Now That’s What I Call Classic Rock Hits (deluxe edition)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:24
2Feels Like the First Time
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Feels Like the First Time
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Music (publisher) (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3:12
3Hold the Line
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrazione di:
Hold the Line
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:31
4Baby Hold On
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money e Jo Baker (US singer, involved with Elvin Bishop)
voce di accompagnamento:
Randy Nichols
voce ospite:
Jo Baker (US singer, involved with Elvin Bishop)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Baby Hold On (nel 1977-06)
autore:
Jimmy Lyon (rock guitarist, worked with Eddie Money) e Eddie Money
editore:
Cashola Music e Three Wise Boys Music LLC
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:30
5Any Way You Want It
tecnico audio, tecnico e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Ken Kessie
produttore:
Kevin Elson e Geoff Workman
armonica (a bocca) e tastiera :
Gregg Rolie (keyboardist and vocalist)
basso a pedali e chitarra basso :
Ross Valory
batteria e percussione :
Steve Smith (US drummer most associated with Journey)
chitarra :
Neal Schon
voce di accompagnamento:
Gregg Rolie (keyboardist and vocalist), Neal Schon e Ross Valory
voce principale:
Steve Perry (former lead singer of Journey)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1980) e CBS, Inc. (US broadcasting company; file no releases here!) (nel 1980)
registrata presso:
The Automatt in San Francisco, California, Stati Uniti (dal 1979-11-05 al 1979-11-12)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 80)
registrazione di:
Any Way You Want It
autore:
Steve Perry (former lead singer of Journey) e Neal Schon
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music e Weedhigh‐Nightmare Music
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey4.13:22
6Come Sail Away
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1977)
registrazione di:
Come Sail Away
paroliere e compositore:
Dennis DeYoung
editore:
Rondor Music International (merged into UMG 2019), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1977) e Stygian Songs (publishing company for the rock band Styx) (nel 1977)
Styx3:06
7Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:23
8Crazy on You
registrazione di:
Crazy on You
autore:
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
How About Music, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart44:17
9Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:11
10Lola
registrazione di:
Lola
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1970-04)
editore:
Carlin Music Corporation, Carlin (nel 1970, nel 1984) e Davray (publisher) (nel 1970, nel 1984)
The Kinks4:00
1125 or 6 to 4
registrazione di:
25 or 6 to 4
paroliere e compositore:
Robert Lamm (nel 1969)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (nel 1986) e Lamminations Music (nel 1986)
Chicago2:51
12Take the Money and Run
registrazione di:
Take the Money and Run
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
P and P Songs Limited e Sailor Music
parte di:
East Coast Music Association Song of the Year Nominees (numero: 2001 (Julian Austin))
Steve Miller Band2:50
13Blinded by the Light
produttore:
Manfred Mann (the person) e Manfred Mann’s Earth Band
diritti fonografici (℗) detenuti da:
Creature Music Ltd., Bronze Records Limited (nel 1976) e Petbrook Ltd (nel 1976)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1976)
registrazione cover di:
Blinded by the Light (nel 1976)
paroliere e compositore:
Bruce Springsteen (dal 1972-08 al 1972-09)
editore:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1972)
Manfred Mann’s Earth Band4.23:48
14Paradise by the Dashboard Light (medley)
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
batteria :
Max Weinberg
chitarra :
Todd Rundgren
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e altra voce [lascivious effects]:
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Marvin Lee e Todd Rundgren
voce di accompagnamento e voce principale [featured female vocal]:
Ellen Foley
voce parlata [baseball play-by-play]:
Phil Rizzuto
voce principale:
Meat Loaf
esecutore:
Ellen Foley
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977)
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf4.28:30
15I Want You to Want Me (live)
tecnico di registrazione:
鈴木智雄 (Tomoo Suzuki) (dal 1978-04-28 al 1978-04-30)
assistente tecnico:
Mike Beriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Cheap Trick e Jack Douglas
tecnico di missaggio:
Cheap Trick, Gary Ladinsky (engineer) e Jay Messina (nel 1978)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), EPC (nel 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (nel 1978, nel 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Giappone (dal 1978-04-28 al 1978-04-30)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978)
registrazione dal vivo di:
I Want You to Want Me (dal 1978-04-28 al 1978-04-30)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick3.853:36
16Do You Feel Like We Do (live)
registrazione di:
Do You Feel Like We Do
autore:
Peter Frampton, Mick Gallagher (UK hammond organ player), John Siomos e Rick Wills
editore:
Nuages Artists Music Ltd.
sub-editore:
Universal Music Publishing France (not for release label use!)
Peter Frampton57:17
17Free Bird
tecnico:
Al Kooper, Bob “Tub” Langford, Rodney Mills e Danny Turbeville
produttore:
Al Kooper
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-04)
chitarra [lead guitar] :
Allen Collins (nel 1973-03)
chitarra [rhythm guitar] :
Gary Rossington (nel 1973-03)
chitarra basso :
Ed King (US guitarist, bassist & songwriter) (nel 1973-04)
organo :
Al Kooper (nel 1973-04)
organo aggiunto:
Roosevelt Gook (nel 1973-04)
tastiera :
Billy Powell (nel 1973-03)
voce principale:
Ronnie Van Zant (nel 1973-04)
remixer:
Al Kooper
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-04)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 19), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 407)
registrazione di:
Free Bird (nel 1973-04)
paroliere e compositore:
Allen Collins e Ronnie Van Zant
editore:
EMI Longitude Music, Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
Lynyrd Skynyrd4.79:06
18Ramblin’ Man
tecnico:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks e Buddy Thornton
produttore:
The Allman Brothers Band e Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
basso :
Berry Oakley (US bassist, The Allman Brothers Band) (nel 1972-10)
batteria :
Jai Johanny Johanson (nel 1972-10) e Butch Trucks (nel 1972-10)
chitarra :
Les Dudek (nel 1972-10)
chitarra [lead guitar] e voce principale:
Dickey Betts (nel 1972-10)
congas :
Jai Johanny Johanson (nel 1972-10)
organo :
Gregg Allman (nel 1972-10)
pianoforte e voce di accompagnamento:
Gregg Allman (nel 1972-10) e Chuck Leavell (nel 1972-10)
voce:
Gregg Allman (nel 1972-10)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2013)
registrata presso:
Capricorn Sound Studio in Macon, Georgia, Stati Uniti (nel 1972-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Ramblin’ Man (nel 1972-10)
paroliere e compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.554:48
19Feelin’ Alright
registrazione cover di:
Feelin’ Alright
paroliere e compositore:
Dave Mason (co‐founder of Traffic)
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker4:09
20Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:14
21American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:32
22The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:34
23Fooled Around and Fell in Love
Elvin Bishop4:35
24Get Ready
produttore:
Rare Earth (Detroit band)
edit di:
Get Ready di Rare Earth (Detroit band)
registrazione cover di:
Get Ready
paroliere e compositore:
William “Smokey” Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
registrazione di:
Get Ready
paroliere e compositore:
William “Smokey” Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Rare Earth2:52
25You Ain’t Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:56
26Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:24
27Signs
registrazione di:
Signs
paroliere e compositore:
Les Emmerson
Five Man Electrical Band3:03
28Free Ride
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
The Edgar Winter Group4.653:08
29Rock and Roll, Hoochie Koo
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1973)
registrazione di:
Rock and Roll, Hoochie Koo
paroliere e compositore:
Rick Derringer
editore:
Universal Music Careers
Rick Derringer33:43
30Black Magic Woman
registrata a:
San Francisco, California, Stati Uniti (nel 1970-06)
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (dal 1970-06-04 al 1970-06-05)
chitarra :
Carlos Santana (dal 1970-06-04 al 1970-06-05)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (dal 1970-06-04 al 1970-06-05)
congas :
José “Chepito” Áreas (nel 1970-06) e Michael Carabello (percussionist) (nel 1970-06)
congas e percussione :
Michael Carabello (percussionist) (dal 1970-06-04 al 1970-06-05)
congas, percussione e timbales e timbales :
José “Chepito” Áreas (dal 1970-06-04 al 1970-06-05)
percussione :
Rico Reyes (dal 1970-06-04 al 1970-06-05)
tabla :
Steven Saphore (dal 1970-06-04 al 1970-06-05)
tastiera e voce principale:
Gregg Rolie (keyboardist and vocalist) (dal 1970-06-04 al 1970-06-05)
voce:
Gregg Rolie (keyboardist and vocalist) (nel 1970-06)
voce di accompagnamento:
Rico Reyes (dal 1970-06-04 al 1970-06-05) e Carlos Santana (dal 1970-06-04 al 1970-06-05)
arrangiatore:
Santana (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (dal 1970-06-04 al 1970-06-05)
registrazione cover di:
Black Magic Woman (nel 1970-06)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione cover di:
Gypsy Queen (nel 1970-06)
compositore:
Gábor Szabó (nel 1966)
editore:
Gabor & Cardigan Music, PAB Music Corp. e Wixen Music Publishing, Inc.
Santana3.75:19
31American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:06
32Evil Woman
tecnico:
Jimmy Iovine e Reinhold Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (dal 1975-05 al 1975-06)
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1975-05 al 1975-06)
chitarra :
Jeff Lynne (dal 1975-05 al 1975-06) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1975-05 al 1975-06)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1975-05 al 1975-06)
violino :
Mik Kaminski (dal 1975-05 al 1975-06)
violoncello :
Melvyn Gale (dal 1975-05 al 1975-06) e Hugh McDowell (dal 1975-05 al 1975-06)
voce di accompagnamento:
Susan Collins (dal 1975-05 al 1975-06), Ellie Greenwich (dal 1975-05 al 1975-06), Nancy O'Neill (dal 1975-05 al 1975-06) e Margaret Raymond (dal 1975-05 al 1975-06)
voce principale:
Jeff Lynne (dal 1975-05 al 1975-06)
direttore d'orchestra:
Louis Clark
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1975, nel 2005) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1975-05 al 1975-06), Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1975-05 al 1975-06) e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975-05 al 1975-06: voce di accompagnamento)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Evil Woman (dal 1975-05 al 1975-06)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.24:18
33Changes
registrata presso:
Radio City Music Hall in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-02-15)
registrazione dal vivo di:
Changes (David Bowie song) (il 1973-02-15)
paroliere:
David Bowie (English singer‐songwriter)
compositore:
David Bowie (English singer‐songwriter) e Daniel Licht
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing (do not use as a release label!), Tintoretto Music e Universal/MCA Music Publishing Pty Ltd
David Bowie53:33
34I’ve Seen All Good People: Your Move / All Good People
tecnico:
Eddy Offord
produttore:
Eddy Offord e Yes (British progressive rock band)
basso a pedali e basso elettrico :
Chris Squire (Yes bassist) (dal 1970-10 al 1970-11)
batteria :
Bill Bruford (dal 1970-10 al 1970-11)
chitarra elettrica e chitarra portoghese [vachalia] :
Steve Howe (dal 1970-10 al 1970-11)
flauto dolce ospite :
Colin Goldring (dal 1970-10 al 1970-11)
organo Hammond e pianoforte :
Tony Kaye (dal 1970-10 al 1970-11)
percussione :
Jon Anderson (Yes/Jon & Vangelis) (dal 1970-10 al 1970-11) e Bill Bruford (dal 1970-10 al 1970-11)
voce di accompagnamento:
Jon Anderson (Yes/Jon & Vangelis) (dal 1970-10 al 1970-11), Steve Howe (dal 1970-10 al 1970-11) e Chris Squire (Yes bassist) (dal 1970-10 al 1970-11)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (dal 1970-10 al 1970-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito (dal 1970-10 al 1970-11)
registrazione di:
I’ve Seen All Good People (dal 1970-10 al 1970-11)
autore:
Jon Anderson (Yes/Jon & Vangelis) e Chris Squire (Yes bassist)
editore:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Yessongs Ltd.
cita i testi di:
Give Peace a Chance
Yes46:54
35Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:12
36Hold Your Head Up
registrazione di:
Hold Your Head Up
autore:
Rod Argent e Chris White (UK bassist for The Zombies)
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA e Verulum Music Co Ltd
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent6:10
37Long Cool Woman (In a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:16
38Gimme Some Lovin’
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group2:59
39Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:05
40Bang a Gong (Get It on)
tecnico:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen e Martin Rushent
produttore:
Tony Visconti
basso elettrico :
Steve Currie (dal 1971-03 al 1971-06)
batteria :
Bill Legend (dal 1971-03 al 1971-06)
chitarra elettrica e voce principale:
Marc Bolan (dal 1971-03 al 1971-06)
percussione :
Mickey Finn (musician and T. Rex member) (dal 1971-03 al 1971-06)
tastiera :
Rick Wakeman (dal 1971-03 al 1971-06)
voce di accompagnamento:
Howard Kaylan (dal 1971-03 al 1971-06) e Mark Volman (dal 1971-03 al 1971-06)
diritti fonografici (℗) detenuti da:
Essex Music International Ltd. (nel 1971), Straight Ahead Productions Ltd. (nel 1971, nel 2001) e Tarantula Productions (nel 1971)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 41)
registrazione di:
Get It On (Bang a Gong) (dal 1971-03 al 1971-06)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4.654:22
41Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
The Sweet4.64:01
42All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group)
produttore aggiunto:
John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free) (nel 1970)
basso elettrico e pianoforte :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke (nel 1970)
chitarra :
Paul Kossoff (nel 1970)
voce:
Paul Rodgers
voce principale:
Paul Rodgers (nel 1970)
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970)
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 27)
registrazione di:
All Right Now (nel 1970)
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:30
43In‐A‐Gadda‐Da‐Vida
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrazione di:
In‐A‐Gadda‐Da‐Vida
paroliere e compositore:
Douglas Lloyd Ingle
editore:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:53
44Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
45Detroit Rock City
tecnico:
Jay Messina e Corky Stasiak
produttore:
Bob Ezrin
voce parlata:
Bob Ezrin
voce principale:
Paul Stanley (KISS frontman)
registrata presso e mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Detroit Rock City
autore:
Bob Ezrin e Paul Stanley (KISS frontman)
editore:
Café Americana Inc. (conclusa), KISS Songs Inc. (conclusa), All by Myself Publishing Company, Hori Productions America Inc. e Intersong U.S.A. (publisher)
sub-editore:
大洋音楽 (Taiyō Music)
si basa su:
You’re Much Too Young
KISS4.655:15
46Hair of the Dog
tecnico di registrazione:
Tony Taverner
tecnico di registrazione aggiunto e tecnico di missaggio aggiunto:
John Punter
produttore:
Manny Charlton (singer-songwriter and guitarist)
batteria :
Darrell Sweet (drummer and songwriter)
chitarra e sintetizzatore :
Manny Charlton (singer-songwriter and guitarist)
chitarra basso :
Pete Agnew (singer-songwriter and bassist)
voce di accompagnamento:
Pete Agnew (singer-songwriter and bassist) e Darrell Sweet (drummer and songwriter)
voce principale:
Dan McCafferty (singer, songwriter)
editore:
Intersong Music
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), USM Copyrights Ltd. (nel 2010), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Associated Recording Studios in London (Greater London), England, Regno Unito e Escape Studios in Kent, England, Regno Unito
registrazione di:
Hair of the Dog
autore:
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) e Darrell Sweet (drummer and songwriter)
editore:
Carlin Music Corporation e Mountain Music Ltd.
Nazareth3.54:10
47(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:09
48Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:24
49Don’t Look Back
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico e produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso e mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston35:57
50Flirtin’ With Disaster
tecnico di registrazione e tecnico di missaggio:
Gary Ladinsky (engineer)
assistente tecnico:
Cary Pritikin e Bill Vermillion
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment France (nel 1979)
registrata presso:
Bee Jay Recording Studios in Orlando, Florida, Stati Uniti (nel 1979) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1979)
mixata presso:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Flirtin' With Disaster (nel 1979)
autore:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek e Banner Thomas
Molly Hatchet44:59
51Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:25
52The House Is Rockin’
assistente tecnico:
Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones (engineer) e Evan Rush (engineer)
tecnico:
Jim Gaines e Richard Mullen
tecnico aggiunto:
Richard McKernen
produttore:
Jim Gaines e Stevie Ray Vaughan and Double Trouble
tecnico di missaggio:
Jim Gaines e Dave McNair (producer, engineer, musician)
batteria e percussione :
Chris Layton (il 1989-02-10)
chitarra :
Stevie Ray Vaughan (il 1989-02-10)
chitarra basso :
Tommy Shannon (il 1989-02-10)
tastiera :
Reese Wynans (American keyboardist) (il 1989-02-10)
voce:
Stevie Ray Vaughan (il 1989-02-10)
mixata presso:
Kiva Studios in Memphis, Tennessee, Stati Uniti, Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti e Summa Studios in Los Angeles, California, Stati Uniti
registrazione di:
The House Is Rockin’ (il 1989-02-10)
autore:
Doyle Bramhall e Stevie Ray Vaughan
editore:
Hello Mr. Wilson, Stevie Ray Songs e Two Thirty Music
Stevie Ray Vaughan and Double Trouble42:24
53One Bourbon, One Scotch, One Beer (live)
registrazione dal vivo cover di:
One Bourbon, One Scotch, One Beer
paroliere:
John Lee Hooker (US blues singer, songwriter & guitarist)
compositore:
Rudolph Toombs
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
si basa su:
House Rent Boogie
George Thorogood & the Destroyers55:48
54Hold On Loosely
tecnico:
“Lightnin’ Rod” Mills e Gregory M. Quesnel
produttore:
Rodney Mills
produttore associato:
Don Barnes e Jeff Carlisi
batteria :
Jack Grondin e Steve Brookins
chitarra :
Don Barnes e Jeff Carlisi
chitarra basso :
Larry Junstrom
voce di accompagnamento:
Don Barnes e Carol Veto
voce principale:
Don Barnes e Donnie Van Zant
diritti fonografici (℗) detenuti da:
A&M Records (nel 1980), A&M Records, Inc. (nel 1980), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1981, nel 1987), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (nel 2001) e Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (nel 2003)
registrata presso e mixata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti
registrazione di:
Hold On Loosely
autore:
Jeff Carlisi, James Peterik e Richard Donald Barnes
editore:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs e WB Music Corp. (1929–2019)
.38 Special3.84:38
55The Stroke
assistente tecnico di registrazione:
Garry Rindfuss
tecnico di registrazione:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack) e Billy Squier
batteria :
Bobby Chouinard
chitarra e voce principale:
Billy Squier
voce di accompagnamento:
Mark Clarke (Rock, UK) e Alan St. Jon
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata in aggiunta presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 59)
registrazione di:
The Stroke
paroliere e compositore:
Billy Squier
editore:
Songs of the Knight
Billy Squier3.753:37
56Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
57Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.54:47
58Roxanne
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1978), A&M Records, Inc. (nel 1997) e A&M Records, Ltd. (nel 2003)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
video musicali:
Roxanne (Music video) di The Police (British rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 388)
registrazione di:
Roxanne
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Mushroom Music (Mushroom label’s publishing company) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:11
59Lunatic Fringe
produttore:
Richard Landis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 78) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 82)
registrazione di:
Lunatic Fringe
paroliere e compositore:
Tom Cochrane (of Red Rider)
Red Rider54:21
60Heartbreaker
produttore:
Mike Chapman (Australian producer and songwriter) e Peter Coleman
batteria :
Glen Alexander Hamilton
chitarra basso :
Roger Capps
chitarra elettrica [lead guitar] , chitarra slide e tastiera :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
chitarra elettrica [rhythm guitar] :
Scott St. Clair Sheets
voce di accompagnamento:
Pat Benatar, Roger Capps e Neil Giraldo (multi-instrumentalist, songwriter, producer)
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (dal 1979-06 al 1979-07)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 72)
registrazione cover di:
Heartbreaker
autore:
Geoff Gill e Cliff Wade
editore:
DJM Music
Pat Benatar4.153:27

Accreditamenti

Pubblicazione

scaricare a pagamento:https://itunes.apple.com/us/album/id716443369 [info] (conclusa)

Gruppo di pubblicazioni

parte di:NOW That’s What I Call… (USA compilations outside the main numbered series) (ordine: 26)
Wikidata:Q17016280 [info]