Best Ever '50s Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1(We're Gonna) Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.35?:??
2Good Golly, Miss Molly
registrazione di:
Good Golly Miss Molly
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. e Robin Hood Music Co.
Little Richard?:??
3Johnny B. Goode
registrazione di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry?:??
4Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4?:??
5Tutti Frutti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard?:??
6Be-Bop-A-Lula
Gene Vincent?:??
7Chantilly Lace
registrazione di:
Chantilly Lace
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Glad Music Co.
The Big Bopper?:??
8Shake, Rattle and Roll
Bill Haley and His Comets?:??
9At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.4?:??
10La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.75?:??
11Willie and the Hand Jive
registrazione di:
Willie and the Hand Jive
paroliere e compositore:
Johnny Otis
editore:
Eldorado Music Company
The Johnny Otis Show?:??
12Rubber Ball
registrazione di:
Rubber Ball
paroliere e compositore:
Gene Pitney e Aaron Schroeder (1950s~1960s US songwriter)
editore:
J. Albert & Son Pty. Ltd.
Bobby Vee?:??
13Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly and The Crickets4.5?:??
14Lipstick on Your Collar
registrazione di:
Lipstick on Your Collar
paroliere:
Edna Lewis
compositore:
George Goehring
editore:
Anne-Rachel Music Corp.
Connie Francis?:??
15Shakin' All Over
registrazione di:
Shakin’ All Over
paroliere e compositore:
Frederick Heath e Johnny Kidd
editore:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates?:??
16Charlie Brown
registrazione di:
Charlie Brown
autore:
Jerry Leiber e Mike Stoller
editore:
Sony/ATV Songs LLC
The Coasters?:??
17Peter Gunn Theme
registrazione strumentale cover di:
Peter Gunn
paroliere e compositore:
Henry Mancini (US composer, conductor & arranger)
parte di:
Peter Gunn (American TV series 1958–1961)
Duane Eddy4?:??
18Wake Up, Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.65?:??
19Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins4?:??
20The Night Time Is the Right Time
Nappy Brown?:??
21Ain't That a Shame
registrazione di:
Ain’t That a Shame
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino?:??
22V-8 Baby
Tommy Brown?:??
2▼CD
#TitoloArtistaValutazioneDurata
1When a Man Loves a Woman
registrazione dal vivo di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge?:??
2Heartbeat
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) e George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Niki Sullivan, Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly and The Crickets4.65?:??
3Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups4?:??
4Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels3?:??
5Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson4?:??
6Hey! Baby
registrazione di:
Hey! Baby
autore:
Bruce Channel e Margaret Cobb (singer, writer, publisher)
editore:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (nel 1961) e Le Bill Music (nel 1961)
Bruce Channel?:??
7Tears on My Pillow
registrazione cover di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Bobby Vee4?:??
8Unchained Melody
registrazione cover di:
Unchained Melody (nel 1958)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Charlie Rich?:??
9Earth Angel
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 151)
registrazione di:
Earth Angel (Will You Be Mine) (nel 1954)
autore:
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams (band leader, record producer and record label owne)
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Penguins5?:??
10The Shoop Shoop Song (It's in His Kiss)
registrazione di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Betty Everett?:??
11Will You Love Me Tomorrow
registrazione di:
Will You Love Me Tomorrow (Carole King song)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles?:??
12Sh-Boom
The Crew Cuts?:??
13Come Go With Me
The Dell-Vikings?:??
14Goodnight, Sweetheart, Goodnight
The Spaniels?:??
15Oh, What a Night
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 260)
registrazione di:
Oh, What a Night (nel 1956-05)
autore:
Johnny Funches e Marvin Junior
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells?:??
16Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland4?:??
17Since I Don't Have You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 18)
registrazione di:
Since I Don’t Have You
autore:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
compositore:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
editore:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. e Southern Music Publ. Co. Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners?:??
18To Know Him Is to Love Him
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Phil Spector
membranofono :
Sandy Nelson (nel 1958-07)
strumenti:
Phil Spector (nel 1958-07)
arrangiatore:
Phil Spector
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1958-07)
registrazione di:
To Know Him Is to Love Him (nel 1958-07)
paroliere e compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. e Vogue Music
The Teddy Bears?:??
19Double-Faced Deacon
Tommy Brown?:??
20Only You (And You Alone)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters?:??
21Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.5?:??
22That Man
Nappy Brown?:??

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