Die kompletten Werke, Volume 22: Johannes-Passion / Oster-Oratorium / Ein Choralbuch

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1/2 Aufnahme: Stadthalle Sindelfingen, 25.-29. März 1996
CD3 Aufnahme: Gedächtniskirche Stuttgart, Februar 1984 (BWV 11); Dezember 1980/März & Mai 1981 (BWV 249)
CD4 Aufnahme: Stadthalle Sindelfingen, September 1998 & Januar/Februar/Mai 1999 (Choräle & Lieder); Jesuitenkirche, Porrentury, Switzerland, 20.-21. Februar 1999 (Orgel)

Annotation last modified on 2014-06-20 10:00 UTC.

Tracklist

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1▼CD: Johannes-Passion
#TitleArtistRatingLength
1Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach8:31
2Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Chorus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:46
3Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (in 1996-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:50
4Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:27
5Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (in 1996-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:55
6Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:55
7Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:02
8Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:20
9Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:41
10Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:47
11Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (in 1996-03)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:42
12Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:34
13Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:32
14Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (in 1996-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:15
15Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (in 1996-03)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:11
16Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:56
17Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1996-03)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:36
18Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprch Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:25
19Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Tenor) "Betrachte, meine Seel"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:39
20Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 20 Aria (Tenor) "Erwäge, wie sein blutgefärbter Rücken" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:01
21Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:32
22Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:55
23Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:28
24Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:45
25Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:23
26Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (in 1996-03)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:12
2▼CD: Johannes-Passion
#TitleArtistRatingLength
1Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:27
2Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1996-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:20
3Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:43
4Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:05
5Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:29
6Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:04
7Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:31
8Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:58
9Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:16
10Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:40
11Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1996-03)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:11
12Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:31
13Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:29
14Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1996-03)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:11
15Johannes-Passion, BWV 245: No. 1/II Choral "O Mensch, bewein dein Sünde groß"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Choral "O Mensch, bewein dein Sünde groß" (1725 revision) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach6:36
16Johannes-Passion, BWV 245: No. 11/II Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:22
17Johannes-Passion, BWV 245: No. 13/II Aria (Tenor) "Zerschmettert mich"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245b: Teil I. No. 13 Aria (Tenor) "Zerschmettert mich" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:40
18Johannes-Passion, BWV 245: No. 19/II Aria (Tenor) "Ach, windet euch nicht so"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245c: Teil II. No. 19 Aria (Tenor) "Ach, windet euch nicht so" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:35
19Johannes-Passion, BWV 245: No. 40/II Chorus "Christe, du Lamm Gottes"
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Chorus "Christe, du Lamm Gottes" (1725 revision) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:54
3▼CD: Oster-Oratorium / Himmelfahrts-Oratorium
#TitleArtistRatingLength
1Oster-Oratorium, BWV 249: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:03
2Oster-Oratorium, BWV 249: II. Adagio
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:18
3Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet"
choir vocals:
Gächinger Kantorei Stuttgart
solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:43
4Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:07
5Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien"
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach8:21
6Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:48
7Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer"
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:11
8Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:56
9Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
Johann Sebastian Bach6:58
10Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut"
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:42
11Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:47
12Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
choir vocals:
Gächinger Kantorei Stuttgart (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:41
13Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:30
14Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah"
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:06
15Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben"
alto vocals:
Mechthild Georg (German mezzo-soprano) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:14
16Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehaben zusehends" (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:26
17Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir"
choir vocals:
Gächinger Kantorei Stuttgart (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1984-02)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:11
18Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:11
19Himmelfahrts-Oratorium, BWV 11: VIII. Aria (Sopran) "Jesu, deine Gnadenblicke"
soprano vocals:
Costanza Cuccaro (American soprano) (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:43
20Himmelfahrts-Oratorium, BWV 11: IX. Choral "Wenn soll es doch geschehen"
choir vocals:
Gächinger Kantorei Stuttgart (in 1984-02)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1984-02)
conductor:
Helmuth Rilling (conductor) (in 1984-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
mixed at and edited at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:10
4▼CD: Ein Choralbuch: Ostern, Himmelfahrt, Pfingsten, Trinitatis
#TitleArtistRatingLength
1Choralvorspiel, BWV 627 / Choralsatz, BWV 276 "Christ ist erstanden"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 276 "Christ ist erstanden" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 36) and Bach-Werke-Verzeichnis (number: BWV 276)
recording of:
Christ ist erstanden, BWV 627 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 29) and Bach-Werke-Verzeichnis (number: BWV 627)
Johann Sebastian Bach5:59
2Choralsatz, BWV 284 "Christus ist erstanden"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 284 "Christus ist erstanden" (from 1998-09 until 1999-02)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 51) and Bach-Werke-Verzeichnis (number: BWV 284)
Johann Sebastian Bach0:59
3Choralsatz, BWV 306 "Erstanden ist der heilge Christ" / Choralvorspiel, BWV 628
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 306 "Erstanden ist der heilge Christ" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 85) and Bach-Werke-Verzeichnis (number: BWV 306)
recording of:
Erstanden ist der heilge Christ, BWV 628 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 30) and Bach-Werke-Verzeichnis (number: BWV 628)
Johann Sebastian Bach1:57
4Geistliches Lied, BWV 441 "Auf, auf! mein Herz, mit Freuden" / Choralsatz, BWV 441 "Auf, auf! mein Herz, mit Freuden"
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 441 "Auf, auf! mein Herz, mit Freuden" (from 1998-09 until 1999-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 441)
version of:
Auf, auf, mein Herz, mit Freuden
Johann Sebastian Bach2:09
5Choralvorspiel, BWV 630a "Heut triumphieret Gottes Sohn"
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 630a "Heut triumphieret Gottes Sohn" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 630a)
Johann Sebastian Bach1:18
6Geistliches Lied, BWV 480 "Kommt wieder aus der finstren Gruft" / Choralsatz, BWV deest (Wiemer 10) "Kommt wieder aus der finstren Gruft"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 10) "Kommt wieder aus der finstren Gruft" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 480 "Kommt wieder aus der finstren Gruft" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 480)
Johann Sebastian Bach2:24
7Choralsatz, BWV 342 "Heut triumphieret Gottes Sohn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 342 "Heut triumphieret Gottes Sohn" (from 1998-09 until 1999-02)
lyricist:
Basilius Förtsch (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 171) and Bach-Werke-Verzeichnis (number: BWV 342)
Johann Sebastian Bach2:29
8Choralvorspiel, BWV 728 / Choralsatz, BWV 365 "Jesus, meine Zuversicht"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 365 "Jesus, meine Zuversicht" (from 1998-09 until 1999-02)
lyricist:
Luise Henriette, Electress of Brandenburg (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 208) and Bach-Werke-Verzeichnis (number: BWV 365)
recording of:
Jesus, meine Zuversicht, BWV 728 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 728)
Johann Sebastian Bach3:54
9Geistliches Lied, BWV 475 "Jesus, unser Trost und Leben"
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 475 "Jesus, unser Trost und Leben" (from 1998-09 until 1999-02)
lyricist:
Ernst Christoph Homburg (in 1659)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Bach-Werke-Verzeichnis (number: BWV 475)
Johann Sebastian Bach2:31
10Choralsatz, BWV 364 "Jesus Christus, unser Heiland" / Choralvorspiel, BWV 626
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 364 "Jesus Christus, unser Heiland" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 207) and Bach-Werke-Verzeichnis (number: BWV 364)
recording of:
Chorale Prelude, Jesus Christus, unser Heiland, BWV 626 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 28) and Bach-Werke-Verzeichnis (number: BWV 626)
Johann Sebastian Bach2:57
11Choralsatz, BWV 277 "Christ lag in Todesbanden" / Choralsatz, BWV 278 "Christ lag in Todesbanden" / Choralvorspiel, BWV 718
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 277 "Christ lag in Todesbanden" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 38) and Bach-Werke-Verzeichnis (number: BWV 277)
recording of:
Choralsatz, BWV 278 "Christ lag in Todesbanden" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 39) and Bach-Werke-Verzeichnis (number: BWV 278)
recording of:
Christ lag in Todes Banden, BWV 718 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC K 119) and Bach-Werke-Verzeichnis (number: BWV 718)
Johann Sebastian Bach8:34
12Choralsatz, BWV 266 "Als vierzig Tag nach Ostern war"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 266 "Als vierzig Tag nach Ostern war" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Nikolaus Herman
part of:
Breitkopf 389 Choralgesänge (number: 22) and Bach-Werke-Verzeichnis (number: BWV 266)
Johann Sebastian Bach0:54
13Choralvorspiel, BWV 736 / Choralsatz, BWV 415 "Valet will ich dir geben"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 415 "Valet will ich dir geben" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Valerius Herberger (German hymn writer)
part of:
Bach-Werke-Verzeichnis (number: BWV 415) and Breitkopf 389 Choralgesänge (number: 314)
recording of:
Valet will ich dir geben, BWV 736 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 736)
Johann Sebastian Bach6:01
14Geistliches Lied, BWV 482 "Liebes Herz, bedenke doch"
tenor vocals:
James Taylor (operatic tenor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 482 "Liebes Herz, bedenke doch" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 482)
Johann Sebastian Bach1:55
15Choralsatz, BWV 387 "Nun freut euch, Gottes Kinder all"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 387 "Nun freut euch, Gottes Kinder all" (from 1998-09 until 1999-02)
lyricist:
Erasmus Alberus
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 260) and Bach-Werke-Verzeichnis (number: BWV 387)
Johann Sebastian Bach0:37
16Choralsatz, BWV 388 "Nun freut euch, lieben Christen gmein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 388 „Nun freut euch, lieben Christen gmein“ (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 261) and Bach-Werke-Verzeichnis (number: BWV 388)
Johann Sebastian Bach1:55
17Choralvorspiel, BWV 667a "Komm, Gott Schöpfer, Heiliger Geist"
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 667a "Komm, Gott Schöpfer, Heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 667.1) and Bach-Werke-Verzeichnis (number: BWV 667a)
revision of:
Komm, Gott Schöpfer, Heiliger Geist, BWV 631
Johann Sebastian Bach2:05
18Geistliches Lied, BWV 479 "Kommt, Seelen dieser Tag" / Choralsatz, BWV deest (Wiemer 9) "Kommt, Seelen dieser Tag"
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 9) "Kommt, Seelen dieser Tag" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 479 "Kommt, Seelen dieser Tag" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 479)
Johann Sebastian Bach1:59
19Choralsatz, BWV 370 "Komm, Gott Schöpfer, Heiliger Geist" / Choralvorspiel, BWV 631a
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 370 "Komm, Gott Schöpfer, Heiliger Geist" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 218) and Bach-Werke-Verzeichnis (number: BWV 370)
recording of:
Choralvorspiel, BWV 631a "Komm, Gott Schöpfer, heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 631a)
Johann Sebastian Bach2:27
20Geistliches Lied, BWV 445 "Brunnquell aller Güter" / Choralsatz, BWV deest (Wiemer 4) "Brunnquell aller Güter"
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 4) "Brunnquell aller Güter" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 445 "Brunnquell aller Güter" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 445)
Johann Sebastian Bach2:39
21Geistliches Lied, BWV 462 "Gott, wie groß ist deine Güte"
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 462 "Gott, wie groß ist deine Güte" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 462)
Johann Sebastian Bach1:40
22Choralsatz, BWV 295 "Des Heilgen Geistes reiche Gnad"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 295 "Des Heilgen Geistes reiche Gnad" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 63) and Bach-Werke-Verzeichnis (number: BWV 295)
Johann Sebastian Bach0:43
23Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen"
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach1:53
24Choralsatz, BWV 385 "Nun bitten wir den heiligen Geist"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 385 "Nun bitten wir den heiligen Geist" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 254) and Bach-Werke-Verzeichnis (number: BWV 385)
Johann Sebastian Bach1:53
25Choralvorspiel, BWV 652a "Komm, heiliger Geist"
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 652a "Komm, heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 652a)
Johann Sebastian Bach11:03
26Choralsatz, BWV 293 "Der du bist drei in Einigkeit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 293 "Der du bist drei in Einigkeit" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 61) and Bach-Werke-Verzeichnis (number: BWV 293)
Johann Sebastian Bach1:42
27Choralsatz, BWV 317 "Gott, der Vater, wohn uns bei"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 317 "Gott, der Vater, wohn uns bei" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 113) and Bach-Werke-Verzeichnis (number: BWV 317)
Johann Sebastian Bach1:45
28Fuga super, BWV 716 "Allein Gott in der Höh sei Ehr"
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Fuga super "Allein Gott in der Höh sei Ehr", BWV 716 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 716)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach2:16