddy Bregman (il 1956-08-30)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-30)
registrazione cover di:
I Could Write a Book (il 1956-08-30)
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
parte di:
Pal Joey
Ella Fitzgerald4?:??
25Nevertheless
Frankie Laine?:??

Accreditamenti

Gruppo di pubblicazioni

parte di:The Great American Songbook (numero: 1) (ordine: 1)