Oh Boy! 20 Big Ones

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Oh Boy!
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce di accompagnamento:
Bob Lapham (il 1957-08-18), Bill Pickering (il 1957-08-18) e John Pickering (vocalist and leader of The Picks) (il 1957-08-18)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-06-29 al 1957-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01, il 1957-08-18)
registrazione di:
Oh, Boy! (dal 1957-07-01 al 1957-08-18)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
42:11
2Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
4.52:33
3Everyday
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
batteria :
Jerry Allison
celesta :
Vi Petty (il 1957-05-29)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
percussione [cardboard box percussion] :
Jerry Allison (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-29)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 236)
registrazione di:
Everyday (il 1957-05-27)
autore:
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:10
4That’ll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
4.62:18
5Blue Suede Shoes
registrata a:
Lubbock, Texas, Stati Uniti (dal 1956-11 al 1956-12)
batteria :
Jerry Allison (dal 1956-11 al 1956-12)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-11 al 1956-12)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-11 al 1956-12)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1964) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Blue Suede Shoes (dal 1956-11 al 1956-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
41:56
6Not Fade Away
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-27)
batteria :
Jerry Allison (il 1957-05-27, il 1957-05-29)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 107)
registrazione di:
Not Fade Away (il 1957-05-27)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
registrazione di:
Not Fade Away (il 1957-05-29)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
4.652:24
7Rock Around With Ollie Vee
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) e Niki Sullivan
voce:
Buddy Holly (1950s rock & roll singer‐songwriter)
registrazione cover di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
32:14
8Ting‐a‐Ling
registrazione cover di:
Ting-a-Ling
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
autore:
Nugetre (US songwriter/producer)
editore:
Carlin Music Corp., Cedarwood Music e Unichappell Music, Inc.
2:44
9Reminiscing
registrazione di:
Reminiscing
paroliere e compositore:
King Curtis (saxophonist)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) e Nor-Va-Jak Music, Inc
2:03
10Rave On
registrata a:
New York, New York, Stati Uniti (il 1958-01-25)
produttore:
Milton DeLugg, Norman Petty e Bob Thiele (producer & songwriter)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-01-25, il 1958-01-26)
batteria :
Jerry Allison (il 1958-01-25, il 1958-01-26)
chitarra :
Donald Amone (il 1958-01-25), Al Caiola (il 1958-01-25) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-26)
pianoforte :
Norman Petty (il 1958-01-25, il 1958-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-25, il 1958-01-26)
voce di accompagnamento:
Robert Bollinger (il 1958-01-25), Robert Harter (il 1958-01-25), Abby Hoffer (il 1958-01-25), William Marine (il 1958-01-25) e Merril Ostrus (il 1958-01-25)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1958-01-26)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 154)
registrazione cover di:
Rave On (il 1958-01-26)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) e Wren Music Co.
4.21:53
11Well Alright
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-02-12)
batteria :
Jerry Allison
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
piatti :
Jerry Allison (il 1958-02-12)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1958-02-12)
registrazione di:
Well… All Right (il 1958-02-12)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
42:16
12Early in the Morning2:10
13It Doesn’t Matter Anymore
produttore:
Dick Jacobs (arranger, musician and bandleader) e Norman Petty
arpa :
Doris Johnson (harpist) (il 1958-10-21)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison e Cliff Leeman (il 1958-10-21)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter), Niki Sullivan e Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
viola :
Howard Kay (Violin player) (il 1958-10-21) e David Schwartz (violist) (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
violoncello :
Maurice Bialkin (il 1958-10-21) e Maurice Brown (jazz cellist) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1959) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1959)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
It Doesn’t Matter Anymore (il 1958-10-21)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
2.752:05
14Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:05
15Peggy Sue Got Married
registrazione di:
Peggy Sue Got Married
compositore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
1:46
16It’s So Easy
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1958-06 al 1958-08)
batteria :
Jerry Allison (dal 1958-06 al 1958-08)
chitarra :
Niki Sullivan, Tommy Allsup (dal 1958-06 al 1958-08) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-06 al 1958-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-06 al 1958-08)
voce di accompagnamento:
The Roses (American rock backing vocal trio) (dal 1958-06 al 1958-08)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-06 al 1958-08)
registrazione di:
It’s So Easy (dal 1958-06 al 1958-08)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Publications Inc., Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1958)
3.52:13
17Heartbeat42:12
18Words of Love
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-04-08)
batteria :
Jerry Allison (il 1957-04-08)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-04-08)
registrazione cover di:
Words of Love (Buddy Holly song) (il 1957-04-08)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
registrazione di:
Words of Love (Buddy Holly song)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
41:57
19True Love Ways
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) e Niki Sullivan
registrazione di:
True Love Ways (il 1958-10-20)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
33:03
20Look at Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
percussione [cardboard box] :
Jerry Allison (il 1957-12-19)
pianoforte :
Vi Petty (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione di:
Look at Me (dal 1957-05 al 1957-07)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
52:06