The Greatest New Romantic Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173.54:39
2Is There Something I Should Know
Koproduzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Produzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Mix:
Ian Little (producer, engineer, songwriter) und Alex Sadkin
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran3.14:09
3Mirror Man
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
Musikvideos:
Mirror Man von The Human League
recording of:
Mirror Man
Verfasser(in):
Ian Burden, Jo Callis und Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L und PolyGram Music Publishing
The Human League23:50
4Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:57
5Love on Your Side
recording of:
Love on Your Side
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
Thompson Twins5:41
6To Cut a Long Story Short
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
To Cut a Long Story Short
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. und Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
7Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut One Hundred2.53:15
8Tesla Girls
Techniker(in):
Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
recording of:
Tesla Girls
Texter und Komponist(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark2.653:36
9Is It a Dream?
recording of:
Is It a Dream?
Texter und Komponist(in):
Sal Solo
Classix Nouveaux3:38
10I Second That Emotion
Produzent(in):
John Punter
phonographisches Urheberrecht (℗) von:
BMG Records (U.K.) Ltd. (1987–1996) (in 1981) und Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:46
11Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:39
12Neon Lights
recording of:
Neon Lights
Texter:
Ralf Hütter
Komponist(in):
Karl Bartos, Ralf Hütter und Florian Schneider (founding member of Kraftwerk)
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
übersetzte Version von:
Neonlicht
Kraftwerk3.358:51
13Hyperactive
recorded in:
Brussels (Region Brüssel-Hauptstadt), Belgien (in 1983-06)
engineered in:
Brussels (Region Brüssel-Hauptstadt), Belgien
Techniker(in):
Dan Lacksman (Belgian musician & producer)
Produzent(in):
Thomas Dolby
Mix:
Alan Douglas (Scottish born engineer)
Bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
elektronisches Schlagzeug / E-Drums und Perkussion:
Clif Brigden (in 1983-06)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
Klavier:
Thomas Dolby (in 1983-06)
Perkussion:
Matthew Salt (in 1983-06)
Posaune:
Peter Thoms (trombone) (in 1983-06)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) und Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
zusätzlich vocals:
Louise Ulfstedt (in 1983-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
Texter und Komponist(in):
Thomas Dolby
publisher:
Scale Music, Smash Ltd. und Street Music Ltd.
Thomas Dolby54:13
14After a Fashion
recording of:
After a Fashion
Verfasser(in):
Mick Karn und Midge Ure
Midge Ure3:58
15Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:31
16Talk Talk
recording engineer und Produzent(in):
Colin Thurston
Mix:
Mike Robinson (engineer)
Bassgitarre:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Keyboard:
Simon Brenner (UK musician, member of Talk Talk)
Schlagzeug:
Lee Harris (drummer, member of Talk Talk and .O.Rang)
Sologesang:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk33:17
17Planet Earth
recording of:
Planet Earth
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Duran Duran3:59
18Locomotion
Techniker(in):
Steve Jackson (recording engineer), Ronald Prent (Dutch sound engineer and producer) und Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
Klavier:
Gordian Troeller (band manager)
Interpret(in):
Orchestral Manoeuvres in the Dark
Blechblasinstrumente arranger:
Tony Visconti
recording of:
Locomotion (OMD)
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey und Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:53
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:26
2Love Action (I Believe in Love)
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
Musikvideos:
Love Action (I Believe In Love) von The Human League
recording of:
Love Action (I Believe in Love)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
Human League33:52
3It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Culture Club3.63:24
4Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins7:08
5Hanna Hanna
recording of:
Hanna Hanna
Texter und Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
China Crisis3:30
6Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:34
7Blue Hat for a Blue Day
Nick Heyward4:03
8Reap the Wild Wind
recording of:
Reap the Wild Wind
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3:42
9Quiet Life
Techniker(in):
Colin Fairley
Produzent(in) und Mix:
John Punter
Gitarre:
Rob Dean (UK guitarist for Japan)
recording of:
Quiet Life
Texter und Komponist(in):
David Sylvian
publisher:
Chadwick Nomis Ltd. und Opium (Arts) Ltd.
Japan44:52
10Only for Love
recording of:
Only for Love
Texter und Komponist(in):
Limahl
Limahl33:55
11I’ll Fly for You
recording of:
I’ll Fly for You
Texter und Komponist(in):
Gary Kemp
Spandau Ballet5:10
12If I Was
Produzent(in):
Midge Ure
Gast-Interpret(in):
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1985)
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure45:21
13Sister of Mercy
Thompson Twins5:09
14Waterfront
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Steve Lillywhite und Peter Walsh (UK producer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Waterfront
Verfasser(in):
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Publishing Ltd.
Simple Minds4.54:50
15Penthouse & Pavement
Gast-Bassgitarre und Gast-E-Gitarre [guitar synthesisers]:
John Wilson (guitarist; Heaven 17)
Gast vocals:
Josie James
recording of:
Penthouse and Pavement
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 174:03
16Genetic Engineering
Techniker(in):
Keith Richard Nixon, Ian Little (producer, engineer, songwriter), OMD und Brian Tench
Produzent(in):
Rhett Davies und OMD
Sologesang:
A. M. McCluskey
zusätzlich vocals:
Maureen Humphreys
Interpret(in):
G. A. McCluskey, M. A. Holmes (drummer), M. H. Cooper (OMD and The Listening Pool) und P. D. Humphreys (Orchestral Manoeuvres in the Dark)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Genetic Engineering
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Virgin Music (Publishers) Ltd.
O.M.D.43:37
17Nightmares
recording of:
Nightmares
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc.
A Flock of Seagulls4:38
18Christian
recording of:
Christian
Texter:
Gary Daly
Komponist(in):
Gary Daly, Eddie Lundon (China Crisis) und Dave Reilly (China Crisis)
publisher:
Virgin Music (Publishers) Ltd.
China Crisis4:43
3▼CD
Nr.TitelKünstlerBewertungLänge
1Musclebound
recording of:
Muscle Bound
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Reformation Publishing Co. Ltd.
Spandau Ballet3:54
2Wild Boys
Techniker(in), Audio-Engineering und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Duran Duran (English rock band) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 54)
recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
live recording of:
The Wild Boys
Verfasser(in):
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) und Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. und Noticevale Ltd.
Duran Duran4.14:17
3All Stood Still
recording of:
All Stood Still
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:24
4You Take Me Up
Thompson Twins8:29
5It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:54
6Whistle Down the Wind
Bass:
Pino Palladino
Schlagzeug:
Dave Mattacks
recording of:
Whistle Down the Wind
Texter und Komponist(in):
Nick Heyward
Nick Heyward2.53:41
7Time (Clock of the Heart)
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in):
Steve Levine (producer) und Mike Ross (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bass und Moog [Moog bass]:
Michael Craig (Culture Club bassist)
Gitarre und Röhrenglocken:
Roy Hay (Member of Culture Club and composer for film and television)
Saxophon:
Steve Grainger (saxophonist)
Schlagzeug und Tamburin:
Jon Moss
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George
Saiteninstrumente arranger:
Trevor Bastow
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich
engineered at:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Time (Clock of the Heart) von Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd. (in 1982)
Culture Club3.83:43
8Crushed by the Wheels of Industry
teilweise recording of:
Crushed by the Wheels of Industry
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173:45
9The Lebanon
Techniker(in):
Renate Blauel, Gavin McKillop und Bill Price (UK producer/engineer)
Produzent(in):
The Human League, Hugh Padgham und Chris Thomas (UK record producer / remixer)
Mix:
Hugh Padgham
Musikvideos:
The Lebanon von The Human League
recording of:
The Lebanon
Texter und Verfasser(in):
Philip Oakey
Komponist(in):
Jo Callis
The Human League3:44
10Glittering Prize
Produzent(in):
Keith Forsey (drummer, producer and songwriter) und Peter Walsh (UK producer)
recording of:
Glittering Prize
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Publishing Ltd.
Simple Minds3:59
11Union of the Snake
recording of:
Union of the Snake
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran4:22
12Guilty
recording of:
Guilty
Texter und Komponist(in):
Sal Solo
Classix Nouveaux3:20
13No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music und Westminster Music Ltd.
Midge Ure34:03
14European Son
recording of:
European Son (Japan)
Texter und Komponist(in):
David Sylvian
Japan3:39
15Computer Love
recording of:
Computer Love
Texter und Übersetzer:
Ralf Hütter und Emil Schult
Komponist(in):
Karl Bartos und Ralf Hütter
publisher:
Kling Klang Music
übersetzte Version von:
Computer Liebe
Kraftwerk7:18
16She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:43
17Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:43
18My Foolish Friend
Produzent(in):
Rhett Davies
recording of:
My Foolish Friend
Verfasser(in):
Simon Brenner (UK musician, member of Talk Talk) und Mark Hollis
Talk Talk3:18
4▼CD
Nr.TitelKünstlerBewertungLänge
1Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
2We Came to Dance
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982, in 2025)
produced for:
AIR Studios Ltd.
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei und additionally mixed at:
AIR Studios Montserrat in Saint Peter, Montserrat (von 1982-06 bis 1982-08)
Musikvideos:
We Came to Dance von Ultravox
recording of:
We Came to Dance
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox54:10
3(We Don’t Need This) Fascist Groove Thing
Produzent(in):
B.E.F.
Bass, Gitarre und Synthesizer:
John Wilson (guitarist; Heaven 17)
Perkussion, Klavier und Synthesizer und Hintergrundgesang:
Martyn Ware
Perkussion, Saxophon und Synthesizer:
Ian Craig Marsh
Sologesang:
Glenn Gregory
recording of:
(We Don’t Need This) Fascist Groove Thang
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 174.54:19
4Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:31
5Wishing (If I Had a Photograph of You)
Techniker(in):
Dave Hutchins (UK engineer)
Produzent(in):
Mike Howlett
Bassgitarre:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1983) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.155:32
6First Picture of You
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1983)
recording of:
The First Picture of You
Verfasser(in):
Jeremy Kelly, Peter Coyle und Ged Quinn (Keyboardist)
publisher:
Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Lotus Eaters33:42
7Favourite Shirts (Boy Meets Girl)
Produzent(in):
Bob Sargeant
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred53:06
8Wishful Thinking
Produzent(in):
Mike Howlett
vocals:
Eddie Lundon (China Crisis)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Wishful Thinking
Texter:
Eddie Lundon (China Crisis)
Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:41
9Lies
recording of:
Lies
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Songs, Inc., CD Baby Publishing (publisher, not a release label!), Point Music Ltd. und Zomba Enterprises, Inc.
Thompson Twins3:14
10Inside Outside
recording of:
Inside Outside
Verfasser(in):
Sal Solo
Classix Nouveaux3:17
11Ooh to Be Aah
recording of:
Ooh to Be Ah
Texter:
Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
Infinite Music Ltd.
Kajagoogoo3:36
12Lifeline
recording of:
Lifeline
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:20
13The Sound of the Crowd
recording of:
The Sound of the Crowd
Texter und Komponist(in):
Ian Burden und Philip Oakey
The Human League3:57
14Church of the Poison Mind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre und Klavier:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Mundharmonika:
Judd Lander
Orgel:
Phil Pickett (songwriter, producer, keyboard player)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Saxophon:
Steve Grainger (saxophonist)
Trompete:
Terry Bailey (trumpeter)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1983 bis heute, in 1983, in 2003) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Church of the Poison Mind von Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd. (vom 1983 bis heute)
Culture Club3.53:31
15Today
recording of:
Today
Texter:
Mark Hollis
Komponist(in):
Simon Brenner (UK musician, member of Talk Talk), Lee Harris (drummer, member of Talk Talk and .O.Rang), Mark Hollis und Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Talk Talk3:14
16Europa & the Pirate Twins
andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Morgan Dolby Robertson
Bassgitarre:
Mark Heyward-Chaplin
elektronisches Schlagzeug / E-Drums [electronic percussion], Synthesizer und Sologesang:
Thomas Dolby
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter)
Mundharmonika:
Andy Partridge
Schlagzeug:
Justin Hildreth
Hintergrundgesang:
Les Chappell und Thomas Dolby
aufgenommen bei und mixed at:
Ad Vision in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Europa and the Pirate Twins
Texter und Komponist(in):
Thomas Dolby
Thomas Dolby53:19
17The Model
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
Texter:
Ralf Hütter und Emil Schult
Komponist(in):
Karl Bartos und Ralf Hütter
zusätzlich Übersetzer:
Ralf Hütter und Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
übersetzte Version von:
Das Modell
Kraftwerk4.153:41
18Ghosts
recording of:
Ghosts
Texter und Komponist(in):
David Sylvian
publisher:
Chadwick-Nomis Ltd und Virgin Music (Publishers) Ltd.
Japan4:29