Complete Symphonies, Tone Poems, Overtures, Requiem

~ Release by Antonín Dvořák; London Symphony Orchestra, István Kertész (see all versions of this release, 4 available)

Tracklist

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1▼Digital Media
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1Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: I. Maestoso – Allegro
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: I. Maestoso - Allegro (Symphony No. 1 in C minor, Op. 3 “The Bells of Zlonice”: I. Maestoso - Allegro) (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-02-14 until 1865-03-24)
part of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“ (Symphony no. 1 in C minor, B. 9 “The Bells of Zlonice”)
Antonín Dvořák18:54
2Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: II. Adagio molto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: II. Adagio molto (Symphony No. 1 in C minor, Op. 3 “The Bells of Zlonice”: II. Adagio molto) (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-02-14 until 1865-03-24)
part of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“ (Symphony no. 1 in C minor, B. 9 “The Bells of Zlonice”)
Antonín Dvořák13:38
3Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: III. Allegretto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: III. Allegretto (Symphony No. 1 in C minor, Op. 3 “The Bells of Zlonice”: III. Allegretto) (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-02-14 until 1865-03-24)
part of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“ (Symphony no. 1 in C minor, B. 9 “The Bells of Zlonice”)
Antonín Dvořák8:41
4Symphony no. 1 in C minor, op. 3 “The Bells of Zlonice”: IV. Finale (Allegro animato)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: IV. Finale (Allegro animato) (Symphony No. 1 in C minor, Op. 3 “The Bells of Zlonice”: IV. Finale (Allegro animato)) (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-02-14 until 1865-03-24)
part of:
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“ (Symphony no. 1 in C minor, B. 9 “The Bells of Zlonice”)
Antonín Dvořák12:41
5Symphony no. 2 in B-flat major, op. 4: I. Allegro con moto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 2 B dur, op. 4: I. Allegro con moto (Symphony No. 2 in B-flat major, Op. 4: I. Allegro con moto) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-08-01 until 1865-10-09)
revised by:
Antonín Dvořák (composer) (in 1887)
part of:
Symphony no. 2 in B-flat major, op. 4, B. 12
Antonín Dvořák16:26
2▼Digital Media
#TitleArtistRatingLength
1Symphony no. 2 in B-flat major, op. 4: II. Poco adagio
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 2 B dur, op. 4: II. Poco adagio (Symphony No. 2 in B-flat major, Op. 4: II. Poco adagio) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-08-01 until 1865-10-09)
revised by:
Antonín Dvořák (composer) (in 1887)
part of:
Symphony no. 2 in B-flat major, op. 4, B. 12
Antonín Dvořák14:06
2Symphony no. 2 in B-flat major, op. 4: III. Scherzo (Allegro con brio)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 2 B dur, op. 4: III. Scherzo. Allegro con brio (Symphony No. 2 in B flat major, Op. 4: III. Scherzo (Allegro con brio)) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-08-01 until 1865-10-09)
revised by:
Antonín Dvořák (composer) (in 1887)
part of:
Symphony no. 2 in B-flat major, op. 4, B. 12
Antonín Dvořák12:33
3Symphony no. 2 in B-flat major, op. 4: IV. Finale (Allegro con fuoco)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 2 B dur, op. 4: IV. Finale. Allegro con fuoco (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1865-08-01 until 1865-10-09)
revised by:
Antonín Dvořák (composer) (in 1887)
part of:
Symphony no. 2 in B-flat major, op. 4, B. 12
Antonín Dvořák11:05
4Symphony no. 3 in E-flat major, op. 10: I. Allegro moderato
producer:
Ray Minshull (record producer) and John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1966-10-11 until 1966-10-12)
conductor:
István Kertész (conductor) (from 1966-10-11 until 1966-10-12)
balance engineer:
Jack Law (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-11 until 1966-10-12)
recording of:
Symfonie č. 3 Es dur, op. 10: I. Allegro moderato (from 1966-10-11 until 1966-10-12)
composer:
Antonín Dvořák (composer) (from 1873-04 until 1873-07-04)
revised by:
Antonín Dvořák (composer) (in 1887, in 1889)
part of:
Symfonie č. 3 Es dur, op. 10 (Symphony No. 3 in E major, op. 10, B. 34)
Antonín Dvořák11:34
5Symphony no. 3 in E-flat major, op. 10: II. Adagio molto, tempo di marcia
producer:
Ray Minshull (record producer) and John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1966-10-11 until 1966-10-12)
conductor:
István Kertész (conductor) (from 1966-10-11 until 1966-10-12)
balance engineer:
Jack Law (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-11 until 1966-10-12)
recording of:
Symfonie č. 3 Es dur, op. 10: II. Adagio molto, tempo di marcia (from 1966-10-11 until 1966-10-12)
composer:
Antonín Dvořák (composer) (from 1873-04 until 1873-07-04)
revised by:
Antonín Dvořák (composer) (in 1887, in 1889)
part of:
Symfonie č. 3 Es dur, op. 10 (Symphony No. 3 in E major, op. 10, B. 34)
Antonín Dvořák16:08
6Symphony no. 3 in E-flat major, op. 10: III. Finale. Allegro vivace
producer:
Ray Minshull (record producer) and John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1966-10-11 until 1966-10-12)
conductor:
István Kertész (conductor) (from 1966-10-11 until 1966-10-12)
balance engineer:
Jack Law (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-11 until 1966-10-12)
recording of:
Symfonie č. 3 Es dur, op. 10: III. Finale. Allegro vivace (from 1966-10-11 until 1966-10-12)
composer:
Antonín Dvořák (composer) (from 1873-04 until 1873-07-04)
revised by:
Antonín Dvořák (composer) (in 1887, in 1889)
part of:
Symfonie č. 3 Es dur, op. 10 (Symphony No. 3 in E major, op. 10, B. 34)
Antonín Dvořák7:59
3▼Digital Media
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1Symphony no. 4 in D minor, op. 13: I. Allegro
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-14 until 1966-10-17)
conductor:
István Kertész (conductor) (from 1966-10-14 until 1966-10-17)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-14 until 1966-10-17)
recording of:
Symfonie č. 4 d moll, op. 13: I. Allegro (from 1966-10-14 until 1966-10-17)
composer:
Antonín Dvořák (composer) (from 1874-01-01 until 1874-03-26)
revised by:
Antonín Dvořák (composer) (from 1887 until 1888)
part of:
Symfonie č. 4 d moll, op. 13 (Symphony No. 4 in D minor, op. 13, B. 41)
Antonín Dvořák12:39
2Symphony no. 4 in D minor, op. 13: II. Andante sostenuto e molto cantabile
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-14 until 1966-10-17)
conductor:
István Kertész (conductor) (from 1966-10-14 until 1966-10-17)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-14 until 1966-10-17)
recording of:
Symfonie č. 4 d moll, op. 13: II. Andante sostenuto e molto cantabile (from 1966-10-14 until 1966-10-17)
composer:
Antonín Dvořák (composer) (from 1874-01-01 until 1874-03-26)
revised by:
Antonín Dvořák (composer) (from 1887 until 1888)
part of:
Symfonie č. 4 d moll, op. 13 (Symphony No. 4 in D minor, op. 13, B. 41)
Antonín Dvořák11:16
3Symphony no. 4 in D minor, op. 13: III. Scherzo (Allegro feroce)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-14 until 1966-10-17)
conductor:
István Kertész (conductor) (from 1966-10-14 until 1966-10-17)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-14 until 1966-10-17)
recording of:
Symfonie č. 4 d moll, op. 13: III. Scherzo (Allegro feroce) (from 1966-10-14 until 1966-10-17)
composer:
Antonín Dvořák (composer) (from 1874-01-01 until 1874-03-26)
revised by:
Antonín Dvořák (composer) (from 1887 until 1888)
part of:
Symfonie č. 4 d moll, op. 13 (Symphony No. 4 in D minor, op. 13, B. 41)
Antonín Dvořák6:20
4Symphony no. 4 in D minor, op. 13: IV. Finale. (Allegro con brio)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-14 until 1966-10-17)
conductor:
István Kertész (conductor) (from 1966-10-14 until 1966-10-17)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-14 until 1966-10-17)
recording of:
Symfonie č. 4 d moll, op. 13: IV. Finale: Allegro con brio (from 1966-10-14 until 1966-10-17)
composer:
Antonín Dvořák (composer) (from 1874-01-01 until 1874-03-26)
revised by:
Antonín Dvořák (composer) (from 1887 until 1888)
part of:
Symfonie č. 4 d moll, op. 13 (Symphony No. 4 in D minor, op. 13, B. 41)
Antonín Dvořák9:46
5Symphony no. 5 in F major, op. 76: I. Allegro, ma non troppo
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-08 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-08 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (from 1965-12-08 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-08 until 1965-12-10)
recording of:
Symphony no. 5 in F major, op. 76: I. Allegro ma non troppo (from 1965-12-08 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1875-06 until 1875-07)
part of:
Symphony no. 5 in F major, op. 76
Antonín Dvořák12:49
6Symphony no. 5 in F major, op. 76: II. Andante con moto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-08 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-08 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (from 1965-12-08 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-08 until 1965-12-10)
recording of:
Symphony no. 5 in F major, op. 76: II. Andante con moto (from 1965-12-08 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1875-06 until 1875-07)
part of:
Symphony no. 5 in F major, op. 76
Antonín Dvořák8:15
7Symphony no. 5 in F major, op. 76: III. Scherzo. Allegro scherzando
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-08 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-08 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (from 1965-12-08 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-08 until 1965-12-10)
recording of:
Symphony no. 5 in F major, op. 76: III. Andante con moto, quasi l'istesso tempo - Allegro scherzando (from 1965-12-08 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1875-06 until 1875-07)
part of:
Symphony no. 5 in F major, op. 76
Antonín Dvořák6:40
4▼Digital Media
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1Symphony no. 5 in F major, op. 76: IV. Finale. Allegro molto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-08 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-08 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (from 1965-12-08 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-08 until 1965-12-10)
recording of:
Symphony no. 5 in F major, op. 76: IV. Finale: Allegro molto (from 1965-12-08 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1875-06 until 1875-07)
part of:
Symphony no. 5 in F major, op. 76
Antonín Dvořák12:24
2Symphony no. 6 in D major, op. 60: I. Allegro non tanto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Symphony no. 6 in D major, op. 60: I. Allegro non tanto (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1880-08-27 until 1880-10-15)
part of:
Symphony no. 6 in D major, op. 60
Antonín Dvořák15:50
3Symphony no. 6 in D major, op. 60: II. Adagio
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Symphony no. 6 in D major, op. 60: II. Adagio (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1880-08-27 until 1880-10-15)
part of:
Symphony no. 6 in D major, op. 60
Antonín Dvořák11:31
4Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant. Presto)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant). Presto (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1880-08-27 until 1880-10-15)
part of:
Symphony no. 6 in D major, op. 60
Antonín Dvořák7:53
5Symphony no. 6 in D major, op. 60: IV. Finale (Allegro con spirito)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Symphony no. 6 in D major, op. 60: IV. Finale: Allegro con spirito (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1880-08-27 until 1880-10-15)
part of:
Symphony no. 6 in D major, op. 60
Antonín Dvořák10:19
6In Nature’s Realm Overture, op. 91 “V přírodě”
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-14 until 1966-10-17)
conductor:
István Kertész (conductor) (from 1966-10-14 until 1966-10-17)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-14 until 1966-10-17)
recording of:
In Nature's Realm Overture, op. 91, B. 168 "V přírodě" (from 1966-10-14 until 1966-10-17)
composer:
Antonín Dvořák (composer) (from 1891-03-31 until 1891-07-08)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 91) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 168)
Antonín Dvořák13:34
5▼Digital Media
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1Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1964-03-05 until 1964-03-06)
conductor:
István Kertész (conductor) (from 1964-03-05 until 1964-03-06)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-05 until 1964-03-06)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (from 1964-03-05 until 1964-03-06)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák10:17
2Symphony no. 7 in D minor, op. 70: II. Poco adagio
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1964-03-05 until 1964-03-06)
conductor:
István Kertész (conductor) (from 1964-03-05 until 1964-03-06)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-05 until 1964-03-06)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (from 1964-03-05 until 1964-03-06)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák10:07
3Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1964-03-05 until 1964-03-06)
conductor:
István Kertész (conductor) (from 1964-03-05 until 1964-03-06)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-05 until 1964-03-06)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (from 1964-03-05 until 1964-03-06)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák7:20
4Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1964-03-05 until 1964-03-06)
conductor:
István Kertész (conductor) (from 1964-03-05 until 1964-03-06)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-05 until 1964-03-06)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (from 1964-03-05 until 1964-03-06)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:14
5Symphony no. 8 in G major, op. 88: I. Allegro con brio
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer) and Michael Mailes (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:02
6Symphony no. 8 in G major, op. 88: II. Adagio
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer) and Michael Mailes (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:59
7Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer) and Michael Mailes (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:02
8Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer) and Michael Mailes (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:00
6▼Digital Media
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1Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:30
2Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:28
3Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:24
4Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-11-21 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-11-21 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-11-21 until 1966-12-03)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (from 1966-11-21 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:18
5Overture, op. 92 “Karneval”
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Carnival Overture, op. 92, B. 169 (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1891-07-28 until 1891-09-12)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 92) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 169)
Antonín Dvořák8:59
6Scherzo capriccioso, op. 66
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1963-02-22 until 1963-02-26)
conductor:
István Kertész (conductor) (from 1963-02-22 until 1963-02-26)
balance engineer:
Arthur Lilley (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1963-02-22 until 1963-02-26)
recording of:
Scherzo capriccioso, op. 66, B. 131 (for orchestra) (from 1963-02-22 until 1963-02-26)
composer:
Antonín Dvořák (composer) (from 1883-04-04 until 1883-05-02)
premiered at:
[concert] (1883-05-16)
publisher:
Bote & Bock (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 131)
Antonín Dvořák11:49
7Domov můj Overture, op. 62 “My Home”
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-08 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-08 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (from 1965-12-08 until 1965-12-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-08 until 1965-12-10)
recording of:
Domov můj Overture, op. 62 "My Home" (My Home, op. 62, B. 125a) (from 1965-12-08 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1882-01-21 until 1882-01-23)
premiered at:
[concert] (1882-02-03)
publisher:
N. Simrock (in 1882)
part of:
Works of Antonín Dvořák by opus number (number: op. 62) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 125a)
Antonín Dvořák9:36
7▼Digital Media
#TitleArtistRatingLength
1Symphonic Variations, op. 78
recording engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02), Peter van Biene (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
balance engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Symphonic Variations, op. 78, B. 70 (from 1970-06-29 until 1970-07-02)
premiered in:
Praha (Prague), Czechia (on 1877-12-02)
composer:
Antonín Dvořák (composer) (from 1877-08-06 until 1877-09-28)
premiered at:
[concert] (1877-12-02)
publisher:
N. Simrock (in 1888)
part of:
Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 70) and Works of Antonín Dvořák by opus number (number: op. 78)
is based on:
Huslař, B. 66 no. 3
Antonín Dvořák23:17
2Husitsk Overture, op. 67 (Hussite)
recording engineer:
Jack Law (engineer) (from 1966-10-11 until 1966-10-12)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-11 until 1966-10-12)
conductor:
István Kertész (conductor) (from 1966-10-11 until 1966-10-12)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-10-11 until 1966-10-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-11 until 1966-10-12)
recording of:
Husitská, dramatická ouvertura, op. 67, B. 132 (Hussite Overture, op. 67, B. 132, for orchestra) (from 1966-10-11 until 1966-10-12)
composer:
Antonín Dvořák (composer) (from 1883-08-09 until 1883-09-09)
premiered at:
[concert] (1883-11-18)
publisher:
N. Simrock (in 1884)
was commissioned by:
Národní divadlo (The National Theatre) in Praha (Prague), Czechia
part of:
Works of Antonín Dvořák by opus number (number: op. 67) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 132)
Antonín Dvořák14:11
3The Water Goblin (Vodnik), symphonic poem, op. 107
recording engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02), Peter van Biene (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Vodník, op. 107, B. 195 (The Water Goblin, op. 107, B. 195) (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-14)
composer:
Antonín Dvořák (composer) (from 1896-01-06 until 1896-02-11)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 107) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 195)
Antonín Dvořák19:25
4The Golden Spinning Wheel (Zlaty kolovrat), op. 109
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
balance engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Zlatý kolovrat, op. 109, B. 197 (The Golden Spinning Wheel, op. 109, B. 197) (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-10-26)
composer:
Antonín Dvořák (composer) (from 1896-01-15 until 1896-04-25)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 197)
Antonín Dvořák26:24
8▼Digital Media
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1Requiem, op. 89: Requiem aeternam
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: I. Introitus: Requiem aeternam (Requiem in B-flat minor, Op. 89, B. 165: Section I: I. Introitus: Requiem aeternam) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section I)
Antonín Dvořák10:37
2Requiem, op. 89: Graduale
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: II. Graduale: Requiem aeternam (Requiem in B-flat minor, Op. 89, B. 165: Section I: II. Graduale: Requiem aeternam) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section I)
Antonín Dvořák5:08
3Requiem, op. 89: Dies irae
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Dies irae (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák2:08
4Requiem, op. 89: Tuba mirum
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Tuba mirum (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák8:34
5Requiem, op. 89: Quid sum miser
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Quid sum miser (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:02
6Requiem, op. 89: Recordare, Jesu pie
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Recordare (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:59
7Requiem, op. 89: Confutatis maledictis
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Confutatis maledictis (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák4:15
8Requiem, op. 89: Lacrimosa
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia: Lacrimosa (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: I. oddíl: III. Sequentia (Requiem in B-flat minor, Op. 89, B. 165: Section I: III. Sequentia: Dies irae - Tuba mirum - Quid sum miser - Recordare, Jesu pie - Confutatis maledictis – Lacrimosa)
Antonín Dvořák6:11
9Requiem, op. 89: Offertorium (Domine, Jesu Christe)
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Domine Jesu Christe (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonín Dvořák11:12
10Requiem, op. 89: Hostias
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium: Hostias (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: IV. Offertorium (Requiem in B-flat minor, Op. 89, B. 165: Section II: IV. Offertorium: Domine Jesu Christe – Hostias)
Antonín Dvořák11:14
9▼Digital Media
#TitleArtistRatingLength
1Requiem, op. 89: Sanctus
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Sanctus (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:56
2Requiem, op. 89: Pie Jesu
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu: Pie Jesu (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: V. Sanctus - Pie Jesu (Requiem in B-flat minor, Op. 89, B. 165: Section II: V. Sanctus - Pie Jesu)
Antonín Dvořák5:12
3Requiem, op. 89: Agnus Dei
recording engineer:
James Lock (James Locke, engineer) (in 1968-12) and Gordon Parry (engineer) (in 1968-12)
producer:
Christopher Raeburn (producer)
baritone vocals:
Tom Krause (bass-baritone) (from 1968-12-09 until 1968-12-14)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1968-12-09 until 1968-12-14)
mezzo-soprano vocals:
Erzsébet Komlóssy (from 1968-12-09 until 1968-12-14)
soprano vocals:
Pilar Lorengar (soprano) (from 1968-12-09 until 1968-12-14)
tenor vocals:
Robert Ilosfalvy (Hungarian tenor) (from 1968-12-09 until 1968-12-14)
orchestra:
London Symphony Orchestra (from 1968-12-09 until 1968-12-14)
conductor:
István Kertész (conductor) (from 1968-12-09 until 1968-12-14)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1968-12-09 until 1968-12-14)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-09 until 1968-12-14)
recording of:
Requiem v B-moll, op. 89, B. 165: II. oddíl: VI. Agnus Dei (Requiem in B-flat minor, Op. 89, B. 165: Section II: VI. Agnus Dei) (from 1968-12-09 until 1968-12-14)
composer:
Antonín Dvořák (composer) (from 1890-01-01 until 1890-10-31)
part of:
Requiem v B-moll, op. 89, B. 165: II. oddíl (Requiem in B-flat minor, Op. 89, B. 165: Section II)
Antonín Dvořák10:51
4Serenade for Wind in D minor, op. 44: Moderato, quasi marcia
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: I. Moderato quasi marcia (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák3:22
5Serenade for Wind in D minor, op. 44: Minuetto (Tempo di minuetto)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: II. Menuetto e Trio (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:13
6Serenade for Wind in D minor, op. 44: Andante con moto
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: III. Andante con moto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák8:31
7Serenade for Wind in D minor, op. 44: Finale (Allegro molto)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (from 1968-03-10 until 1968-03-11)
conductor:
István Kertész (conductor) (from 1968-03-10 until 1968-03-11)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-03-10 until 1968-03-11)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: IV. Finale. Allegro molto (from 1968-03-10 until 1968-03-11)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák6:04
8Othello Overture, op. 93
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-12-01 until 1966-12-03)
conductor:
István Kertész (conductor) (from 1966-12-01 until 1966-12-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1966-12-01 until 1966-12-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-01 until 1966-12-03)
recording of:
Othello, op. 93, B. 174 (from 1966-12-01 until 1966-12-03)
composer:
Antonín Dvořák (composer) (from 1891-12-10 until 1892-01-18)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 93) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 174)
Antonín Dvořák14:50
9The Noon Witch, op. 108
recording engineer:
Stanley Goodall (engineer) (from 1970-06-29 until 1970-07-02), Peter van Biene (engineer) (from 1970-06-29 until 1970-07-02) and Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (from 1970-06-29 until 1970-07-02)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Polednice, op. 108, B. 196 (The Noon Witch, op. 108, B. 196) (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (composer) (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 196)
Antonín Dvořák13:46