Larry’s Party Rock 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Juke Box Hero
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar] und Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby und Larry Fast (American synthesizer player and composer)
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner44:01
2Two Hearts
recording of:
Two Hearts
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Phil Collins3:15
3Sexy
recording of:
Sexy
Texter und Komponist(in):
Marius Müller‐Westernhagen
Parodieversion von:
Hexe
Marius Müller‐Westernhagen3:48
4Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:56
5I’m Walking
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:08
6Let’s Have a Party
recording of:
Let’s Have a Party
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Wanda Jackson2:01
7Walking on Sunshine
recording of:
Walking on Sunshine (in 1993)
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3:47
8Good Thing
Techniker(in):
Mike Pela
zusätzliche(r) Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Andy Cox (of The Beat), Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
Klavier:
Jools Holland
Hintergrundgesang:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat) und Jimmy Helms (soul singer)
vocals:
Roland Gift
remixer:
Julian Mendelsohn (Australian record producer and engineer)
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
recording of:
Good Thing
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Touchstone Pictures Music and Songs Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Fine Young Cannibals43:12
9Always Look on the Bright Side of Life
assistierende(r) Techniker(in):
James Saunders (United Kingdom experimental composer/musician)
Techniker(in) und Mix:
André Jacquemin
Produzent(in):
Eric Idle und André Jacquemin
Sologesang:
Eric Idle
arranger:
John Altman
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
aufgenommen bei und mixed at:
Redwood Studios in Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Always Look on the Bright Side of Life
Texter und Komponist(in):
Eric Idle
publisher:
Oops Publishing Ltd.
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
Version von:
Look on the Bright Side of Life (All Things Dull and Ugly)
Teil von:
Part Five: Miserere Loves Company
Monty Python4.53:29
10One Step Beyond
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bassgitarre:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1979)
cover recording of:
One Step Beyond…
Texter und Komponist(in):
Cecil Bustamente Campbell
publisher:
Melodisc Music Ltd.
Madness4.52:18
11Wake Me Up Before You Go-Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:45
12Knock on Wood
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 6)
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:42
13You Spin Me Round
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive3:07
14Rock ’n’ Roll Is King
Techniker(in):
Bill Bottrell
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (von 1982 bis 1983)
drum machine und Synthesizer:
Jeff Lynne (von 1982 bis 1983) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1982 bis 1983)
Flügel, Hybrid-Piano und Mundharmonika:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1982 bis 1983)
Geige / Violine:
Mik Kaminski (von 1982 bis 1983)
Gitarre, Klavier und Sologesang:
Jeff Lynne (von 1982 bis 1983)
Perkussion:
Bev Bevan (English rock drummer) (von 1982 bis 1983) und Jeff Lynne (von 1982 bis 1983)
Schlagzeug:
Bev Bevan (English rock drummer) (von 1982 bis 1983)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983, in 2005)
aufgenommen bei:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1982 bis 1983)
recording of:
Rock ’n’ Roll Is King (von 1982 bis 1983)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra3.53:06
15Word of Mouth
recording of:
Word of Mouth
Verfasser(in):
Christopher Neil und Mike Rutherford
Mike + the Mechanics3:46
16Poison
recording of:
Poison
Verfasser(in):
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4:14
17Smokin in the Boys Room
recording engineer und Mix:
Duane Baron
assistierende(r) Techniker(in):
Matt Brady (engineer), Brian Scheuble, Paul Wertheimer (engineer), Mark Wilczak und Alex Woltman
Produzent(in):
Tom Werman
Basspedal, E-Bass und Synthesizer:
Nikki Sixx
E-Gitarre:
Mick Mars
Perkussion und Schlagzeug:
Tommy Lee (Mötley Crüe drummer)
Hintergrundgesang:
Tommy Lee (Mötley Crüe drummer), Mick Mars, Vince Neil und Nikki Sixx
Sologesang:
Vince Neil
produced for:
Julia’s Music, Inc.
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Pasha Music House in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Record Plant West Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Record Plant West Studios (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Mötley Crüe43:26
2CD
Nr.TitelKünstlerBewertungLänge
1Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:35
2Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:41
3Everybody Needs Somebody to LoveBlues Brothers3:33
4Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:22
5Dangerous
recording of:
Dangerous
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3:34
6Black Velvet
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 79)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:35
7No Son of Mine
recording of:
No Son of Mine
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Copyrights (BMI), Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 2007 bis heute)
Genesis6:17
8Let’s Go Crazy
recording engineer:
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Programmierung und Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], elektronisches Schlagzeug / E-Drums [Simmons SDS-V] und Perkussion:
Bobby Z. (am 1983-08-07)
E-Bass:
Brown Mark (am 1983-08-07)
E-Gitarre:
Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07) und Dr. Fink (am 1983-08-07)
Hintergrundgesang:
Brown Mark (am 1983-08-07), Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-07), Dr. Fink (am 1983-08-07), Wendy Melvoin (am 1983-08-07) und Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1983-08-07)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
The Warehouse in St. Louis Park, Minnesota, Vereinigte Staaten (am 1983-08-07)
recording of:
Let’s Go Crazy (am 1983-08-07)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
Prince3.94:36
9Hier kommt Alex
recording of:
Hier kommt Alex
Texter:
Andreas Frege
Komponist(in):
Andreas Meurer (German bassist & songwriter; Die Toten Hosen)
publisher:
Totenkopf Musikverlag
Die Toten Hosen3:51
10Let’s Twist AgainChubby Checker4.652:20
11Suicide Blonde
recording of:
Suicide Blonde
Texter:
Michael Hutchence
Komponist(in):
Andrew Farriss (in band INXS)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Tol Muziek (in 1990)
INXS3:42
12Walking by Myself
assistierende(r) Techniker(in) und assistierende(r) Mix:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris und Greg Muden
Techniker(in) und Mix:
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Bassgitarre:
Andy Pyle
Gitarre:
Gary Moore (Thin Lizzy, blues guitar)
Klavier:
Mick Weaver
Mundharmonika:
Frank Mead
Schlagzeug:
Graham Walker (UK drummer)
vocals:
Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
cover recording of:
Walking by Myself
Texter und Komponist(in):
Jimmy Rogers (blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs US und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore4.252:54
13Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.12:58
14Driver’s Seat
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
Texter und Komponist(in):
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears3:54
15Get It OnT. Rex4:19
16Smoke on the Water
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
Mix:
Roger Glover und Ian Paice
E-Bass:
Roger Glover (am 1972-08-15)
E-Gitarre:
Ritchie Blackmore (am 1972-08-15)
Hammond-Orgel:
Jon Lord (am 1972-08-15)
Schlagzeug:
Ian Paice (am 1972-08-15)
Sologesang:
Ian Gillan (am 1972-08-15)
aufgenommen bei:
Festival Hall (1st incarnation, 1958–2008) in Nakanoshima, Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (am 1972-08-15)
live recording of:
Smoke on the Water (am 1972-08-15)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple7:02
17Long Live Rock ’n’ Roll
Techniker(in) und Produzent(in):
Martin Birch
Bassgitarre und Gitarre:
Ritchie Blackmore (von 1977-05 bis 1977-07)
Keyboard:
Tony Carey (von 1977-05 bis 1977-07)
Schlagzeug:
Cozy Powell (von 1977-05 bis 1977-07)
Sologesang:
Ronnie James Dio (von 1977-05 bis 1977-07)
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1978)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (von 1977-05 bis 1977-07, in 1977-12)
recording of:
Long Live Rock ’n’ Roll (von 1977-05 bis 1977-07)
Verfasser(in):
Ritchie Blackmore und Ronnie James Dio
publisher:
Blackmore Music Ltd.
Rainbow4.24:16

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