Legacy

~ Release by John Williams (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Main Title From “Star Wars: A New Hope”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Main Title (Star Wars) (in 2020-01)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
?:??
2Hedwig’s Theme From “Harry Potter and the Philosopher’s Stone”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Hedwig’s Theme (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (in 2021-10)
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
?:??
3Raiders March From “Indiana Jones and the Raiders of the Lost Ark”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
violin:
Anne‐Sophie Mutter (violinist) (in 2020-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Raiders March (Raiders of the Lost Ark) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
?:??
4Flying Theme From “E.T. the Extra-Terrestrial”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Flying Theme (From E.T. the Extra-Terrestrial) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 2021-10)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
?:??
5Theme From “Jurassic Park”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Theme From Jurassic Park (Jurassic Park) (in 2020-01)
composer:
John Williams (American score composer and conductor) (in 1993)
part of:
Jurassic Park (1993 film score)
?:??
6Superman March
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2021)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Superman March (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Main Theme (Superman: The Movie) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Superman: The Movie (1978 film soundtrack)
?:??
7Theme From “Schindler’s List”
assistant recording engineer:
Robert Wolff (engineer)
recording engineer:
Shawn Murphy (producer/engineer)
executive producer:
Ute Fesquet
producer:
Bernhard Güttler (engineer)
mixer:
Bernhard Güttler (engineer) and Tobias Lehmann
violin:
Anne‐Sophie Mutter (violinist) (in 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (in 2019-04)
conductor:
John Williams (American score composer and conductor) (in 2019-04)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (in 2019-04)
recording of:
Main Theme (Schindler’s List) (in 2019-04)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
?:??
8Olympic Fanfare and Theme
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Olympic Fanfare and Theme (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Olympic Fanfare and Theme (1984 version) (in 2021-10)
composer:
John Williams (American score composer and conductor)
part of:
Official Songs of the Olympic Games (number: 1984)
?:??
9Excerpts From “Close Encounters of the Third Kind”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Excerpts From Close Encounters of the Third Kind (Close Encounters of the Third Kind) (in 2020-01)
composer:
John Williams (American score composer and conductor)
publisher:
Hal Leonard Corporation and EMI Gold Horizon Music Corp. (in 1977)
is based on:
Close Encounters of the Third Kind (film soundtrack)
?:??
10Harry’s Wondrous World From “Harry Potter and the Philosopher’s Stone”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Harry’s Wondrous World (From Harry Potter and the Philosopher’s Stone) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Harry’s Wondrous World (Harry's Wondrous World, Harry Potter and the Sorcerer’s Stone) (in 2021-10)
publisher:
Hal Leonard
composer:
John Williams (American score composer and conductor)
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
part of:
Harry Potter and the Sorcerer's Stone: Children's Suite for Orchestra
?:??
11Yoda’s Theme From “Star Wars: The Empire Strikes Back”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
engineer and mixer:
René Möller
producer:
Christoph Franke (engineer/producer)
editor:
Erik Brauer and Christoph Franke (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Yoda’s Theme (From Star Wars: The Empire Strikes Back) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (in 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
?:??
12The Imperial March From “Star Wars: The Empire Strikes Back”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (in 2020-01)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
?:??
13The Flight to Neverland From “Hook”
recording engineer:
Tobias Lehmann (in 2020-01)
assistant engineer:
Wolfgang Schiefermair (in 2020-01)
producer, mixer and editor:
Bernhard Güttler (engineer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2020-01)
conductor:
John Williams (American score composer and conductor) (in 2020-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2020)
recorded at:
Goldener Saal der Gesellschaft der Musikfreunde in Wien in Innere Stadt, Wien (Vienna), Austria (in 2020-01)
live recording of:
Flight to Neverland (Hook) (in 2020-01)
composer:
John Williams (American score composer and conductor)
part of:
Hook
?:??
14Princess Leia’s Theme From “Star Wars: A New Hope”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Princess Leia’s Theme (From Star Wars: A New Hope) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (in 2021-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
?:??
15Throne Room & Finale From “Star Wars: A New Hope”
assistant recording engineer:
Johannes Hartmuth (in 2021-10) and Jupp Wegner (engineer) (in 2021-10)
producer:
Christoph Franke (engineer/producer)
mixer:
René Möller
editor:
Erik Brauer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 2021-10)
conductor:
John Williams (American score composer and conductor) (in 2021-10)
balance engineer:
René Möller (in 2021-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
recorded at:
Philharmonie in Mitte, Berlin, Germany (in 2021-10)
edit of:
Throne Room & Finale (From Star Wars: A New Hope) (with applause) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), John Williams (American score composer and conductor)
live recording of:
Throne Room / Finale (Star Wars, published suite with extensions) (in 2021-10)
composer:
John Williams (American score composer and conductor)
is based on:
End Title (Star Wars, Episode IV: A New Hope)
is based on:
The Throne Room (Star Wars, Episode IV: A New Hope)
?:??