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~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Spontaneous Combustion
Nr.TitelBewertungLänge
1Spontaneous Combustion
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-14)
Techniker(in):
Rudy van Gelder
Produzent(in):
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (am 1955-07-14)
Klavier:
Hank Jones (piano) (am 1955-07-14)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-14)
Kornett:
Nat Adderley (am 1955-07-14)
Schlagzeug:
Kenny Clarke (am 1955-07-14)
phonographisches Urheberrecht (℗) von:
SLG, LLC (in 2002, in 2006)
recording of:
Spontaneous Combustion (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
10:09
2Still Talkin’ to Ya
recording of:
Still Talkin’ to Ya
Komponist(in):
Julian “Cannonball” Adderley
8:58
3A Little Taste
recording of:
A Little Taste (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
5:08
4Caribbean Cutie
recording of:
Caribbean Cutie (am 1955-07-14)
Komponist(in):
Julian “Cannonball” Adderley
7:02
5Flamingo
instrumental recording of:
Flamingo (am 1955-07-14)
Texter:
Edmund Anderson
Komponist(in):
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) und Grouya Publishing Int.
7:01
6The Song Is You
instrumental recording of:
The Song Is You (am 1955-07-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
4:12
7Cynthia’s in Love
instrumental recording of:
Cynthia’s in Love (am 1955-07-21)
Verfasser(in):
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") und Earl White (US songwriter)
3:04
8Cannonball
recording of:
Cannonball (am 1955-07-29)
Komponist(in):
Julian “Cannonball” Adderley
4:14
9You’d Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
3:36
10Street of Dreams
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
2:13
11Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:32
12You Are Too Beautiful
instrumental recording of:
You Are Too Beautiful (am 1955-10-27)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
2:54
13Polka Dots and Moonbeams
instrumental recording of:
Polka Dots and Moonbeams (am 1955-10-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
14The Masquerade Is Over
instrumental recording of:
The Masquerade Is Over (am 1955-10-28)
Verfasser(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:10
15I’ve Never Been in Love Before
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (am 1955-10-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
2:19
16Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-08)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-08)
Klavier:
Junior Mance (am 1956-06-08)
Kontrabass:
Keeter Betts (am 1956-06-08)
Kornett:
Nat Adderley (am 1956-06-08)
Posaune:
Bobby Byrne (am 1956-06-08) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-08)
Schlagzeug:
Specs Wright (am 1956-06-08)
Trompete:
Ernie Royal (am 1956-06-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) und Monaco Entertainment Corporation (in 2010)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-08)
instrumental cover recording of:
Little Girl Blue (am 1956-06-08)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
instrumental recording of:
Little Girl Blue
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
2:39
17I’m Glad There’s You
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (am 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (am 1956-06-18)
flute und Tenorsaxophon:
Jerome Richardson (am 1956-06-18)
Klavier:
Junior Mance (am 1956-06-18)
Kontrabass:
Keeter Betts (am 1956-06-18)
Kornett:
Nat Adderley (am 1956-06-18)
Posaune:
Bobby Byrne (am 1956-06-18) und Jimmy Cleveland (US jazz trombonist) (am 1956-06-18)
Schlagzeug:
Specs Wright (am 1956-06-18)
Trompete:
Ernie Royal (am 1956-06-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (am 1956-06-18)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
2:32
2▼CD: Jubilation
Nr.TitelBewertungLänge
1Spectacular
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-06)
Klavier:
Junior Mance (am 1957-02-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-06)
Kornett:
Nat Adderley (am 1957-02-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-06)
recording of:
Spectacular (am 1957-02-06)
Komponist(in):
Jim Hall (US jazz guitarist, composer & arranger)
3:53
2Miss Jackie’s Delight
6:14
3Tribute to Brownie
3:29
4Lover Man
phonographisches Urheberrecht (℗) von:
Gralin Music (in 2012)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:56
5A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-07)
Klavier:
Julian Mance (am 1957-02-07)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-07)
Kornett:
Nat Adderley (am 1957-02-07)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-07)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-07)
recording of:
A Foggy Day (in London Town) (am 1957-02-07)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:48
6Jeanie
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Junior Mance (am 1957-02-08)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
recording of:
Jeannine
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) und Duke Pearson
3:25
7The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-08)
Klavier:
Julian Mance (am 1957-02-08)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-08)
Kornett:
Nat Adderley (am 1957-02-08)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-02-08)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (am 1957-02-08)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
4:26
8Another Kind of Soul
3:38
9Spring Is Here
recorded in:
New York, New York, Vereinigte Staaten (am 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (am 1957-02-11)
Klavier:
Junior Mance (am 1957-02-11)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-02-11)
Kornett:
Nat Adderley (am 1957-02-11)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1957-02-11)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (am 1957-02-11)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
instrumental recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
3:44
10That Funky Train
5:51
11Jubilation
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-04)
alto saxophone:
Cannonball Adderley (am 1958-03-04)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-04)
Klavier:
Junior Mance (am 1958-03-04)
Kornett:
Nat Adderley (am 1958-03-04)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-04)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999, in 2001)
recording of:
Jubilation (am 1958-03-04)
Komponist(in):
Cannonball Adderley
5:27
12What’s New
alto saxophone:
Cannonball Adderley
Bass:
Sam Jones (US jazz bassist)
Klavier:
Junior Mance
Kornett:
Nat Adderley
Schlagzeug:
Jimmy Cobb (US jazz drummer)
instrumental recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
5:03
13If I Love Again
instrumental recording of:
If I Love Again
Texter:
Jack Murray (US songwriter)
Komponist(in):
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
5:26
14I’ll Remember April
alto saxophone:
Julian “Cannonball” Adderley (am 1957-03-06)
Klavier:
Julian Mance (am 1957-03-06)
Kontrabass:
Sam Jones (US jazz bassist) (am 1957-03-06)
Kornett:
Nat Adderley (am 1957-03-06)
Schlagzeug:
Jim Cobb (Jimmy Cobb, US jazz drummer) (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1957-03-06)
instrumental recording of:
I’ll Remember April (am 1957-03-06)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
5:31
15Fuller Bop Man
recorded in:
New York, New York, Vereinigte Staaten (am 1958-03-06)
alto saxophone:
Cannonball Adderley (am 1958-03-06)
Bass:
Sam Jones (US jazz bassist) (am 1958-03-06)
Klavier:
Junior Mance (am 1958-03-06)
Kornett:
Nat Adderley (am 1958-03-06)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Gralin Music (in 2012)
recording of:
Fuller Bop Man (am 1958-03-06)
Verfasser(in):
Walter “Gil” Fuller (jazz composer & arranger)
3:43
16Stay on It
recording of:
Stay on It
Komponist(in):
Tadd Dameron und Dizzy Gillespie
4:38
17Love for Sale
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental cover recording of:
Love for Sale (am 1958-03-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
4.57:05
3▼CD: Blue Funk
Nr.TitelBewertungLänge
1Autumn Leaves
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) und Count Records (in 2013)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, English lyrics) (am 1958-03-09)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
510:58
2Somethin’ Else
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Mastercorp Pty Ltd (in 2011)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
recording of:
Somethin’ Else (am 1958-03-09)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
EMI Unart Catalog Inc.
58:14
3One for Daddy-O
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1997, in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Count Records (in 2013)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
recording of:
One for Daddy‐O (am 1958-03-09)
Komponist(in):
Nat Adderley
58:25
4Dancing in the Dark
Techniker(in):
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (am 1958-03-09)
Klavier:
Hank Jones (piano) (am 1958-03-09)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-03-09)
Schlagzeug:
Art Blakey (am 1958-03-09)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1958-03-09)
instrumental recording of:
Dancing in the Dark (am 1958-03-09)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
44:04
5Blue Funk
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Blue Funk (am 1958-07-01)
Komponist(in):
Sam Jones (US jazz bassist)
5:32
6Minority
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Minority (am 1958-07-01)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
7:03
7Nardis
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Nardis (am 1958-07-01)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers und Sony/ATV Music Publishing (UK) Ltd.
5:32
8Straight Life
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Straight Life (am 1958-07-01)
Komponist(in):
Art Pepper
5:29
9A Little Taste
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
A Little Taste (am 1958-07-01)
Komponist(in):
Julian “Cannonball” Adderley
4:38
10Jump for Joy
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bass und Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
cover recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
3:20
11Blues Oriental
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Blues Oriental (am 1958-10-28)
Komponist(in):
Milt Jackson
4:58
12Serves Me Right
phonographisches Urheberrecht (℗) von:
Kendal (in 2014)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:46
13Groovin’ High
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) und Kendal (in 2014)
recording of:
Groovin’ High (am 1958-10-28)
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:21
4▼CD: Hi-Fly
Nr.TitelBewertungLänge
1Things Are Getting Better
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) und Kendal (in 2014)
recording of:
Things Are Getting Better (am 1958-10-28)
Verfasser(in):
Dory Langdon (Folk singer, songwriter, lyricist and poet) und Julian Adderley
7:12
2The Sidewalks of New York
phonographisches Urheberrecht (℗) von:
Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
6:59
3Sounds for Sid
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Sounds for Sid (am 1958-10-28)
Komponist(in):
Julian Adderley
6:26
4Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
Just One of Those Things (am 1958-10-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:48
5I’ve Told Ev’ry Little Star
recorded in:
New York, New York, Vereinigte Staaten (am 1959-04-12)
alto saxophone:
Cannonball Adderley (am 1959-04-12)
Klavier:
Wynton Kelly (am 1959-04-12)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-04-12)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-04-12)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) und Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (am 1959-04-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
Music in the Air
3:37
6Cannonball’s Introduction - This Here
alto saxophone:
Cannonball Adderley
Klavier:
Bobby Timmons
Kontrabass:
Sam Jones (US jazz bassist)
Kornett:
Nat Adderley
Schlagzeug:
Louis Hayes
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1959-10-18, am 1959-10-20)
recording of:
This Here
Komponist(in):
Stefano Di Battista und Bobby Timmons
12:30
7Spontaneous Combustion
Techniker(in):
Reice Hamel (in 1959-10)
Produzent(in):
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
Klavier:
Bobby Timmons (in 1959-10)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959-10)
Kornett:
Nat Adderley (in 1959-10)
Schlagzeug:
Louis Hayes (in 1959-10)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1989) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1959-10-18, am 1959-10-20)
recording of:
Spontaneous Combustion (in 1959-10)
Komponist(in):
Julian “Cannonball” Adderley
11:53
8Hi-Fly
Techniker(in):
Reice Hamel (in 1959-10)
Produzent(in):
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
Klavier:
Bobby Timmons (in 1959-10)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959-10)
Kornett:
Nat Adderley (in 1959-10)
Schlagzeug:
Louis Hayes (in 1959-10)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1989) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1959-10-18, am 1959-10-20)
recording of:
Hi Fly (in 1959-10)
Komponist(in):
Randy Weston
11:03
9You Got It!
Techniker(in):
Reice Hamel (in 1959-10)
Produzent(in):
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (von 1959-10-18 bis 1959-10-20)
Klavier:
Bobby Timmons (von 1959-10-18 bis 1959-10-20)
Kontrabass:
Sam Jones (US jazz bassist) (von 1959-10-18 bis 1959-10-20)
Kornett:
Nat Adderley (von 1959-10-18 bis 1959-10-20)
Schlagzeug:
Louis Hayes (von 1959-10-18 bis 1959-10-20)
phonographisches Urheberrecht (℗) von:
Kendal (in 2014)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1959-10-18 bis 1959-10-20)
5:05
10Bohemia After Dark
Techniker(in):
Reice Hamel (in 1959-10)
Produzent(in):
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
Klavier:
Bobby Timmons (in 1959-10)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959-10)
Kornett:
Nat Adderley (in 1959-10)
Schlagzeug:
Louis Hayes (in 1959-10)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1989) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
aufgenommen bei:
The Jazz Workshop in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1959-10-18, am 1959-10-20)
recording of:
Bohemia After Dark (in 1959-10)
Komponist(in):
Oscar Pettiford (in 1955)
8:03