Let’s Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Individual barcodes:

CD 1: 8711539022372
CD 2: 8711539022389
CD 3: 8711539022396

Annotazione modificata l'ultima volta il 2011-07-05 07:23 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Wannabe
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Richard Stannard e Matt Rowe
editore:
SSO
video musicali:
Wannabe (video) di Spice Girls
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 36)
registrazione di:
Wannabe
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls3.852:53
2Let’s Go Around Again
registrazione cover di:
Let’s Go Round Again
autore:
Alan Gorrie
editore:
Hit & Run Music (Publishing) Ltd
Louise3:45
3That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:04
4More Than a Woman
produttore:
Freddie Perren
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti e Paulinho da Costa (Brazilian percussionist)
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
diritti fonografici (℗) detenuti da:
POLYGRAM International Music (not for release label use!) (nel 1977)
registrazione cover di:
More Than a Woman
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
registrazione di:
More Than a Woman
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music e Stigwood Music, Inc.
Tavares4.53:15
5I Haven’t Stopped Dancing Yet
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez3:51
6You Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music e Stone Diamond Music Corporation
si basa su:
Super Freak
MC Hammer4.14:15
7I Hear You Knockin’
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:47
8Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:56
9Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.153:34
10See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard55:00
11Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:52
12Motor Bikin’
Chris Spedding2:35
13Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
14Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:28
15Fantastic Day
produttore:
Bob Sargeant
registrazione di:
Fantastic Day
paroliere e compositore:
Nick Heyward
Haircut One Hundred2.53:14
16Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:29
17You Take Me Up
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. e Arista Records Ltd. (not for release label use!) (nel 1984)
registrazione di:
You Take Me Up
autore e arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
Point Music Ltd.
Thompson Twins3.54:26
18Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:49
192‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band4.253:19
20Swords of a Thousand Men
produttore:
Bob Andrews (keyboardist and producer) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Swords of a Thousand Men
paroliere e compositore:
Edward Tudor-Pole
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:56
2▼CD
#TitoloArtistaValutazioneDurata
1Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:46
2I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:15
35‐4‐3‐2‐1
produttore:
John Burgess (British record producer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1963-12-17)
registrazione di:
5-4-3-2-1
compositore:
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) e Manfred Mann (the person)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Keith Prowse Music Publishing Ltd.
Manfred Mann4.51:59
4Walkin’ Back to Happiness
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1961)
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:29
5Shakin’ All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates3.752:21
6C’mon Everybody
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-10-10)
batteria :
Earl Palmer (il 1958-10-10)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1958-10-10)
tamburello :
Jerry Capehart (il 1958-10-10)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-10-10)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-10-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody (il 1958-10-09)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:57
7The Locomotion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:27
8Chain Reaction
assistente tecnico:
Scott Glasel e John Haig (engineer)
tecnico:
Jack Joseph‐Puig, Karl Richardson e Brian Tench
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
tecnico di missaggio:
Jack Joseph‐Puig
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1985), Maurice Gibb (nel 1985) e Robin Gibb (nel 1985)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
Chain Reaction
compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd. e Gibb Brothers Music
Diana Ross4.253:48
9Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:51
10The Bump
registrazione di:
The Bump
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:33
11Some Girls
Racey3:24
12Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
13Don’t Call Me Baby
registrazione di:
Don’t Call Me Baby
autore:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison e John Whitehead
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
si basa su:
Ma quale idea
Madison Avenue3:48
14Good Life
registrazione di:
Good Life
autore:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson e Kevin Saunderson
editore:
Drive On Music e Virgin Songs
Inner City3:57
15It Ain’t What You Do It’s the Way That You Do It
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione cover di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
Fun Boy Three & Bananarama3.652:48
16You Make Me Feel Like Dancing
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:35
17Blockbuster
registrazione di:
Block Buster!
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. e Universal Music Publishing MGB Ltd.
The Sweet3:12
18Get It On
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
tecnico aggiunto:
Rob Eaton, Steve Rinkoff e Tony Taverner
produttore:
Bernard Edwards (American bassist and record producer)
batteria :
Tony Thompson (drummer, best known for his work in CHIC)
chitarra :
Andy Taylor (of Duran Duran)
chitarra basso :
John Taylor (UK bassist for Duran Duran)
voce principale:
Robert Palmer (English singer‐songwriter)
mixata presso e lavorazione tecnica effettuata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione cover di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
The Power Station45:32
19Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:32
20The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:03
3▼CD
#TitoloArtistaValutazioneDurata
1Uptown Top Ranking
registrazione di:
Uptown Top Ranking
autore:
Althea Forrest, Joe Gibbs, Donna Reid e Errol Thompson (Jamaican reggae/dub producer & engineer)
editore:
Carlin Music e EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:44
2Boombastic
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1995)
registrazione di:
Boombastic
autore:
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) e Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
editore:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing e Stone Diamond Music Corp.
Shaggy3.653:51
3Baby Come Back
produttore:
Stoker (production/remixing)
esecutore ospite:
Ali Campbell (UB40’s former vocalist) e Robin Campbell
registrazione cover di:
Baby, Come Back
paroliere e compositore:
Eddy Grant
editore:
Kassner Music Ltd.
Pato Banton2.653:51
4It’s Raining Men
programmazione e produttore:
Stephen Lipson
programmazione degli strumenti:
Andy Duncan (UK drummer and producer)
tecnico e tecnico di missaggio:
Heff Moraes
arrangiatore archi :
Nick Ingman
registrazione cover di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Geri Halliwell34:12
5Groovejet (If This Ain’t Love)
tecnico:
Gabriel Covacich
co-produttore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Boris Dlugosch
voce di accompagnamento:
Sharon Scott (UK acid jazz singer)
voce principale ospite:
Sophie Ellis‐Bextor
diritti fonografici (℗) detenuti da:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (dal 2000 a oggi) e Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (nel 2000)
è stato co-produttore per:
F&G Management UK
campionamenti:
Love Is You di Carol Williams (US disco musician) e Love Is You (original mix) di Carol Williams (US disco musician)
registrazione di:
Groovejet (If This Ain’t Love)
paroliere:
Sophie Ellis‐Bextor
compositore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Rob Davis (songwriter/producer was in Mud)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music e Universal Music (plain logo: “Universal Music”)
si basa su:
Love Is You
versione di:
Groovejet
Spiller33:46
6You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:04
7I Wanna Be the Only One
produttore:
Nigel Lowis
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. BeBe Winans34:16
8Greased Lightnin’
produttore:
Louis St. Louis (American songwriter, music arranger and singer)
tecnico di missaggio:
David J. Holman
sassofono :
Ray Pizzi
voce aggiuntiva:
Jeff Conaway (actor)
voce principale:
John Travolta (American actor and singer)
arrangiatore archi e arrangiatore corno :
Michael Melvoin
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (dal 1978 a oggi) e RSO Records (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Greased Lightnin’ (Grease, 1971 musical)
autore:
Warren Casey e Jim Jacobs
editore:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (dal 1978 a oggi)
parte di:
Grease (1971 musical)
John Travolta4.653:17
99 to 5
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980)
registrazione di:
9 to 5
paroliere e compositore:
Florrie Palmer
editore:
Chappell Music (UK), Pendulum Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:18
10Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:18
11Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:13
12Solid
registrazione di:
Solid
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:09
13Everybody’s Free (to Feel Good)
produttore:
3MI e Band of Gypsies (house duo Nigel Swanston & Tim Cox)
tecnico di missaggio:
Band of Gypsies (house duo Nigel Swanston & Tim Cox)
arrangiatore:
3MI
arrangiatore voci:
Rozalla
registrazione di:
Everybody’s Free (to Feel Good)
compositore:
Tim Cox e Nigel Andrew Swanston
editore:
Peermusic (UK) Limited
Rozalla43:29
14Use It Up Wear It Out
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey43:49
15Boogie Oogie Oogie
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson (Member of "A Taste of Honey") e Perry L. Kibble
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey5:28
16Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:31
17Tequila
produttore:
Edwyn Collins
remixer:
Mint Royale
registrazione di:
Tequila (Terrorvision cover)
autore:
Chuck Rio (Daniel Flores)
autore aggiunto:
Terrorvision (British rock band)
si basa su:
Tequila
Terrorvision3.54:09
18Can You Dig It?
produttore:
Martin Coogan
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1991)
video musicali:
Can You Dig It? di The Mock Turtles
registrazione di:
Can You Dig It?
paroliere e compositore:
Martin Coogan
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:11
19Tubthumping
diritti fonografici (℗) detenuti da:
Chumbawamba (nel 1997)
edit di:
Tubthumping (album version) di Chumbawamba
registrazione di:
Tubthumping
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba43:22
20The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:53